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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Ryedale Jazz Festival 2014 Ryedale Jazz Festival 2014
RYEDALE JAZZ FESTIVAL 2014 RYEDALE JAZZ Sun 20th Spirituals Concert, 2.30 St Peter & St Pauls Thurs 24th 7.30pm Swale Valley Stompers Ryedale Jazz, formed in 2000, are the resident band of Started in 1978, and still with two founder members FESTIVAL 2014 Ryedale Jazz Society. Their growing reputation has earned playing, their Trad Jazz style has evolved to include them appearances at Barnsley and Leeds jazz clubs, and elements of swing and other rhythms. Their resultant blend Sunday 20th: St Peter & St Pauls Church at Staithes and Ryedale Festivals, as well as many local of music creates a relaxed and happy style guaranteed to All other performances take place at the private and charity events. After last year’s very successful please both purists and jazz ‘newbies’. SVS have appeared Pickering Memorial Hall YO18 8AA Church Concert they are invited back to give another set of at festivals at home and abroad, and still maintain their spirituals and gospel music their straightforward ‘trad jazz’ Osmotherly residency. interpretation. Find out more from www.ryedalejazz.com . Fri 25th 2pm The Vieux Carré Jazzmen Ryedale Jazz Festival MEMORIAL HALL An extremely busy band maintaining three weekly Mon 21st 7:30pm Gavin Lee’s New Orleans Jazz Band residencies, and many festival appearances, this group Durham-based clarinettist Gavin Lee leads this nationally- has been going since 1954. They play with verve and acclaimed band which specializes in the authentic traditional enthusiasm and their repertoire covers the whole spectrum jazz music of the “Crescent City”. Their energetic and of traditional jazz, from rags and pop to blues and original interpretations of rarely-heard classic tunes are marches, with influences from such greats as Armstrong perfect for listening - and dancing! and Williams. -
Daily Iowan (Iowa City, Iowa), 1972-06-12
IN THE NEWS .... CMy..... .. riefly 8tiO_ .... .... Rapid City flood toll hits 208 Paper pick-up Discarded paper will be picked up regularly at 500 still missing; the overflowing dumpster locations, according to Local drive to aid Terry Taylor of City Carton Co. The company has been in touch with the university, according to Taylor, and has Estimate damage arr~~~ed a regular .~ick-up schedule. disaster victims "Citizens can still leave their papers at the sites and rest assured that they will be taken By MONICA BAVER drive. Jim Singleton, IOQI 16 at $100 million care of," Taylor says. Papers can also be placed NewaEdltor. Ave., Coralvi1le,aays they have in Goodwill boxes for pick-up. A local man "who lived there had "real good luck" so far. RAPID CITY, S.D. (AP) - Civil Defesne officials said until three weeks ago, .. is They have received a "couple • The death toll passed 200 Sun hundreds of low-lying flooded spearheading a local relief hWldred dollars worth of food" day as people in the acenlc areas still had not been covered My Lai again? drive for the flood victims of his "I know the response of Black Hilla of South Dakota by the 2,000 National Guard home state. Iowans will be immediate and . began IdentUyIng their dead smen and the like number of NEW YORK (AP) - A Newsweek magazine Paul Just, manager'of Eric's generous in the aftermath of and cleaning away the debris volunteers taking part in search correspondent said Sunday U.S. forces killed "a Texaco Service, 510 S. -
Mayodan High School Yearbook, "The Anchor"
» :-.i.jV Digitized by the Internet Archive in 2013 http://archive.org/details/anchor1958mayo ^he eAncko ,,: ^ . 1958 CHARLOTTE GANN - Editor-in-Chief SHIRLEY EASTER Assistant Editor MILDRED WHITE Sales Manager BETTY S. WILKINS Advertising MONTSIE ALLRED Class Editor FRANKIE CARLTON Picture Editor ROGER TAYLOR Art Editor UDELL WESTON Sports Editor JIMMY GROGAN Feature Editor foreword The Senior Class of '58 presents this ANCHOR as a token of our appreciation to all who have helped us progress through the past years, especially our parents, teach- ers, fellow students, and Mr. Duncan. success, It is our sincere hope that your lives may be filled with happiness and and that you will continue to manifest a spirit of loyalty to Mayodan High School. SHIRLEY EASTER CHARLOTTE GANN ^Dedication To our parents, who, in the process of rearing us, have picked us up when we have fallen, pushed us when we needed pushing, and have tried to understand o u r problems when on one else would listen to us! Because of their faithfulness, understanding, and undying love, for which we feel so deeply grateful, we dedicate to them our annual, the ANCHOR of 1958. The Seniors ^iicfk Oc/tocl faculty Not Pictured HATTIE RUTH HYDER ELLIOTT F. DUNCAN VIOLET B. SULEY B. S., A. S. T. C. A. B., U. N. C. A. B., Wisconsin University Home Economics Principal Biology Not Pictured OTIS J. STULTZ IRMA S. CREWS HENRY C. M. WHITAKER B. A., Elon College B. A., Winthrop College A. B., High Point College Business Administration A. B., High Point College Spanish, Social Studies, Band Mathematics, English MAUD G. -
Whicl-I Band-Probably Sam; Cf
A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band. -
The Very Best of Acker Bilk, Chris Barber, Kenny Ball) Mp3, Flac, Wma
Various The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) Country: Italy Released: 1987 Style: Dixieland MP3 version RAR size: 1379 mb FLAC version RAR size: 1951 mb WMA version RAR size: 1802 mb Rating: 4.2 Votes: 324 Other Formats: WAV TTA MP1 DTS ADX AIFF MOD Tracklist A1 –Kenny Ball When The Saints 3:08 A2 –Acker Bilk Marching Through Georgia 3:14 A3 –Chris Barber Petite Fleur 2:43 A4 –Kenny Ball At The Jazzband Ball 5:06 A5 –Acker Bilk Easter Parade 2:42 A6 –Chris Barber Bill Bailey Won't You Please Come Home 3:43 A7 –Kenny Ball When I'm 64 2:37 A8 –Acker Bilk Dardanella 3:40 A9 –Chris Barber Everybody Loves My Baby 3:15 A10 –Kenny Ball Green Leaves Of Summer 2:46 B1 –Acker Bilk Franklin Street Blues 3:06 B2 –Chris Barber I Can't Give You Anything But Love 3:50 B3 –Kenny Ball Bourbon Street Parade 3:44 B4 –Acker Bilk Carry Me Back 3:08 B5 –Chris Barber April Showers 5:50 B6 –Kenny Ball Muskrat Ramble 4:04 B7 –Acker Bilk Willie The Weeper 3:07 B8 –Chris Barber Beale Street Blues 2:10 B9 –Kenny Ball Someday 2:16 B10 –Acker Bilk Sweet Gerogia Brown 4:13 Related Music albums to The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) by Various Mr. -
2)GEORGE PORTER Jr Di Massimo Luna.Pdf
Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
By David Kunian, 2013 All Rights Reserved Table of Contents
Copyright by David Kunian, 2013 All Rights Reserved Table of Contents Chapter INTRODUCTION ....................................................................................... 1 1. JAZZ AND JAZZ IN NEW ORLEANS: A BACKGROUND ................ 3 2. ECONOMICS AND POPULARITY OF MODERN JAZZ IN NEW ORLEANS 8 3. MODERN JAZZ RECORDINGS IN NEW ORLEANS …..................... 22 4. ALL FOR ONE RECORDS AND HAROLD BATTISTE: A CASE STUDY …................................................................................................................. 38 CONCLUSION …........................................................................................ 48 BIBLIOGRAPHY ….................................................................................... 50 i 1 Introduction Modern jazz has always been artistically alive and creative in New Orleans, even if it is not as well known or commercially successful as traditional jazz. Both outsiders coming to New Orleans such as Ornette Coleman and Cannonball Adderley and locally born musicians such as Alvin Battiste, Ellis Marsalis, and James Black have contributed to this music. These musicians have influenced later players like Steve Masakowski, Shannon Powell, and Johnny Vidacovich up to more current musicians like Terence Blanchard, Donald Harrison, and Christian Scott. There are multiple reasons why New Orleans modern jazz has not had a greater profile. Some of these reasons relate to the economic considerations of modern jazz. It is difficult for anyone involved in modern jazz, whether musicians, record -
( R.3O P.M. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 P.Rn
e,44?€( WCGTBBONS 46, ALL SNNTS OREDN sr. ry8§ ,,UNIINODOJV clü&§. PEIT 4YY TEL: (0480) 6569ö chris Barber appears as feat*red soroist at rhe Barbican on Tuesday August 13th in the London Symphony Orchestrars Series of Jazz & Classics presentations. Guest cond.uctor is John Dankworth and ticket detairs for the complete season are published regularly in The Daily Mail who ar.e sponsoring the event. The Band is now enjoyi,g the annuar holiday and the next U.K. tour commences on Friday August ZJrd at Edinburgh. Fu11 dates: Fri Aug 2l : McCewans Jazz Festival: Edinburgh: Scotland Sat Aug 2d : Aberdeen petroleum Club: Aberdee: Scotland ( r.3o p.m. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 p.rn. ) \- Mon Aug 26 : The Gig: Blairgowrie: pethshire: Scotland playhouse Tue Aug 2/ : L'heatre: Whitl.ey Bay: Tyne & Wear Wed Aug 28 : 100 Club: Oxford Street: London Wl Thu Aug 2! : The Trorley stop: Grafton centre: cambridge There are then dates in Belgium (30th) and W. cermany (3fst) - flyi-ng back to resume at Sun Sep I : Key Theatre, peterborough: Cambs Mon Sep Z : Queents Theatre: Hornchurch: Essex Tue Sep 3 : Rye Festival: Thomas peacock School: Rye: Sussex. Wed Sep 4 Beck Theatre: Hayes: Middlesex Thu Sep 5 Bonnin[Jton Theatre: Arnold: Nottingham Fri Sep 6 Intimate Theatre: Palmers Gree: London Sat Sep / W. Germany Sun Sep 8 W. Germany Mon §cp 9 Me r.c ur,y 'l'lrrraLrt': Colcho'st,ot.1 Essox The Band then J Oans forces with the bands of Kenny Ball and Acker Bil.k for the first-ever tour by the Three Brsrr.