Daily Iowan (Iowa City, Iowa), 1972-06-12
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Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta -
The Royal Southern Brotherhood Irrompono Sulle Scene Musicali Rock Con Una Grande Forza
The Royal Southern Brotherhood Prima ancora che tocchino una nota i The Royal Southern Brotherhood hanno già attirato l‟attenzione del pubblico. Nel sud degli Stati Uniti, dove la musica è religione, sovrastano tutti con il loro rock‟n‟roll: dal Mississippi al Maryland, semplicemente menzionando il cast di The Allman e Neville Brothers viene gettato un incantesimo, le conversazioni si spengono, le bottiglie di birra vengono sollevate in aria in segno di salute e cala il silenzio. Non sono solo una semplice band, ma sono il meglio, con un line-up che comprende I famosi Cyril Neville e Devon Allman, irrompono con grandi aspettative che non possono deludere. L‟albero genealogico è promettente ma questa nuova band si basa sul talento. Non riguarda la storia della musica rock ma riguarda le scene musicali contemporanee. Ora come ora tutti I commenti e mormorii riguardano il loro album di debutto prodotto con Jim Gaines in Louisiana, ma torniamo indietro nel tempo, all‟estate del 2010 nel caldo soffocante di New Orleans: la città che ha tenuto a battesimo gli Allman al The Warehouse ed ha fatto da sfondo all‟unione tra Cyril, Devon e Mike Zito. Parlando dell‟idea di formare una nuova band di blues-rock iniziano a suonare nell‟appartato studio di Garden District dove la chimica è troppo forte per poter essere negata. Un primo accenno al potenziale progetto arriva dalle demo e da una raffica di video inviati su YouTube ma il loro ufficiale debutto arriva a settembre al New Orleans’ Rock ‘N’ Bowl. Un southern rock, ma non come lo conosciamo noi, un crescendo di armonie e duri riffs di chitarra si intracciano con I famigliari stili infuocati dal rock. -
Musikalsk Groove
Masteroppgave i ut¿vende musikk Fakultet for kunstfag H¿gskolen i Agder - Vren 2007 Musikalsk groove Trygve Tambs-Lyche Trygve Tambs-Lyche Musikalsk groove Masteroppgave i utøvende rytmisk musikk Høgskolen i Agder Fakultet for kunstfag 2007 Forord Som veldig mange norske trommeslagere og musikere generelt, startet jeg min karriere i det lokale skolekorpset. Fra tiden i Røros Skolekorps er det enkelte opplevelser som i senere tid, har vist seg å være svært viktige for min utvikling som musiker. Annen hver sommer var korpset med og arrangerte en korpsfestival. Rørosfestivalen samlet opptil tretti musikkorps fra hele landet til marsjering, konserter, seminarer, og hygge. Flere av årene mens jeg var aktiv, hadde festivalen leid inn The Brazz Brothers til seminarvirksomhet. I tillegg til å holde kurs og workshops for korpsdeltakerene, holdt de en åpen midnattskonsert i Røros Kirke. jeg kan ha vært 10-11 år, men det var en opplevelse jeg husker godt fremdeles. Seinere ble jeg engasjert i Røros Storband, og på repertoaret sto blant annet Bruremarsj av Jan Magne Førde (Brazz Bros) som hadde gjort så stort inntrykk på konserten. Jeg fikk utdelt noter av Førde sitt eget arr, men hadde allerede lært meg trommerytmen som Egil ”Bop” Johansen spilte. Jeg husker at den rytmen virkelig festet seg, og at jeg spilte den igjen og igjen. Senere har jeg ikke tenkt mer på saken, før jeg skulle begynne å arbeide med oppgaven. Det gikk opp for meg at denne rytmen var sterkt influert av New Orleans groovet, og at det antakelig var begynnelsen på min fasinasjon for denne type groove. -
Lee Perry Lost Treasures of the Ark Vol
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) iW en w 1 z IITITTILTTLTLILTTITEEITTILTITJII I IItTTII 908 #BXNCCVR 3-DIGIT #90807GEE374EM002# BLBD 715 A06 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JANUARY 8, 2000 GOOD WORKS IN MUSIC NEWS The Retailers Make Merry 1- Jailers, Mass Merchants, Others See Gains Latin Jazz BY DON JEFFREY ed mall chains Musicland Stores and and ED CHRISTMAN Trans World Entertainment would NEW YORK -E- commerce, the not disclose sales figures for the hol- recording mass merchants, and free -standing iday period, reports from other music stores were whistling a happy sources indicate that these retailers' tune after Christmas, while the mall same -store sales (from units open at that's chains had less to least a year) were be cheerful about. flat for the period, winning Exhibit Examines It was a mixed which began 3rd Single Shows holiday season for NATIONAL RECORD MART 111111ER Thanksgiving U.S. music retail- AECOAUS- VIIIEUCMS week. Guthrie legacy ers, according to I According to Lopez Has legs everyone's reports from SoundScan, album BY CHRIS MORRIS chains, independents, and label sales for the five -week period that BY LARRY FLICK LOS ANGELES -Woody sources. By all reports, E- merchants ended Dec. 26 totaled 140 million NEW YORK -In the six heart! Guthrie will come home to New enjoyed another season of astounding units, up 3.1% from the 135.8 million months since issuing her York on Feb. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
The Neville Brothers : 17Th of June, 2006 Manchester, Tennessee Photo Credit: Je Kravitz ©2007 Axis Festival L.L.C
DISC 1 DISC 2 1. Warhorse 6:58 (Charles Neville, Aaron Neville, Cyril Neville, 1. Ode To Billy Joe 5:29 Art Neville, Ivan Neville, Jason Neville, Aaron Neville, Jr.) (Bobbie Gentry) Irving Music Northridge Music Company / Universal Music Publishing Universal Music Publishing Group 2. Hey Pocky Away 4:54 (Joseph Modeliste, Art Neville, 2. Foxey Lady 4:52 Leo Nocentelli, George Porter, Jr.) (Jimi Hendrix) Bug Music/ Bugaloo Music/ Cabbage Alley Music Experience Hendrix LLC 3. Can't Stop The Funk 6:39 3. Yellow Moon 6:16 (Norman Caesar, Cyril Neville, Ivan Neville, Jason Neville) (Aaron Neville, Joel Neville) Irving Music Apache Red Music / Irving Music 4. Voodoo 4:39 4. Big Chief 9:35 (Willie Green, Daryl Johnson, Tony Hall, Aaron Neville, (Earl King Johnson, Cyril Neville) Art Neville, Cyril Neville, Charles Neville, Brian Stoltz) Shirley’s Music Company / Irving Music Irving Music 5. Tambourine 5:47 (Earl King Johnson, Cyril Neville) 5. Besame Mucho 5:27 Shirley’s Music Company / Irving Music (Velazquez Torres Ortiz Consul) APRS (Mexico) 6. Carry The Torch 6:54 (Ivan Neville, Gary Gold) 6. Change Is Gonna Come 7:35 Irving Music (Sam Cooke) Abkco Music Inc. 7. Fire On The Bayou 5:50 (Joseph Modeliste, Art Neville, Cyril Neville, Leo Nocentelli George Porter Jr.) Bug Music / Bugaloo Music 8. Brother John / Iko Iko 7:49 (Willie Green III, Tony Hall, Aaron Neville, Charles Neville, Cyril Neville, Joel Neville, Renard Poche) Apache Red Music / Green Pea Music / Irving Music / Neville Music Publishing Company The Neville Brothers : 17th of June, 2006 Manchester, Tennessee Photo Credit: Je Kravitz www.livebonnaroo.com ©2007 axis festival l.l.c. -
The Neville Brothers Neville-Ization Mp3, Flac, Wma
The Neville Brothers Neville-Ization mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Neville-Ization Country: Germany Released: 1985 Style: Delta Blues, Bayou Funk MP3 version RAR size: 1481 mb FLAC version RAR size: 1387 mb WMA version RAR size: 1487 mb Rating: 4.7 Votes: 734 Other Formats: DXD MIDI FLAC AU AAC MP4 ASF Tracklist Hide Credits Fever A1 5:11 Written-By – Cooley*, Davenport* Woman's Gotta Have It A2 4:17 Arranged By – J. Hicks*, J. Grisby*Written-By – B. Womack* Mojo Hannah A3 5:07 Written-By – Williams*, Paul* Tell It Like It Is A4 4:03 Written-By – G. Davis*, Lee Diamond Why You Wanna Hurt My Heart? A5 3:12 Written-By – Art Neville Fear, Hate, Envy, Jealousy B1 4:20 Written-By – Art Neville Caravan B2 4:16 Written-By – Duke Ellington Big Chief B3 5:17 Arranged By – Quezerque*Written-By – Gaines* Africa B4 5:16 Written-By – The Meters Companies, etc. Record Company – Zensor Musikproduktion GmbH Distributed By – pläne Phonographic Copyright (p) – Zensor Copyright (c) – Black Top Records Licensed From – Rounder Records Recorded By – Pace Recording Service Published By – Fort Knox Publishing Published By – Unart Music Published By – Trace Bob Published By – Jobete Published By – Copyright Control Published By – Neville Music Published By – Rated Music Published By – Shirley Music Published By – Rhinelander Music Published By – Cabbage Alley Music Lacquer Cut At – Teldec-Studio, Berlin Recorded At – Tipitina's Mixed At – January Sound Studios Mastered At – Ardent Studios Credits Bass, Vocals – Darryl Johnson* Congas, Percussion, Vocals – Cyril Neville Drums – Willie Green Engineer – Eugene Foster* Engineer [Re-mix] – Larry Wallace Guitar – Brian Stolz* Keyboards, Vocals – Art Neville, Ivan Neville Lacquer Cut By – Christian Stegmaier, Heinz Lauterbach Mastered By – Larry Nix Producer – Art Neville, Hammond Scott, W. -
The Game! Full Pages of Classic Zig Samba 3Transcribed 12 Grooves Zigaboo Modeliste How the Meter Man Still Fascinates Us with His Rhythms
A CUSTOM-BUILT DRUM AND CYMBAL $ WIN SET VALUED AT 14 ,000 THE SUMMER SET • RIVAL SONS MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERAUGUST 2013 GET BACK IN THE GAME! FULL PAGES OF CLASSIC ZIG SAMBA 3TRANSCRIBED 12 GROOVES ZIGABOO MODELISTE HOW THE METER MAN STILL FASCINATES US WITH HIS RHYTHMS ModernDrummer.com + STEVE SMITH ON NARADA MICHAEL WALDEN + THE DOORS’ JOHN DENSMORE ON HIS LATEST BOOK + DEANTONI PARKS ON HIS BOSNIAN RAINBOWS KIT + RASCAL FLATTS’ JIM RILEY ON ENDORSEMENTS GEN16 DIRECT SOURCE PICKUP THE NEXT GENERATION Introducing the new Direct Source Pickup from Zildjian. A one-of-a-kind pickup design for use with Gen16 acoustic-electric cymbals as well as Zildjian acoustic cymbals. Eliminates feedback, phasing, and cross-talk. Reproduce a natural acoustic tone. Enhance with reverb. Or use the Gen16 Digital Cymbal Processor (DCP) to tone shape any cymbal in your setup. Seamlessly integrates with both edrum and acoustic drum sets. Perfect for live performance applications. Visit gen-16.com for more information. SOUND LEGACY Volume 37, Cover and contents photos by Jay Blakesberg CONTENTS Number 8 EDUCATION 59 Zig’s Signature Beats by Mike Adamo 70 Concepts The Endorsement Game Understanding Product Promotion by Jim Riley 72 Strictly Technique Playing the Sixes Part 1: Volume and Accent Character by Chris Prescott On the Cover 74 Rock ’n’ Jazz Clinic Samba Coordination Builder 12 Independence Exercises Based on Chick Corea’s “Sicily” by Daniel Bédard 42 Zigaboo 76 Rock Perspectives Double Bass Workout Part 1: 16th-Note, Sextuplet, and 32nd-Note Fills by Todd Vinciguerra Modeliste 78 Jazz Drummer’s Workshop MD listens long and hard as the original Meters drummer Stick Control Revisited Drumset Applications describes his lifelong love a air with the drums and his by Steve Fidyk highly personal approach to timeless rhythms. -
Galactic's Krewe De Carnivale
Disc One 1. intro 1:12 2. Africa 10:38 w/ Kevin Harris, Roger Lewis, Leo Nocentelli, 2. Gemini Rising 7:58 Efrem Towns w/ Kevin Harris, Roger Lewis, Efrem Towns (Joseph Modeliste, Arthur Neville, Leo Nocentelli, (Tony Dagradi) George Porter) Tonda Publishing (BMI) Bug Music / Bugaloo Music (BMI) 3. Sew-Sew-Sew 11:10 3. Skokiaan 9:16 w/ Monk Boudreaux, Kevin Harris, Roger Lewis, w/ Kevin Harris, Roger Lewis, Kermit Ruffins, Efrem Towns Efrem Towns (Traditional) (Kermit Ruffins) Street Bass Music (BMI) 4. Funky Miracle 7:35 w/ Leo Nocentelli 4. Going Down Slowly 5:12 (Joseph Modeliste, Arthur Neville, Leo Nocentelli, w/ Kevin Harris, Roger Lewis, Leo Nocentelli, George Porter Jr.) Efrem Towns, Sista Teedy Screen Gems – EMI Music Inc (BMI) (Allen Toussaint) Screen Gems-EMI Music Inc / 5. Cardova > 3:26 Warner-Tamerlane Publishing Co (BMI) w/ Leo Nocentelli (Joseph Modeliste, Arthur Neville, Leo Nocentelli, 5. Hey Pocky A-Way 6:51 George Porter, Jr.) w/ Kevin Harris, Roger Lewis, Leo Nocentelli, Screen Gems – EMI Music Inc (BMI) Efrem Towns, Sista Teedy (Joseph Modeliste, Arthur Neville, Leo Nocentelli, 6. Look-Ka-Py Py 5:32 George Porter, Jr.) w/ Leo Nocentelli Bug Music / Bugaloo Music / (Joseph Modeliste, Arthur Neville, Leo Nocentelli, Cabbage Alley Music (BMI) George Porter, Jr.) Bug Music / Bugaloo Music (BMI) 6. Garbage Truck 6:23 (Benjamin Ellman, Robert Mercurio, Stanton Moore, 7. Santa Cruz 7:08 Jeffrey Rains, Richard Vogel) w/ Kevin Harris, Roger Lewis, Efrem Towns Galactic Funk Music/ Bobski Tunes (BMI) (Lionell Batiste, Gregory Davis, Kevin Harris, Charles Joseph, Kurt Joseph, Roger Lewis, 7. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1984 Wavelength (April 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1984) 42 https://scholarworks.uno.edu/wavelength/42 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1984 Inside: Jazz Fest Schedule Chris Kenner George Dureau Photographs BULK RATE U.S POSTAGE PAID ALEXANDRIA, LA. PERMIT N0.69 C M A GA ZIN INTRODUCING 'MSAVE SUN BELT AUDIO VIDEO ENTERPRISES, FEATURES ADVANTAGES SAVE High output, low noise Dynamic range for true reproduction. The Best Tape The effects of pre- and post -echo ore Lowest print-through largely alleviated. Minimum 6 dB lower The Best Service print through compared to other topes Excellent slitting of its kind. The Best Price Consistency Consistent phose stability. Superior Immediate shipment winding characteristics. No slow from our floor stock. Tensilized base winding necessary. High frequency stability. The acknowledged Reliable mechanical and acoustical leader in Europe and properties lessen the need for machine United Kingdom realignment. now readily Insures tope life against transport available in the U.S. mishandling. AtlSTERS'' il'VYIIIIVI <liftefory Of etudrOS and ana teceive a FREE sample and phone listing to Louisiana 70458. ISSUE NO. 42 • APRll. 1984 For ISSN 0741 . 2460 New ''I'm not sure, but I'm almost positive, that all music came from New Orleans. -
The Royal Southern Brotherhood BIOGRAPHY
The Royal Southern Brotherhood The BIOGRAPHY Cyril Neville – Percussion and Vocals Devon Allman – Guitar and Vocals Mike Zito – Guitar and Vocals Charlie Wooton – Bass Yonrico Scott – Drums Before they even hit a chord, Royal Southern Brotherhood have your attention. In the US South, where music is religion, two rock ‘n’ roll bloodlines tower above all others. In the saloon bars from Mississippi to Maryland, mere mention of the Allman and Neville Brothers casts a magic spell. Conversation falls silent. Pool balls stop rolling. Ten-gallon hats are tipped in respect and beer-bottles raised in salute. These aren’t just bands, they’re gods, and with a lineup comprising both the iconic Cyril Neville and Devon Allman, Royal Southern Brotherhood come pre-loaded with expectations. Don’t worry: they can match them. The family tree might be auspicious, but this new band trades on talent, not genealogy. It’s not about rock history: it’s about the here-and-now. Right now, the buzz is all about Royal Southern Brotherhood’s debut album, bottled with producer Jim Gaines in Louisiana. But let’s rewind to the summer of 2010 and the stifling heat of New Orleans: the city that both hosted the Allmans’ early residence as house band at The Warehouse, and provided the backdrop to the pivotal meeting between Cyril, Devon and Mike Zito. Talk turned to forming a new breed of blues-rock band, and when jams began at a secluded studio in the city’s Garden District, the fizzing chemistry was too strong to deny. A fistful of demos hinted at the project’s potential, and the web buzzed as a volley of teaser videos hit YouTube, but Royal Southern Brotherhood truly arrived when they broke cover in the flesh at their debut show at New Orleans’ Rock ‘N’ Bowl last September.