The Very Best of Acker Bilk, Chris Barber, Kenny Ball) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) Country: Italy Released: 1987 Style: Dixieland MP3 version RAR size: 1379 mb FLAC version RAR size: 1951 mb WMA version RAR size: 1802 mb Rating: 4.2 Votes: 324 Other Formats: WAV TTA MP1 DTS ADX AIFF MOD Tracklist A1 –Kenny Ball When The Saints 3:08 A2 –Acker Bilk Marching Through Georgia 3:14 A3 –Chris Barber Petite Fleur 2:43 A4 –Kenny Ball At The Jazzband Ball 5:06 A5 –Acker Bilk Easter Parade 2:42 A6 –Chris Barber Bill Bailey Won't You Please Come Home 3:43 A7 –Kenny Ball When I'm 64 2:37 A8 –Acker Bilk Dardanella 3:40 A9 –Chris Barber Everybody Loves My Baby 3:15 A10 –Kenny Ball Green Leaves Of Summer 2:46 B1 –Acker Bilk Franklin Street Blues 3:06 B2 –Chris Barber I Can't Give You Anything But Love 3:50 B3 –Kenny Ball Bourbon Street Parade 3:44 B4 –Acker Bilk Carry Me Back 3:08 B5 –Chris Barber April Showers 5:50 B6 –Kenny Ball Muskrat Ramble 4:04 B7 –Acker Bilk Willie The Weeper 3:07 B8 –Chris Barber Beale Street Blues 2:10 B9 –Kenny Ball Someday 2:16 B10 –Acker Bilk Sweet Gerogia Brown 4:13 Related Music albums to The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) by Various Mr. Acker Bilk And His Paramount Jazz Band - The Veritable Mr. Bilk Acker Bilk, His Clarinet & Strings - Aranjuez, Mon Amour Acker Bilk His Clarinet And Strings - Made In Hungary Mr. Acker Bilk - London Is My Cup Of Tea Various - Jazz Britannia Acker Bilk With Johnny Bastable's Chosen Seven / Bob Wallis & His Storyville Jazzmen - Acker's Early Days Acker Bilk His Clarinet And Strings - Ralph Henry Acker Bilk And His Paramount Jazz Band - Extremely Live In Studio One (On A Cold April Night).

Copy Link

Recommended publications

Bbc Music Jazz 4
Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10th NOVEMBER FRIDAY 11th NOVEMBER SATURDAY 12th NOVEMBER SUNDAY 13th NOVEMBER MONDAY 14th NOVEMBER JAZZ NOW LIVE WITH JAZZ AT THE MOVIES WITH 00.00 - SOMERSET BLUES: 00.00 - JAZZ AT THE MOVIES 00.00 - 00.00 - WITH JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) THE STORY OF ACKER BILK Clarke Peters tells the strory of Acker Bilk, Jamie Cullum explores jazz in films – from Al Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some of his one of Britain’s finest jazz clarinettists. Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. favourite directors. NEIL ‘N’ DUD – THE OTHER SIDE JAZZ JUNCTIONS: JAZZ JUNCTIONS: 01.00 - 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - 01.00 - OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley's tribute to his hero Dudley Ella Fitzgerald, live at the Royal Albert Hall in Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo Moore, with material from Jazz FM's 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. archive. GUY BARKER'S JAZZ COLLECTION: GUY BARKER’S JAZZ COLLECTION: GUY BARKER'S JAZZ COLLECTION: 02.00 - 02.00 - GUY BARKER'S JAZZ COLLECTION: 02.00 - THE OTHER SIDE OF THE POND: 02.00 - TRUMPET MASTERS (PT. 2) JAZZ FESTIVALS (PT. 1) JAZZ ON FILM (PT.
[Show full text]
The Napa Valley Dixieland Jazz Society at Grant Hall
The Napa Valley Dixieland Jazz Society presents . New Orleans Jazz, on November 10, 2019 1:00 - 4:00 At Grant Hall - Veterans’ Home Yountville, CA . President’s Message The Flying Eagles We are looking forward a dandy afternoon with The Flying Eagles Jazz Band on Sunday, Nov 10. With all the power outages, the hor- ...The Flying Eagles Jazz rific fire and all the upset, it will be good to lift spirits with this lively, Band was formed at the high energy and talented band. Sacramento Trad Jazz Adult Camp in 2010. While this As you know from our last gig, the tavern is open - however, be sure band was the “new kid on to keep in mind that alcohol is not allowed outside the tavern, so the block,” the band plays must be consumed in the tavern. We are working to have it avail- as if they have been to- able during our gigs in Grant Hall, but that is still up in the air. But, it's great to have the bar open and drinks available to all who gether for years! The style want to imbibe. Water will be provided in Grant Hall. runs the gamut of Tradi- tional Jazz styles, from the Original Dixieland Jazz Band to King I am hopeful that food will be available in the cafe/tavern, but don't Oliver, Fats Waller to a more modern-style Dixieland made famous have a definite word yet, so if you want to bring food, you're wel- by Kenny Ball. The band also plays slow blues favorites, up- come to do so - or take the chance the cafe will finally be open.
[Show full text]
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre).
[Show full text]
ACTIE! Het Afgelopen Jazzseizoen Hebben Wij Als Jazzclub Wederom Bewust Geïnvesteerd in Goede Bands Om Onze Donateurs En Overig
Jaargang:33 Nr. 1 sep. 2013 Redactieadres: Dr. Ir. Bungestraat 73 6419 BW Heerlen Tel. 045-5713102 [email protected] www.oudestijljazzclub.nl RABO: 1199 63 388 LID EUREGIOJAZZ VAKANTIE VOORBIJ. Engelse Trad Jazz, en werd vertolkt door Hallo allemaal, hier zijn we weer, hopelijk musici als Mr. Acker Bilk en zijn bent u goed uitgerust teruggekeerd van Paramount Jazz Band, Kenny Ball en Chris uw vakantie. Barber. Het grote enthousiasme waarmee Eind van deze maand gaan we het de bandleden hun muziek altijd hebben seizoen 2013-2014 openen. Wij hebben benaderd is hun sterke kant, want niét de overigens gedurende de zomermaanden commerciële oogmerken waren al die niet stil gezeten. Donateurs hebben hun jaren de drijvende kracht, maar de drang rekening voor de donatie ontvangen en om goede traditionele jazzmuziek te hebben voor het grootste deel aan ons maken. verzoek voldaan. Uiteraard zijn wij u daar Het grote aantal optredens van deze dankbaar voor, want anders kunnen wij band, in Nederland maar ook in alle niet aan onze verplichtingen voldoen. De Europese landen, is eveneens opvallend. donateurspasjes liggen voor u klaar aan Optredende artiesten: de kassa. Ruud Nieuwenhuijzen cornet Het programma voor het seizoen is Peter Dobbe trombone,gitaar vastgesteld, alleen de Jazznight in maart Jelle Posthuma banjo,gitaar wacht nog op voldoende subsidies en Barend v d Schilden drums sponsoring voordat wij orkesten kunnen Hein van Rooijen contrabas contracteren. Hiervoor zijn diverse Marten de Nes klarinet, saxen organisaties aangeschreven. Wij hopen Wij verwachten een daverend jazzconcert met u op een fijn muzikaal seizoen. dat om 20.30 uur begint in Partycenter Amicitia op de Markt in Hoensbroek.
[Show full text]
( R.3O P.M. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 P.Rn
e,44?€( WCGTBBONS 46, ALL SNNTS OREDN sr. ry8§ ,,UNIINODOJV clü&§. PEIT 4YY TEL: (0480) 6569ö chris Barber appears as feat*red soroist at rhe Barbican on Tuesday August 13th in the London Symphony Orchestrars Series of Jazz & Classics presentations. Guest cond.uctor is John Dankworth and ticket detairs for the complete season are published regularly in The Daily Mail who ar.e sponsoring the event. The Band is now enjoyi,g the annuar holiday and the next U.K. tour commences on Friday August ZJrd at Edinburgh. Fu11 dates: Fri Aug 2l : McCewans Jazz Festival: Edinburgh: Scotland Sat Aug 2d : Aberdeen petroleum Club: Aberdee: Scotland ( r.3o p.m. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 p.rn. ) \- Mon Aug 26 : The Gig: Blairgowrie: pethshire: Scotland playhouse Tue Aug 2/ : L'heatre: Whitl.ey Bay: Tyne & Wear Wed Aug 28 : 100 Club: Oxford Street: London Wl Thu Aug 2! : The Trorley stop: Grafton centre: cambridge There are then dates in Belgium (30th) and W. cermany (3fst) - flyi-ng back to resume at Sun Sep I : Key Theatre, peterborough: Cambs Mon Sep Z : Queents Theatre: Hornchurch: Essex Tue Sep 3 : Rye Festival: Thomas peacock School: Rye: Sussex. Wed Sep 4 Beck Theatre: Hayes: Middlesex Thu Sep 5 Bonnin[Jton Theatre: Arnold: Nottingham Fri Sep 6 Intimate Theatre: Palmers Gree: London Sat Sep / W. Germany Sun Sep 8 W. Germany Mon §cp 9 Me r.c ur,y 'l'lrrraLrt': Colcho'st,ot.1 Essox The Band then J Oans forces with the bands of Kenny Ball and Acker Bil.k for the first-ever tour by the Three Brsrr.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
Bbc Music Jazz British and European Jazz (Pt
Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10TH NOVEMBER FRIDAY 11TH NOVEMBER SATURDAY 12TH NOVEMBER SUNDAY 13TH NOVEMBER MONDAY 14H NOVEMBER 00.00 - JAZZ AT THE MOVIES WITH 00.00 - JAZZ NOW LIVE WITH 00.00 - JAZZ AT THE MOVIES WITH 00.00 - THE LISTENING SERVICE JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) WITH TOM SERVICE Jamie Cullum explores jazz in films – from Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some Tom Service considers the art of musical Al Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. of his favourite directors. improvisation with David Toop and Joelle Leandre. 00.30 - GREAT LIVES: THELONIOUS MONK Hannah Rothschild looks back at the life of jazz musician Thelonious Monk. 01.00 - NEIL ‘N’ DUD – THE OTHER SIDE 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - JAZZ JUNCTIONS: 01.00 - JAZZ JUNCTIONS: OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley’s tribute to his hero Dudley Moore, Ella Fitzgerald, live at the Royal Albert Hall Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo with material from Jazz FM’s archive. in 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: JAZZ FESTIVALS (PT.
[Show full text]
17.4.1930 – 2.3.2021
CHRIS BARBER - 17.4.1930 – 2.3.2021 A very sad message has reached us! On March 2nd, 2021 Chris Barber died at the age of 90years. Thus, one of the best known, most interesting and versatile jazz musicians in Europe, has left the world’s musical stage. Having been born into a middle-class family in Welwyn Garden City on 17th April 1930, Chris showed a special aptitude for numbers and calculation and began studies in mathematics and statistics, however, as jazz records began to filter into post-war Britain, he changed direction and entered the Guildhall School Of Music in London to study trombone and double bass. He formed his first band in 1949 and the following year changed to a 2-cornet frontline based on the classic King Oliver Creole Jazz Band of 1923. It was on 31st May 1954 when Chris Barber took over leadership of the Ken Colyer Jazz Band due to Ken being dismissed because of “artistic differences” , that the CB success story really began. Ken was replaced by Pat Halcox from the Albemarle Jazz Band and he stayed with Chris Barber for over 54 years, making it the longest partnership in jazz history!! Chris was not only a pioneer of European traditional jazz from 1950 till 2019 but also a significant promoter and developer of the European jazz, blues and R&B scene. Although his music was based on traditional jazz, he experimented with new styles and different musicians from all over the world and incorporated them into his repertoire at an early stage.
[Show full text]
High and Low, Cool and Uncool, Music and Knowledge
1 High and Low, Cool and Uncool, Music and Knowledge Conceptual falsifications and the study of popular music Keynote speech, IASPM UK conference, Guildford, July 2000 (v.2). Philip Tagg (Liverpool). Introduction It is really an honour to be asked to deliver a keynote speech at this IASPM (UK) meeting. At the same time it feels a bit strange to be some kind of ‘top‐of‐the‐bill’ senior citizen in this context because the origins of IASPM are humble and because my experiences with popular music studies have, to mix metaphors, had much more the character of piss‐ ing into the wind from the bottom of the heap than riding high as top of the bill. But it is important to take stock of this change at a every level, including the personal, because the changing way in which each of us, as popular music scholars, is viewed, and the way in which our field of studies is valued, both constitute part of our meta‐identities (what we perceive that others think about us) and because meta‐identi‐ ties so strongly inform notions of subjectivity. For some of us, popular music studies also provide an income, help us pay off mortgages, go on holiday, shop at Tesco rather than Kwik‐Save, even have a family. I never expected to get a steady and well‐paid job out of popular music studies, but I do have one now and I am even invited as keynote speaker. So, I had better get my head around this situation. As far as popular music studies is concerned I need to know how the subject has changed since the seventies and how both it and we as subjects in‐ volved in it interact with the socio‐political configuration out of which it grew and in which it exists.
[Show full text]
Trad Jazz in 1950S Britain—Protest, Pleasure, Politics— Interviews with Some of Those Involved
Trad jazz in 1950s Britain—protest, pleasure, politics— interviews with some of those involved George McKay These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humanities Research Board (now Council)-funded project exploring the cultures and politics of traditional jazz in Britain in the 1950s. The project ran through 2001-2002 and was entitled American Pleasures, Anti- American Protest: 1950s Traditional Jazz in Britain. I edited responses, and structured them here according to the main issues I asked about and to key points that seemed to recur from different interviewees. There is a short-ish introduction to give a sense of context to readers unfamiliar with that period of Britain’s cultural history. I hugely enjoyed meeting and talking with these people, whose cultural and political autobiographies were full of energy, rebellion, fun, with music at the heart. Thank you. Some—Jeff Nuttall, George Melly—are, sadly, now dead. Material from these interviews, and a second set I undertook with modern jazzers and enthusiasts (I acknowledge that the distinction between trad and modern doesn’t always bear scrutiny) was included in my book Circular Breathing: The Cultural Politics of Jazz in Britain (Duke University Press, 2005). Do contact me if you have any queries. George McKay University of Salford, UK [email protected] April 2002; revised (with extra images) September 2002; revised introduction January 2010 (little has change except the point that I now know that the David Boulton jazz historian and the David Boulton of CND were one and the same person) Most of the archive photographs here are either from Jeff Nuttall’s photo album, which he gave me at the end of our interview in Abergavenny—I’d like to pass it on to a family member, please—or © and courtesy of the Ken Colyer Trust: www.kencolyertrust.org 1 Introduction British jazz has arrived, in Britain at any rate.
[Show full text]
EJF Brochure2013 PRINT Layout 1
www.edinburghjazzfestival.com 19 - 28 July 2013 Jazz and Blues of all styles, for all ages, and appealing to everyone, will take over the centre of Edinburgh for 10 days from July 19-28, as the 35th Edinburgh Jazz and Blues Festival comes back to town for another celebration of good time, old time, funky, swinging, cutting edge, dance, intense art, total relaxation... There’ll be great nights out at Festival Theatre, party atmospheres at the Spiegeltent, top performers playing at the Queen’s Hall, a cool new modern jazz club at 3 Bristo Place, a traditional haven at the Royal Overseas League, an all day Festival club at the Tron Kirk, and a new programme strand – Cross the Tracks – where the Festival checks in to musics on, or just over the stylistic border. This brochure gives you the full programme and there are more details at www.edinburghjazzfestival.com. Among many highlights are the Edinburgh Jazz Festival Orchestra presenting the inspirational concert of Sacred Music by Duke Ellington; the great American pianist and singer Champian Fulton making her festival debut, one of a host of young players of classic jazz styles; Muddy Waters’ Centenary with his son Mud Morganfield, and we welcome, amazingly for the first time The 3 Bs with Chris Barber, Acker Bilk and, taking the place of his father, Kenny Ball, sadly departed: Keith Ball. The Festival gets the summer Festival season started with a bang, by bringing colour, music and entertainment to the streets and parks of Edinburgh, presenting The Mardi Gras and The Edinburgh Festival Carnival.
[Show full text]
VHS 1-128-Suchhilfe
VHS - Sammlung Werner Scheidegger Chur Die Originalordner sind als pdf-Dateien vorhanden (eingescannt = Bilder) Hier abgeschrieben als Suchhilfe (Textsuche) Helveticas sind mit # markiert (tot. 158) Gestörte Aufnahmen wo bereits entdeckt mit * markiert (meist Tonstörungen) Thomas Reich 1. Mai 2014 VHS 1/1 In the Miller Mood (48min) Third US Airforce Band Oktober 1984 mit Anne Shelton voc, Peanuts Hucko cl, Ray McKinley dr, Zeake Zarchy tp. VHS 1/2 All Star Swing Festival 'in memoriam Louis Armstrong' (47min) Count Basie Orchestra: Count Basie p Harold Jones dr Ella Fitzgerald voc Duke Ellington Orchestra: Duke Ellington p Cootie Williams tp Harry Carney b Booty Wood tb Jimmy Hamilton cl Ella Fitzgerald voc Tommy Flanagan p Dave Brubeck Quartet: Dave Brubeck p Paul Desmond as Count Basie Orchestra: Count Basie p Waymond Reed ﬂh Billy Mitchell ts Al Grey tb Joe Williams voc Benny Goodman Quartet: Benny Goodman cl Lionel Hampton vib Teddy Wilson p Gene Krupa dr Georges Duvivier b Armstrong All Stars / Session Doc Severinson tp + Ansage Tyree Glenn tb Barney Bigard cl Earl Hines p Arvell Shaw b Barrett Deems dr Bobby Hackett tp Dizzy Gillespie tp Max Kaminsky tp Ella Fitzgerald voc Count Basie p Duke Ellington p Gast: Lucille Armstrong VHS 1/3 George Gershwin Rhapsody in Blue (21min) Wiener Symphoniker Leitung: Georges Prêtre Piano: Leon Bates VHS 1/4 Legends of Jazz (47min) ORF 1974 Andrew Blackeney tp Louis Nelson tb Rudi Balliu cl Alton Purnell p, voc Ed Garland b Barry Martyn dr VHS 2 Nicht vorhanden (private Aufnahmen) VHS 3/1 Memories in Swing (44min) 35 Jahre Erwin Lehn und sein Südfunk Orchester Bibi Johns, Silvia Vrethammar, Paul Kuhn, Max Greger, Horst Jankowski VHS 3/2# Jazz Festival Bern 1985 (42min) Carrie Smith + Jay McShann Trio Carrie Smith voc Jay McShann p Reggie Johnson b Alvin Queen dr VHS 3/3 Maynard Ferguson and his Orchestra (European Dreamband) (43min) 29.
[Show full text]