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Bbc Music Jazz 4
Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10th NOVEMBER FRIDAY 11th NOVEMBER SATURDAY 12th NOVEMBER SUNDAY 13th NOVEMBER MONDAY 14th NOVEMBER JAZZ NOW LIVE WITH JAZZ AT THE MOVIES WITH 00.00 - SOMERSET BLUES: 00.00 - JAZZ AT THE MOVIES 00.00 - 00.00 - WITH JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) THE STORY OF ACKER BILK Clarke Peters tells the strory of Acker Bilk, Jamie Cullum explores jazz in films – from Al Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some of his one of Britain’s finest jazz clarinettists. Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. favourite directors. NEIL ‘N’ DUD – THE OTHER SIDE JAZZ JUNCTIONS: JAZZ JUNCTIONS: 01.00 - 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - 01.00 - OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley's tribute to his hero Dudley Ella Fitzgerald, live at the Royal Albert Hall in Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo Moore, with material from Jazz FM's 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. archive. GUY BARKER'S JAZZ COLLECTION: GUY BARKER’S JAZZ COLLECTION: GUY BARKER'S JAZZ COLLECTION: 02.00 - 02.00 - GUY BARKER'S JAZZ COLLECTION: 02.00 - THE OTHER SIDE OF THE POND: 02.00 - TRUMPET MASTERS (PT. 2) JAZZ FESTIVALS (PT. 1) JAZZ ON FILM (PT. -
The Napa Valley Dixieland Jazz Society at Grant Hall
The Napa Valley Dixieland Jazz Society presents . New Orleans Jazz, on November 10, 2019 1:00 - 4:00 At Grant Hall - Veterans’ Home Yountville, CA . President’s Message The Flying Eagles We are looking forward a dandy afternoon with The Flying Eagles Jazz Band on Sunday, Nov 10. With all the power outages, the hor- ...The Flying Eagles Jazz rific fire and all the upset, it will be good to lift spirits with this lively, Band was formed at the high energy and talented band. Sacramento Trad Jazz Adult Camp in 2010. While this As you know from our last gig, the tavern is open - however, be sure band was the “new kid on to keep in mind that alcohol is not allowed outside the tavern, so the block,” the band plays must be consumed in the tavern. We are working to have it avail- as if they have been to- able during our gigs in Grant Hall, but that is still up in the air. But, it's great to have the bar open and drinks available to all who gether for years! The style want to imbibe. Water will be provided in Grant Hall. runs the gamut of Tradi- tional Jazz styles, from the Original Dixieland Jazz Band to King I am hopeful that food will be available in the cafe/tavern, but don't Oliver, Fats Waller to a more modern-style Dixieland made famous have a definite word yet, so if you want to bring food, you're wel- by Kenny Ball. The band also plays slow blues favorites, up- come to do so - or take the chance the cafe will finally be open. -
1. Canongate 1.1. Background Canongate's Close Proximity to The
Edinburgh Graveyards Project: Documentary Survey For Canongate Kirkyard --------------------------------------------------------------------------------------------------------------------- 1. Canongate 1.1. Background Canongate’s close proximity to the Palace of Holyroodhouse, which is situated at the eastern end of Canongate Burgh, has been influential on both the fortunes of the Burgh and the establishment of Canongate Kirk. In 1687, King James VII declared that the Abbey Church of Holyroodhouse was to be used as the chapel for the re-established Order of the Thistle and for the performance of Catholic rites when the Royal Court was in residence at Holyrood. The nave of this chapel had been used by the Burgh of Canongate as a place of Protestant worship since the Reformation in the mid sixteenth century, but with the removal of access to the Abbey Church to practise their faith, the parishioners of Canongate were forced to find an alternative venue in which to worship. Fortunately, some 40 years before this edict by James VII, funds had been bequeathed to the inhabitants of Canongate to erect a church in the Burgh - and these funds had never been spent. This money was therefore used to build Canongate Kirk and a Kirkyard was laid out within its grounds shortly after building work commenced in 1688. 1 Development It has been ruminated whether interments may have occurred on this site before the construction of the Kirk or the landscaping of the Kirkyard2 as all burial rights within the church had been removed from the parishioners of the Canongate in the 1670s, when the Abbey Church had became the chapel of the King.3 The earliest known plan of the Kirkyard dates to 1765 (Figure 1), and depicts a rectilinear area on the northern side of Canongate burgh with arboreal planting 1 John Gifford et al., Edinburgh, The Buildings of Scotland: Pevsner Architectural Guides (London : Penguin, 1991). -
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
Cigarettesaftersex Biog2017 Copy
! ! BIOGRAPHY 2017 ! ! On August 18th 2017, Ghostpoet aka Obaro Ejimiwe returns with his eagerly anticipated fourth album. As the title suggests, Dark Days & Canapés is a record that siphons the sense of unease hanging in the air throughout the time of its creation and uses it as a fuel source. It’s also a record that dramatically fore- grounds the continuing evolution of twice- Mercury nominated Obaro as one of our most perspicacious and original songwriters. In the wake of 2015’s universally acclaimed Shedding Skin – an album which found him moving away from the beats-driven arrangements of the first two records – Dark Days & Canapés completes the transition to a fuller band sound. Integral to that transition was Obaro’s choice of producer for the record. “On previous records, the production side of things has run along 50:50 lines,” he explains, “But this time around, I wanted to see what would happen if I relaxed that a little.” Early in the process, he hooked up with producer/writer/ guitarist Leo Abrahams, perhaps best known for his work with Brian Eno and Jon Hopkins (Small Craft On A Milk Sea) and Wild Beasts (Present Tense) as well as his own feted solo albums. The two clicked immediately. “I went to his studio in East London,” recalls Obaro, “And the thing that struck me about him was that he was impossible to faze. I was de- scribing the mood I was after in quite fanciful, surreal terms, and yet he knew exactly how to translate !that into music.” The results of those early sessions - which saw guitarist Joe Newman assisting, fleshing out guitar parts on the early demos -quickly established the momentum of what followed. -
Written Guide
The tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
The Very Best of Acker Bilk, Chris Barber, Kenny Ball) Mp3, Flac, Wma
Various The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) Country: Italy Released: 1987 Style: Dixieland MP3 version RAR size: 1379 mb FLAC version RAR size: 1951 mb WMA version RAR size: 1802 mb Rating: 4.2 Votes: 324 Other Formats: WAV TTA MP1 DTS ADX AIFF MOD Tracklist A1 –Kenny Ball When The Saints 3:08 A2 –Acker Bilk Marching Through Georgia 3:14 A3 –Chris Barber Petite Fleur 2:43 A4 –Kenny Ball At The Jazzband Ball 5:06 A5 –Acker Bilk Easter Parade 2:42 A6 –Chris Barber Bill Bailey Won't You Please Come Home 3:43 A7 –Kenny Ball When I'm 64 2:37 A8 –Acker Bilk Dardanella 3:40 A9 –Chris Barber Everybody Loves My Baby 3:15 A10 –Kenny Ball Green Leaves Of Summer 2:46 B1 –Acker Bilk Franklin Street Blues 3:06 B2 –Chris Barber I Can't Give You Anything But Love 3:50 B3 –Kenny Ball Bourbon Street Parade 3:44 B4 –Acker Bilk Carry Me Back 3:08 B5 –Chris Barber April Showers 5:50 B6 –Kenny Ball Muskrat Ramble 4:04 B7 –Acker Bilk Willie The Weeper 3:07 B8 –Chris Barber Beale Street Blues 2:10 B9 –Kenny Ball Someday 2:16 B10 –Acker Bilk Sweet Gerogia Brown 4:13 Related Music albums to The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) by Various Mr. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Building Stones of Edinburgh's South Side
The route Building Stones of Edinburgh’s South Side This tour takes the form of a circular walk from George Square northwards along George IV Bridge to the High Street of the Old Town, returning by South Bridge and Building Stones Chambers Street and Nicolson Street. Most of the itinerary High Court 32 lies within the Edinburgh World Heritage Site. 25 33 26 31 of Edinburgh’s 27 28 The recommended route along pavements is shown in red 29 24 30 34 on the diagram overleaf. Edinburgh traffic can be very busy, 21 so TAKE CARE; cross where possible at traffic light controlled 22 South Side 23 crossings. Public toilets are located in Nicolson Square 20 19 near start and end of walk. The walk begins at NE corner of Crown Office George Square (Route Map locality 1). 18 17 16 35 14 36 Further Reading 13 15 McMillan, A A, Gillanders, R J and Fairhurst, J A. 1999 National Museum of Scotland Building Stones of Edinburgh. 2nd Edition. Edinburgh Geological Society. 12 11 Lothian & Borders GeoConservation leaflets including Telfer Wall Calton Hill, and Craigleith Quarry (http://www. 9 8 Central 7 Finish Mosque edinburghgeolsoc.org/r_download.html) 10 38 37 Quartermile, formerly 6 CHAP the Royal Infirmary of Acknowledgements. 1 EL Edinburgh S T Text: Andrew McMillan and Richard Gillanders with Start . 5 contributions from David McAdam and Alex Stark. 4 2 3 LACE CLEUCH P Map adapted with permission from The Buildings of BUC Scotland: Edinburgh (Pevsner Architectural Guides, Yale University Press), by J. Gifford, C. McWilliam and D. -
Sponsorship Effects on Music Festival Participants
Copenhagen Business School 2014 MSoc.Sc.Service Management MASTER’S THESIS Sponsorship Effects on Music Festival Participants Victor Guedon David Gramm Kristensen February, 5th, 2014 Supervisor Helle Haurum 111 Pages / 267.755 Characters Abstract While worldwide investments in sole sponsorship fees were expected to reach $53.3 billion in 2013, findings from the academic research on sponsorships’ ability to impact customers’ perception of a sponsor are inconsistent; ranging from positive, small or ambiguous effects to negative or no effects at all. Thus, the objective of the current research was to contribute by researching if participation in a music festival, NorthSide 2013, would influence festival participants’ perception of the main sponsor Royal Beer. To do so, the chosen research design was a pre-post event quasi experimental design with independent samples. It was crucial to have both pre and post event measurements of event participants to investigate a potential change. Moreover, the quasi-experimental strategy was deemed relevant since it features the use of a control group to identify the source of an effect. Identified as one of the reasons for the inconsistent academic findings, the aim was to avoid conscious processing of the respondents by eliciting sponsorships or the two entities together, so that answers collected would account for the effects rather than respondents’ opinions about how this sponsorship affected them. In pursuance of this research several practical steps have been undertaken: a thorough literature review, a face-to-face interview of the Royal Beer brand manager, creation of a beer brand personality scale fitted to the Danish setting, a focus group to translate the brand personality facets and most importantly; the design and data collection of three distinct questionnaires that resulted in a total of 950 valid responses. -
FESTIVAL SÓNAR EN VENTA Barcelona 16.17.18 Junio
18º Festival Internacional de Música Avanzada y Arte Multimedia www.sonar.es Barcelona 16.17.18 Junio FESTIVAL SÓNAR EN VENTA Se vende festival anual con gran proyección internacional Razón: Sr. Samaniego +34 672 030 543 [email protected] 2 Sónar Conciertos y DJs Venta de entradas Sónar de Día Entradas ya a la venta. JUEVES 16 VIERNES 17 SÁBADO 18 Se recomienda la SonarVillage SonarVillage SonarVillage compra anticipada. by Estrella Damm by Estrella Damm by Estrella Damm 12:00 Ragul (ES) DJ 12:00 Neuron (ES) DJ 12:00 Nacho Bay (ES) DJ Aforos limitados. 13:30 Half Nelson + Vidal Romero 13:30 Joan S. Luna (ES) DJ 13:30 Judah (ES) DJ play Go Mag (ES) DJ 15:00 Facto y los Amigos del Norte (ES) Concierto 15:00 No Surrender (US) Concierto 15:00 Toro y Moi (US) Concierto 15:45 Agoria (FR) DJ 15:45 Gilles Peterson (UK) DJ Entradas y precios 16:00 Floating Points (UK) DJ 17:15 Atmosphere (US) Concierto 17:15 Yelawolf (US) Concierto 17:30 Little Dragon (SE) Concierto 18:15 DJ Raff (CL-ES) DJ 18:15 El Timbe (ES) DJ Abono: 155€ Ninja Tune & Big Dada presentan 19:15 Four Tet (UK) Concierto 19:15 Shangaan Electro (ZA) Concierto En las taquillas del festival: 165€ 18:30 Shuttle (US) DJ 20:00 Nacho Marco (ES) DJ 20:00 DJ Sith & David M (ES) DJ Entrada 1 día Sónar de Día: 39€ 19:30 Dels (UK) Concierto 21:00 Dominique Young Unique (US) Concierto 21:00 Filewile (CH) Concierto En las taquillas del festival: 45€ 20:15 Offshore (UK) DJ Entrada 1 día Sónar de Noche: 60€ 21:15 Eskmo (CH) Concierto SonarDôme SonarDôme En las taquillas del festival: 65€ L’Auditori: -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J.