FESTIVAL SÓNAR EN VENTA Barcelona 16.17.18 Junio
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Statesman, V.49, N. 50.PDF
the stony brook Statesman -.~---~~~'---------------~~--~~-~---~- - ------- I--- ~~~---~--I-I---1- VOLUME XLIX, ISSUE 48 THURSDAY MAY 4, 2006 PUBLISHED TWICE WEEKLY Campus Wide UREA Celebration Impresses A L' Inits 5tn year, tne annuai celeoration or unaergraduate researcn and creativity was neic last week. URECA Celebration photos: ©John Griffin/Media Services Photography, Art Show photos: ©Jeanne Neville/Media Services Photography BY Sunr RAMBHIA and Sociology." Kudos goes to the Department of Bio- News Editor medical Engineering, which had the greatest number of abstract submissions, 25 in total. Last week, students had the opportunity to attend The main event of the Celebration was an ,all day the annual SBU Celebration of Undergraduate Research poster presentation session where students and faculty and Creativity. The event featured the work of students. were able to see type of research that goes on across involved in undergraduate research as well as activities campus all throughout the year. Some of the other in the arts. According to a recent press release issued by featured events included symposia held concurrently Karen Kernan, the Director of Programs for Research and by the Departments of English, History, and Psychology Creative Activity (as a part of the Office of the Provost), involving student oral presentations. Also,the College there were over 225 abstracts compiled in this year's. of Engineering and Applied Sciences held its annual book of Collected Abstracts. senior design conference comprising the two best senior the day's events to a close, the purpose and scope of the These 225 project descriptions represented over 300 design projects from each of the four major engineer- Celebration of Undergraduate and Creative Activities undergraduates in the various departments of"Anesthe- ing departments, Biomedical Engineering, Electrical was clear. -
Elliott, 'This Is Our Grime'
Elliott, ‘This Is Our Grime’ ‘This Is Our Grime’: Encounter, Strangeness and Translation as Responses to Lisbon’s Batida Scene Richard Elliott Text of paper presented at the IASPM UK & Ireland Biennial Conference (‘London Calling’, online edition), 19 May 2020. A video of the presentation is available at the conference website. Introduction [SLIDE – kuduro/batida in Portugal] Batida (meaning ‘beat’ in Portuguese) is used as a collective term for recent forms of electronic dance music associated with the Afrodiasporic DJs of Lisbon, first- or second-generation immigrants from Portugal’s former colonies (especially Angola, Guinea Bissau, Cabo Verde and São Tomé e Príncipe). Batida is influenced – and seen as an evolution of – the EDM musics emanating from these countries, especially the kuduro and tarraxinha music of Angola. Like kuduro, this is a sound that – while occasionally making references to older styles – is contemporary music created on digital audio workstations such as FL Studio.1 Recent years have produced extensive coverage of the batida scene in English language publications such as Vice/Thump, FACT, The Wire and Resident Advisor. In a global EDM scene still dominated by Anglo-American understandings of popular music, batida is often compared to Chicago footwork and grime (just as fado has often been compared to the blues). The translation is a two-way process, with musicians taking on the role of explaining their music through extra-cultural references. This paper uses these attempts at musical translation as a prompt to explore issues of strangeness and encounter in responses to batida, and to situate them in the broader context of discourse around global pop. -
Cigarettesaftersex Biog2017 Copy
! ! BIOGRAPHY 2017 ! ! On August 18th 2017, Ghostpoet aka Obaro Ejimiwe returns with his eagerly anticipated fourth album. As the title suggests, Dark Days & Canapés is a record that siphons the sense of unease hanging in the air throughout the time of its creation and uses it as a fuel source. It’s also a record that dramatically fore- grounds the continuing evolution of twice- Mercury nominated Obaro as one of our most perspicacious and original songwriters. In the wake of 2015’s universally acclaimed Shedding Skin – an album which found him moving away from the beats-driven arrangements of the first two records – Dark Days & Canapés completes the transition to a fuller band sound. Integral to that transition was Obaro’s choice of producer for the record. “On previous records, the production side of things has run along 50:50 lines,” he explains, “But this time around, I wanted to see what would happen if I relaxed that a little.” Early in the process, he hooked up with producer/writer/ guitarist Leo Abrahams, perhaps best known for his work with Brian Eno and Jon Hopkins (Small Craft On A Milk Sea) and Wild Beasts (Present Tense) as well as his own feted solo albums. The two clicked immediately. “I went to his studio in East London,” recalls Obaro, “And the thing that struck me about him was that he was impossible to faze. I was de- scribing the mood I was after in quite fanciful, surreal terms, and yet he knew exactly how to translate !that into music.” The results of those early sessions - which saw guitarist Joe Newman assisting, fleshing out guitar parts on the early demos -quickly established the momentum of what followed. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Ib an Mendoza
IBIZA FORMENTERA NIGHT IBAN MENDOZA SINCE 2007 N&D MAGAZINE | NIGHT • AÑO XI • N°2 | JUNIO/JUNE/GIUGNO 2017 ESPAÑOL ENGLISH ITALIANO • • Showde churrasco cooking MÚSICA EN VIVO, 12 CORTES DE LA ESPECTÁCULOS Y MEJOR CARNE DE PARQUE PARA LOS NIÑOS LATINOAMÉRICA SIN CARTA, SIN NORMAS, SIN LÍMITE! • CARRETERA SANTA GERTRUDIS, KM 0,5 (CA NA PALAVA) • RESERVAS: [email protected] | (+34) 971 50 88 80 LUXURY CAR RENTAL - REAL ESTATE - YACHT CHARTER - PRIVATE JETS - VIP SERVICES IBIZA MARBELLA BARCELONA WWW.RENTTOPLUX.COM • [email protected] +34 672 769 911 • +34 674 511 168 10 WEEDITORIAL YEARS THIS ISLAND 10 10 C.E.O. Founder YEARS YEARS Christian Dori ARE Y U NIGHT R DAY? Hola Amigos de Night&Day, Hello Friends of Night&Day, Ciao Amici di Night&Day, El futurólogo Alvin Toffler The recently passed away futurologist, Il recentemente scomparso recientemente fallecido definió elAlvin Toffler, defined change as the futurologo, Alvin Toffler definiva il cambio como el proceso por el cual el process by which the future invades our cambiamento come il processo col futuro invade nuestras vidas. lives. quale il futuro invade le nostre vite. El futuro ha invadido Ibiza y Formentera. The future has invaded Ibiza and Il futuro ha invaso Ibiza e Formentera. Cada año, grandes y pequeñas novedades Formentera. Every year, small or big news Ogni anno piccole o grandi novità si se suman y trasforman las dos islas. adds up and transforms the two islands. sommano e trasformano le due isole. La novedad más impresionante es sin The most impressive news is definitely the La più imponente novità è sicuramente duda la apertura del nuevo local Hï, opening of the new club Hï, which has taken l'apertura del nuovo locale Hï, ubicato situado donde estaba el antiguo Space, over old Space location, and that you're dove era l'antico Space, di cui parleremo del que vamos a hablar en la revista. -
02 11 2016 01 01Tt0211wednesday EC 14
Sunday Times Combined Metros 14 - 01/11/2016 07:13:35 PM - Plate: 14 The Times Wednesday November 2 | 20 1 6 OUT AND ABOUT CINEMA PRIVÉ T his club’s the reel thing Jozi venue is a haven for film buffs, writes Ufrieda Ho JOZI after dark is full of hidden secrets, and one insider favourite is a 12-year-old club t h at consistently attracts film buffs. The Atlas Studio Film Club in Milpark was started in 2004 by Jonathan Gimpel, John Barker and Ziggy Hofmeyr as an informal gathering of film industry types. The monthly screening proved to be a hit and soon attracted a wider audience than STUDIO OF DREAMS: Jonathan Gimpel runs a cinema evening on the first Wednesday of every month at Atlas Studios Picture: ALON SKUY just the filmmaking community. Joburgers showed that they appreciated films that aren’t just big-screen CGI dramas and G i mp e l says he’s been blown away by the holiday and tidies them up. “The film club is not a highbrow arthouse regurgitated sequels. range of films he’s seen at the club. G i mp e l ’s collaborators in running movie thing, we’re very informal. Movies The club has been an opportunity for “Some of those stories stay with you. the club are Akin Omotoso, an actor and are, after all, about people’s stories.” networking and collaboration and is a venue There was a Korean film I can’t even filmmaker, and Katarina Hedrén, a film Showing under-represented films and to premiere films. -
Digimag46.Pdf
DIGICULT Digital Art, Design & Culture Founder & Editor-in-chief: Marco Mancuso Advisory Board: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Publisher: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Editorial Press registered at Milan Court, number N°240 of 10/04/06. ISSN Code: 2037-2256 Licenses: Creative Commons Attribution-NonCommercial-NoDerivs - Creative Commons 2.5 Italy (CC BY- NC-ND 2.5) Printed and distributed by Lulu.com E-publishing development: Loretta Borrelli Cover design: Eva Scaini Digicult is part of the The Leonardo Organizational Member Program TABLE OF CONTENTS Marco Mancuso Persepolis 2.0: Creative Support To Iran .................................................................. 3 Mark Hancock Vlogging, Networked Cinematic Poetics ................................................................. 9 Marco Mancuso Pirates At The Parliament: The Big Dream?! .......................................................... 14 Davide Anni A New Center For Art and Technologies ............................................................... 24 Loretta Borrelli Hackmeeting 2009: Meeting With The Debian Community .............................. 27 Philippa Barr Alessandro De Gloria, From Child’s Play To Serious Games ............................... 33 Alessio Galbiati Rip: A Remix Manifesto. A Specter Wanders In The Net .................................... 39 Silvia Casini The Ethics Of Gaze: Raymond Depardon and William Kentridge ...................... 43 Giulia Baldi Soundclusters: -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Alternate African Reality. Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora
Alternate African Reality, cover for the digital release by Cedrik Fermont, 2020. Alternate African Reality. Electronic, electroacoustic and experimental music from Africa and the diaspora. Introduction and critique. "Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans. Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress." – Binyavanga Wainaina (1971-2019). © Binyavanga Wainaina, 2005. Originally published in Granta 92, 2005. Photo taken in the streets of Maputo, Mozambique by Cedrik Fermont, 2018. "Africa – the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music." (extract from the booklet of Extreme Music from Africa (Susan Lawly, 1997). Whether intended as prank, provocation or patronisation or, who knows, all of these at once, producer William Bennett's fake African compilation Extreme Music from Africa perfectly fits the African clichés that Binyavanga Wainaina described in his essay How To Write About Africa : the concept, the cover, the lame references, the stereotypical drawing made by Trevor Brown.. -
CLOUDDEAD – Clouddead (Big Dada) If You Visit Your Local Music
CLOUDDEAD – Clouddead (Big Dada) If you visit your local music emporium and ask to be pointed towards the works of Cincinnati sound sculptors Clouddead, you would be directed to the hip hop section. By virtue of the facts that there are certain requisite hip hop elements present in Clouddead’s ‘music’ and that Clouddead, the album, appears on the excellent Big Dada label – responsible for key releases of the genre in those from Roots Manuva and Ty – then I guess this categorization is natural. I acknowledge this, but in Clouddead, we are dealing with an act so unique that tags become irrelevant. A very good reference point would be The Beta Band. Though musically poles apart, it is the genius possessed by both to meld just about everything brilliant they’ve ever heard into one breathtaking whole of their own, that bind the two. If you have not the slightest hip hop leanings, but appreciate the experimental, then I ask you to trust me on this one. Clouddead gathers together six 10” EP’s, recorded and released between 1998 and last year. Each EP came with the minimum of information; both sides were titled the same (and oddly, such as I Promise Never To Get Paint On My Glasses Again), and were housed in generic packaging of simple washes of colour. So, bearing in mind that this is a chronologically sequenced compilation, it is all the more extraordinary that it holds together as the mind-blowing psychedelic masterpiece that it is. Created from “ Dr. Sample, Tascam tape 8-track, Radio Shack mic, people’s old instruments, records, English,” this is most definitely pushing ‘conventional’ song structure into hitherto unexplored galaxies. -
Decoding Dubstep: a Rhetorical Investigation of Dubstepâ•Žs Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways. -
Record of the Week Music Retail Survey Suggests Continued Importance of Ownership and Physical Formats
issue 573 / 17 April 2014 TOP 5 MUST-READ ARTICLES record of the week Music retail survey suggests continued importance of ownership and physical formats. i wanna Feel (RotD) Secondcity Ministry Of sound/speakerbox Pono’s Kickstarter round May 25 closes with $6.2m raised. (Billboard) There’s no question whatsoever that 2014’s musical land- of Zane lowe’s Hottest records in The World at radio 1. A recent Cool Cuts No.1 and currently in shazam’s pre- Syco Entertainment house anthems dominating the top end of the singles chart. release Top 10, we’ve heard Annie Mac, Mistajam, skream CEO Charles Garland Here’s the next club classic in the making. secondcity has an and loads more falling over themselves to declare their love stepping down. (Billboard) element of mystery surrounding him but what we do know so for this tune and now the stage is set for this to be another far is that he was born in Chicago but moved to london at the Spotify expected to age of 12, hence his stage name. Already on board at radio where it’s likely to sit comfortably all summer long. Keep ‘em announce US carrier deal with upfront additions to their playlists are 1Xtra, Capital and coming. with Sprint. (Recode) Capital Xtra, Kiss and Kiss Fresh plus the track has been one See page 13 for contact details Sajid Javid named CONTENTS as Culture Secretary. (Guardian) P2 Comment: Pono P3 Wide Days report P8 TGE panels focus P3 Review: Wide Days P6 The Griswolds P9 Aurora P10 Sync of the Week Plus all the regulars worldwide sales including 6am, Word On, Business News, Media marketing and Watch and Chart Life distribution 1 comment david balfour questions whether pono is the right way forward for high quality audio Neil Young’s pono high resolution audio see many people warming to them or proudly project this week completed its funding round minimum standard.