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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
The Times and Influence of Samuel Johnson
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................ -
The Story of Doctor Johnson
THE STORY OF DOCTOR JOHNSON SYDNEY CASTLE ROBERTS JOHNSON'S WORLD On the title-page of The Life of Samuel Johnson, LL.D., by James Boswell, Esq., the work to which this little book is a stepping-stone, Boswell claims that the story of Dr Johnson's life exhibits "a view of literature and literary men in Great-Britain, for near half a century, during which he flourished." It is no idle claim. Indeed, Boswell might have gone a great deal further, for his story is not merely concerned with books and bookish men, but with men and women in every rank of society. Kings and cottagers, statesmen and shopkeepers, bishops and play-actors, rich brewers and penniless poets, dukes and innkeepers, country parsons and gay young men of the town, street beggars and fashionable ladies—all play their part in the story and shew us a picture of the English world in the eighteenth century such as no history-book can give. Dr Johnson lived in four reigns—from 1709 to 1784. He could remember seeing Queen Anne and had an audience of George III; a Jacobite as a boy and a Tory always, he saw the '15 and the '45; he groaned under the Whig domination of Walpole and rejoiced in the Tory triumph of the king who gloried in the name of Briton; he saw the victories of our armies in India and Canada and their failure in America; he saw the damage done in the Gordon Riots and chatted to a South Sea islander brought home by Captain Cook; he dined with John Wilkes and was a guest in the house of Flora Macdonald. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
Samuel Johnson and the Culture of Property
SAMUEL JOHNSON AND THE CULTURE OF PROPERTY KEVIN HART The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge, , UK http://www.cup.cam.ac.uk West th Street, New York, –, USA http://www.cup.org Stamford Road, Oakleigh, Melbourne , Australia © Kevin Hart This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in Baskerville /.pt [] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Hart, Kevin, – Samuel Johnson and the culture of property / Kevin Hart. p. cm. Includes bibliographical references and index. (hardback) . Johnson, Samuel, – – Knowledge – Economics. Property – Social aspects – Great Britain – History – th century. Literature and society – Great Britain – History – th century. Intellectual property – Great Britain – History – th century. Cultural property – Great Britain – History – th century. Boswell, James, –. Life of Samuel Johnson. Great Britain – Civilization – th century. Biography as a literary form. Economics in literature. I. Title. '.–dc - hardback Contents page Economic acts The monument ‘The Age of Johnson’ Property lines Subordination and exchange Cultural properties Everyday life in Johnson ‘Property, -
Samuel Johnson (1709-84)
Samuel Johnson (1709-84) gsdfgsd Dr. Samuel Johnson • From his biography in the Norton 2841-2843: • Crowning achievement: his English Dictionary. • Famous style: ―The great generalist‖ • direct, memorable, and sometimes harsh (little patience for elaborate nonsense). • A famous talker, known for his conversation. • The subject of the most famous biography in English literature—Boswell’s Life of Johnson. 1729: Left Oxford—too poor. 1737-55: Tutoring and ―hack writing‖ in London for money. 1747-55: A Dictionary of the English Language (assisted). 1750-52: The Rambler (bi- weekly published essays). 1759: Rasselas (moral tales, written in one week). 1762: ―The Club‖—by now, an influential celebrity among artists, writers, intellectuals. 1763: Met Boswell (22), who recorded Johnson’s life. 1779-81: Lives of the Poets. Johnson wrote fast and worked hard. 18th C Writers’ Relations to the Reading Public • Back in the Renaissance, books were the property of the few; books were expensive, and their production (the author’s time and the costs to publish them) was often supported by a patron. • In the 18th C, there was a shift from the patron to the public. • Books became much cheaper to produce, and an expanding middle class would buy them. • Pope may have looked down on new reading public, but the new market of readers freed writers from the old model of patronage. • Reading brief works on contemporary arts & issues flourished. Periodicals emerged—not unlike like today’s weekly or monthly magazines. Today we have magazines like The New Yorker. • In the 18th C, instead of The New Yorker, there was The Spectator, The Idler, and The Rambler. -
Course Guide Cover Page Template
LOUISIANA STATE UNIVERSITY CONTINUING EDUCATION INDEPENDENT & DISTANCE LEARNING British Literature I: The Middle Ages, Renaissance, and 18th Century ENGLISH 3020 British Literature I: The Middle Ages, Renaissance, and 18th Century. Survey of English literature from the Anglo-Saxon period through Chaucer, Shakespeare, the 17th and 18th centuries. ENGL 3020 15 lessons and 3 exams. 3 hours of college credit. 08/11/04. version R Prerequisite: The satisfactory completion of English 1002, 1003, 1005, or equivalent credit is prerequisite for all English courses numbered 2001 or higher. ENGLISH 3020 British Literature I: The Middle Ages, Renaissance, and 18th Century Copyright © 2004 LOUISIANA STATE UNIVERSITY BATON ROUGE, LOUISIANA Dorothy McCaughey, MA Instructor in English Independent & Distance Learning Louisiana State University All rights reserved. No part of this course guide may be used or reproduced without written permission of LSU Independent & Distance Learning. Printed in the United States of America. LB Table of Contents TTaabbllee ooff CCoonntteennttss How to Take an Independent Learning Course ......................................................................... iii Where the Books Are ............................................................................................................................. vii Syllabus ....................................................................................................................................................... S–1 Textbooks Other Materials Nature and Purpose of -
Anatomy of Criticism with a New Foreword by Harold Bloom ANATOMY of CRITICISM
Anatomy of Criticism With a new foreword by Harold Bloom ANATOMY OF CRITICISM Four Essays Anatomy of Criticism FOUR ESSAYS With a Foreword by Harold Bloom NORTHROP FRYE PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 3 Market Place, Woodstock, Oxfordshire OX20 1SY Copyright © 1957, by Princeton University Press All Rights Reserved L.C. Card No. 56-8380 ISBN 0-691-06999-9 (paperback edn.) ISBN 0-691-06004-5 (hardcover edn.) Fifteenth printing, with a new Foreword, 2000 Publication of this book has been aided by a grant from the Council of the Humanities, Princeton University, and the Class of 1932 Lectureship. FIRST PRINCETON PAPERBACK Edition, 1971 Third printing, 1973 Tenth printing, 1990 The paper used in this publication meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) {Permanence of Paper) www.pup.princeton.edu 25 24 23 22 21 20 19 18 17 16 15 Printed in the United States of America HELENAE UXORI Foreword NORTHROP FRYE IN RETROSPECT The publication of Northrop Frye's Notebooks troubled some of his old admirers, myself included. One unfortunate passage gave us Frye's affirmation that he alone, of all modern critics, possessed genius. I think of Kenneth Burke and of William Empson; were they less gifted than Frye? Or were George Wilson Knight or Ernst Robert Curtius less original and creative than the Canadian master? And yet I share Frye's sympathy for what our current "cultural" polemicists dismiss as the "romantic ideology of genius." In that supposed ideology, there is a transcendental realm, but we are alienated from it. -
Samuel Johnson
Samuel Johnson By Leslie Stephen SAMUEL JOHNSON CHAPTER I. CHILDHOOD AND EARLY LIFE. Samuel Johnson was born in Lichfield in . His father, Michael Johnson, was a bookseller, highly respected by the cathedral clergy, and for a time sufficiently prosperous to be a magistrate of the town, and, in the year of his son's birth, sheriff of the county. He opened a bookstall on marketdays at neighbouring towns, including Birmingham, which was as yet unable to maintain a separate bookseller. The tradesman often exaggerates the prejudices of the class whose wants he supplies, and Michael Johnson was probably a more devoted High Churchman and Tory than many of the cathedral clergy themselves. He reconciled himself with difficulty to taking the oaths against the exiled dynasty. He was a man of considerable mental and physical power, but tormented by hypochondriacal tendencies. His son inherited a share both of his constitution and of his principles. Long afterwards Samuel associated with his childish days a faint but solemn recollection of a lady in diamonds and long black hood. The lady was Queen Anne, to whom, in compliance with a superstition just dying a natural death, he had been taken by his mother to be touched for the king's evil. The touch was ineffectual. Perhaps, as Boswell suggested, he ought to have been presented to the genuine heirs of the Stuarts in Rome. Disease and superstition had thus stood by his cradle, and they never quitted him during life. The demon of hypochondria was always lying in wait for him, and could be exorcised for a time only by hard work or social excitement. -
Anecdotes of Johnson
Anecdotes of Johnson Hesther Lynch Piozzi The Project Gutenberg Etext of Anecdotes of Johnson by Hesther Lynch Piozzi Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Anecdotes of the late Samuel Johnson by Hesther Lynch Piozzi December, 2000 [Etext #2423] The Project Gutenberg Etext of Anecdotes of Johnson by Hesther Lynch Piozzi ******This file should be named andsj10.txt or andsj10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, andsj11.txt VERSIONS based on separate sources get new LETTER, andsj10a.txt This etext was prepared by Les Bowler, St. Ives, Dorset from the 1901 Cassell and Company edition. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do usually do NOT! keep these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. -
Jennifer Foy
Jennifer Foy “Mapping Sympathy: Sensibility, Stigma, and Space in the Long Eighteenth Century” Jennifer Anne Foy Greater Manchester, United Kingdom MSc, English, University of Edinburgh, 2009 BA, English (with Honors), University of Cambridge, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia May, 2015 Jennifer Foy Table of Contents Introduction Chapter 1: “We enter, as it were, into his body”: Sympathy and the Symptomatic Body Chapter 2: Sympathy for the Scots Chapter 3: Sentiment and Interest in the British West Indies Chapter 4: Space and Stigma on Thomas Thistlewood’s Breadnut Island Pen Coda: Breaking Through to the Shared Space of Sympathy Jennifer Foy Introduction STIGMA. n.f. [stigma, Latin] 1. A brand; a mark with a hot iron; 2. A mark of infamy. – Samuel Johnson, A Dictionary of the English Language, 1755 In December 1777, Hester Thrale, diarist, travel writer, and great friend of Samuel Johnson, recorded an exchange with Johnson that draws on a particularly eighteenth-century map of sympathy and stigma: I was saying this morning that I did not love Goose much one smells it so says I – But you Madam replies Johnson have always had your hunger forestalled by Indulgence and do not know the Pleasure of smelling one’s Meat beforehand: - a pleasure answered I that is to be had in all Perfection by all who walk through Porridge Island of a Morning! – come come says the Doctor gravely, let us have done laughing at what is serious to so many: Hundreds of your Fellow Creatures dear Lady turn another way that they may not be tempted by the Luxuries of Porridge-Island to hope for Gratifications they are not able to obtain. -
“Monuments of Unageing Intellect”
“Monuments of Unageing Intellect” by Melvyn New Which one of us would not dream that it might be said of his work of a lifetime: “He wrote a few good footnotes”? Simon Leys, The Hall of Uselessness. Several years ago Janine Barchas wrote an review essay of the first three volumes of the Cambridge Edition of the Works of Samuel Richardson (Eighteenth-Century Life, 38.3 [2014], 118-24), entitled “First and Last,” a title reflecting the fact that the Cambridge Works will be “the first-ever annotated edition of this author’s complete output” (my italics) and her opinion that it will be the last such print edition. Perhaps this caught my attention because in the same year I had just published the ninth and final volume of my thirty-five-year project of a scholarly edition of Laurence Sterne’s works, and had opined in its introduction that “what a scholarly editor learns, and I believe my coeditors will agree with this, is that after the final volume of the Florida Sterne, nothing remains but to start over again. A new scholarly edition of Sterne’s works will perhaps not be undertaken for another decade or two, but if Sterne is to continue to be read, his work must be edited and annotated anew for different times and new readers.” Or, just as likely, her review caught my eye because I am a coeditor of four volumes in the Richardson project, a scholarly edition of Sir Charles Grandison. Whatever the reason, I found her essay-review captivating, if also disturbing, and was even temporarily persuaded by many of her cogent arguments against the seemingly endless proliferation of very costly scholarly editions in the electronic era.