Samuel Johnson's London
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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
Orlando Background Ch. 3-4.Docx
Useful Background for Virginia Woolf, Orlando, ch. 3-4 p. 126 Order of the Bath: https://www.britannica.com/topic/The-Most-Honourable-Order-of-the-Bath pp. 134-37 The Masque of Truth: https://www.britannica.com/art/masque pp. 142-46 Orlando’s musings about Nature: “Modern systematic philosophical aesthetics not only first emerges in the context of the Enlightenment, but also flowers brilliantly there. the eighteenth century . thinks of itself as the ‘century of philosophy’ . Philosophical aesthetics flourishes in the period because of its strong affinities with the tendencies of the age. ‘Aesthetics’ is derived from the Greek word for ‘senses’, because . a science of the beautiful would be a science of the sensible, a science of sensible cognition. The Enlightenment also enthusiastically embraces the discovery and disclosure of rational order in nature . It seems to many theorists in the Enlightenment that the faculty of taste, the faculty by which we discern beauty, reveals to us some part of this order, a distinctive harmony, unities amidst variety. Thus, in the phenomenon of aesthetic pleasure, human sensibility discloses to us rational order, thus binding together two enthusiasms of the Enlightenment.” (https://plato.stanford.edu/entries/enlightenment/#BeaAesEnl) p. 167 London coffee houses: https://www.historic-uk.com/CultureUK/English-Coffeehouses-Penny-Universities/ p. 198 Literary salons: https://www.britannica.com/topic/Bluestocking-British-literary-society Writers Orlando glimpses and/or encounters: John Dryden (d. 1700)—poet (first poet laureate of England), literary critic, translator, playwright, who dominated the literary world of the Restoration. Joseph Addison (d. 1719)—famous for founding The Spectator magazine with Richard Steele. -
A Revolution in London Sociability? Valérie Capdeville
Document generated on 09/25/2021 6:47 p.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle ‘Clubbability’: A Revolution in London Sociability? Valérie Capdeville Volume 35, 2016 URI: https://id.erudit.org/iderudit/1035921ar DOI: https://doi.org/10.7202/1035921ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Capdeville, V. (2016). ‘Clubbability’: A Revolution in London Sociability? Lumen, 35, 63–80. https://doi.org/10.7202/1035921ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 2016 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ‘Clubbability’: A Revolution in London Sociability? Valérie Capdeville Université Paris 13 An anecdote recorded by James Boswell on November 29th, 1783 revealed the first occurrence of the word ‘clubable’ coined by Samuel Johnson: “I was in Scotland when this Club was founded during all the winter. Johnson, however, declared I should be a member, and invented a word upon the occasion: ‘Boswell (said he) is a very club- able man.’ When I came to town I was proposed to Mr Barrington, and chosen.”1 Johnson considered Boswell as “the best travelling com- panion in the world” and, according to him, his liveliness and good nature, his passion for good company and friendship, his sympathy and amiability made him acceptable everywhere. -
We Need Character
“I mourn their nature, but admire their art”: Anna Seward’s Assertion of Critical Authority in Maturity and Old Age* “Lamento su naturaleza, pero admiro su arte”: Anna Seward y su afirmación de la autoridad crítica en la madurez y la vejez FRANCESCA BLANCH SERRAT Institution address: Universitat Autònoma de Barcelona. Departament de Filologia Anglesa i de Germanística. Facultat de Filosofia i Lletres. 08193 Bellaterra. Barcelona. Spain. E-mail: [email protected] ORCID: 0000-0002-9881-3768 Received: 26/11/2018. Accepted: 06/10/2019. How to cite this article: Blanch Serrat, Francesca. “‘I mourn their nature, but admire their art’: Anna Seward’s Assertion of Critical Authority in Maturity and Old Age.” ES Review: Spanish Journal of English Studies, vol. 40, 2019, pp. 11‒31. DOI: https://doi.org/10.24197/ersjes.40.2019.11-31 Abstract: In 1786 an anonymous correspondent appealed to Samuel Johnson’s biographer James Boswell in the pages of the Gentleman’s Magazine. Behind the pseudonym Benvolio was Anna Seward (1742‒1809), one of the prominent poetical voices of Britain at the time. From 1786‒87 and 1793‒94, Seward and Boswell engaged in a public and gradually acrimonious dispute over Johnson’s reputation. This article argues that at the core of the debates was Seward’s assertion of her literary and critical authority, and I contend that age and gender played key roles in Boswell’s dismissal of Seward’s claim. Keywords: Anna Seward; Age Studies; James Boswell; Samuel Johnson; Gentleman’s Magazine. Summary: Introduction. The First Benvolio Debate, 1786‒87. The Second Benvolio Debate, 1793‒94. -
The Times and Influence of Samuel Johnson
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................ -
Black Georgians
Subject Guide Black Georgians Ref. Wong/6/98 Ref. AN/3 Ref. EPHEMERA/292 Background The Georgian period covers the years 1714 to 1837, from the reign of King George I, the great grandson of King James I, through to the end of King William IV’s reign. For some, the Georgian period extends only until 1830, finishing with the death of King George IV. This subject guide, however, recognises the regency of King George IV’s brother, King William IV, which ended with his death in 1837. In 1837, Queen Victoria ascends to the throne, ending the Georgian period and introducing the Victorian period. The Georgian period was a time of immense growth and change in Britain, a pivotal point in British history. The emergence of Industrialisation during the eighteenth and nineteenth centuries changed the landscape and economy of Britain forever, through the introduction of steam engines, large-scale production factories, and the development of a new network of canals.1 During the eighteenth century, there were a number of pioneering individuals who worked relentlessly as abolitionists, poets, political leaders, and radicals. They actively challenged prevailing notions of white supremacy and the system of enslavement that, until then, was dominating British consciousness. A number of these individuals published first- person testimonies relating the horrors of enslavement. These forcefully drew attention to a trade that many in Georgian society were unable to fully comprehend. These prevailing notions of white supremacy were challenged in all aspects of British society, through the arts, politics and sports. Whilst there were a number of prominent figures leading and shaping the campaign for racial equality in Georgian Britain, there were a larger number of more “everyday” Black Georgians, working particularly as domestic servants. -
BLACK LONDON Life Before Emancipation
BLACK LONDON Life before Emancipation ^^^^k iff'/J9^l BHv^MMiai>'^ii,k'' 5-- d^fli BP* ^B Br mL ^^ " ^B H N^ ^1 J '' j^' • 1 • GRETCHEN HOLBROOK GERZINA BLACK LONDON Other books by the author Carrington: A Life BLACK LONDON Life before Emancipation Gretchen Gerzina dartmouth college library Hanover Dartmouth College Library https://www.dartmouth.edu/~library/digital/publishing/ © 1995 Gretchen Holbrook Gerzina All rights reserved First published in the United States in 1995 by Rutgers University Press, New Brunswick, New Jersey First published in Great Britain in 1995 by John Murray (Publishers) Ltd. The Library of Congress cataloged the paperback edition as: Gerzina, Gretchen. Black London: life before emancipation / Gretchen Holbrook Gerzina p. cm. Includes bibliographical references and index ISBN 0-8135-2259-5 (alk. paper) 1. Blacks—England—London—History—18th century. 2. Africans— England—London—History—18th century. 3. London (England)— History—18th century. I. title. DA676.9.B55G47 1995 305.896´0421´09033—dc20 95-33060 CIP To Pat Kaufman and John Stathatos Contents Illustrations ix Acknowledgements xi 1. Paupers and Princes: Repainting the Picture of Eighteenth-Century England 1 2. High Life below Stairs 29 3. What about Women? 68 4. Sharp and Mansfield: Slavery in the Courts 90 5. The Black Poor 133 6. The End of English Slavery 165 Notes 205 Bibliography 227 Index Illustrations (between pages 116 and 111) 1. 'Heyday! is this my daughter Anne'. S.H. Grimm, del. Pub lished 14 June 1771 in Drolleries, p. 6. Courtesy of the Print Collection, Lewis Walpole Library, Yale University. 2. -
English Female Artists
^ $525.- V ^ T R /S. / / \ * t {/<•/dti '/’rlk- Printed lor Hob'.Saryer.N?^ in Fleet Street ■ ENGLISH 'EMALE ART < rn us. Ei.LSK C. G) aYXO v A' £HOR Of •' QUi'JBKir OF 80N0 ' !,'TO. • • • VOL f. LONDON; ! OTHERS, S CATHERINE ST.. SXRAN I) 187C. (A'ii *1 ijkti r ;,d) * ENGLISH FEMALE ARTISTS. lBY ELLEN C. CLAYTON, AUTHOR OF “QUEENS OF SONG,” ETC. IN TWO VOLUMES. VOL. I. I- LONDON: TINSLEY BROTHERS, 8 CATHERINE ST., STRAND. 1876. (All rights reserved.) TO (gHsabftlt Sltompisian THIS BOOK, A ROLL CALL OF HONOURABLE NAMES, is BY PERMISSION INSCRIBED, IN TESTIMONY OF ADMIRATION FOR HER GENIUS. CONTENTS. CHAPTER I. PAGE Susannah Hornebolt. Lavinia Teerlinck ... ... ... 1 CHAPTER II. Anne Carlisle. Artemisia Gentileschi. The Sisters Cleyn 14 CHAPTER III. Anna Maria Carew. Elizabeth Neale. Mary More. Mrs. Boardman. Elizabeth Creed ... ... ... ... 35 CHAPTER IY. Mary Beale ... ... ... ... ... ... 40 CHAPTER Y. Susan Penelope Rose ... ... ... ... ... 54 CHAPTER VI. Anne Killigrew ... ... ... ... ... ... 59 CHAPTER VII. Maria Varelst ... ... ... ... ... ... 71 VI CONTENTS. CHAPTER VIII. PAGE Anne, Princess of Orange. Princess Caroline. Agatha Van- dermijn. Sarah Hoadley 78 CHAPTER IX. Elizabeth Blackwell 91 CHAPTER X. Mary Delany 96 CHAPTER XL Frances Reynolds 146 CHAPTER XII. Maria Anna Angelica Catherine Kauffman 233 CHAPTER XIII. Mary Moser 295 CHAPTER XIV. Maria Cecilia Louisa Cosway 314 CHAPTER XV. Amateurs: Temp. George the Third 336 CHAPTER XVI. The Close of the Eighteenth Century 359 CHAPTER XVII. The Earlier Years of the Nineteenth Century ... 379 CHAPTER XVIII. Mary Harrison. Anna Maria Charretie. Adelaide A. Maguire 410 LIST OF THE PRINCIPAL AUTHORITIES CONSULTED FOR THE FIRST VOLUME. Annual Registek. Abt Joubnal. -
The Story of Doctor Johnson
THE STORY OF DOCTOR JOHNSON SYDNEY CASTLE ROBERTS JOHNSON'S WORLD On the title-page of The Life of Samuel Johnson, LL.D., by James Boswell, Esq., the work to which this little book is a stepping-stone, Boswell claims that the story of Dr Johnson's life exhibits "a view of literature and literary men in Great-Britain, for near half a century, during which he flourished." It is no idle claim. Indeed, Boswell might have gone a great deal further, for his story is not merely concerned with books and bookish men, but with men and women in every rank of society. Kings and cottagers, statesmen and shopkeepers, bishops and play-actors, rich brewers and penniless poets, dukes and innkeepers, country parsons and gay young men of the town, street beggars and fashionable ladies—all play their part in the story and shew us a picture of the English world in the eighteenth century such as no history-book can give. Dr Johnson lived in four reigns—from 1709 to 1784. He could remember seeing Queen Anne and had an audience of George III; a Jacobite as a boy and a Tory always, he saw the '15 and the '45; he groaned under the Whig domination of Walpole and rejoiced in the Tory triumph of the king who gloried in the name of Briton; he saw the victories of our armies in India and Canada and their failure in America; he saw the damage done in the Gordon Riots and chatted to a South Sea islander brought home by Captain Cook; he dined with John Wilkes and was a guest in the house of Flora Macdonald. -
The Life of Samuel Johnson, LL.D.," Appeared in 1791
•Y»] Y Y T 'Y Y Y Qtis>\% Wn^. ECLECTIC ENGLISH CLASSICS THE LIFE OF SAMUEL JOHNSON BY LORD MACAULAY . * - NEW YORK •:• CINCINNATI •:• CHICAGO AMERICAN BOOK COMPANY Copvrigh' ',5, by American Book Company LIFE OF JOHNSOK. W. P. 2 n INTRODUCTION. Thomas Babington Macaulay, the most popular essayist of his time, was born at Leicestershire, Eng., in 1800. His father, of was a Zachary Macaulay, a friend and coworker Wilberforc^e, man "> f austere character, who was greatly shocked at his son's fondness ">r worldly literature. Macaulay's mother, however, ( encouraged his reading, and did much to foster m*? -erary tastes. " From the time that he was three," says Trevelyan in his stand- " read for the most r_ ard biography, Macaulay incessantly, part CO and a £2 lying on the rug before the fire, with his book on the ground piece of bread and butter in his hand." He early showed marks ^ of uncommon genius. When he was only seven, he took it into " —i his head to write a Compendium of Universal History." He could remember almost the exact phraseology of the books he " " rea'd, and had Scott's Marmion almost entirely by heart. His omnivorous reading and extraordinary memory bore ample fruit in the richness of allusion and brilliancy of illustration that marked " the literary style of his mature years. He could have written Sir " Charles Grandison from memory, and in 1849 he could repeat " more than half of Paradise Lost." In 1 81 8 Macaulay entered Trinity College, Cambridge. Here he in classics and but he had an invincible won prizes English ; distaste for mathematics. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
James Boswell's Urban Experience in Eighteenth-Century London
JAMES BOSWELL’S URBAN EXPERIENCE IN EIGHTEENTH-CENTURY LONDON MARKKU KEKÄLÄINEN Academic dissertation to be publicly discussed, by due permission ofthe Faculty of Arts at the University of Helsinki in lecture room U 40 1,on the 9th of June, 2012 at 10 o’clock. JAMES BOSWELL’S URBAN EXPERIENCE IN EIGHTEENTH-CENTURY LONDON MARKKU KEKÄLÄINEN ISBN 978-952-10-7951-1 (paperback) ISBN 978-952-10-7952-8 (PDF) Unigrafia Helsinki 2012 CONTENTS ACKNOWLEDGEMENTS 3 INTRODUCTION 4 A Romantic Mondain 8 The Contingency of the City 12 The Spectacular City 16 Politeness and Impoliteness 19 The Play with Selves 24 I PERMANENCE AND TRANSITORINESS 31 The Nostalgic Landscape 32 Feudal Fancies 36 The Polite Garden 41 The Scottish Narrowness 47 The Freedom of Solitude 52 Moving in the City 55 The City of Whim 59 Melancholy and the City 67 II OBSERVATION AND ECSTASY 72 Observing the City 73 The Pleasures of the Imagination 78 Variety of the Metropolis 80 III LUXURY AND SPECTACLE 85 Fashionable Vanities 85 The Magnificence of Courts 88 Splendid Appearance 99 Architectural Distinctions 107 1 Sacral Beauty 114 Sublime Horror 123 IV AUTHENTICITY AND THEATRICALITY 125 The Court and the City 128 The Honest Gentleman 133 The Delights of Civilization 138 ‘A calm mastery of myself’ 144 Ambiguous Flattery 150 Double Feeling 153 V MASQUERADE AND LIBERTINAGE 161 The Labyrinth of Vice 163 Low Practices 165 The Play with Masks 169 EPILOGUE 174 BIBLIOGRAPHY 176 2 ACKNOWLEDGEMENTS Writing this dissertation has been a great pleasure, so it is a real delight to express my gratitude to the institutions and individuals who have assisted me in completing this thesis.