The Story of Doctor Johnson
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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
A Revolution in London Sociability? Valérie Capdeville
Document generated on 09/25/2021 6:47 p.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle ‘Clubbability’: A Revolution in London Sociability? Valérie Capdeville Volume 35, 2016 URI: https://id.erudit.org/iderudit/1035921ar DOI: https://doi.org/10.7202/1035921ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Capdeville, V. (2016). ‘Clubbability’: A Revolution in London Sociability? Lumen, 35, 63–80. https://doi.org/10.7202/1035921ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 2016 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ‘Clubbability’: A Revolution in London Sociability? Valérie Capdeville Université Paris 13 An anecdote recorded by James Boswell on November 29th, 1783 revealed the first occurrence of the word ‘clubable’ coined by Samuel Johnson: “I was in Scotland when this Club was founded during all the winter. Johnson, however, declared I should be a member, and invented a word upon the occasion: ‘Boswell (said he) is a very club- able man.’ When I came to town I was proposed to Mr Barrington, and chosen.”1 Johnson considered Boswell as “the best travelling com- panion in the world” and, according to him, his liveliness and good nature, his passion for good company and friendship, his sympathy and amiability made him acceptable everywhere. -
The Times and Influence of Samuel Johnson
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................ -
English Female Artists
^ $525.- V ^ T R /S. / / \ * t {/<•/dti '/’rlk- Printed lor Hob'.Saryer.N?^ in Fleet Street ■ ENGLISH 'EMALE ART < rn us. Ei.LSK C. G) aYXO v A' £HOR Of •' QUi'JBKir OF 80N0 ' !,'TO. • • • VOL f. LONDON; ! OTHERS, S CATHERINE ST.. SXRAN I) 187C. (A'ii *1 ijkti r ;,d) * ENGLISH FEMALE ARTISTS. lBY ELLEN C. CLAYTON, AUTHOR OF “QUEENS OF SONG,” ETC. IN TWO VOLUMES. VOL. I. I- LONDON: TINSLEY BROTHERS, 8 CATHERINE ST., STRAND. 1876. (All rights reserved.) TO (gHsabftlt Sltompisian THIS BOOK, A ROLL CALL OF HONOURABLE NAMES, is BY PERMISSION INSCRIBED, IN TESTIMONY OF ADMIRATION FOR HER GENIUS. CONTENTS. CHAPTER I. PAGE Susannah Hornebolt. Lavinia Teerlinck ... ... ... 1 CHAPTER II. Anne Carlisle. Artemisia Gentileschi. The Sisters Cleyn 14 CHAPTER III. Anna Maria Carew. Elizabeth Neale. Mary More. Mrs. Boardman. Elizabeth Creed ... ... ... ... 35 CHAPTER IY. Mary Beale ... ... ... ... ... ... 40 CHAPTER Y. Susan Penelope Rose ... ... ... ... ... 54 CHAPTER VI. Anne Killigrew ... ... ... ... ... ... 59 CHAPTER VII. Maria Varelst ... ... ... ... ... ... 71 VI CONTENTS. CHAPTER VIII. PAGE Anne, Princess of Orange. Princess Caroline. Agatha Van- dermijn. Sarah Hoadley 78 CHAPTER IX. Elizabeth Blackwell 91 CHAPTER X. Mary Delany 96 CHAPTER XL Frances Reynolds 146 CHAPTER XII. Maria Anna Angelica Catherine Kauffman 233 CHAPTER XIII. Mary Moser 295 CHAPTER XIV. Maria Cecilia Louisa Cosway 314 CHAPTER XV. Amateurs: Temp. George the Third 336 CHAPTER XVI. The Close of the Eighteenth Century 359 CHAPTER XVII. The Earlier Years of the Nineteenth Century ... 379 CHAPTER XVIII. Mary Harrison. Anna Maria Charretie. Adelaide A. Maguire 410 LIST OF THE PRINCIPAL AUTHORITIES CONSULTED FOR THE FIRST VOLUME. Annual Registek. Abt Joubnal. -
The Life of Samuel Johnson, LL.D.," Appeared in 1791
•Y»] Y Y T 'Y Y Y Qtis>\% Wn^. ECLECTIC ENGLISH CLASSICS THE LIFE OF SAMUEL JOHNSON BY LORD MACAULAY . * - NEW YORK •:• CINCINNATI •:• CHICAGO AMERICAN BOOK COMPANY Copvrigh' ',5, by American Book Company LIFE OF JOHNSOK. W. P. 2 n INTRODUCTION. Thomas Babington Macaulay, the most popular essayist of his time, was born at Leicestershire, Eng., in 1800. His father, of was a Zachary Macaulay, a friend and coworker Wilberforc^e, man "> f austere character, who was greatly shocked at his son's fondness ">r worldly literature. Macaulay's mother, however, ( encouraged his reading, and did much to foster m*? -erary tastes. " From the time that he was three," says Trevelyan in his stand- " read for the most r_ ard biography, Macaulay incessantly, part CO and a £2 lying on the rug before the fire, with his book on the ground piece of bread and butter in his hand." He early showed marks ^ of uncommon genius. When he was only seven, he took it into " —i his head to write a Compendium of Universal History." He could remember almost the exact phraseology of the books he " " rea'd, and had Scott's Marmion almost entirely by heart. His omnivorous reading and extraordinary memory bore ample fruit in the richness of allusion and brilliancy of illustration that marked " the literary style of his mature years. He could have written Sir " Charles Grandison from memory, and in 1849 he could repeat " more than half of Paradise Lost." In 1 81 8 Macaulay entered Trinity College, Cambridge. Here he in classics and but he had an invincible won prizes English ; distaste for mathematics. -
American Society for Eighteenth-Century Studies (ASECS)
American Society for Eighteenth-Century Studies (ASECS) Mr. Spectator and the Coffeehouse Public Sphere Author(s): Brian Cowan Source: Eighteenth-Century Studies, Vol. 37, No. 3, Critical Networks (Spring, 2004), pp. 345-366 Published by: The Johns Hopkins University Press . Sponsor: American Society for Eighteenth-Century Studies (ASECS) . Stable URL: http://www.jstor.org/stable/25098064 Accessed: 01-05-2015 01:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press and American Society for Eighteenth-Century Studies (ASECS) are collaborating with JSTOR to digitize, preserve and extend access to Eighteenth-Century Studies. http://www.jstor.org This content downloaded from 194.27.18.18 on Fri, 01 May 2015 01:13:12 UTC All use subject to JSTOR Terms and Conditions ,JL . Spectator and the Coffeehouse Public Sphere Brian Cowan Recent critical and historical studies of post-Restoration England have been fascinated with the thought that the period saw the emergence of something called a "public sphere" and that the coffeehouse was a central locus for it. J?r gen Habermas -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
Literary Journalism in the 18Th Century (London: Routledge, 2005)
Literary Anthology and Reading List Unless otherwise stated, all items are EITHER available in the Hunter Street Library (Those on Short Loan indicated thus: SLN) OR in the Course Materials Box (my Office) OR via links on MOODLE OR Online Please do not hesitate to be in touch 24/7 about how to access materials you wish to look at: [email protected] | 2 | 3 List of Contents 1. John Milton Areopagitica; A Speech, of Mr John Milton (London, 1644) 5 2. Daniel Defoe The Shortest Way with the Dissenters (London, 1702) 44 3. Jonathan Swift A Modest Proposal for Preventing the Children of Poor 61 People in Ireland, from Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick (Dublin: S. Harding, 1729) 4. Samuel Johnson ‘The Rambler’, No. 114 [On Capital Punishment] 73 (Saturday, 20 April 1750) ‘The Adventurer’, No. 84 [Vanity in a Stagecoach] 77 (Saturday, 25 August 1753) ‘The Idler’, No. 22 [The Vulture’s View of Mankind] 81 (Saturday, 9 September 1758) ‘The Idler’, No. 103 [This is the Last] 84 (Saturday, 5 April 1760) 5. William Hazlitt ‘On Gusto’ The Examiner (26 May 1816) 88 ‘The Fight’ New Monthly Magazine (February 1822) 92 6. W. M. Thackeray ‘Going to See a Man Hanged’ Fraser’s Magazine for Town 108 and Country (July 1840), pp. 150-58 7. W. H. Russell Despatches from the Crimea. First published in The Times 124 (1854–55), repr. The British Expedition to the Crimea (London: G. Routledge, 1858) 8. Charles Dickens ‘On Duty with Inspector Field’ (Household Words, 14 June 152 1851) ‘Down with the Tide’ (Household Words, 5 Feb 1853) 164 ‘Poor Mercantile Jack’ (All the Year Round, 10 Mar 1860) 173 ‘The Ruffian’ (All the Year Round, 10 October 1868) 184 ‘A Small Star in the East’ (All the Year Round, 19 Dec 1868) 191 ‘On An Amateur Beat’ (All the Year Round, 27 Feb 1869) 201 9. -
Samuel Johnson and the Culture of Property
SAMUEL JOHNSON AND THE CULTURE OF PROPERTY KEVIN HART The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge, , UK http://www.cup.cam.ac.uk West th Street, New York, –, USA http://www.cup.org Stamford Road, Oakleigh, Melbourne , Australia © Kevin Hart This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in Baskerville /.pt [] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Hart, Kevin, – Samuel Johnson and the culture of property / Kevin Hart. p. cm. Includes bibliographical references and index. (hardback) . Johnson, Samuel, – – Knowledge – Economics. Property – Social aspects – Great Britain – History – th century. Literature and society – Great Britain – History – th century. Intellectual property – Great Britain – History – th century. Cultural property – Great Britain – History – th century. Boswell, James, –. Life of Samuel Johnson. Great Britain – Civilization – th century. Biography as a literary form. Economics in literature. I. Title. '.–dc - hardback Contents page Economic acts The monument ‘The Age of Johnson’ Property lines Subordination and exchange Cultural properties Everyday life in Johnson ‘Property, -
"Male Gothic," from Walpole to Byron
CLASS AND GENDER IDENTITY IN "MALE GOTHIC," FROM WALPOLE TO BYRON NIDA DARONGSUWAN PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JANUARY 2008 TABLE OF CONTENTS Page List of Illustrations IV Acknowledgements V Abstract VI INTRODUCTION 1 Class and Gender Identity in Late-Eighteenth and Early-Nineteenth-Century Britain 6 The "Male Gothic" 17 CHAPTER 1 Horace Walpole and the "Aristocratisation" of the Gothic 25 Walpole's Sense of the Gothic 26 The Castle ofOtranto 35 The Mysterious Mother 52 Nineteenth-Century Responses to Walpole's Work 64 CHAPTER 2 William Beckford: "Epater Ie Bourgeois" 70 Biographical Memoirs and The Vision 72 Vathek 79 The Episodes ofVathek 95 The 1790s and After 103 CHAPTER 3 Matthew Lewis: "Lewisizing" Gothic 116 Lewis and the Culture of Sensibility in the Early 1790s 117 The Monk 125 .. n Lewis after The Monk Scandal 141 CHAPTER 4 "Drawing from Self': Lord Byron 164 Constructing Authorial Identity: From Hours of Idleness to Childe Harold's Pilgrimage, Cantos I-II 166 The Turkish Tales 178 Leading the "Satanic School": Manfred and Other Works 193 CONCLUSION 214 BIBLIOGRAPHY 224 111 LIST OF ILLUSTRA TIONS Page PLATE 1 Portrait of a Nobleman in the Dress of an Albanian, by Thomas Phillips in 1814. © Queen's Printer and Controller of HMSO, 2004. UK Government Art Collection. Reproduced from Robert Beevers, The Byronic Image: The Poet Portrayed (Oxford: Olivia, 2005) 29 173 PLATE 2 Byron, engraving after George Sanders' portrait of 1809 by William Finden in 1830. Reproduced from Beevers, The Byronic Image 12 179 PLATE 3 Portrait ofa Nobleman, by Thomas Phillips in 1814. -
Samuel Johnson (1709-84)
Samuel Johnson (1709-84) gsdfgsd Dr. Samuel Johnson • From his biography in the Norton 2841-2843: • Crowning achievement: his English Dictionary. • Famous style: ―The great generalist‖ • direct, memorable, and sometimes harsh (little patience for elaborate nonsense). • A famous talker, known for his conversation. • The subject of the most famous biography in English literature—Boswell’s Life of Johnson. 1729: Left Oxford—too poor. 1737-55: Tutoring and ―hack writing‖ in London for money. 1747-55: A Dictionary of the English Language (assisted). 1750-52: The Rambler (bi- weekly published essays). 1759: Rasselas (moral tales, written in one week). 1762: ―The Club‖—by now, an influential celebrity among artists, writers, intellectuals. 1763: Met Boswell (22), who recorded Johnson’s life. 1779-81: Lives of the Poets. Johnson wrote fast and worked hard. 18th C Writers’ Relations to the Reading Public • Back in the Renaissance, books were the property of the few; books were expensive, and their production (the author’s time and the costs to publish them) was often supported by a patron. • In the 18th C, there was a shift from the patron to the public. • Books became much cheaper to produce, and an expanding middle class would buy them. • Pope may have looked down on new reading public, but the new market of readers freed writers from the old model of patronage. • Reading brief works on contemporary arts & issues flourished. Periodicals emerged—not unlike like today’s weekly or monthly magazines. Today we have magazines like The New Yorker. • In the 18th C, instead of The New Yorker, there was The Spectator, The Idler, and The Rambler. -
ANDREW COTTER BILL PATERSON Andrew MARR Lee Lawrence
FEATURING: ANDREW COTTER WITH OLIVE & MABEL BILL PATERSON ANDREw MARR lee lawrence AMANDA OWEN ANNE GLENCONNER JANEY GODLEY CHRIS BRYANT MP MELANIE REID rory stewart the guilty feminist all events ARE free! browse the programme and register to view www.boswellbookfestival.co.uk BOSWELL BOOK FESTIVAL 2021 ONLINE Cover painting: Girl Reading by George Henry © Fleming Collection How to register and watch an event 1. Choose an event - all events are FREE to watch! 2. Press the ‘CLICK HERE TO REGISTER’ button attached to each event 3. Add your details on our online box office when prompted Appropriately we will open with a live stream from 4. You will be sent an email to confirm what event you have chosen to watch Welcome Edinburgh Old Town with appearances from Andrew Marr on ‘Boswell the Man’, Bill Paterson, Robert Burns 5. You will receive an email on the day of the event to remind you I have never been more and Ludwig van Beethoven and then will roll on into grateful for our unique theme a wonderful weekend programme that will culminate 6. Watch the event on your computer, tablet or mobile phone - and even of biography and memoir than on the Monday with masterclasses in biography, ask questions on the chat facility in planning this exciting first memoir and the new platforms for life stories. online Festival, which we are Some events will be BSL Interpreted and captioned We are also offering an inspirational and entertaining • offering free of charge thanks Most events will be available to watch again on Catch-Up until 30 June 2021 to the generous support of Family and Schools programme under the new • loyal sponsors and with the help of your much needed Curatorship of Janet Smyth.