The Debatable Armstrongs and Their Graham Relations
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Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
The Minstrelsy of the Scottish Border
*> THE MINSTRELSY OF THE SCOTTISH BORDER — A' for the sake of their true loves : I ot them they'll see nae mair. See />. 4. The ^Minstrelsy of the Scottish "Border COLLECTED BY SIR WALTER SCOTT EDITED AND ARRANGED WITH INTRODUCTION AND NOTES BY ALFRED NOYES AND SIX ILLUSTRATIONS BY JOHN MACFARLANE NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS • • * « * TO MARGARET AND KATHARINE BRUCE THIS EDITION OF A FAMOUS BOOK OF THEIR COUNTRY IS DEDICATED WITH THE BEST WISHES OF ITS EDITOR :593:3£>3 CONTENTS l'AGE Sir Patrick Spens I 6 The Wife of Usher's Well Clerk Saunders . 9 The Tvva Corbies 15 Barthram's Dirge 16 The Broom of Cowdenknows iS The Flowers of the Forest 23 25 The Laird of Muirhead . Hobbie Noble 26 Graeme and Bewick 32 The Douglas Tragedy . 39 The Lament of the Border Widow 43 Fair Helen 45 Fause Foodrage . 47 The Gay Goss-Hawk 53 60 The Silly Blind Harper . 64 Kinmont Willie . Lord Maxwell's Good-night 72 The Battle of Otterbourne 75 O Tell Me how to Woo Thee 81 The Queen's Marie 83 A Lyke-Wake Dirge 88 90 The Lass of Lochroyan . The Young Tamlane 97 vii CONTENTS PACE 1 The Cruel Sister . 08 Thomas the Rhymer "3 Armstrong's Good-night 128 APPENDIX Jellon Grame 129 Rose the Red and White Lilly 133 O Gin My Love were Yon Red Rose 142 Annan Water 143 The Dowie Dens of Yarrow .46 Archie of Ca'field 149 Jock o' the Side . 154 The Battle of Bothwell Bridge 160 The Daemon-Lover 163 Johnie of Breadislee 166 Vlll LIST OF ILLUSTRATIONS "A' for the sake of their true loves ;") ^ „, .,,/". -
Resisting Radical Energies:Walter Scott's Minstrelsy of the Scottish
Cycnos 18/06/2014 10:38 Cycnos | Volume 19 n°1 Résistances - Susan OLIVER : Resisting Radical Energies:Walter Scott’s Minstrelsy of the Scottish Borderand the Re-Fashioning of the Border Ballads Texte intégral Walter Scott conceived of and began his first major publication, the Minstrelsy of the Scottish Border, in the early 1790s. Throughout that decade and into the first three years of the nineteenth century, he worked consistently at accumulating the substantial range of ballad versions and archival material that he would use to produce what was intended to be an authoritative and definitive print version of oral and traditional Borders ballad culture. For the remainder of his life Scott continued to write and speak with affection of his “Liddesdale Raids,” the ballad collecting and research trips that he made into the Borders country around Liddesdale mainly during the years 1792–99. J. G. Lockhart, his son-in-law and biographer, describes the period spent compiling the Minstrelsy as “a labour of love truly, if ever there was,” noting that the degree of devotion was such that the project formed “the editor’s chief occupation” during the years 1800 and 1801. 1 At the same time, Lockhart takes particular care to state that the ballad project did not prevent Scott from attending the Bar in Edinburgh or from fulfilling his responsibilities as Sheriff Depute of Selkirkshire, a post he was appointed to on 16th December 1799. 2 The initial two volumes of the Minstrelsy, respectively sub-titled “Historical Ballads” and “Romantic Ballads,” were published in January 1802. 3 A third volume, supplementary to the first two, was published in May 1803. -
The Ballad/Alan Bold Methuen & Co
In the same series Tragedy Clifford Leech Romanticism Lilian R Furst Aestheticism R. V. Johnson The Conceit K. K Ruthven The Ballad/Alan Bold The Absurd Arnold P. Hinchliffe Fancy and Imagination R. L. Brett Satire Arthur Pollard Metre, Rhyme and Free Verse G. S. Fraser Realism Damian Grant The Romance Gillian Beer Drama and the Dramatic S W. Dawson Plot Elizabeth Dipple Irony D. C Muecke Allegory John MacQueen Pastoral P. V. Marinelli Symbolism Charles Chadwick The Epic Paul Merchant Naturalism Lilian R. Furst and Peter N. Skrine Rhetoric Peter Dixon Primitivism Michael Bell Comedy Moelwyn Merchant Burlesque John D- Jump Dada and Surrealism C. W. E. Bigsby The Grotesque Philip Thomson Metaphor Terence Hawkes The Sonnet John Fuller Classicism Dominique Secretan Melodrama James Smith Expressionism R. S. Furness The Ode John D. Jump Myth R K. Ruthven Modernism Peter Faulkner The Picaresque Harry Sieber Biography Alan Shelston Dramatic Monologue Alan Sinfield Modern Verse Drama Arnold P- Hinchliffe The Short Story Ian Reid The Stanza Ernst Haublein Farce Jessica Milner Davis Comedy of Manners David L. Hirst Methuen & Co Ltd 19-+9 xaverslty. Librasü Style of the ballads 21 is the result not of a literary progression of innovators and their acolytes but of the evolution of a form that could be men- 2 tally absorbed by practitioners of an oral idiom made for the memory. To survive, the ballad had to have a repertoire of mnemonic devices. Ballad singers knew not one but a whole Style of the ballads host of ballads (Mrs Brown of Falkland knew thirty-three separate ballads). -
Frequency List
Ranking Frequency List 3501 1) 23903 (4.19%) 27) 3221 (0.564%) 53) 1589 (0.278%) 78) 1054 (0.185%) 103) 694 (0.122%) the is out we some 2) 20303 (3.56%) 28) 3201 (0.561%) 54) 1582 (0.277%) 79) 1046 (0.183%) 104) 689 (0.121%) And as down Nor mother 3) 12989 (2.27%) 29) 3008 (0.527%) 55) 1574 (0.276%) 80) 1019 (0.178%) 105) 685 (0.120%) to him What no here 4) 11511 (2.02%) 30) 2996 (0.525%) 56) 1560 (0.273%) 81) 1014 (0.178%) 106) 679 (0.119%) a will see bonny nae 5) 10028 (1.76%) 31) 2492 (0.436%) 57) 1545 (0.271%) 82) 1009 (0.177%) 107) 665 (0.116%) I Then If father take 6) 9557 (1.67%) 32) 2265 (0.397%) 58) 1509 (0.264%) 83) 989 (0.173%) 108) 662 (0.116%) he at man thy gae 7) 8855 (1.55%) 33) 2234 (0.391%) my with 59) 1482 (0.260%) 84) 984 (0.172%) 109) 660 (0.116%) I’ll never like 8) 6968 (1.22%) 34) 2224 (0.389%) in there 60) 1468 (0.257%) 85) 956 (0.167%) 110) 657 (0.115%) them are from 9) 6746 (1.18%) 35) 2215 (0.388%) green O lady 61) 1439 (0.252%) 86) 937 (0.164%) has men 111) 649 (0.114%) 10) 6260 (1.10%) 36) 2178 (0.381%) She’s her this 62) 1436 (0.251%) 87) 933 (0.163%) fair He’s 112) 646 (0.113%) 11) 6071 (1.06%) 37) 2112 (0.370%) yon that come 63) 1431 (0.251%) 88) 924 (0.162%) were dear 113) 644 (0.113%) 12) 5893 (1.03%) 38) 2092 (0.366%) been me by 64) 1374 (0.241%) 89) 912 (0.160%) now well 114) 623 (0.109%) 13) 5642 (0.988%) 39) 2011 (0.352%) It’s his wi 65) 1330 (0.233%) 90) 884 (0.155%) shall one 115) 622 (0.109%) 14) 5640 (0.988%) 40) 1896 (0.332%) get for all 66) 1326 (0.232%) 91) 869 (0.152%) gold so hand made 15) -
"Popular Poetry Is That Which Has Had Its Origin the People, Which Has Been Animated Joys, Watered by Its Tears, And
SCOTTISH BALLADS. "Popular poetry is that which has had its origin among and has emanated from the people, which has been animated by its joys, watered by Its tears, and which then returning again as it were to soil whence it was drawn has largely influenced its character" - so says an able writer, and it would appear that poetry or a metrical form of composition has always been adopted in rude ages, as the best mode for transmitting story or legend from one generation to another. Ballads may be described as short narrative poems, each celebrating some real or fancied event, and suitable for singing or chanting to some simple natural melody. They often are but ought not to be. confounded with songs, which properly speaking are the more polished and artistic form of sentiment, expression,or even of description. An incident communicated in prose may be traditionally preserved and transmitted with tolerable correctness as regards the facts, but not so as regards the language, each successive narrator telling the story in his own way and using his own words - but a metrical tale is framed for the express purpose that the words themselves may be transmitted, not only the story but/ 2. but the words of the story are to be handed down; ballads may therefore be reasonably regarded as the very earliest form of literary composition. In this metrical form our ballads have come down to us from generation to generation and in them we read the history of the people. Their authors were most probably part minstrels part gaberlunzies, who wandered about the kingdom haunting fairs, markets and all assemblies of the people, catching up the events of the time as they transpired, and describing them in verse; they were favoured men and were gladly welcomed wherever they went, always fortunate to procure a meal and a couch of straw, paying their lawing with a song, then forward on the morrow. -
Mcalpine (1995)
ýýesi. s ayoS THE GALLOWS AND THE STAKE: A CONSIDERATION OF FACT AND FICTION IN THE SCOTTISH BALLADS FOR MY PARENTS AND IN MEMORY OF NAN ANDERSON, WHO ALMOST SAW THIS COMPLETED iii ACKNOWLEDGEMENTS Before embarking on the subject of hanging and burning, I would like to linger for a moment on a much more pleasant topic and to take this opportunity to thank everyone who has helped me in the course of my research. Primarily, thanks goes to all my supervisors, most especially to Emily Lyle of the School of Scottish Studies and to Douglas Mack of Stirling, for their support, their willingness to read through what must have seemed like an interminable catalogue of death and destruction, and most of all for their patience. I also extend thanks to Donald Low and Valerie Allen, who supervised the early stages of this study. Three other people whom I would like to take this opportunity to thank are John Morris, Brian Moffat and Stuart Allan. John Morris provided invaluable insight into Scottish printed balladry and I thank him for showing the Roseberry Collection to me, especially'The Last Words of James Mackpherson Murderer'. Brian Moffat, armourer and ordnancer, was a fount of knowledge on Border raiding tactics and historical matters of the Scottish Middle and West Marches and was happy to explain the smallest points of geographic location - for which I am grateful: anyone who has been on the Border moors in less than clement weather will understand. Stuart Allan of the Historic Search Room, General Register House, also deserves thanks for locating various documents and papers for me and for bringing others to my attention: in being 'one step ahead', he reduced my workload as well as his own. -
The Ballad of Kinmont Willie’ Which Was First Printed in Sir Walter Scott’S Minstrelsy of the Scottish Border in 1802
The Royal Society of Edinburgh The Holywood Trust RSE Outreach Programme My Hands are Tied but My Tongue is Free: Swords with Stories & Kinmont Willie Dr Valentina Bold University of Edinburgh Report by Kate Kennedy Thursday 11 May 2017 at Dumfries Museum This talk considered the story, remembered in song, of ‘Kinmont’ Willie Armstrong. A sword, allegedly belonging to Willie, was recently rediscovered in the Dumfries & Galloway Museums’ collection. This sword came complete with its own song, ‘The Ballad of Kinmont Willie’ which was first printed in Sir Walter Scott’s Minstrelsy of the Scottish Border in 1802. Ballad scholar, Dr Valentina Bold, considered the song and the story of Kinmont Willie, as well as the significance of the song, setting it in the context of linked Border ‘riding’ ballads which also appeared in the Minstrelsy. Dr Bold further suggested that the ballad is largely and perhaps wholly, the composition of Sir Walter Scott, as a spirited tribute to the Duke of Buccleuch, to whom the Minstrelsy is dedicated. Willie Armstrong of Kymont, described as ‘a rank reiver’ in the associated ballad was known for his violent behaviour and was guilty of ‘grievous murders’. He was captured during a day of truce on 17 March 1596, taken to Carlisle Castle and incarcerated under the supervision Lord Scrope, Warden of the English Welsh March. Despite the best diplomatic efforts of Walter Scott of Buccleuch, Keeper of Liddesdale, Willie was held prisoner in the castle, until the night of 13 April 1596, when Buccleuch and his men broke into the castle’s jail and took Willie back home over the Border. -
Read Book the Armstrongs : the Origins of the Clan Armstrong And
THE ARMSTRONGS : THE ORIGINS OF THE CLAN ARMSTRONG AND THEIR PLACE IN HISTORY PDF, EPUB, EBOOK Grace Franklin | 32 pages | 31 Mar 1997 | Lang Syne Publishers Ltd | 9781852170646 | English | Glasgow, United Kingdom The Armstrongs : The Origins of the Clan Armstrong and Their Place in History PDF Book Whether Siward was born in England is also not known for certain. Edinburgh: D. The Scotsman Edinburgh. Zylpha , Armstrong. The Armstrong name was common over the whole of Northumbria and the Scottish Borders. The last Chief, Archie Armstrong, was executed as an outlaw in , and the lands of Mangerston were forfeited to the rival Clan Scott. Getting Out. The website was even added as an external link on to the Wikipedia article on 22 July In this enviroment it is not hard to understand how a reputation for plundering, bloodshed, and violance came to be tied to these maraders of the border lands. John , Armstrong. Views Read Edit New section View history. Format Paperback. Margaret 0. It was formerly in question as to which it belonged, when they were distinct kingdoms. Siward governed in peace the territory of Northumbria which extended from the Humber River to the Tweed River on the border of Scotland, and was greatly respected and loved by the Northumbrians who were chiefly of Danish extraction better a Danish devil than an English saint? The Debatable Lands , also known as debatable ground , batable ground or threip lands , lay between Scotland and England. The Clan Little Society had a Guardian in place of a clan chief but, since his death in , no suitable successor has appeared. -
The Minstrelsy of the Scottish Border
UNIVERSITY OF PITTSBURGH Var ^, PRIISI S4ds Vj2 Darlington JVLemorial L/ibrary SO) I in i(0 = 00 :0 •in CO CO 3o/-^ MINSTRELSY SCOTTISH BOEDER VOL. II. THE MINSTRELSY SCOTTISH BORDER SIR WALTER SCOTT, Baet. TflTH HIS INTRODUCTIONS, ADDITIONS, AND THE EDITOR'S NOTES. VOLUME II. ROBERT CADELL, EDINBURGH: HOULSTON & STONEMAN, LONDON. MDCCCXLIX. CONTENTS OF VOLUME SECOND. CONTENTS. page The Battle of Pentland Hills, 199 The Battle of Loudon HiU, 206 The Battle of Bothwell Bridge, .... 226 Appendix, ....... 241 Minstrelsy of the Scottish Border. Part II. Romantic Ballads. Scottish Music, an Ode, 249 Introduction to the Tale of Tamlane, 234 The Young Tamlane, .... 337 Erliuton, ...... 351 The Twa Corbies, .... 357 MINSTRELSY SCOTTISH BORDER : CONSISTING OF HISTORICAL AND ROMANTIC BALLADS, COLLECTED IN THE SOUTHERN COUNTIES OF SCOTLAND J WITH A FEW OF MODERN DATE, FOUNDED UPON LOCAL TRADITION. The songs, to savage virtue dear, That Avon of yore the public ear. Ere polity, sedate and sage, Had quench'd the fires of feudal rage. Wartox, VOL. II. EDINBURGH : rKINTEO BY BALLANTVNE AND CO., PAUL'S WORK. JAMIE TELFER OF THE FAIR DODHEAD. There is another ballad, under the same title as thefolloiving, in which nearly the same incidents are narrated, with little difference, except that the honour of rescuing the cattle is at- tributed to the Liddesdale Elliots, headed by a Chief, thei'e called Martin Elliot of the Preakin Tower, whose son, Si- mon, is said to have fallen in the action. It is very possi- ble, that both the Teviotdale Scotts, and the Elliots, were engaged m the affair, and that each claimed the honour of the victory. -
BALLADS and POEMS ILLUSTRATING ENGLISH HISTORY CAMBRIDGE UNIVERSITY PRESS Honlrott FETTER LANE, E.G
n ' IVJJVJ' lilJJNV-^Ul-^' v/ ^Of CALIFO%, ''C — ,' — I— Zil -r O u_ ^4? ^ If '^Aci V aai !• # ^c'AyvtiaiH^'^ ^H!BRARY(9^^ %13DNVSni^^" Digitized by tlie Internet Arcliive in 2008 with funding from IVIicrosoft Corporation :^ 1 %>^//n-' ^<5Aavaan-i^ Iittp://www.arcli ive.org/details/balladspoemsilluOOsidg >- ^OfCAllF0/?4ij, >;,OF-CAll F0%, . ^WEUNIV£RS/A vvlOSANCElfj} <ril33NY-S01^ "^/iiiaAlNrt^W^ AWEUNIVERVa vKlOSANCELfT;. o , ^ ^ o "^a^MNn^uv ^lOSANCElfX;^ ^)V„,l-<S" i ^^=CO o XHIBRARYO^ -^ILIBRARY6' CEl^ '^A '^<i/ojnv3-jo'^ ^<!/OJIT OFCAIIFO/?^ ^;OF-CALIF0/i: ^Aavaaiii^ ^<?Aavaaii-#' %J13AINn-3V\^ \WEUNIVER% ^lOSANCElf; >- Pitt Press Series BALLADS AND POEMS ILLUSTRATING ENGLISH HISTORY CAMBRIDGE UNIVERSITY PRESS Honlrott FETTER LANE, E.G. C. F. CLAY, Manager aHCintrnglj : loo, PRINCES STREET Bnlin: A. ASHER AND CO. EeipMs: F. A. BROCKHAUS f.tia 1ml; : G. P. PUTNAM'S SONS ISombag nnti aTalciitta: MACMILLAN AND Co., Ltd. ^Toronto: J. M. DENT AND SONS, Ltd. grokso: THE MARUZEN-KABUSHIKI-KAISHA y^// rischts reserved BALLADS AND POEMS ILLUSTRATING ENGLISH HISTORY Edited by FRANK SIDGWICK Cambridge: at the University Press 1913 First Edition 1907 Reprinted 1907, 190S, 1909- '9^2, lyi.. H5S3 PREFACE. NUMBER of the poems in this book are to "be A found in many similar collections of historical poems, and only the limits imposed by the law of copyright have prevented the inclusion of others, such as Tennyson's Revenge. It is hoped, however, that this deficiency may be more than compensated by the presence of many less hackneyed poems, and in particu- lar of several fine ballads, some of which have hitherto not been put before young pupils. -
The Armstrongs
THE LAWLESS CLAN: THE ARMSTRONGS lames E. Rutledge b L rnDESDALE in Scotland, and in and around the "Debateable Land" that lay between the Kingdoms of Scotland and England, the most important clan in both numbers and notority was that of Armstrong. During the last century of their heyday in the Borders the Armstrongs became chief of all the raiders and despoilers, their specialty being the moonlight foray in great numbers. All were mounted on small active horses. It was over the Esk, across the Sark, or, farther e:ist, "doon the Bailey" for them,-imo the territory of the "auld enemy". For most of the 234 years of their supremacy they were uniformly lawless and turbulent in their home lands and tough, crafty, and redoubtable abroad. They \vere breakers of all truces between the sovereigns of Scotland and England, and in time came to be labelled officially as freebooters, robbers, murderers, and thieves. '·The Thievis of Licldisclail" Maitbncl of Lethington called them in a poem by that name;1 but they had their friends. This clan certainly did not stem from the Picts, or from the Celtic Scots who came over from Ulster. or from the ancient Britons of Gallo1,v:.iy. They must, therefore, have been Angles-the basic Lowland stcck-and d'.vellers in the western part of the :rncient Kingdom of Northumbria vvhich once extended from the Humber to the Firth of Fonh. ?" umerous pl:.ice r:. ames prove their Anglican ancestry. Before 1376. persons bearing the name .-\rm~trong \\'ere kno\\·n around Edinburgh and in Berwick-on-Tweed, and frcm 1235 to 1342 in Cumberland, where the clan was mainly seated.