The Lands of Johnnie Armstrong Known As
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Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
The Ballad/Alan Bold Methuen & Co
In the same series Tragedy Clifford Leech Romanticism Lilian R Furst Aestheticism R. V. Johnson The Conceit K. K Ruthven The Ballad/Alan Bold The Absurd Arnold P. Hinchliffe Fancy and Imagination R. L. Brett Satire Arthur Pollard Metre, Rhyme and Free Verse G. S. Fraser Realism Damian Grant The Romance Gillian Beer Drama and the Dramatic S W. Dawson Plot Elizabeth Dipple Irony D. C Muecke Allegory John MacQueen Pastoral P. V. Marinelli Symbolism Charles Chadwick The Epic Paul Merchant Naturalism Lilian R. Furst and Peter N. Skrine Rhetoric Peter Dixon Primitivism Michael Bell Comedy Moelwyn Merchant Burlesque John D- Jump Dada and Surrealism C. W. E. Bigsby The Grotesque Philip Thomson Metaphor Terence Hawkes The Sonnet John Fuller Classicism Dominique Secretan Melodrama James Smith Expressionism R. S. Furness The Ode John D. Jump Myth R K. Ruthven Modernism Peter Faulkner The Picaresque Harry Sieber Biography Alan Shelston Dramatic Monologue Alan Sinfield Modern Verse Drama Arnold P- Hinchliffe The Short Story Ian Reid The Stanza Ernst Haublein Farce Jessica Milner Davis Comedy of Manners David L. Hirst Methuen & Co Ltd 19-+9 xaverslty. Librasü Style of the ballads 21 is the result not of a literary progression of innovators and their acolytes but of the evolution of a form that could be men- 2 tally absorbed by practitioners of an oral idiom made for the memory. To survive, the ballad had to have a repertoire of mnemonic devices. Ballad singers knew not one but a whole Style of the ballads host of ballads (Mrs Brown of Falkland knew thirty-three separate ballads). -
The National Borders of Scotland
The National Borders of Scotland Updated and extended October 2013 By Dr James Wilkie & Edward Means of Dr James Wilkie & Associates Scotland’s national borders comprise one terrestrial border with England and several sea borders, two with England and several with other countries (the Isle of Man, Ireland, Faeroes, Norway, Denmark, Germany and the Netherlands). The government of the United Kingdom has attempted to make unwarranted and illegal changes to both the terrestrial and the North Sea borders between Scotland and England. All these purported changes have been unfavourable to Scotland. The purposes of this paper are: To provide the Scottish people with complete information on Scotland’s true national borders, including information on historic and more modern illegal attempts to change them; To expose the UK Government's recent and current bad-faith manoeuvres to change the true national borders; To expose the Scottish Government’s dereliction of its duty to the people of Scotland by not taking constant and unceasing official action against those illegal UK Government actions; To expose the European Union’s undemocratic, bureaucratic, imperialistic and often recklessly incompetent intrusions into Scotland’s territorial waters. This paper is an update and extension of ‘The National Borders of Scotland’, originally published in November 2011, 2009. It also incorporates some material from ‘Scotland’s Hijacked Oil Revenue’, published in September 2010. This paper adds significant relevant material which has recently come to light, and examines some of the ramifications of the European Union’s Lisbon Treaty and alternatives to Scotland’s remaining in the European Union. 1 of 23 Terrestrial Border Scotland’s terrestrial border with England was fixed on 25 September 1237 by the Treaty of York, signed by Alexander II of Scotland and Henry III of England. -
Performing the Anglo-Scottish Border: Cultural Landscapes, Heritage and Borderland Identities
Northumbria Research Link Citation: Holt, Ysanne (2018) Performing the Anglo-Scottish Border: Cultural Landscapes, Heritage and Borderland Identities. Journal of Borderland Studies, 33 (1). pp. 53-68. ISSN 0886-5655 Published by: Taylor & Francis URL: https://doi.org/10.1080/08865655.2016.1267586 <https://doi.org/10.1080/08865655.2016.1267586> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/30439/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription -
INSIDE… • the Marine Acts • Kings & Queens • Join Us for World Oceans Week! • Conference 2010 Report
TIDELINES Newsletter of the Solway Firth Partnership • Issue 33 • Summer/Autumn 2010 INSIDE… • The Marine Acts • Kings & Queens • Join us for World Oceans Week! • Conference 2010 Report . and lots more 1 Contents Chairman’s Column Page 3 ith the Marine and Coastal Access Act passed in late n Departures and Arrivals W2009 and the Marine Scotland Act in early 2010, _______________________________ administrations both north and south of the border are Page 4 -5 now steaming ahead with implementation. For anyone n The Marine Acts - working in the marine environment there is a lot of change What happens next? to keep up with and for people working in and around the _______________________________ Solway and North Irish Sea there is an even larger volume Page 6 of information to contend with. As well as keeping up to n Inshore Fisheries and Conservation date with developments in both England and Scotland, Authorities people around the Solway are also affected by the marine _______________________________ management of other nearby administrations, not to mention developments further afield such as EU initiatives. Page 7 n Inshore Fisheries Groups Closer to home, an important next step will be the © Crichton Development Company _______________________________ Gordon Mann, OBE establishment of marine planning regions and the Page 8 -9 SFP Chairman Partnership has been pleased to contribute to the recent n Kings and Queens consultation on Defra marine plan areas. The outcome of this is yet to be confirmed _______________________________ but the likelihood is that the southern part of the Solway will form part of a large North West marine planning region extending right down to Wales and well out Page 10-11 into the Irish Sea. -
"Popular Poetry Is That Which Has Had Its Origin the People, Which Has Been Animated Joys, Watered by Its Tears, And
SCOTTISH BALLADS. "Popular poetry is that which has had its origin among and has emanated from the people, which has been animated by its joys, watered by Its tears, and which then returning again as it were to soil whence it was drawn has largely influenced its character" - so says an able writer, and it would appear that poetry or a metrical form of composition has always been adopted in rude ages, as the best mode for transmitting story or legend from one generation to another. Ballads may be described as short narrative poems, each celebrating some real or fancied event, and suitable for singing or chanting to some simple natural melody. They often are but ought not to be. confounded with songs, which properly speaking are the more polished and artistic form of sentiment, expression,or even of description. An incident communicated in prose may be traditionally preserved and transmitted with tolerable correctness as regards the facts, but not so as regards the language, each successive narrator telling the story in his own way and using his own words - but a metrical tale is framed for the express purpose that the words themselves may be transmitted, not only the story but/ 2. but the words of the story are to be handed down; ballads may therefore be reasonably regarded as the very earliest form of literary composition. In this metrical form our ballads have come down to us from generation to generation and in them we read the history of the people. Their authors were most probably part minstrels part gaberlunzies, who wandered about the kingdom haunting fairs, markets and all assemblies of the people, catching up the events of the time as they transpired, and describing them in verse; they were favoured men and were gladly welcomed wherever they went, always fortunate to procure a meal and a couch of straw, paying their lawing with a song, then forward on the morrow. -
Early Large-Scale Maps from Cumbria: Edward VI to James I
Early Large-Scale maps from Cumbria: Edward VI to James I Local maps are exceedingly rare in the medieval period – only thirty are known for the whole country, none of them from Cumbria. Under the Tudors, local maps become a little more common, produced for government purposes, or to assist courts in legal disputes, or for estate management. Only one, or possibly two such maps depicting any part of Cumbria is known for the first half of the sixteenth century, but more than a dozen survive from the second half, listed below, together with a number of known, and two lost, local maps from the reign of James I. Perhaps inevitably, the majority of these maps focus upon the borders with Scotland. If anyone knows of any maps of this era that we have missed, we would be grateful to learn of them. The maps themselves are not reproduced for copyright reasons, but references as to their locations are given, together with details if they have been previously published. (1) Petyt’s Castlemilk, 1547 (Hatfield House, Cecil Papers Maps, CPM II.27) Probably made by Mr Petyt, Surveyor of Calais, this is a coloured picture map which just touches on Cumbria, showing the castle at Castlemilk in birds-eye view, with its height and other dimensions marked, while distances are shown (in miles) to a range of surrounding places from Dumfries to Langholm and Carlisle, the latter being shown walled, and dominated by its cathedral. Four cardinal points are named, and the map has south-west at the top. It was made after the defeat of the Scots at the battle of Pinkie, 10 September 1547 and the capitulation of Castlemilk, and was clearly produced to show Protector Somerset the strategic importance of the castle. -
Mcalpine (1995)
ýýesi. s ayoS THE GALLOWS AND THE STAKE: A CONSIDERATION OF FACT AND FICTION IN THE SCOTTISH BALLADS FOR MY PARENTS AND IN MEMORY OF NAN ANDERSON, WHO ALMOST SAW THIS COMPLETED iii ACKNOWLEDGEMENTS Before embarking on the subject of hanging and burning, I would like to linger for a moment on a much more pleasant topic and to take this opportunity to thank everyone who has helped me in the course of my research. Primarily, thanks goes to all my supervisors, most especially to Emily Lyle of the School of Scottish Studies and to Douglas Mack of Stirling, for their support, their willingness to read through what must have seemed like an interminable catalogue of death and destruction, and most of all for their patience. I also extend thanks to Donald Low and Valerie Allen, who supervised the early stages of this study. Three other people whom I would like to take this opportunity to thank are John Morris, Brian Moffat and Stuart Allan. John Morris provided invaluable insight into Scottish printed balladry and I thank him for showing the Roseberry Collection to me, especially'The Last Words of James Mackpherson Murderer'. Brian Moffat, armourer and ordnancer, was a fount of knowledge on Border raiding tactics and historical matters of the Scottish Middle and West Marches and was happy to explain the smallest points of geographic location - for which I am grateful: anyone who has been on the Border moors in less than clement weather will understand. Stuart Allan of the Historic Search Room, General Register House, also deserves thanks for locating various documents and papers for me and for bringing others to my attention: in being 'one step ahead', he reduced my workload as well as his own. -
Grace Notes Newsletter of the Memphis Scottish Society, Inc
GRACE NOTES Newsletter of the Memphis Scottish Society, Inc. Vol. 37 No. 2 • February 2021 President’s Letter Our recent Burns Nicht was, like many other familiar events in this past eleven months, one for the history books. Kudos to immediate past President John Schultz for manfully pulling off so many of our favorite elements within the restrictive environ- ment defined by the corona virus pandemic. Next year’s com- Memphis mittee can be guided by John’s example of creative and inspired adaptation. Scottish The closing phrases of Burns’ “Auld Lang Syne” and John’s Society, Inc. evocative “Flowers of the Forest” slides reminded us of precious members we lost over last year whom we must never forget. Board However, as for the recollection of the year 2020 itself, I for one would rather sing Stephen Foster’s “Come Again No More”! President This new fiscal year for MSSI brings many opportunities to serve the club and our fellow members. A need for a volunteer Mary Ann Lucas has already arisen: Sunshine Chairman. Are you moved and able 901-725-1879 [email protected] to contact an ailing or bereaved member or family by greeting card or email? Let me know. Of course, our Chairman can only Vice President perform this function well when all of us generously share infor- Holly Staggs mation about such needs as they arise. 901-215-4839 [email protected] Treasurer John Schultz 901-754-2419 [email protected] Secretary Kathy Schultz 901-754-2419 [email protected] Members at Large Phyllis Davis 901-830-9564 [email protected] Shari Moore Sterling Castle Above the Clouds 901-598-1802 [email protected] Debbie Sellmansberger February Meeting Program: 901-465-4739 presented by Holly Staggs via Zoom debbie.sellmansberger@ memphisscots.com “Other Times of Epidemic in Scotland: How did they handle it?” See page 2 for further information Tennessee Tartan. -
Read Book the Armstrongs : the Origins of the Clan Armstrong And
THE ARMSTRONGS : THE ORIGINS OF THE CLAN ARMSTRONG AND THEIR PLACE IN HISTORY PDF, EPUB, EBOOK Grace Franklin | 32 pages | 31 Mar 1997 | Lang Syne Publishers Ltd | 9781852170646 | English | Glasgow, United Kingdom The Armstrongs : The Origins of the Clan Armstrong and Their Place in History PDF Book Whether Siward was born in England is also not known for certain. Edinburgh: D. The Scotsman Edinburgh. Zylpha , Armstrong. The Armstrong name was common over the whole of Northumbria and the Scottish Borders. The last Chief, Archie Armstrong, was executed as an outlaw in , and the lands of Mangerston were forfeited to the rival Clan Scott. Getting Out. The website was even added as an external link on to the Wikipedia article on 22 July In this enviroment it is not hard to understand how a reputation for plundering, bloodshed, and violance came to be tied to these maraders of the border lands. John , Armstrong. Views Read Edit New section View history. Format Paperback. Margaret 0. It was formerly in question as to which it belonged, when they were distinct kingdoms. Siward governed in peace the territory of Northumbria which extended from the Humber River to the Tweed River on the border of Scotland, and was greatly respected and loved by the Northumbrians who were chiefly of Danish extraction better a Danish devil than an English saint? The Debatable Lands , also known as debatable ground , batable ground or threip lands , lay between Scotland and England. The Clan Little Society had a Guardian in place of a clan chief but, since his death in , no suitable successor has appeared. -
BALLADS and POEMS ILLUSTRATING ENGLISH HISTORY CAMBRIDGE UNIVERSITY PRESS Honlrott FETTER LANE, E.G
n ' IVJJVJ' lilJJNV-^Ul-^' v/ ^Of CALIFO%, ''C — ,' — I— Zil -r O u_ ^4? ^ If '^Aci V aai !• # ^c'AyvtiaiH^'^ ^H!BRARY(9^^ %13DNVSni^^" Digitized by tlie Internet Arcliive in 2008 with funding from IVIicrosoft Corporation :^ 1 %>^//n-' ^<5Aavaan-i^ Iittp://www.arcli ive.org/details/balladspoemsilluOOsidg >- ^OfCAllF0/?4ij, >;,OF-CAll F0%, . ^WEUNIV£RS/A vvlOSANCElfj} <ril33NY-S01^ "^/iiiaAlNrt^W^ AWEUNIVERVa vKlOSANCELfT;. o , ^ ^ o "^a^MNn^uv ^lOSANCElfX;^ ^)V„,l-<S" i ^^=CO o XHIBRARYO^ -^ILIBRARY6' CEl^ '^A '^<i/ojnv3-jo'^ ^<!/OJIT OFCAIIFO/?^ ^;OF-CALIF0/i: ^Aavaaiii^ ^<?Aavaaii-#' %J13AINn-3V\^ \WEUNIVER% ^lOSANCElf; >- Pitt Press Series BALLADS AND POEMS ILLUSTRATING ENGLISH HISTORY CAMBRIDGE UNIVERSITY PRESS Honlrott FETTER LANE, E.G. C. F. CLAY, Manager aHCintrnglj : loo, PRINCES STREET Bnlin: A. ASHER AND CO. EeipMs: F. A. BROCKHAUS f.tia 1ml; : G. P. PUTNAM'S SONS ISombag nnti aTalciitta: MACMILLAN AND Co., Ltd. ^Toronto: J. M. DENT AND SONS, Ltd. grokso: THE MARUZEN-KABUSHIKI-KAISHA y^// rischts reserved BALLADS AND POEMS ILLUSTRATING ENGLISH HISTORY Edited by FRANK SIDGWICK Cambridge: at the University Press 1913 First Edition 1907 Reprinted 1907, 190S, 1909- '9^2, lyi.. H5S3 PREFACE. NUMBER of the poems in this book are to "be A found in many similar collections of historical poems, and only the limits imposed by the law of copyright have prevented the inclusion of others, such as Tennyson's Revenge. It is hoped, however, that this deficiency may be more than compensated by the presence of many less hackneyed poems, and in particu- lar of several fine ballads, some of which have hitherto not been put before young pupils. -
1 People, Space, and Law in Late Medieval and Early Modern Britain and Ireland
1 People, space, and law in late medieval and early modern Britain and Ireland* ‘In England, to all appearance, law very rapidly became territorial, and he was a West-Saxon who lived in Wessex.’1 Law is one instrument of government: a discourse of authority central to claiming, peopling, exploiting, and keeping spaces.2 It is ‘an arm of politics and politics was one of its arms’.3 Historians have charted how law could be used to integrate a polity (Wales with England) or to change its social characteristics (the project to ‘civilize’ Ireland) or to mark out its separateness (the guarantee of Scots private law at the Union of 1707).4 Since the era of the great Whig historians of the nineteenth century, law and history have diverged and British social historians have paid scant attention to law as an institutional basis for difference and something which shapes (and is shaped by) local ‘manners’, customs, and habits.5 Yet law itself is of historical significance, not just a filter through which we perceive the people of the past, not an epiphenomenon of something else, and not a marginal curiosity: ‘law matters’.6 By recognizing that they have taken over much of the agenda of the old legal tradition, historians can add a ‘legal turn’ to the spatial one which they have begun to incorporate into their work.7 A comparative approach that makes law part of both geography and society can shed fresh light on convergences and divergences in the historic experience of different parts of Britain and Ireland.