Frequency List

Total Page:16

File Type:pdf, Size:1020Kb

Frequency List Ranking Frequency List 3501 1) 23903 (4.19%) 27) 3221 (0.564%) 53) 1589 (0.278%) 78) 1054 (0.185%) 103) 694 (0.122%) the is out we some 2) 20303 (3.56%) 28) 3201 (0.561%) 54) 1582 (0.277%) 79) 1046 (0.183%) 104) 689 (0.121%) And as down Nor mother 3) 12989 (2.27%) 29) 3008 (0.527%) 55) 1574 (0.276%) 80) 1019 (0.178%) 105) 685 (0.120%) to him What no here 4) 11511 (2.02%) 30) 2996 (0.525%) 56) 1560 (0.273%) 81) 1014 (0.178%) 106) 679 (0.119%) a will see bonny nae 5) 10028 (1.76%) 31) 2492 (0.436%) 57) 1545 (0.271%) 82) 1009 (0.177%) 107) 665 (0.116%) I Then If father take 6) 9557 (1.67%) 32) 2265 (0.397%) 58) 1509 (0.264%) 83) 989 (0.173%) 108) 662 (0.116%) he at man thy gae 7) 8855 (1.55%) 33) 2234 (0.391%) my with 59) 1482 (0.260%) 84) 984 (0.172%) 109) 660 (0.116%) I’ll never like 8) 6968 (1.22%) 34) 2224 (0.389%) in there 60) 1468 (0.257%) 85) 956 (0.167%) 110) 657 (0.115%) them are from 9) 6746 (1.18%) 35) 2215 (0.388%) green O lady 61) 1439 (0.252%) 86) 937 (0.164%) has men 111) 649 (0.114%) 10) 6260 (1.10%) 36) 2178 (0.381%) She’s her this 62) 1436 (0.251%) 87) 933 (0.163%) fair He’s 112) 646 (0.113%) 11) 6071 (1.06%) 37) 2112 (0.370%) yon that come 63) 1431 (0.251%) 88) 924 (0.162%) were dear 113) 644 (0.113%) 12) 5893 (1.03%) 38) 2092 (0.366%) been me by 64) 1374 (0.241%) 89) 912 (0.160%) now well 114) 623 (0.109%) 13) 5642 (0.988%) 39) 2011 (0.352%) It’s his wi 65) 1330 (0.233%) 90) 884 (0.155%) shall one 115) 622 (0.109%) 14) 5640 (0.988%) 40) 1896 (0.332%) get for all 66) 1326 (0.232%) 91) 869 (0.152%) gold so hand made 15) 5548 (0.972%) 41) 1889 (0.331%) of When 67) 1283 (0.225%) 92) 868 (0.152%) 116) 619 (0.108%) have go would 16) 5524 (0.967%) 42) 1806 (0.316%) she not 68) 1250 (0.219%) 93) 853 (0.149%) 117) 616 (0.108%) three little hame 17) 5197 (0.910%) 43) 1802 (0.316%) was said 69) 1211 (0.212%) 94) 807 (0.141%) 118) 610 (0.107%) may Where am 18) 4533 (0.794%) 44) 1762 (0.309%) ye did 70) 1190 (0.208%) 95) 800 (0.140%) 119) 608 (0.106%) day do Ye’ll 19) 4428 (0.775%) 45) 1752 (0.307%) Till But thee 96) 781 (0.137%) 120) 606 (0.106%) 71) 1132 (0.198%) our set 20) 4385 (0.768%) 46) 1749 (0.306%) says your Or 97) 779 (0.136%) 121) 605 (0.106%) 21) 4354 (0.763%) 47) 1728 (0.303%) 72) 1123 (0.197%) tell before be came king 98) 764 (0.134%) 122) 594 (0.104%) 22) 3993 (0.699%) 48) 1682 (0.295%) 73) 1119 (0.196%) let away you Lord love 99) 763 (0.134%) 123) 593 (0.104%) 23) 3894 (0.682%) 49) 1651 (0.289%) 74) 1095 (0.192%) frae into it up hae son 124) 584 (0.102%) 24) 3845 (0.673%) 50) 1644 (0.288%) 75) 1090 (0.191%) 100) 761 (0.133%) cam they a’ good their 125) 583 (0.102%) 25) 3721 (0.652%) 51) 1627 (0.285%) 76) 1078 (0.189%) 101) 745 (0.130%) Sir on had young upon 126) 567 (0.0993%) 26) 3524 (0.617%) 52) 1590 (0.278%) 77) 1068 (0.187%) 102) 720 (0.126%) bed An thou sae Robin can 3502 The Child Ballads 127) 564 (0.0988%) 152) 475 (0.0832%) 176) 410 (0.0718%) 199) 354 (0.0620%) 221) 311 (0.0545%) back wad leave wine dead ladie 128) 545 (0.0954%) 153) 474 (0.0830%) 177) 403 (0.0706%) 200) 351 (0.0615%) sent John first oer wee 222) 309 (0.0541%) 129) 540 (0.0946%) 154) 466 (0.0816%) 178) 402 (0.0704%) 201) 347 (0.0608%) both head land brother give Who 130) 539 (0.0944%) 155) 461 (0.0807%) 179) 400 (0.0701%) 202) 346 (0.0606%) 223) 307 (0.0538%) about awa ae bride win heart seven 131) 538 (0.0942%) 180) 399 (0.0699%) 224) 304 (0.0532%) na 156) 460 (0.0806%) ane 203) 344 (0.0602%) doun say these Earl 132) 535 (0.0937%) far 225) 303 (0.0531%) gay 157) 458 (0.0802%) 181) 398 (0.0697%) sayd went gie 204) 343 (0.0601%) 133) 531 (0.0930%) two horse 226) 300 (0.0525%) bonnie 158) 451 (0.0790%) might lang 182) 397 (0.0695%) 205) 340 (0.0595%) 134) 527 (0.0923%) mair hair 227) 299 (0.0524%) make 159) 446 (0.0781%) queen maid mine boy weel 135) 526 (0.0921%) 206) 335 (0.0587%) 228) 297 (0.0520%) taen 160) 445 (0.0779%) 183) 396 (0.0694%) woman great red fell right 136) 523 (0.0916%) knee 207) 334 (0.0585%) lay 161) 444 (0.0778%) home 229) 294 (0.0515%) Willie 184) 395 (0.0692%) still court 137) 521 (0.0912%) bower word sea 162) 437 (0.0765%) 230) 292 (0.0511%) twa 185) 394 (0.0690%) 208) 332 (0.0581%) should 138) 520 (0.0911%) bold many soon How 163) 434 (0.0760%) ever could tree 209) 331 (0.0580%) 231) 291 (0.0510%) 139) 519 (0.0909%) must any old gude 186) 393 (0.0688%) 164) 433 (0.0758%) side 210) 330 (0.0578%) 232) 290 (0.0508%) 140) 515 (0.0902%) Hood 187) 381 (0.0667%) time very put 165) 432 (0.0757%) wife 211) 329 (0.0576%) 233) 289 (0.0506%) 141) 508 (0.0890%) true 188) 378 (0.0662%) ha own daughter yet hold 166) 428 (0.0750%) 234) 288 (0.0504%) 142) 507 (0.0888%) sweet 189) 377 (0.0660%) 212) 327 (0.0573%) other night life God way 167) 425 (0.0744%) 143) 495 (0.0867%) fast 190) 375 (0.0657%) 213) 326 (0.0571%) 235) 287 (0.0503%) gang father’s baith ill 168) 424 (0.0743%) 144) 493 (0.0863%) haue 191) 371 (0.0650%) 214) 325 (0.0569%) 236) 286 (0.0501%) again full ain free 169) 423 (0.0741%) 145) 489 (0.0856%) town 192) 370 (0.0648%) 215) 324 (0.0567%) 237) 285 (0.0499%) gane gin ride black 170) 421 (0.0737%) 146) 487 (0.0853%) took 193) 363 (0.0636%) 216) 321 (0.0562%) 238) 284 (0.0497%) die gone long think 171) 416 (0.0729%) white 147) 486 (0.0851%) high 194) 362 (0.0634%) 239) 283 (0.0496%) unto water 217) 319 (0.0559%) aye 172) 414 (0.0725%) best 148) 480 (0.0841%) got 195) 360 (0.0630%) maun 240) 282 (0.0494%) I’m Whan merry ring house Oh news 173) 413 (0.0723%) 218) 317 (0.0555%) 241) 280 (0.0490%) 149) 478 (0.0837%) more 196) 357 (0.0625%) laid us steed neer lie There’s 242) 277 (0.0485%) 150) 477 (0.0835%) 174) 412 (0.0722%) 197) 356 (0.0623%) 219) 316 (0.0553%) nane than knight name hee 243) 276 (0.0483%) 151) 476 (0.0834%) 175) 411 (0.0720%) 198) 355 (0.0622%) 220) 315 (0.0552%) low saw sister auld round thro Ranking Frequency List 3503 244) 274 (0.0480%) 264) 244 (0.0427%) 284) 218 (0.0382%) 304) 191 (0.0335%) 323) 170 (cont.) bring rode gave Annie sake stay wood none rise words 245) 273 (0.0478%) 265) 242 (0.0424%) 285) 216 (0.0378%) 305) 190 (0.0333%) 324) 169 (0.0296%) fee every slain brave alas ladye Yarrow cold 246) 272 (0.0476%) 306) 189 (0.0331%) vpon done 266) 241 (0.0422%) 286) 213 (0.0373%) kiss milk-white four twenty 325) 168 (0.0294%) 247) 270 (0.0473%) through hym brought 267) 240 (0.0420%) 307) 188 (0.0329%) ken pray mee 287) 212 (0.0371%) ladies send mony drink met shalt 248) 269 (0.0471%) body 268) 239 (0.0419%) 288) 211 (0.0370%) 308) 187 (0.0328%) 326) 167 (0.0292%) stand true-love ower call 249) 267 (0.0468%) place cast brown 269) 237 (0.0415%) 289) 210 (0.0368%) fa master Robyn ay 309) 185 (0.0324%) silver wish bairn 250) 266 (0.0466%) 270) 235 (0.0412%) know 327) 166 (0.0291%) blood I’le 290) 209 (0.0366%) ee letter fight 310) 184 (0.0322%) 251) 265 (0.0464%) ran London loud 328) 165 (0.0289%) I’ve pretty last off 271) 234 (0.0410%) 311) 183 (0.0320%) castle 291) 208 (0.0364%) Mary 329) 164 (0.0287%) 252) 264 (0.0462%) death fear greenwood soe five 312) 182 (0.0319%) horn yonder 292) 207 (0.0363%) morn sure 253) 263 (0.0461%) rose tane England 272) 233 (0.0408%) 313) 181 (0.0317%) winna 293) 204 (0.0357%) hie 330) 162 (0.0284%) 254) 262 (0.0459%) shee without hang better 273) 232 (0.0406%) itt neither 294) 203 (0.0356%) 314) 180 (0.0315%) we’ll speak sin 255) 258 (0.0452%) thing 331) 161 (0.0282%) keep woud hath Scotland 274) 229 (0.0401%) 295) 202 (0.0354%) Tho gar bow 315) 179 (0.0313%) 256) 257 (0.0450%) feet flower 332) 160 (0.0280%) ere 275) 228 (0.0399%) laird bread fine sword 296) 201 (0.0352%) etc.
Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire
    GIFT OF Mrs. S. Einarsson Advent ures-of. I 1 heTAerry-Friar-carriefh Robia-acro/VfheWater : %??VV' V THE MERRY ADVENTURES of ROBIN HOOD of Great Renown, in Nottinghamshire . WRITTEN and ILLUSTRATED W\ By HOWARD PYLE. NEW YORK-. Printed by CHARLES SCR IBNER'S SONS A^.743^74 5 Broadway, and sold by same MDCCCLXXXIU. Copyright, 1883, By CHARLES SCKIBNER'S SONS. From the Author to the Reader. U who so plod amid serious things that you feel it shame to give even a short moments to mirth and rOyourself tip for few joyous- in the land think that ness of Fancy ; you who life hath nought to do with innocent laughter that can harm no one ; these pages are not to the leaves and no than this I tell for you. Clap go farther ', for you plainly that if you go farther you will be scandalized by seeing good, sober folks of real history so frisk and caper in gay colors and motley, that you would not know them but for the names tagged to them. Here is a stout, lusty fellow with a quick temper, yet none so ill for all that, who goes by the name of Henry II. Here is a fair, gentle lady before whom all the others bow and call her Queen Eleanor. Here is a fat rogue of a fellow, dressed up in rich robes of a clerical kind, that all the good folk call my Lord Bishop of Hereford. Here is a certain fellow with a sour temper and a grim look the worshipful, the Sheriff of Nottingham.
    [Show full text]
  • Pride Lineup R Ee Qb
    F PRIDE LINEUP R EE QB Nottinghamshire’s Queer Bulletin August/September 2011 Number 61 The Pride stage will undergo meiosis and divide into 4. As well as the Main Stage (hosted by Harry Derbridge - from “The only way is Essex”), Politicians experience often scath- you can enjoy the Acoustic Stage, the Comedy Stage and a family zone - ing criticism on a daily basis in our The Village Green. Some of the performers featured are listed below. newspapers. On radio and televi- sion they are subject to the mock- MAIN STAGE ACOUSTIC STAGE COMEDY STAGE ery which is part of a tradition going Booty Luv Kenelis Julie Jepson back to - at least - the ancient Ruth Lorenzo Maniére des Suzi Ruffle Greeks. Cartoonists have a field day. David Cameron is portrayed Drag with No Name Bohémiens Rosie Wilby by one as a "Little Lord Fauntleroy" Fat Digester Gallery 47 Rachel Stubbins type and by another as a pink hu- Propaganda Betty Munroe & Josephine Ettrick-Hogg man condom with big wobbly Danny Stafford The Blue Majestix Carly Smallman Youth Spot The Idolins breasts. VILLAGE GREEN Jo Francis Emily Franklin Our mockery and fact-based criti- Captain Dangerous Wax Ersatz Asian Dance Group cisms of Kay Cutts pale beside this Vibebar May KB Pirate Show and beside what one reads on the Benjamin Bloom Selma Thurman Carlton Brass Band local Parish of Nottinghamshire Grey Matter Ball Bois display website, to which we referred. Poli- The Cedars Hosts: John Gill & Dog display team ticians need broad shoulders. Bear- NG1/@D2 Princess Babserella Tatterneers Band ing in mind the size of Mrs Cutts' "shoulders", the County Library QB ban is utterly predictable.
    [Show full text]
  • Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
    Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials.
    [Show full text]
  • Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham
    Early Theatre 14.1 (2011) Alexis Butzner ‘Sette on foote with gode Wyll’: Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham Lythe and listin, gentilmen, That be of frebore blode; I shall you tel of a gode yeman, His name was Robyn Hode. A Gest of Robyn Hode1 In the greenwood of England, a game is afoot. Robin Hood, the noble ban- dit, has been identified as the audacious hero of Sherwood and Barnsdale for centuries, and his constant presence in ballads and drama since the four- teenth century attests to his popularity in and influence on the culture of the English nation. In a manuscript fragment of the late fifteenth century,2 the legend finds incarnation in a twenty-one-line drama (forty-two, if the caesurae are recognized instead as line-breaks), known by most scholars as Robin Hood and the Sheriff of Nottingham. The text contains no indication of scene-divisions or stage directions, and does not offer any notation to indi- cate the identity of the various speakers. Because the text offers so little in the way of definite answers, it invites interpretation. Despite their admirable efforts to treat the fragment, however, scholars have reached little consensus: critics, while advancing the probable accuracy of their own reconstructions, have yet to resolve some crucial difficulties that arise in the extant text. By reading the script Robin Hood and the Sheriff of Nottingham as a single and complete play-text, as I do in this re-examination, readers may reconcile its apparent inconsistencies. Since the first extant record of Robin Hood in literature, in the four- teenth century Piers Plowman, tales and rhymes of the legendary outlaw have permeated Anglophone culture — a feat of public memory that, according to Stephen Knight, is surpassed only by stories of King Arthur.3 That the Robin Hood legend survives — and thrives — should not come as a shock; 61 62 Alexis Butzner even in his earliest incarnations, he occupies a liminal space between social strata.
    [Show full text]
  • The Minstrelsy of the Scottish Border
    *> THE MINSTRELSY OF THE SCOTTISH BORDER — A' for the sake of their true loves : I ot them they'll see nae mair. See />. 4. The ^Minstrelsy of the Scottish "Border COLLECTED BY SIR WALTER SCOTT EDITED AND ARRANGED WITH INTRODUCTION AND NOTES BY ALFRED NOYES AND SIX ILLUSTRATIONS BY JOHN MACFARLANE NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS • • * « * TO MARGARET AND KATHARINE BRUCE THIS EDITION OF A FAMOUS BOOK OF THEIR COUNTRY IS DEDICATED WITH THE BEST WISHES OF ITS EDITOR :593:3£>3 CONTENTS l'AGE Sir Patrick Spens I 6 The Wife of Usher's Well Clerk Saunders . 9 The Tvva Corbies 15 Barthram's Dirge 16 The Broom of Cowdenknows iS The Flowers of the Forest 23 25 The Laird of Muirhead . Hobbie Noble 26 Graeme and Bewick 32 The Douglas Tragedy . 39 The Lament of the Border Widow 43 Fair Helen 45 Fause Foodrage . 47 The Gay Goss-Hawk 53 60 The Silly Blind Harper . 64 Kinmont Willie . Lord Maxwell's Good-night 72 The Battle of Otterbourne 75 O Tell Me how to Woo Thee 81 The Queen's Marie 83 A Lyke-Wake Dirge 88 90 The Lass of Lochroyan . The Young Tamlane 97 vii CONTENTS PACE 1 The Cruel Sister . 08 Thomas the Rhymer "3 Armstrong's Good-night 128 APPENDIX Jellon Grame 129 Rose the Red and White Lilly 133 O Gin My Love were Yon Red Rose 142 Annan Water 143 The Dowie Dens of Yarrow .46 Archie of Ca'field 149 Jock o' the Side . 154 The Battle of Bothwell Bridge 160 The Daemon-Lover 163 Johnie of Breadislee 166 Vlll LIST OF ILLUSTRATIONS "A' for the sake of their true loves ;") ^ „, .,,/".
    [Show full text]
  • Treacherous 'Saracens' and Integrated Muslims
    TREACHEROUS ‘SARACENS’ AND INTEGRATED MUSLIMS: THE ISLAMIC OUTLAW IN ROBIN HOOD’S BAND AND THE RE-IMAGINING OF ENGLISH IDENTITY, 1800 TO THE PRESENT 1 ERIC MARTONE Stony Brook University [email protected] 53 In a recent Associated Press article on the impending decay of Sherwood Forest, a director of the conservancy forestry commission remarked, “If you ask someone to think of something typically English or British, they think of the Sherwood Forest and Robin Hood… They are part of our national identity” (Schuman 2007: 1). As this quote suggests, Robin Hood has become an integral component of what it means to be English. Yet the solidification of Robin Hood as a national symbol only dates from the 19 th century. The Robin Hood legend is an evolving narrative. Each generation has been free to appropriate Robin Hood for its own purposes and to graft elements of its contemporary society onto Robin’s medieval world. In this process, modern society has re-imagined the past to suit various needs. One of the needs for which Robin Hood has been re-imagined during late modern history has been the refashioning of English identity. What it means to be English has not been static, but rather in a constant state of revision during the past two centuries. Therefore, Robin Hood has been adjusted accordingly. Fictional narratives erase the incongruities through which national identity was formed into a linear and seemingly inevitable progression, thereby fashioning modern national consciousness. As social scientist Etiénne Balibar argues, the “formation of the nation thus appears as the fulfillment of a ‘project’ stretching over centuries, in which there are different stages and moments of coming to self-awareness” (1991: 86).
    [Show full text]
  • Barbara Allen
    120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor­ porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad­ mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow­ ledged that there are enough resemblances between the two to allow both to be called by the same name.
    [Show full text]
  • ROBIN' NOTTINGHAM of a LEGEND? Benjamin Dunn Follows the Yorkshire Trail of the Legendary Outlaw and Finds Some Surprising Clues
    HoodWinked! IS YORKSHIRE 'ROBIN' NOTTINGHAM OF A LEGEND? Benjamin Dunn follows the Yorkshire trail of the legendary outlaw and finds some surprising clues... He's the original thug in 'da hood' who everybody loves to hate. His name? Robin Hood, the medieval bad boy gangster in bright green tights. Long associated with the historic English city of Nottingham, this notorious villain of his day is now famous throughout the world. This can be credited to scores of books and several Hollywood movies dis!laying an array of de!ictions characterising one of Euro!e's greatest myths. "ut who was this man of the middle ages? #as he a law unto himself? He entered fol lore as a hero of the !eople, ultimately gaining the une$!ected gift of immortality. "ut will his legend live forever? Later this year Appion Way, the production house run by Leonard DiCaprio, brings us another slab of the Robin Hood legend. Welsh actor Taron Egerton shoots his long-bow as the leading an, while Ray and Djano Unchained's !amie Fox# – an e%en bigger draw, offers up a twist as Robin's wing an, Little !ohn. (t is well )nown that Nottinghamshire has any associations with our an in the hood, but little is )nown that '+ods own country', Yorkshire further North has some substantial and e#tre ely interesting clai s and place name connections of its own related to the original bad boy bandit of -herwood Forest. It Was A Good Dayle .ne such location within the e#panse of what was once )nown as -herwood Forrest, until its deci ation for ship construction under /ing Henry 0((( is a place called 1arnsdale.
    [Show full text]
  • Resisting Radical Energies:Walter Scott's Minstrelsy of the Scottish
    Cycnos 18/06/2014 10:38 Cycnos | Volume 19 n°1 Résistances - Susan OLIVER : Resisting Radical Energies:Walter Scott’s Minstrelsy of the Scottish Borderand the Re-Fashioning of the Border Ballads Texte intégral Walter Scott conceived of and began his first major publication, the Minstrelsy of the Scottish Border, in the early 1790s. Throughout that decade and into the first three years of the nineteenth century, he worked consistently at accumulating the substantial range of ballad versions and archival material that he would use to produce what was intended to be an authoritative and definitive print version of oral and traditional Borders ballad culture. For the remainder of his life Scott continued to write and speak with affection of his “Liddesdale Raids,” the ballad collecting and research trips that he made into the Borders country around Liddesdale mainly during the years 1792–99. J. G. Lockhart, his son-in-law and biographer, describes the period spent compiling the Minstrelsy as “a labour of love truly, if ever there was,” noting that the degree of devotion was such that the project formed “the editor’s chief occupation” during the years 1800 and 1801. 1 At the same time, Lockhart takes particular care to state that the ballad project did not prevent Scott from attending the Bar in Edinburgh or from fulfilling his responsibilities as Sheriff Depute of Selkirkshire, a post he was appointed to on 16th December 1799. 2 The initial two volumes of the Minstrelsy, respectively sub-titled “Historical Ballads” and “Romantic Ballads,” were published in January 1802. 3 A third volume, supplementary to the first two, was published in May 1803.
    [Show full text]
  • Gillian Molloy
    Talk to Friends of The Magdalen Green As in all things - street names are subject to the whims of fashion. Paris, Edinburgh, Dundee. The town had to be seen to be modern and outward looking. Developers have to entice people to buy one of their properties rather than those offered by a rival. Who would want to live in Scouringburn when they could live in Well Road. Paris led the way by naming streets after royalty, national heroes and victorious battles. Windsor, Richmond, Osborne , are all probably named for the royal connection, whereas Dalhousie Terrace, Shaftesbury Road, Hyndford Street and Terrace all have a political connection. Many streets get their name from the lands on which they were built: Seafield, Westfield, Hawkhill, Springfield, Ryehill, Hermon Hill A document dated 26 October, 1620 states "... from five acres of arable land lying in the West field of Dundee, holding of St James Chaplainry..." In 1665 the Lands of Westfield were acquired by the Hospital Fund from the Trustees of Graham of Claverhouse, including "that aker of land called the Marmaiden Pot , lying in the Seafield". Marmaidenpot was roughly on the site of Airlie Terrace. For sale - range of dwelling-houses and about 3 roods of land situate at Seafield. The houses are all newly built, substantially finished and laid out in the most convenient manner to accommodate genteel families. The property is well supplied with water; has an entry both from the Perth Road and Magdalen Yard. Apply George Robertson, proprietor (Dundee, Perth and Cupar Advertiser 25 June, 1819). William Lyon Mackenzie was born in Springfield, Dundee on 12 March, 1795.
    [Show full text]
  • Scottish Mountain Bike Trails
    Scottish Mountain Bike Trails EXPLORE A VARIETY OF TRAILS WITHIN BEAUTIFUL PARKS Dundee Scottish Mountain Bike Trails Explore a variety of trails within beautiful parks Dundee Disclaimer : Details current in March 2011. Whilst Dundee Travel Active and their the project partners have made every effort to ensure the accuracy of this information, they cannot be held responsible for any changes that may take place to the routes, nor for any accidents or injuries sustained whilst following the routes. Cyclists and walkers must take personal responsibility for their own safety. These maps have been created with thanks to the following organisations: 0 9 A Clatto Country Park Gallow Middleton Wood R OAD Birkhill D Claverhouse A O R Trottick Mill R A F RO R TH O OA A F R 923 Ponds Nature ARB C OU 0 92 PA 9 A R A A Reserve NG U S R Downfield O A D 4 Whitfield Caird Park A 923 C OU PAR ANG US R O D AD ROAD A OATH 5 O RBR A R A92 AYWEST KINGSW A90 R BMX track A90 KINGS A WAY F R O Camperdown Country F A90 K 0 INGSW 9 Park T AY A WES WAY KINGS ROAD T ATH ES RBRO Y W A A WA 9 92 3 2 S A NG 3 KI A90 KIN 0 C G A9 SWA O Y U P A A972 R KI Douglas & Angus NGSW A AY E N AST G U S D ATH ROA R ARBRO M O A 92 A 972 A 930 D KIN 7 A GSWA Y EAST D ROA RRY ST FE WE 0 AY D A93 SW A Charleston NG O KI R Claypotts Park 0 A9 R RY ROAD A A FER F 9 R 72 AD 30 O H RO A9 F ROAT K ARB IN G A92 SW 9 A 2 Y 9 E A A ST D RBROATH ROAD A A A92 A Dawson Park RO 9 E 2 Broughty Ferry I S 3 U HO AL C D O U 0 P West Ferry 3 9 A A R A N AD G O U D R S A IE O S R U T HO RO E L Hilltown
    [Show full text]