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HISTORY of SHOGUN Shogun (将軍, SHOGUN) Is a Military Rank and a Historical Title in Japan
HISTORY OF SHOGUN Shogun (将軍, SHOGUN) is a military rank and a historical title in Japan. It is the Japanese word for «General», it is made up of two kanji words: sho, meaning «Commander», «General», or «Admiral», and gun meaning troops or warriors. Originally, the title of Seii Taishogun 'SHOGUN' was given to military commanders during the early Heian period for the duration of military campaigns against the Emishi who resisted the governance of the Imperial court based in Kyoto. The most famous of these Shogun was Sakanoue no Tamuramaro (seen on the left) who conquered the Emishi in the name of Emperor Kammu. All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. يحتوي علي Contains وصفات World منتجات البان Dairy G المطبخ العالمي Kitchen K يحتوي على لحم البقر Contains Beef C وجبة خفيفة Light Meal P يحتوي على البيض Contains Eggs B خيارات نباتية Vegetarian Option N يحتوي على المأكوالت Contains Seafood خيارات صحية Light Option البحرية M D 20 Minutes Contains Nuts وقت التحضير 20 دقيقة Preparation Time Q يحتوي علي مكسرات E نباتي صرف )فيجان( Vegan O خالي من الجلوتين Gluten-free Option A جميع األسعار بالجنيه المصري. .All prices are in Egyptian pounds All You Can Eat K PREMIUM SUSHI EGP 450* per person Sushi maki or Nigiri sushi with choices from magnificent Philadelphia, California, Tiger eye, Spicy salmon and Green dragon rolls served with traditional Miso soup All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Did You Know?
Did You Know? By *Marjorie Charlot Black presence in the military and in wars can be traced to various periods of the ancient world and across cultures. Jugurtha was a North African patriot who initiated the Jugurthine War (112–105 B.C.). His guerrilla warfare would inflict embarrassing defeat upon the Roman legions. Authors Brunson and Rashidi quote Graham Webster when he wrote, “The wars of Jugurtha demonstrated the value of the nimble Moorish horsemen who Trajan later found so useful against the Dacians.”1 Black Conquistadors Juan Bardales was a free black slave who participated in the conquests of Honduras and Panama. For the part he played in the conquest of Honduras, he received an award consisting of an annual subsidy of 50 pesos.2 Nuflo de Olano was a slave conquistador and explorer. He was part of the Vasco Núñez de Balboa expedition, along with 30 other Africans, 190 Spaniards, and 1,000 Native Americans when they went through the jungle to cross the Isthmus of Panama. De Olano in 1513 was with Balboa when they first saw the Pacific Ocean.3 Antonio Pérez was a free North African who was a cavalryman and one of Diego de Losada’s most valued captains in 1568. Pérez took part in the conquest of Venezuela.4 He was described as “an old soldier of African wars who had been with the emperor at the storming of Tunis.”5 Juan Portugués was either black African or black Portuguese. He was involved in the conquest of Venezuela.6 Miguel Ruíz was a free Spanish mulatto who was a conquistador in Peru and one of two blacks in Francisco Pizarro’s company at Cajamarca. -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
Sino-US Relations and Ulysses S. Grant's Mediation
Looking for a Friend: Sino-U.S. Relations and Ulysses S. Grant’s Mediation in the Ryukyu/Liuqiu 琉球 Dispute of 1879 Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Chad Michael Berry Graduate Program in East Asian Studies The Ohio State University 2014 Thesis Committee: Christopher A. Reed, Advisor Robert J. McMahon Ying Zhang Copyright by Chad Michael Berry 2014 Abstract In March 1879, Japan announced the end of the Ryukyu (Liuqiu) Kingdom and the establishment of Okinawa Prefecture in its place. For the previous 250 years, Ryukyu had been a quasi-independent tribute-sending state to Japan and China. Following the arrival of Western imperialism to East Asia in the 19th century, Japan reacted to the changing international situation by adopting Western legal standards and clarifying its borders in frontier areas such as the Ryukyu Islands. China protested Japanese actions in Ryukyu, though Qing Dynasty (1644-1912) leaders were not willing to go to war over the islands. Instead, Qing leaders such as Li Hongzhang (1823-1901) and Prince Gong (1833-1898) sought to resolve the dispute through diplomatic means, including appeals to international law, rousing global public opinion against Japan, and, most significantly, requesting the mediation of the United States and former U.S. President Ulysses S. Grant (1822-1885). Initially, China hoped Grant’s mediation would lead to a restoration of the previous arrangement of Ryukyu being a dually subordinate kingdom to China and Japan. In later negotiations, China sought a three-way division of the islands among China, Japan, and Ryukyu. -
Sporting Activities of the Young Men's Association During the Period Between Taisho Era and Pre-War Showa Era : an Analysis of the Fuchu-Sport Bulletins*
Int. J. Sport Health Sci. Paper : History Sporting Activities of the Young Men's Association during the Period between Taisho Era and Pre-war Showa Era : An Analysis of the Fuchu-Sport Bulletins* Yuta Ono and Hidenori Tomozoe Faculty of Sport Sciences, Waseda University 2-579-15 Mikajima, Tokorozawa, Saitama 359-1192, Japan E-mail: y-ono.sps@aoni.waseda.jp *Original article published in Japan J. Phys. Educ. Hlth. Sport Sci. 59: 705-720, 2014 (in Japanese) [Received August 7, 2018; Accepted June 10, 2019; Published online June 24, 2019] This study evaluates the state of sports at the Fuchu YMA in Tokyo. To this end, the paper analyzed Fuchu Sports, a YMA-published newsletter that specialized in sports and was modeled on the popular sports magazine Asahi Sports. The publication of Fuchu Sport was an indica- tion of the strong interest in sports during the Taisho era (1912-1926). After the Ministry of Internal AŠairs and the Ministry of Education announced their directives promoting physical exercise, the Tokyo government hosted conferences on the development of sports and physical education in Tokyo YMA. Accordingly, Tokyo was a step ahead of other regions in Japan when it came to setting up YMA athletic clubs. The founding of the Fuchu YMA Athletic Clubs was mainly supported by the Fuchu YMA, but it also received funding from the local authori- ties and schools of Fuchu. When the Athletic Club recruited university students to become their coaches, the club's programming changed and its level of competitiveness went up signiˆcantly. Finally, the Athletic Club's collaborations with surrounding educational institutions, particu- larly school athletic clubs, led to remarkable successes in competition and expanded the club's philosophical mission. -
Revealing Details in Light and Shadows
ABOUT THE COVER Kobayashi Kiyochika (1847–1915), Mosquito Net and Full Moon at Shinagawa, 1884 (detail), from the series One Hundred Views of Musashi. Woodblock print; ink and color on paper 14 5/8 in x 9 13/16 in/ 37.2 cm x 24.9 cm). Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC, United States, Robert O. Muller Collection, S2003.8.1217. Revealing Details in Light and Shadows Byron Breedlove and Reginald Tucker uring the Edo period (1603–1868) in Japan, a time As an artist who successfully fused motifs and ideas Dwhen Tokugawa Ieyasu and his descendants ruled, from Japanese and Western art, Kobayashi Kiyochika occu- economic growth gave rise to a more literate, sophisticated, pies a unique niche among Japanese illustrators of the Edo and affluent culture, hungry for the trappings of luxury, in- period. Japanese art historian, dealer, and collector Rich- cluding extravagant art. This cultural shift was described ard Lane considers Kiyochika to be both the last important by the phrase ukiyo, or “floating world,” which was asso- ukiyo-e artist and the first exponent of the modern Japanese ciated with the pursuit of pleasure and hedonism in urban woodcut. Kato Yosuke, curator of Nerima Art Museum, areas. The art of the Edo period, dominated by painting and Tokyo, explains that “Kiyochika is often referred to as the woodblock prints, came to be known as “pictures of the last ukiyo-e artist” because he stuck to colored woodblock floating world” or ukiyo-e. prints and “kept pinning his hope on their potential until the end, despite the diversification and development of printing Author affiliation: Centers for Disease Control and Prevention, techniques in modern times.” Atlanta, Georgia, USA Kiyochika’s ukiyo-e color woodblock prints, as well DOI: https://doi.org/10.3201/eid2405.AC2405 as his newspaper illustrations and wartime propaganda art, Emerging Infectious Diseases • www.cdc.gov/eid • Vol. -
Hoshino Resorts Aomoriya
Hoshino Resorts Press Release Hoshino Resorts Aomoriya At Hoshino Resorts Aomoriya, guests can fully experience Aomori culture and enjoy the Aomori Nebuta Festival all year round. The guest rooms are decorated with Three-Dimensional Nebuta Ornaments and nebuta pictures, which are based on heroes from ancient Tohoku, covering the entire room. And those who choose to eat their dinner at show restaurant Michinoku Matsuriya, which features performances of Aomori festival music, will be immersed in nebuta for the entirety of their stay. Guests can experience the breathtaking Aomori Nebuta Festival even outside of the festival season, creating an unforgettable Aomori experience. The objective Hoshino Resorts Aomoriya was created with the concept of “Noresore*1 Aomori (Full Experience of Aomori Culture),” aiming to provide guests with a full experience of Aomori culture, food, etc. In order to make the room itself an unforgettable experience in addition to the food and onsen, the Aomori Nebuta Room was created in April 2019, with the theme of “nebuta,” which is a cultural symbol of Aomori prefecture. Visitors who choose to eat at show restaurant Michinoku Matsuriya, which features a show based on the four major festivals of Aomori, will be able to enjoy a stay packed with nebuta. *1: A word in the Aomori dialect meaning “with all one’s might”. Hoshino Resorts Press Release The 4 essential elements of Aomori Nebuta Festival 1: Nebuta Nebuta is the name given to lanterns in the shape of people made with Japanese paper and wire, and when these lanterns are used to decorate a float, it is sometimes called a nebuta float. -
Aomori Nebuta Room Keeps Guests Awake with Energy of Nebuta Festival (Hoshino Resorts Aomoriya)
Hoshino Resorts Press Release Aomori Nebuta Room Keeps Guests Awake with Energy of Nebuta Festival (Hoshino Resorts Aomoriya) Hoshino Resorts Aomoriya, the place where guests can fully enjoy the culture of Aomori, completed the installation of the Aomori Nebuta Festival-themed “Aomori Nebuta Room”. The theme of the Nebuta festival derives from a legend of three heroes told in the Tohoku region. Nebuta lanterns for the entire space of the Aomori Nebuta Room, including the entrance, the main room, and the bedroom were created with the help of Hiroo Takenami, a Nebuta lantern artist. The room emanates so much energy as to almost leave the guest unable to sleep. The goal Hoshino Resorts aims for a resort where guests can fully enjoy the culture of Aomori, such as the festivals, the dialect, and the food, with the concept of Aomoriya being “Noresore Aomori (Full Experience of Aomori Culture)”. The Aomori Nebuta Festival, which represents Aomori's festivals, was chosen as the theme this time, in order to provide an unforgettable experience not only with the meals and the hot springs, but with the rooms as well. Hoshino Resorts Press Release About one year from conception to completion In April 2018, the staff of Aomoriya proposed the idea of an Aomori Nebuta Festival-themed room. The concept of a new room was conceived through discussions about various aspects of design, such as the placement of the lanterns, Nebuta-themed mechanics and furniture. In August, a meeting was held with Hiroo Takenami, a Nebuta lantern artist, and the theme was decided at the end of October. -
Part II. Japan's Educational Experience
Part II. Japan’s Educational Experience Chapter 2. Educational Administration Issues in developing countries Issues frequently mentioned as being of concern to developing countries in the area of educational administration include the inadequacy of educational laws and regulations, excessive centralization of administrative powers, the weak organization of local educational administration, frequent changes on the part of ranking officials in the administration and lack of policy continuity as a result of the system of making political appointments, a lack of professional ability on the part of those holding posts in educational administration, bargaining or compromises with teacher unions, and lack of participation in education by parents or local communities. Points This chapter presents an overview of the development of educational administration in Japan since the introduction of a modern education system, showing how the system was put in place and how it has changed over time, dividing the account into prewar and postwar periods with World War II as the dividing line. Major perspectives are: ① legalism and over-attachment to Imperial orders in educational administration; ② changes in the authority and responsibilities of the Ministry of Education as an organ of central government; ③ changes in the organization and authority of local educational administration; ④ the struggle between democratization and the drive for increased efficiency in educational administration; ⑤ the separation and unification of general administration and educational -
The Formalization of Banking Supervision: a Comparison Between Japan and Sweden
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hotori, Eiji; Wendschlag, Mikael Working Paper The formalization of banking supervision: A comparison between Japan and Sweden eabh Papers, No. 18-03 Provided in Cooperation with: The European Association for Banking and Financial History (EABH) e.V., Frankfurt a.M. Suggested Citation: Hotori, Eiji; Wendschlag, Mikael (2018) : The formalization of banking supervision: A comparison between Japan and Sweden, eabh Papers, No. 18-03, The European Association for Banking and Financial History (EABH), Frankfurt a. M. This Version is available at: http://hdl.handle.net/10419/181761 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend -
Political Economy and Population Growth in Early Modern Japan †‡ Taejong Kim∗ KDI School for Public Policy and Management, Korea November 14, 2003
Political Economy and Population Growth in Early Modern Japan †‡ Taejong Kim∗ KDI School for Public Policy and Management, Korea November 14, 2003 Abstract During the feudal Edo period (1603-1868) in Japan, the shogunate government relied for regional control on hereditary feudal barons as well as its own bakufu bureaucracy. Compared with hereditary lords, bakufu officials had shorter and uncertain tenure. Ex- amining easily available historical data, the paper finds that regions ruled by bakufu bureaucrats are associated with (a) slower population growth, (b) slower growth in productive capacity, and (c) higher incidences of civil unrest. The evidence supports Mancur Olson’s thesis that those with coercive power will be lead by their ”encom- passing interest” to provide growth-friendly environment when they are assured of a stable, long-term tenure. JEL classification codes: H2 N4 P5. † Key words: bureaucracy; Mancur Olson; feudalism; taxation; population; economic ‡ growth. ∗The author feels indebted to Prof. Yujiro Hayami, Prof. Jim Poterba, Prof. Osamu Saito, Prof. Sunku Hahn, Prof. Kaliappa Kalirajan, and Prof. Akira Hayami for critical comments and encouragement. Financial support from the Nihon Keizai Shimbun Economic Research Foundation and the National Graduate Institute for Policy Studies (GRIPS), Japan, is gratefully acknowledged. The author also gratefully notes that the first draft of the paper was written while the author was working for GRIPS. The author is alone to blame for remaining deficiencies. Comments will be appreciated. The author may be contacted at [email protected] via email or at +81-(0)2-3299-1085 by phone. 1 Political Economy in Early Modern Japan 1 1Introduction Remember this my child.