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HISTORY of SHOGUN Shogun (将軍, SHOGUN) Is a Military Rank and a Historical Title in Japan
HISTORY OF SHOGUN Shogun (将軍, SHOGUN) is a military rank and a historical title in Japan. It is the Japanese word for «General», it is made up of two kanji words: sho, meaning «Commander», «General», or «Admiral», and gun meaning troops or warriors. Originally, the title of Seii Taishogun 'SHOGUN' was given to military commanders during the early Heian period for the duration of military campaigns against the Emishi who resisted the governance of the Imperial court based in Kyoto. The most famous of these Shogun was Sakanoue no Tamuramaro (seen on the left) who conquered the Emishi in the name of Emperor Kammu. All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. يحتوي علي Contains وصفات World منتجات البان Dairy G المطبخ العالمي Kitchen K يحتوي على لحم البقر Contains Beef C وجبة خفيفة Light Meal P يحتوي على البيض Contains Eggs B خيارات نباتية Vegetarian Option N يحتوي على المأكوالت Contains Seafood خيارات صحية Light Option البحرية M D 20 Minutes Contains Nuts وقت التحضير 20 دقيقة Preparation Time Q يحتوي علي مكسرات E نباتي صرف )فيجان( Vegan O خالي من الجلوتين Gluten-free Option A جميع األسعار بالجنيه المصري. .All prices are in Egyptian pounds All You Can Eat K PREMIUM SUSHI EGP 450* per person Sushi maki or Nigiri sushi with choices from magnificent Philadelphia, California, Tiger eye, Spicy salmon and Green dragon rolls served with traditional Miso soup All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. -
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to Ca
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to ca. 250 The war of 66-70 was as much a turning point for Judaism as it was for Christianity. In the aftermath of the war and the destruction of the Jerusalem temple Judaeans went in several religious directions. In the long run, the most significant by far was the movement toward rabbinic Judaism, on which the source-material is vast but narrow and of dubious reliability. Other than the Mishnah, Tosefta and three midrashim, almost all rabbinic sources were written no earlier than the fifth century (and many of them much later), long after the events discussed in this chapter. Our information on non-rabbinic Judaism in the centuries immediately following the destruction of the temple is scanty: here we must depend especially on archaeology, because textual traditions are almost totally lacking. This is especially regrettable when we recognize that two non-rabbinic traditions of Judaism were very widespread at the time. Through at least the fourth century the Hellenistic Diaspora and the non-rabbinic Aramaic Diaspora each seem to have included several million Judaeans. Also of interest, although they were a tiny community, are Jewish Gnostics of the late first and second centuries. The end of the Jerusalem temple meant also the end of the Sadducees, for whom the worship of Adonai had been limited to sacrifices at the temple. The great crowds of pilgrims who traditionally came to the city for the feasts of Passover, Weeks and Tabernacles were no longer to be seen, and the temple tax from the Diaspora that had previously poured into Jerusalem was now diverted to the temple of Jupiter Capitolinus in Rome. -
Sementes Inesperadas De Um Jardim (Des)Encantado
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP ANTONIO GENIVALDO CORDEIRO DE OLIVEIRA Sementes inesperadas de um jardim (des)encantado A construção político-eclesial da identidade de Igreja local no Japão: Um estudo a partir do conflito com o Caminho Neocatecumenal Doutorado em Ciência da Religião São Paulo 2016 ANTONIO GENIVALDO CORDEIRO DE OLIVEIRA Sementes inesperadas de um jardim (des)encantado A construção político-eclesial da identidade de Igreja local no Japão: Um estudo a partir do conflito com o Caminho Neocatecumenal Doutorado em Ciência da Religião Tese apresentada à Banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do Título de Doutor em Ciência da Religião sob a orientação do Prof. Dr. João Décio Passos. São Paulo 2016 Banca Examinadora ____________________________________________________ ____________________________________________________ ____________________________________________________ ____________________________________________________ ____________________________________________________ À Edward Williams, OMI e Konishi Yumiko A realização desta pesquisa foi possível graças ao apoio institucional da Fundação São Paulo - FUNDASP e da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES por meio do desconto parcial e das taxas que cobriram parte das mensalidades do curso. A CAPES através do Programa de Doutorado Sanduíche no Exterior - PDSE 99999.002393/2015-08, possibilitou a realização do período de pesquisas em Paris e Roma. Através do Santander International Summer Schools for Doctoral Students em convênio com as Universidades de Heidelberg e de Kyōto, foi possível viver a experiência de inserção no intercâmbio de pesquisa internacional em março de 2015. Agradecimentos Aos Missionários Oblatos de Maria Imaculada da Delegação Japão-Coréia, da Província do Brasil e da Comunidade de Fontenay-sous-Bois na França. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the -
12 Judaea in the Early Years of Hadrian's Reign
12 JUDAEA IN THE EARLY YEARS OF HADRIAN'S REIGN* (with I. Roll) Mommsen doubted that the legion VI Fmata was in Judaea at all, questioning the truth of Dio's statement that it was based there. 1 Ritterling has shown that, not later than 152, it was in garrison in Galilee, at Caparcotna, called 'Legio' by Eusebius. 2 The arrival of the legion was dated by von Rohden from the time of the Second Jewish Revolt, 132-5.3 Mc Elderry preferred to make it earlier, A.D. 11 7, noting that Lusius Quietus, Trajan's governor ofJudaea in that year was a consularis. 4 The date at which Judaea became a consular province with two legions has remained a problem ever since. 5 If we * This paper was written in the framework of the activities of the Israel Mile stones Committee. For various suggestions and comments we are grateful to Prof. S. Applebaum and Prof. M. Gichon. Further we would like to record the great assistance afforded by Mr. I. Ben-Shalom and Dr. A. Oppenheimer in interpreting Jewish sources. 1 Note on GIL iii 6641. Dio IV 23 (113). 2 Rheinisches Museum, 58 (1903), 633-5; P-W, xii, s.v. 'Legio', col. 1591. Caparcotna is mentioned as castra of VI Ferr. in GIL iii, 6814-16; W.M. Ramsay, ]RS 6 (1916), 129-31; B. Levick, ]RS 48 (1958), 75-6; AE 1920.78. See: 'Caporcotani' on the Tabula Peuti.ngeriana (ed. Miller, segm. x, 1-2); Ka1tapKO'tVE'i in Ptolemy, v, 15, 4. The name is derived from Kefar 'Otnay, a village mentioned in Jewish sources, inhab ited both before and after the Second Revolt by Jews and Samaritans: Mishna, Gittin, 1:5; 7:7; Tos. -
The Japanese Samurai Code: Classic Strategies for Success Kindle
THE JAPANESE SAMURAI CODE: CLASSIC STRATEGIES FOR SUCCESS PDF, EPUB, EBOOK Boye Lafayette De Mente | 192 pages | 01 Jun 2005 | Tuttle Publishing | 9780804836524 | English | Boston, United States The Japanese Samurai Code: Classic Strategies for Success PDF Book Patrick Mehr on May 4, pm. The culture and tradition of Japan, so different from that of Europe, never ceases to enchant and intrigue people from the West. Hideyoshi was made daimyo of part of Omi Province now Shiga Prefecture after he helped take the region from the Azai Clan, and in , Nobunaga sent him to Himeji Castle to face the Mori Clan and conquer western Japan. It is an idea taken from Confucianism. Ieyasu was too late to take revenge on Akechi Mitsuhide for his betrayal of Nobunaga—Hideyoshi beat him to it. Son of a common foot soldier in Owari Province now western Aichi Prefecture , he joined the Oda Clan as a foot soldier himself in After Imagawa leader Yoshimoto was killed in a surprise attack by Nobunaga, Ieyasu decided to switch sides and joined the Oda. See our price match guarantee. He built up his capital at Edo now Tokyo in the lands he had won from the Hojo, thus beginning the Edo Period of Japanese history. It emphasised loyalty, modesty, war skills and honour. About this item. Installing Yoshiaki as the new shogun, Nobunaga hoped to use him as a puppet leader. Whether this was out of disrespect for a "beast," as Mitsuhide put it, or cover for an act of mercy remains a matter of debate. While Miyamoto Musashi may be the best-known "samurai" internationally, Oda Nobunaga claims the most respect within Japan. -
Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi
Featured Exhibition,The Hosokawa CollectionⅠ Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi Mitsuhide in Kumamoto- Hosokawa Tadatoshi, lord of Kumamoto Castle, and Miyake Tobei, a warrior of Karatsu Domain who died in Amakusa by rebel forces during the Shimabara-Amakusa Rebellion, were both in fact the grandsons of the samurai general Akechi Mitsuhide, famous for defeating the warlord Oda Nobunaga! Learn about these two figures connected to Mitsuhide who ended up in Kumamoto. List of Works Saturday,May 16-Sunday,July 5,2020 The Hosokawa Collection-Eiseibunko Gallery in Kumamoto,Kumamoto Prefectural Museum of Art № Title of Work Artist’s Name, etc. Year of Production Owner Prologue : Members of the Akechi Family Portrait of Akechi Mitsuhide 1 Inscribed in 1613 Hontokuji Temple, Osaka (*photo panel) From Akechi Hidemitsu to Taiyo Collection, Taigan Kawakami Kamonno- August 13, ca.1580-81 2 Letter Historical Museum, Tokyo suke Daughter of Akechi Mitsuhide, Shinsen Kumamoto Prefectural Museum 3 Utagawa Toyonobu 1883 Taikoki of Art Eisei Bunko Museum,Tokyo From Hosokawa Sansai to August 23,1629 (Entrusted to Kumamoto 4 Letter Hosokawa Tadatoshi Prefectural Museum of Art) Part1 : Mitsuhide's Grandsons Tadataka and Okiaki who couldn't Succeed the Hosokawa Family From Tokugawa Hidetada to September 24,1600 Eisei Bunko Museum,Tokyo 5 Letter Hosokawa Tadataka Eisei Bunko Museum,Tokyo 6 Battle of Sekigahara(*photo panel) Late Edo period,19th century (Entrusted to Kumamoto University Library) Matsui Bunko Museum From Hosokawa Tdataka -
Perceptions of the Ancient Jews As a Nation in the Greek and Roman Worlds
Perceptions of the Ancient Jews as a Nation in the Greek and Roman Worlds By Keaton Arksey A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of Classics University of Manitoba Winnipeg Copyright © 2016 by Keaton Arksey Abstract The question of what made one Jewish in the ancient world remains a fraught topic for scholars. The current communis opinio is that Jewish communities had more in common with the Greeks and Romans than previously thought. Throughout the Diaspora, Jewish communities struggled with how to live amongst their Greco-Roman majority while continuing to practise their faith and thereby remain identifiably ‘Jewish’. To describe a unified Jewish identity in the Mediterranean in the period between 200 BCE and 200 CE is incorrect, since each Jewish community approached its identity in unique ways. These varied on the basis of time, place, and how the non-Jewish population reacted to the Jews and interpreted Judaism. This thesis examines the three major centres of Jewish life in the ancient world - Rome, Alexandria in Egypt, and Judaea - demonstrate that Jewish identity was remarkably and surprisingly fluid. By examining the available Jewish, Roman, and Greek literary and archaeological sources, one can learn how Jewish identity evolved in the Greco-Roman world. The Jews interacted with non-Jews daily, and adapted their neighbours’ practices while retaining what they considered a distinctive Jewish identity. Each chapter of this thesis examines a Jewish community in a different region of the ancient Mediterranean. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016 Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Rock Musical "Nobunaga: The Will to Power" Written and directed by Takuji Ono Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Shining Show "Forever LOVE!!" Written and directed by Daisuke Fujii On sale from: July 3, 2016, at 10:00 AM(JST) ‒ Price SS Seat : 12,000 / S Seat : 8,800 / A Seat : 5,500 / B Seat : 3,500 Unit: Japanese Yen (tax included) Story ‒‒‒ "Nobunaga: The Will to Power" Japan is at war with itself. At Okehazama, Oda Nobunaga (Masaki Ryu) of Owari, rumored to be a fool, spectacularly defeated Imagawa Yoshimoto of Mikawa as he was leading a much larger host than Nobunaga's toward the capital city, Miyako (modern‒day Kyoto). Nobunaga has decided to take Yoshimoto's place and lead his own forces to Miyako, so he is compelled to ally with the Azai clan in order to suppress Mino, a province lying between Owari and Miyako, by having his younger sister Oichi (Mitsuki Umino) wed Nagamasa, the Azai clan's successor. However, Mino is also the birthplace of Nobunaga's wife, Kicho (Reika Manaki). Her former retainers and people are in Mino, and Kicho is vehemently opposed to the province's destruction, even if it is now in the hands of an enemy who overthrew her father, Saito Dosan. But Nobunaga, who has embarked upon his path to conquest, holds to his course. Ten years later, Nobunaga has conquered Mino and marched into Miyako. He has become war incarnate and continues to slaughter his enemies, instilling terror in the populace, who call him a king of demons.