A Short History of Japan: from Samurai to Sony
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mariko Mori and the Globalization of Japanese “Cute”Culture
《藝術學研究》 2015 年 6 月,第十六期,頁 131-168 Mariko Mori and the Globalization of Japanese “Cute” Culture: Art and Pop Culture in the 1990s SooJin Lee Abstract This essay offers a cultural-historical exploration of the significance of the Japanese artist Mariko Mori (b. 1967) and her emergence as an international art star in the 1990s. After her New York gallery debut show in 1995, in which she exhibited what would later become known as her Made in Japan series— billboard-sized color photographs of herself striking poses in various “cute,” video-game avatar-like futuristic costumes—Mori quickly rose to stardom and became the poster child for a globalizing Japan at the end of the twentieth century. I argue that her Made in Japan series was created (in Japan) and received (in the Western-dominated art world) at a very specific moment in history, when contemporary Japanese art and popular culture had just begun to rise to international attention as emblematic and constitutive of Japan’s soft power. While most of the major writings on the series were published in the late 1990s, problematically the Western part of this criticism reveals a nascent and quite uneven understanding of the contemporary Japanese cultural references that Mori was making and using. I will examine this reception, and offer a counter-interpretation, analyzing the relationship between Mori’s Made in Japan photographs and Japanese pop culture, particularly by discussing the Japanese mass cultural aesthetic of kawaii (“cute”) in Mori’s art and persona. In so doing, I proffer an analogy between Mori and popular Japanimation characters, SooJin Lee received her PhD in Art History from the University of Illinois-Chicago and was a lecturer at the School of Art Institute of Chicago. -
Washoku Guidebook(PDF : 3629KB)
和 食 Traditional Dietary Cultures of the Japanese Itadaki-masu WASHOKU - cultures that should be preserved What exactly is WASHOKU? Maybe even Japanese people haven’t thought seriously about it very much. Typical washoku at home is usually comprised of cooked rice, miso soup, some main and side dishes and pickles. A set menu of grilled fish at a downtown diner is also a type of washoku. Recipes using cooked rice as the main ingredient such as curry and rice or sushi should also be considered as a type of washoku. Of course, washoku includes some noodle and mochi dishes. The world of traditional washoku is extensive. In the first place, the term WASHOKU does not refer solely to a dish or a cuisine. For instance, let’s take a look at osechi- ryori, a set of traditional dishes for New Year. The dishes are prepared to celebrate the coming of the new year, and with a wish to be able to spend the coming year soundly and happily. In other words, the religion and the mindset of Japanese people are expressed in osechi-ryori, otoso (rice wine for New Year) and ozohni (soup with mochi), as well as the ambience of the people sitting around the table with these dishes. Food culture has been developed with the background of the natural environment surrounding people and culture that is unique to the country or the region. The Japanese archipelago runs widely north and south, surrounded by sea. 75% of the national land is mountainous areas. Under the monsoonal climate, the four seasons show distinct differences. -
Kumamoto University (Kumamoto)
Kumamoto University (Kumamoto) Study Japanese language and culture under faculty advisors and Japanese instructors. ■Introduction ■Program Outline ③ The Number of Students to be Accepted: 12 ・By Embassy Recommendation: 8 ① Characteristics and overview ① Training Objective ・By University Recommendation: 4 Kumamoto University is a national The following two courses have been prepared in line with the goals of ④ Qualifications and Requirements university established in May 1949 the students. (a)A course focusing on training about Japan and ・The students must be majoring in Japanese from several institutions, including Japanese culture, with supplementary training in improving Japanese language or Japanese culture and have the Fifth High School where Soseki language ability. completed at least two years of Japanese Natsume had taught. Now, we have (b) A course focusing on the improvement of Japanese language language studies at their home university. 7 undergraduate departments and ability, with supplementary education about Japanese affairs and ・450 or more hours of Japanese language study 9 graduate schools with about 10,000 ※from National culture. or JLPT N3-N2 or above is preferred. students and about 2,600 staff. In 2014, Diet Library ② Course Feature ⑤ Program Goals we were selected for the MEXT Top Global There will be regular coordination between faculty advisors and ・To improve one’s proficiency in Japanese University Project. Japanese instructors to provide careful guidance to select the language necessary for academic research as ② International Exchanges appropriate course. well as community life (equivalent to N1 of JLPT). As of October 11, 2018, Kumamoto University has (a)Japanese Studies and Japanese Culture Program ・To acquire knowledge and methodologies international exchange agreements with 247 Subjects Number of Credits Note necessary for various fields of Japanese studies. -
Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説
別紙2 Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説 I Literature in Jodai じょうだいのぶんがく (Ancient Times) While Japanese history often uses the term "kodai" to mean ancient times, the history of literature generally calls the times before the Heian period "jodai." Its beginning is uncertain, but its end is defined as the end of the 8th century. Politically, the state had progressed to unity and completion of its regime during this period. From the perspective of literature, this period was the time when Japanese people—who had not had characters for writing—first met kanji or Chinese characters and attempted various ways to express themselves using kanji. Literature in the period primarily when the capital was at Yamato before it was transferred to Heian-kyo in 794. While the categories range from myths to legends, songs, waka or Japanese poetry, Chinese poetry, Literature in Jodai じょうだいのぶんがく biographies, histories and topographies, there were not so many works as a whole. Every extant work containing ancient contents was actually compiled into a book in the Nara period (710–794). Some of those books were established against the background of the regime establishment of the state. Kojiki was established in 712. O no Yasumaro composed this book by writing down the ancient history inherited by Hieda no Are. Kojiki contains the history from the age of the gods to the reign of Empress Suiko (reign: 593–629). Nihon Shoki was established in 720 through a compilation carried out by Prince Myths and History しんわ・れきし Toneri. -
2010-EPIC-Conference-Proceedings
EPIC Board of Directors ken anderson, Intel Corporation, President Tracey Lovejoy, Microsoft Corporation, Secretary Ed Liebow, Battelle Memorial Institute, Treasurer Melissa Cefkin, IBM, President-elect EPIC Advisory Committee Jacob Buur, U Copenhagen Christina Wasson, U North Texas Chris Miller, Savannah College of Art and Design Donna Flynn, Microsoft Elizabeth Anderson Kempe, Artemis By Design Jeanette Blomberg, IBM Alexandra Mack, Pitney Bowes Tony Salvador, Intel Rick E. Robinson, HLB Martha Cotton, gravitytank The National Association for the Practice of Anthropology (NAPA) is pleased to welcome you to this 6th annual Ethnographic Praxis in Industry Conference. NAPA is a section of the American Anthropological Association and supports the work of practicing anthropology by helping practitioners refine their skills, develop their careers, and market their services, www.practicinganthropology.org Mary Odell Butler – President Kalfani Ture – Governing Council Dennis Wiedman – Past President Eve Pinsker – Evaluation Anthropology Interest Group Tim Wallace – President-Elect Gelya Frank - Occupational Therapy Interest Group Christine Miller – Secretary Lenora Bohren – Evaluation Task Force John Massad – Treasurer Christine Miller – Design Anthro Interest Group Cathleen Crain – Governing Council Ellen Puccia – Local Practitioner Organizations Sabrina Scott – Governing Council David Himmelgreen and Satish Kedia, NAPA Bulletin Editors The American Anthropological Association, the primary professional society of anthropologists in the United -
HISTORY of SHOGUN Shogun (将軍, SHOGUN) Is a Military Rank and a Historical Title in Japan
HISTORY OF SHOGUN Shogun (将軍, SHOGUN) is a military rank and a historical title in Japan. It is the Japanese word for «General», it is made up of two kanji words: sho, meaning «Commander», «General», or «Admiral», and gun meaning troops or warriors. Originally, the title of Seii Taishogun 'SHOGUN' was given to military commanders during the early Heian period for the duration of military campaigns against the Emishi who resisted the governance of the Imperial court based in Kyoto. The most famous of these Shogun was Sakanoue no Tamuramaro (seen on the left) who conquered the Emishi in the name of Emperor Kammu. All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. يحتوي علي Contains وصفات World منتجات البان Dairy G المطبخ العالمي Kitchen K يحتوي على لحم البقر Contains Beef C وجبة خفيفة Light Meal P يحتوي على البيض Contains Eggs B خيارات نباتية Vegetarian Option N يحتوي على المأكوالت Contains Seafood خيارات صحية Light Option البحرية M D 20 Minutes Contains Nuts وقت التحضير 20 دقيقة Preparation Time Q يحتوي علي مكسرات E نباتي صرف )فيجان( Vegan O خالي من الجلوتين Gluten-free Option A جميع األسعار بالجنيه المصري. .All prices are in Egyptian pounds All You Can Eat K PREMIUM SUSHI EGP 450* per person Sushi maki or Nigiri sushi with choices from magnificent Philadelphia, California, Tiger eye, Spicy salmon and Green dragon rolls served with traditional Miso soup All prices are subject to 12% service charge and applicable taxes. يضاف إلي األسعار 12٪ خدمة والضرائب المقررة. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Working Papers in Linguistics and Oriental Studies 1
Universita’ degli Studi di Firenze Dipartimento di Lingue, Letterature e Studi Interculturali Biblioteca di Studi di Filologia Moderna: Collana, Riviste e Laboratorio Quaderni di Linguistica e Studi Orientali Working Papers in Linguistics and Oriental Studies 1 Editor M. Rita Manzini firenze university press 2015 Quaderni di Linguistica e Studi Orientali / Working Papers in Linguistics and Oriental Studies - n. 1, 2015 ISSN 2421-7220 ISBN 978-88-6655-832-3 DOI: http://dx.doi.org/10.13128/QULSO-2421-7220-1 Direttore Responsabile: Beatrice Töttössy CC 2015 Firenze University Press La rivista è pubblicata on-line ad accesso aperto al seguente indirizzo: www.fupress.com/bsfm-qulso The products of the Publishing Committee of Biblioteca di Studi di Filologia Moderna: Collana, Riviste e Laboratorio (<http://www.lilsi.unifi.it/vp-82-laboratorio-editoriale-open-access-ricerca- formazione-e-produzione.html>) are published with financial support from the Department of Languages, Literatures and Intercultural Studies of the University of Florence, and in accordance with the agreement, dated February 10th 2009 (updated February 19th 2015), between the De- partment, the Open Access Publishing Workshop and Firenze University Press. The Workshop promotes the development of OA publishing and its application in teaching and career advice for undergraduates, graduates, and PhD students in the area of foreign languages and litera- tures, and of social studies, as well as providing training and planning services. The Workshop’s publishing team are responsible for the editorial workflow of all the volumes and journals pub- lished in the Biblioteca di Studi di Filologia Moderna series. QULSO employs the double-blind peer review process. -
The Case of Sugawara No Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho''
Ideology and Historiography : The Case of Sugawara no Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho'' 著者 PLUTSCHOW Herbert 会議概要(会議名, Historiography and Japanese Consciousness of 開催地, 会期, 主催 Values and Norms, カリフォルニア大学 サンタ・ 者等) バーバラ校, カリフォルニア大学 ロサンゼルス校, 2001年1月 page range 133-145 year 2003-01-31 シリーズ 北米シンポジウム 2000 International Symposium in North America 2014 URL http://doi.org/10.15055/00001515 Ideology and Historiography: The Case of Sugawara no Michizane in the Nihongiryaku, Fusi Ryakki and the Gukanshd Herbert PLUTSCHOW University of California at Los Angeles To make victims into heroes is a Japanese cultural phenomenon intimately relat- ed to religion and society. It is as old as written history and survives into modem times. Victims appear as heroes in Buddhist, Shinto, and Shinto-Buddhist cults and in numer- ous works of Japanese literature, theater and the arts. In a number of articles I have pub- lished on this subject,' I tried to offer a religious interpretation, emphasizing the need to placate political victims in order to safeguard the state from their wrath. Unappeased political victims were believed to seek revenge by harming the living, causing natural calamities, provoking social discord, jeopardizing the national welfare. Beginning in the tenth century, such placation took on a national importance. Elsewhere I have tried to demonstrate that the cult of political victims forced political leaders to worship their for- mer enemies in a cult providing the religious legitimization, that is, the mainstay of their power.' The reason for this was, as I demonstrated, the attempt leaders made to control natural forces through the worship of spirits believed to influence them. -
Dept of History Draft Syllabus (Cbcs)
RAJA NARENDRALAL KHAN WOMEN’S COLLEGE (AUTONOMOUS) DEPT OF HISTORY DRAFT SYLLABUS (CBCS) I SEMESTER Course Course Title Credit Marks Total Th IM AM CC1T Greek and Roman Historians 6 60 10 5 75 CC2T Early Historic India 6 60 10 5 75 GE1T History of India From the earliest 6 60 10 5 75 times to C 300 BCE DSC History of India-I (Ancient India) 6 60 10 5 75 CC-1: Greek and Roman Historians C1T: Greek and Roman Historians Unit-I Module I New form of inquiry (historia) in Greece in the sixth century BCE 1.1 Logographers in ancient Greece. 1.2 Hecataeus of Miletus, the most important predecessor of Heredotus 1.3 Charon of Lampsacus 1.4 Xanthus of Lydia Module II Herodotus and his Histories 2.1 A traveller’s romance? 2.2 Herodotus’ method of history writing – his catholic inclusiveness 2.3 Herodotus’ originality as a historian – focus on the struggle between the East and the West Module III Thucydides: the founder of scientific history writing 3.1 A historiography on Thucydides 3.2 History of the Peloponnesian War - a product of rigorous inquiry and examination 3.3 Thucydides’ interpretive ability – his ideas of morality, Athenian imperialism, culture and democratic institutions 3.4 Description of plague in a symbolic way – assessment of the demagogues 3.5 A comparative study of the two greatest Greek historians Module IV Next generation of Greek historians 4.1 Xenophon and his History of Greece (Hellenica) 4.2 a description of events 410 BCE – 362 BCE 4.3 writing in the style of a high-class journalist – lack of analytical skill 4.5 Polybius and the “pragmatic” history 4.3 Diodorus Siculus and his Library of History – the Stoic doctrine of the brotherhood of man Unit II Roman Historiography Module I Development of Roman historiographical tradition 1.1 Quintus Fabius Pictor of late third century BCE and the “Graeci annals” – Rome’s early history in Greek. -
Jomon: 11Th to 3Rd Century BCE Yayoi
Outline Lecture Sixteen—Early Japanese Mythology and Shinto Ethics General Chronology: Jomon: 11th to 3rd century B.C.E. Yayoi: 3rd B.C.E. to 3rd C.E. Tomb: 3rd to 6th C.E. Yamato: 6th to 7th C.E. I) Prehistoric Origins a) Early Japanese history shrouded in obscurity i) Writing did not develop in Japan until 6th century C.E. ii) No remains of cities or other large scale settlements iii) Theories of origins of earliest settlers b) Jomon (Roughly 11th to 3rd century B.C.E.) i) “Rope-pattern” pottery ii) Hunter-gathering settlements iii) Lack of social stratification? c) Yayoi (3rd B.C.E. to 3rd C.E.) i) Simultaneous introduction of irrigation, bronze, and iron contributing to revolutionary changes (1) Impact of change in continental civilizations tend to be more gradual (2) In Japan, effect of changes are more dramatic due to its isolation (a) Foreign elements trickle in, then blend with indigenous elements (b) Creating a distinctive synthesis in “petri-dish” (pea-tree) environment ii) Increasing signs of specialization and social stratification (1) Objects of art—less primitive, more self-conscious (2) Late Yayoi burial practices d) Tomb or Kofun Period (3rd to 7th) i) Large and extravagant tombs in modern day Osaka ii) What beliefs about the afterlife do they reflect? (1) Two strains in Japanese religious cosmology iii) Emergence of a powerful mounted warrior class iv) Regional aristocracies each with its clan name (1) Uji vs. Be (2) Dramatic increase in social stratification e) Yamato State (6th to 8th C.E.) II) Yamato’s Constructions -
The Technological Imaginary of Imperial Japan, 1931-1945
THE TECHNOLOGICAL IMAGINARY OF IMPERIAL JAPAN, 1931-1945 A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aaron Stephen Moore August 2006 © 2006 Aaron Stephen Moore THE TECHNOLOGICAL IMAGINARY OF IMPERIAL JAPAN, 1931-1945 Aaron Stephen Moore, Ph.D. Cornell University 2006 “Technology” has often served as a signifier of development, progress, and innovation in the narrative of Japan’s transformation into an economic superpower. Few histories, however, treat technology as a system of power and mobilization. This dissertation examines an important shift in the discourse of technology in wartime Japan (1931-1945), a period usually viewed as anti-modern and anachronistic. I analyze how technology meant more than advanced machinery and infrastructure but included a subjective, ethical, and visionary element as well. For many elites, technology embodied certain ways of creative thinking, acting or being, as well as values of rationality, cooperation, and efficiency or visions of a society without ethnic or class conflict. By examining the thought and activities of the bureaucrat, Môri Hideoto, and the critic, Aikawa Haruki, I demonstrate that technology signified a wider system of social, cultural, and political mechanisms that incorporated the practical-political energies of the people for the construction of a “New Order in East Asia.” Therefore, my dissertation is more broadly about how power operated ideologically under Japanese fascism in ways other than outright violence and repression that resonate with post-war “democratic” Japan and many modern capitalist societies as well. This more subjective, immaterial sense of technology revealed a fundamental ambiguity at the heart of technology.