Boston Symphony Orchestra Concert Programs, Season 94, 1974
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Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines. -
NYC Student Discounts
NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. -
Artist Series – Arnaud Sussmann Program Notes on the Program
ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there is no record the Margrave ever listened to them or even acknowledged Bach’s gift. The Brandenburgs remained virtually unknown until the Bach revival of the mid-19th century. -
The Foreign Service Journal, September 1980
When you’re going overseas, you have enough to worry about without worrying about your insurance,too. Moving overseas can be a very traumatic time if you Moving overseas is simplified by the AFSA-sponsored don’t have the proper insurance. The fact is, the government insurance program for AFSA members. Our insurance will be responsible for only $15,000 worth of your belongings. program will take care of most of your worries. If any of your personal valuables such as cameras, jewelry, With our program, you can purchase as much property furs and fine arts are destroyed, damaged or stolen, you insurance as you feel you need at only 75tf per $100, and it would receive not the replacement cost of the goods, but only covers you for the replacement cost of household furniture a portion of what you’d have to pay to replace them. and personal effects that are destroyed, damaged or stolen, Claims processes are another headache you shouldn’t with no depreciation. You can also insure your valuable have to worry about. The government claims process is articles on an agreed amount basis, without any limitation. usually lengthy and requires investigation and AFSA coverage is worldwide, whether on business or documentation. pleasure. Should you have a problem, we provide simple, If you limit yourself to the protection provided under the fast, efficient claims service that begins with a simple phone Claims Act, you will not have worldwide comprehensive call or letter, and ends with payment in either U.S. dollars personal liability insurance, complete theft coverage or or local currency. -
February 2005 Resolutions
C O M M U N I T Y B O A R D 7 Manhattan ______ _________________________________ February 2005 Resolutions Lincoln Center Task Force Lawrence Horowitz, Chair February 1, 2005 Re: Applications to the Department of City Planning related to The Lincoln Center West 65th Street Project C 050098 MMM, C 050170 GFM, C 050219 PQM Vote: 32 In Favor 0 Against 0 Abstaining 0 Present A. Introduction Lincoln Center for the Performing Arts has proposed a number of actions relating to West 65th Street between Amsterdam Avenue and Broadway, which require ULURP action and other approvals from Manhattan Community Board 7. The Lincoln Center Task Force of Community Board 7 has met with representatives of Lincoln Center and their architects and planners on numerous occasions to review each aspect of the proposed actions, and has held a public hearing at which comments were solicited from the public, including members of neighboring community and landmark preservation groups. These actions are sought by Lincoln Center because, if approved, they will permit the institution to enhance, improve and expand access to its cultural facilities and public spaces. The goal of the proposed improvements is to transform the West 65th Street corridor between Amsterdam Avenue and Broadway/Columbus Avenue into a “Street of the Arts” that would create a new “front door” for visitors and for the artists who work and study at Lincoln Center. To accomplish this, Lincoln Center will make changes to the street itself, to the sidewalks and to the public spaces and North Plaza adjacent to West 65th Street. -
Preservationists View Lincoln Center Renovations with Alarm
Preservationists View Lincoln Center Renovations With Alarm... http://www.nytimes.com/2009/06/02/arts/design/02land.html?_r=0# HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER When Renovation Meets Redo More Articles in Arts » By ROBIN POGREBIN Published: June 1, 2009 TWITTER Get the TimesLimited E-Mail Amid the chorus of accolades that have greeted Lincoln Center’s continuing physical LINKEDIN transformation — in particular, the new Alice Tully Hall by Diller Scofidio & Renfro — a few discordant voices are raising an alarm with worries that Lincoln Center may be SIGN IN TO E-MAIL changing too much. PRINT Enlarge This Image Having lost the battle against transforming the campus’s north plaza in front of the Vivian REPRINTS Beaumont Theater, laid out in 1965 by the SHARE celebrated landscape architect Dan Kiley, some preservationists say they fear that the rest of the $1.2 billion redevelopment project could end up compromising the original 1960s composition of Lincoln Center as a whole. Sara Krulwich/The New York Times Work in progress on the north plaza These advocates say they are especially worried about Lincoln Center of Lincoln Center, as seen through Theater’s plans to put an experimental theater on the roof of the New York the windows of the Vivian Public Library for the Performing Arts, whose interior and entry pavilion Beaumont Theater. -
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos Future Anterior, Volume 6, Number 1, Summer 2009, pp. 84-97 (Article) Published by University of Minnesota Press DOI: https://doi.org/10.1353/fta.0.0027 For additional information about this article https://muse.jhu.edu/article/364599 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 1. Juilliard School / Alice Tully Hall, Lincoln Center, New York City. Original building, Pietro Belluschi, architect, 1969. Intervention and restoration, Diller + Scofidio, architects, 2006– 8. Night view from southeast during construction, 2008. Photograph by Iwan Baan. Interview Elizabeth Diller and Ricardo Morphing Lincoln Center Scofidio Interviewed by Jorge Otero - Pailos Elizabeth Diller and Ricardo Scofidio have added their signa- ture to Lincoln Center’s Julliard School building, forty years after Pietro Belluschi’s original design was completed in 1968. Their intervention involved demolishing the eastern façade and extending the footprint of the building over the existing plaza toward Broadway. In this interview, Diller and Scofidio argue that their radical transformation of the historic fabric nevertheless functions as a means of preserving the most his- torically significant features of the original building, including its internal organization, which was previously hidden behind uniform travertine and is now exposed through strategically located glass apertures. In a significant departure from typo- logical and stylistic theories of architectural restoration, Diller and Scofidio advance the notion of morphing as a way to extend the significant elements of a historic building without mimicking or negating them. JORGE OTERO - PAILOS: Let’s start with the question of unity. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
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National Magazine Award
VIRTUAL PRESENTATION | THURSDAY, MAY 28, 2O2O The National Magazine Awards honor print and digital publications that consistently demonstrate superior execution of editorial objectives, innovative techniques, noteworthy enterprise and imaginative design. Originally limited to print NATIONAL MAGAZINE AWARDS FOR PRINT AND DIGITAL MEDIA magazines, the awards now recognize magazine-quality ASME Award for Fiction | Honoring The Paris Review journalism published in any medium. Founded in 1966, the awards ASME NEXT Awards for Journalists Under 30 are sponsored by the American Society of Magazine Editors Magazine Editors’ Hall of Fame Award | Honoring David Granger in association with the Columbia University Graduate School of Journalism and are administered by ASME. Awards are presented in 22 categories. The winner in each category receives an “Ellie,” modeled on the symbol of the awards, ASME.MEDIA TWITTER.COM/ASME1963 #ELLIES Alexander Calder’s stabile “Elephant Walking.” | | THE OSBORN ELLIOTT-NATIONAL MAGAZINE AWARDS SCHOLARSHIP INFORMATION ABOUT FINALISTS AND WINNERS Ellie Awards 2020 ticket sales provide support for the Please visit asme.media for more information about Ellie Awards 2020 Osborn Elliott Scholarship at the Columbia Journalism School. honorees, including citations, links to content and a complete list of the judges Named for the former Newsweek editor and Editors whose names appear in citations held those positions Columbia dean, the scholarship is awarded to students who or were listed on the masthead when the content was published. intend to pursue careers in magazine journalism. Other editors may now be in those positions Magazine Editors’ Hall of Fame Helen Gurley Brown Tina Brown William F. Buckley Jr. Gayle Goodson Butler Graydon Carter MAGAZINE John Mack Carter Sey Chassler EDITORS’ Arthur Cooper Byron Dobell HALL OF FAME Osborn Elliott Clay Felker Dennis Flanagan Henry Anatole Grunwald The Magazine Editors’ Hall of Fame Hugh M. -
CITIZENS COMMITTEE for NEW YORK CITY 2020 Annual Report
CITIZENS COMMITTEE FOR NEW YORK CITY 2020 Annual Report CitizensNYC We are ALL IN for New York City #Allin4NYC 30 East 125th Street, #189 | 212 989 0909 | citizensnyc.org New York, NY 10035 A LETTER FROM OUR CEO On March 16, 2020 I had the profound privilege of 0 taking on the role of CEO at CitizensNYC. In a year like no other I’ve seen how the citizens of this city continue to fill in the gaps, often where federal and state institutions fall short. We are a village of small business owners, activists, artists, and community gatekeepers improving New York City neighborhoods, and in this moment of crisis we believe we as a city must trust grassroots leaders, support them, and give them the right platforms to thrive. 2 Think about what access to food and water— necessities that many of us take for granted, even in a pandemic—looks like in a community that was already struggling before COVID-19 invaded our neighborhoods. In response, CitizensNYC quickly mobilized its resources to focus on the immediate needs of struggling New Yorkers. We established two unrestricted grant programs focusing on the city’s hardest-hit communities, with an emphasis on keeping 0 struggling businesses afloat, and meeting urgent community needs such as access to food, water, and financial resources. As one of the nation’s oldest micro-funding organizations, CitizensNYC provides support to community leaders on the front lines of change in their own neighborhoods. But we’re so much more than grantmakers. Most importantly, we are a communications platform for those whose voices are 2 often drowned out—or who never got a chance to speak at all. -
OPTIMISTS ENTREPRENEURS We Are All CREATIVES ACTIVISTS
We are all CREATIVES ACTIVISTS ENTREPRENEURS OPTIMISTS THE FUTURE 7 PM 8 PM TUESDAY VIRTUAL AFTER PARTY ON JUNE 22, 2021 SHOWCASE EVENT INSTAGRAM LIVE THE NEW YORKERS for NEW YORK HISTORY On March 16, 2020 I had the profound privilege of taking on the role of CEO at CitizensNYC. For over 45 years, we have In a year like no other I’ve seen how the citizens of this city continue to fill in the gaps, often where federal and state institutions fall short. We are a village been working to improve of small business owners, activists, artists, and community gatekeepers improving New York City neighborhoods, and in a moment of crisis we believe we as a city must trust grassroots leaders, support them, and give New York City. them the right platforms to thrive. Think about what access to food and water—necessities that many of us OUR ORIGIN STORY IS ROOTED IN THE SPIRIT OF BIPARTISANSHIP. take for granted, even in a pandemic—looks like in a community that was already struggling before COVID-19 invaded our neighborhoods. In response, CitizensNYC quickly mobilized its resources to focus on the immediate needs In the 1970s, when New York City was facing communities—come together and improve the of struggling New Yorkers. We established two unrestricted grant programs massive cutbacks and citywide poverty during quality of life in their neighborhoods. focusing on the city’s hardest-hit communities, with an emphasis on keeping one of its worst financial crises in history, U.S. struggling businesses afloat, and meeting urgent community needs such as Senator Jacob Javits and Newsweek Editor-in- Neighbors have started block associations to access to food, water, and financial resources.