Florence + the Machine Confirm North American Leg of Global Tour High As Hope out June 29

Total Page:16

File Type:pdf, Size:1020Kb

Florence + the Machine Confirm North American Leg of Global Tour High As Hope out June 29 For Immediate Release May 29, 2018 FLORENCE + THE MACHINE CONFIRM NORTH AMERICAN LEG OF GLOBAL TOUR HIGH AS HOPE OUT JUNE 29 Florence + the Machine confirm a 23 city North American fall headline tour today, produced by Live Nation, kicking off August 5 in Montreal, QC and including stops at Los Angeles’ Hollywood Bowl and New York’s Barclays Center. Further dates include Seattle, Portland, Nashville, Washington, D.C., Philadelphia, Chicago and more. Tickets are on sale to the general public beginning this Friday, June 1 at 10 A.M. local time at Ticketmaster.com. American Express Card Members can purchase tickets for select dates before the general public beginning Tuesday, May 29 at 12 P.M. local time, through Thursday, May 31 at 10 P.M. local time. Visit florenceandthemachine.net for more information. Florence + the Machine’s hugely anticipated fourth studio album High As Hope—co-produced by Florence and Emile Haynie and featuring contributions from Kamasi Washington, Sampha, Tobias Jesso Jr, Kelsey Lu and Jamie xx—is out June 29 on Republic Records. Watch the A.G. Rojas-directed video for first official single “Hunger” here. FLORENCE + THE MACHINE LIVE August 5 Montreal, QC, Canada Osheaga^ August 9 Lake Tahoe, NV Lake Tahoe Outdoor Arena at Harveys*+ August 11 San Francisco, CA Outside Lands^ September 8 Vancouver, BC, Canada Skookum Festival^ September 10 Seattle, WA KeyArena† September 11 Portland, OR Moda Center† September 14 Salt Lake City, UT Maverik Center† September 15 Denver, CO Grandoozy Festival^ September 22 Las Vegas, NV Life Is Beautiful^ September 23 San Diego, CA Viejas Arena at Aztec Bowl San Diego State University‡ September 25 Los Angeles, CA Hollywood Bowl‡ September 29 Dallas, TX The Pavilion at Toyota Music Factory‡ September 30 Houston, TX The Cynthia Woods Mitchell Pavilion‡ October 2 Nashville, TN Bridgestone Arena§ October 3 Charlotte, NC Spectrum Center§ October 5 Washington, D.C. The Anthem**+ October 9 New York, NY Barclays Center October 12 Boston, MA TD Garden October 13 Uncasville, CT Mohegan Sun Arena†† October 14 Philadelphia, PA Wells Fargo Center†† October 16 Toronto, ON, Canada Air Canada Centre†† October 19 Chicago, IL United Center‡‡ October 20 Minneapolis, MN Target Center‡‡ *with Wet †with St. Vincent and Lizzo ‡with Kamasi Washington §with Billie Eilish **with Beth Ditto ††with Grizzly Bear ‡‡with Perfume Genius +not a Live Nation date ^Festival date FLORENCE + THE MACHINE—HIGH AS HOPE 1. June 2. Hunger 3. South London Forever 4. Big God 5. Sky Full of Song 6. Grace 7. Patricia 8. 100 Years 9. The End of Love 10. No Choir About Live Nation Entertainment Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Media & Sponsorship. For additional information, visit www.livenationentertainment.com. For Florence + The Machine, please contact Carla Sacks or Reid Kutrow at Sacks & Co., 212.741.1000, [email protected] or [email protected] For Live Nation, please contact Emily Bender or Monique Sowinski [email protected] or [email protected] .
Recommended publications
  • 3 Doors Down and Collective Soul to Co-Headline Tour with Special Guest Soul Asylum
    ALL ABOARD THE ROCK & ROLL EXPRESS! 3 DOORS DOWN AND COLLECTIVE SOUL TO CO-HEADLINE TOUR WITH SPECIAL GUEST SOUL ASYLUM – Tickets On Sale to the General Public Starting March 30 at LiveNation.com – – Watch Tour Announcement Video HERE – LOS ANGELES, CA (March 26, 2018) – With more than 30 million albums sold, 18 million digital single sales, billions of streams and 12 iconic hits combined, 3 Doors Down and Collective Soul are inviting fans aboard The Rock & Roll Express Tour this summer with special guest Soul Asylum on select dates. Produced by Live Nation, the amphitheater outing will kick off July 6 in Atlanta, GA and travel to 36 cities across North America before wrapping September 16 in Phoenix, AZ. View and embed the tour announcement video at the link here: https://youtu.be/1Ina5pP8Fpo Citi® is the official pre-sale credit card of The Rock & Roll Express Tour. As such, Citi® cardmembers will have access to purchase pre-sale tickets beginning Tuesday, March 27th at 10am local time until Thursday, March 29th at 10pm local time through Citi’s Private Pass® program. For complete pre-sale details, visit www.citiprivatepass.com. Tickets go on sale to the general public starting Friday, March 30 at 10am local time. 3 Doors Down and Collective Soul will be offering their own VIP packages, which include band meet and greets, exclusive merch, and much more. All VIP packages will be available starting Tuesday, March 27th at 10am local time. More information can be found at www.3doorsdown.com and www.collectivesoul.com. “Soul Asylum, Collective Soul and 3 Doors Down, that’s a big night of hits!! I’m looking forward to hopping on the Rock & Roll Express this summer, gonna be fun!” said Brad Arnold of 3 Doors Down.
    [Show full text]
  • Bollettino Novità
    Bollettino Novità Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" di Mantova 4' trimestre 2019 Biblioteca del Centro Culturale Polifunzionale "Gino Baratta" Bollettino novità 4' trimestre 2019 1 Le *100 bandiere che raccontano il mondo / DVD 3 Tim Marshall ; traduzione di Roberto Merlini. - Milano : Garzanti, 2019. - 298 p., [8] carte 3 The *100. La seconda stagione completa / di tav. : ill. ; 23 cm [creato da Jason Rothenberg]. - Milano : inv. 178447 Warner Bros. Entertainment Italia, 2016. - 4 DVD-Video (ca. 674 min. compless.) -.929.9209.MAR.TIM color., sonoro ; in contenitore, 19 cm. 1 v ((Caratteristiche tecniche: regione 2; 16:9 FF, adatto a ogni tipo di televisore; audio 2 The *100. La prima stagione completa / Dolby digital 5.1. - Titolo del contenitore. [creato da Jason Rothenberg]. - Milano : - Produzione televisiva USA 2014-2015. - Warner Bros. Entertainment Italia, 2014. Interpreti: Eliza Taylor, Bob Morley, Marie - 3 DVD-Video (circa 522 min) : Avgeropoulos. - Lingue: italiano, inglese; color., sonoro ; in contenitore, 19 cm. sottotitoli: italiano, inglese per non udenti ((Caratteristiche tecniche: regione 2; video + 1: The *100. 2. : episodi 1-4 / [creato 16:9, 1.85:1 adatto a ogni tipo di tv; da Jason Rothenberg]. - Milano : Warner audio Dolby digital 5.1, 2.0. - Titolo Bros. entertainment Italia, 2016. - 1 DVD- del contenitore. - Prima stagione in Video (ca. 172 min.) ; in contenitore, 13 episodi del 2014 della serie TV, 19 cm. ((Contiene: I 48 ; Una scoperta produzione USA. - Interpreti: Eliza Taylor, agghiacciante ; Oltre lapaura ; Verso la città Isaiah Washington, Thomas McDonell. - della luce. Lingue: italiano, inglese, francese, tedesco; inv. 180041 sottotitoli: italiano, inglese, tedesco per non udenti, inglese per non udenti, tedesco, DVFIC.HUNDR.1 francese, olandese, greco DVD 1 + 1: The *100'.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • LANCASTER UNIVERSITY Popular Music, the Christian Story, and The
    LANCASTER UNIVERSITY Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA (Distinction) A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) DEPARTMENT OF POLITICS, PHILOSOPHY AND RELIGION OCTOBER 2019 Abstract Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) October 2019 The crisis of socialisation into Christian belief is, in part, evidence of Western secularisation. Added to this, there is evidence of significant existential restlessness. Moreover, many individuals feel alienated from the Church, which has been the historic Western provider of a discourse offering ontological security. Such restlessness finds emotional expression within a popular music culture that frequently interrogates Christian belief. It is argued here that not only is there a hegemonic resistance to Christian discourse, but that the Church inadvertently colludes with these forces, favouring its historic, rationalistic methods of evangelism, the effectiveness of which is now limited. This thesis offers a model to redress aspects of this disconnect, arguing for the significance of affective spaces within which spiritual reflection is encouraged. Using Zygmunt Bauman’s sociology of liquid modernity the thesis considers the fluid nature of Western society. In particular, it explores the ways in which popular music articulates core themes in a society in which individuals are effectively bricoleurs, drawing from popular culture in order to tactically resist hegemony. Central to the discussion is the idea that humans are ‘hard wired’ to develop a sense of self in a proto-musical manner.
    [Show full text]
  • Gloria Trevi & Alejandra Guzmán Announce Last Leg
    GLORIA TREVI & ALEJANDRA GUZMÁN ANNOUNCE LAST LEG OF ‘VERSUS WORLD TOUR’ WITH A HISTORIC FINALE IN THE UNITED STATES Tickets For Final Dates In The U.S. On Sale to General Public Starting Friday, January 19 at LiveNation.com The Most Significant Latin Tour of the Decade Will Have a Magnificent Closing Night at the Legendary Hollywood Bowl In Los Angeles LOS ANGELES (Jan 12, 2018) – GLORIA TREVI and ALEJANDRA GUZMÁN announced today the final leg of their highly-acclaimed ‘VERSUS WORLD TOUR’ will wrap in North America this spring. The two superstars of Latin pop/rock will have a closing night worthy of an entry in Hispanic music history’s records. The ‘VERSUS World Tour’ has been one of the most innovative and unexpected outings in recent memory, breaking box office records in every city it has visited. The ‘VERSUS World Tour’ recently earned a nomination for Latin Tour of the Year at the renowned Pollstar Awards. The final leg of the tour will make stops across major cities in the U.S. and Canada including Houston, Chicago, New York, Toronto, Los Angeles and more. Tickets for the newly announced dates will go on sale to general public starting Friday, January 19 at 10am local time at LiveNation.com.* Presales for the tour will begin Tuesday, January 16 starting at 10am local time. (*Hidalgo, San Jose, Sacramento and Los Angeles will go on sale at 12pm local time). Previously announced dates include stops in Mexico with visits to Guadalajara, Monterrey, Mexico City, and Puebla, and will continue through Latin America with visits to Central America, Colombia, and Puerto Rico.
    [Show full text]
  • CQS New City Equity
    CQS New City Equity November 2019 November 2019 p C QS New City Equity It is now broadly documented that a few listed equities deliver the bulk of the stock market’s performance. The objective of the CQS New City Global Equity strategy is to identify these exceptional companies and construct a highly concentrated portfolio for the long term. The team implements a forensic research process with a particular focus on strategy, innovation and ESG matters that feed directly into the long term valuation framework. The ambition is to achieve double-digit return over the cycle and embrace the new language for equity investment. Investment Philosophy “We look to invest in a small • We invest in companies that have delivered exceptional products and services that empower their number of corporate stars which customers and generate significant pricing power and economic moat. deliver exceptional products and • Such companies have consistently produced a flow of recurring innovation – and sustainable profits services to their clients. These derived from the intrinsic value the company brings to the customer – not from an opaque value chain or a regulatory window. One dollar of profit is not equal to another. companies have developed a • These innovation compounders, with sufficient growth potential, can only be found in specific industries constant flow of innovation that supported by highly diversified secular tailwinds. Typically, they hold a market leading position. empowers their customers and • To consistently commercialise their innovation, companies must have a clear business mission, generates significant pricing appropriate corporate governance and incentives that specifically encourage innovation from the ground.
    [Show full text]
  • HVS Market Pulse: Dallas, TX
    HVS Market Pulse: Dallas, TX December 20, 2018 By Kathleen D. Donahue Summary Key Economic Indicators and Lodging The greater Dallas area Market Overview continues to be a focal point of corporate relocation and Dallas/Fort Worth International Airport ﴾DFW﴿, Love Field Airport, Kay Bailey Hutchison expansion, and a building Convention Center, and local employers and headquarters, particularly within the boom is evident in both the telecommunications, technology, insurance, financial services, and healthcare fields, represent the primary urban core and outlying sources of lodging demand in the greater Dallas market. In addition to DFW's status as one of the nation's suburbs, with hotel largest airports, the end of federal flight restrictions at Dallas Love Field in October 2014 has significantly construction on the rise. boosted operations out of the airport. The following charts illustrate the passenger statistics through 2017 at the two airports. Comments Passenger Traffic at DFW and Love Field Airports FILED UNDER CATEGORIES Development & Construction Source: Dallas/Fort Worth International Airport, Love Field Airport Valuations & Market Studies The 2016/17 statistics for the Kay Bailey Hutchison Convention Center show a considerable decline in both Travel & Tourism metrics from the previous year, attributed in part to the center's temporary shutdown to host more than 5,000 Economic Trends and Cycles Gulf Coast residents in August and September ﴾two of the busier convention months﴿ following Hurricane North America United States Harvey. Texas Dallas Convention Center Statistics Source: Kay Bailey Hutchinson Convention Center The Dallas/Fort Worth area continues to be one of the top U.S. metropolitan areas for job growth.
    [Show full text]
  • Farmers Branch Visitors Guide
    FB FB | VISITOR GUIDE VISITOR | DISCOVERFARMERSBRANCH.COM to offer. to our of one to up belly here are you While everyone. glad you are here to discover all Farmers Branch has has Branch Farmers all discover to here are you glad for something has scene restaurant burgeoning one-of-a-kind dining, and historic museums. We are are We museums. historic and dining, one-of-a-kind our barbecue, home down or Mexican traditional DFW METROPLEX DFW the charm of a small town with mom-and-pop stores, stores, mom-and-pop with town small a of charm the Fusion, Asian prefer buds taste your Whether surrounding hustle-and-bustle, Farmers Branch retains retains Branch Farmers hustle-and-bustle, surrounding IN THE OF THE THE OF THE IN one of the nation’s largest metroplexes. Despite the the Despite metroplexes. largest nation’s the of one sundown. to sunup from busy you keep to sure be will ! here you're has grown into a vibrant community in the heart of of heart the in community vibrant a into grown has ones little of energetic most the out wear to activities What started off as Dallas County’s first settlement settlement first County’s Dallas as off started What family active enough and scene, culinary thriving trails, We're so glad so We're The year-round entertainment, miles of hike-and-bike hike-and-bike of miles entertainment, year-round The watch a Dallas Stars hockey game. hockey Stars Dallas a watch the country’s largest Arts District, take in a concert or or concert a in take District, Arts largest country’s the alike.
    [Show full text]
  • Modelo De Projeto
    UNIVERSIDADE TECNOLÓGICA FEDERAL DO PARANÁ DEPARTAMENTO ACADÊMICO DE LETRAS CURSO DE LETRAS – PORTUGUÊS/INGLÊS LEONARDO RIGON KASMAREK FLORENCE WELCH EM TRADUÇÃO: ANÁLISE DAS TRADUÇÕES DOS POEMAS MONSTER E BECOME A BEACON PARA A LÍNGUA PORTUGUESA TRABALHO DE CONCLUSÃO DE CURSO PATO BRANCO – PR 2019 1 UNIVERSIDADE TECNOLÓGICA FEDERAL DO PARANÁ DEPARTAMENTO ACADÊMICO DE LETRAS CURSO DE LETRAS – PORTUGUÊS/INGLÊS Leonardo Rigon Kasmarek FLORENCE WELCH EM TRADUÇÃO: ANÁLISE DAS TRADUÇÕES DOS POEMAS MONSTER E BECOME A BEACON PARA A LÍNGUA PORTUGUESA Projeto de Pesquisa apresentado ao Curso de Letras Português/Inglês da Universidade Tecnológica Federal do Paraná Campus Pato Branco como requisito parcial para aprovação na disciplina de Trabalho de Conclusão de Curso – TCC I. Linha de Pesquisa: Literatura de Língua Inglesa e Estudos da Tradução Orientadora: Prof.ª Dra. Camila Paula Camilotti PATO BRANCO – PR 2019 2 Eu faço música para prender as pessoas a mim Com um laço de fantasia ao redor de seus pescoços Como um laço lindo Que eu seguro em meu punho E que eu não deixarei escapar (Florence Welch) A Folha de Aprovação assinada encontra-se na Coordenação do Curso 4 AGRADECIMENTOS Os primeiros agradecimentos vão para mim mesmo. Pela força que tive para chegar até o final do curso, por ter superado anos de viagens bate-volta de outra cidade, por ter driblado minha mente quando pensei em desistir e por todos os momentos difíceis que apertaram o meu peito e me fizeram duvidar desse futuro maravilhoso que o curso me proporcionará. Passando da parte Oscar Wilde dos agradecimentos, tenho o dever e a alegria de exaltar meus pais, que durante todo o processo da graduação me mantiveram firme e, com palavras de carinho e atitudes dignas de nobreza, mantiveram minha cabeça acima da água para eu não me afogar.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • NEW RELEASE GUIDE October 2 October 9 ORDERS DUE AUGUST 28 ORDERS DUE SEPTEMBER 4
    ada–music.com @ada_music NEW RELEASE GUIDE October 2 October 9 ORDERS DUE AUGUST 28 ORDERS DUE SEPTEMBER 4 2020 ISSUE 21 October 2 ORDERS DUE AUGUST 28 ALOE BLACC ALL LOVE EVERYTHING In the years since Aloe Blacc’s last album, The Grammy nominated “Lift Your Spirit”, the global superstar spent time working on an even dearer project: his family. All Love Everything, his upcoming album, is the singer-songwriter’s first collection of material written as a father, a journey that’s expanded Blacc’s already heartfelt artistic palette. “Becoming a father made me want to share those experiences in music,” he says, admitting it’s a challenge to translate such a powerful All Love Everything is a generous addition to the thing into lyrics and melody. But the listeners who have A.I.M. catalog. It fulfills Blacc’s ambition to express the followed Blacc over the course of his career know that richness of familial love on songs like “Glory Days” and his facility with language and sound is deep – if anyone “Family,” while also making room for anthems about was up to the task, it’s him. perseverance and support like “My Way” and “Corner.” Working with producers Jonas Jeberg, Jugglerz, Jon Across three albums, his sound evolved and grew, Levine, and Matt Prime, Blacc has crafted his most finding a pocket that reflects the long and beautiful open-hearted album to date. Generous and warm, history of American soul with timeless, descriptive All Love Everything draws on soul, folk, and songwriting that speaks to the broad range of human contemporary pop, reminding listeners that there’s experience, from platonic love to love for humanity, from no pigeonholing the human experience.
    [Show full text]