03-19 Texas Spotlight
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A Race Over the Years
P1 THE DAILY TEXAN LITTLE Serving the University of Texas at Austin community since 1900 DITTY Musician moves from ON THE WEB California to pursue a BAREFOOT MARCH passion for jingles Austinites and students walk shoeless to A video explores the meaning of ‘traditional the Capitol to benefit poor children values’ with regard to current legislation LIFE&ARTS PAGE 10 NEWS PAGE 5 @dailytexanonline.com >> Breaking news, blogs and more: dailytexanonline.com @thedailytexan facebook.com/dailytexan Wednesday, April 6, 2011 TEXAS RELAYS TODAY Calendar Monster’s Ball Lady Gaga will be performing at the Frank Erwin Center at 8 p.m. Tickets range from $51.50-$177. Clyde Littlefield Texas Relays Track and field teams will compete in the first day of the 84th Annual Clyde Littlefield Texas Relays at the Mike A. Myers Stadium. Texas Men’s Tennis Longhorns play Baylor at the Penick-Allison Tennis Center at 6 p.m. ‘Pauline and Felder | Daily Texan Staff file photo Paulette’ Texas’ Charlie Parker stretches for the tape to finish first in the 100-yard dash to remain undefeated on the season during the 1947 Texas Relays. Today marks the beginning of the The Belgian comedy-drama invitational’s 84th year in Austin. Collegiate and high school athletes will compete in the events, as well as several professional athletes. directed by Lieven Debrauwer will be shown in the Mezes Basement Bo.306 at 6:30 p.m. ‘Take Back the A race over the years Night’ By Julie Thompson Voices Against Violence will hold a rally to speak out against he Texas Relays started as a small, annually to the local economy. -
Central Texas Annual Festivals Festive Art, Music, Food and Cultural Events Where You Can Count on a Good Time Year After Year Celtic Cultural Center Presents: St
Central Texas Annual festivals Festive Art, Music, Food and Cultural Events where You Can Count on a good time Year After Year Celtic Cultural Center Presents: St. Patrick’s Day Austin Fiesta Gardens A fierce Irish tradition and fun for the whole family. Live traditional music, Irish dancing and presentations, games and other cultural activities. http://www.stpatricksdayaustin.com/ APRIL Urban Music Festival Auditorium Shores Urban Music Festival is a family-centric festival for R&B, jazz, funk and reggae music lovers, where national and local entertainment take center stage. http://urbanmusicfest.com/ Louisiana Swamp Thing & Crawfish Festival The Austin American Statesman parking lot It’s a Cajun festival in Texas! Loads of crawfish are consumed at this annual event, which features zydeco, brass band, funk, blues and rock music. http://www.roadwayevents.com/event/ Art City Austin Palmer Events Center FEBRUARY Nearly 200 national artists, top local restaurants, multiple music stages Carnaval Brasileiro and hands-on art activities make this one of the city’s favorite festivals. Palmer Events Center https://www.artallianceaustin.org/ Flamboyant costumes, Brazilian samba music and the uninhibited, spirited atmosphere make Austin’s Carnaval one of the biggest and Old Settler’s Music Festival best festivals of it’s kind outside of Brazil. http://sambaparty.com/ Salt Lick Pavilion and Camp Ben McCulloch Americana, roots rock, blues and bluegrass are performed at this Chinese New Year Celebration signature Central Texas music festival. Arts & crafts, camping, food and Chinatown Center local libations complete this down-home event. Chinese New Year starts on January 28, marking the Lunar New Year. -
Girl Scouts of Central Texas Explore Austin Patch Program
Girl Scouts of Central Texas Explore Austin Patch Program Created by the Cadette and Senior Girl Scout attendees of Zilker Day Camp 2003, Session 4. This patch program is a great program to be completed in conjunction with the new Capital Metro Patch Program available at gsctx.org/badges. PATCHES ARE AVAILABLE FOR PURCHASE IN GSCTX SHOPS. Program Grade Level Requirements: • Daisy - Ambassador: explore a minimum of eight (8) places. Email [email protected] if you find any hidden gems that should be on this list and share your adventures here: gsctx.org/share EXPLORE 1. Austin Nature and Science Center, 2389 Stratford Dr., (512) 974-3888 2. *The Contemporary Austin – Laguna Gloria, 700 Congress Ave. (512) 453-5312 3. Austin City Limits – KLRU at 26th and Guadalupe 4. *Barton Springs Pool (512) 867-3080 5. BATS – Under Congress Street Bridge, at dusk from March through October. 6. *Bob Bullock Texas State History Museum, 1800 Congress Ave. (512) 936-8746 7. Texas State Cemetery, 909 Navasota St. (512) 463-0605 8. *Deep Eddy Pool, 401 Deep Eddy. (512) 472-8546 9. Dinosaur Tracks at Zilker Botanical Gardens, 2220 Barton Springs Dr. (512) 477-8672 10. Elisabet Ney Museum, 304 E. 44th St. (512) 974-1625 11. *French Legation Museum, 802 San Marcos St. (512) 472-8180 12. Governor’s Mansion, 1010 Colorado St. (512) 463-5518 13. *Lady Bird Johnson Wildflower Center, 4801 La Crosse Ave. (512) 232-0100 14. LBJ Library 15. UT Campus 16. Mayfield Park, 3505 W. 35th St. (512) 974-6797 17. Moonlight Tower, W. 9th St. -
3 Doors Down and Collective Soul to Co-Headline Tour with Special Guest Soul Asylum
ALL ABOARD THE ROCK & ROLL EXPRESS! 3 DOORS DOWN AND COLLECTIVE SOUL TO CO-HEADLINE TOUR WITH SPECIAL GUEST SOUL ASYLUM – Tickets On Sale to the General Public Starting March 30 at LiveNation.com – – Watch Tour Announcement Video HERE – LOS ANGELES, CA (March 26, 2018) – With more than 30 million albums sold, 18 million digital single sales, billions of streams and 12 iconic hits combined, 3 Doors Down and Collective Soul are inviting fans aboard The Rock & Roll Express Tour this summer with special guest Soul Asylum on select dates. Produced by Live Nation, the amphitheater outing will kick off July 6 in Atlanta, GA and travel to 36 cities across North America before wrapping September 16 in Phoenix, AZ. View and embed the tour announcement video at the link here: https://youtu.be/1Ina5pP8Fpo Citi® is the official pre-sale credit card of The Rock & Roll Express Tour. As such, Citi® cardmembers will have access to purchase pre-sale tickets beginning Tuesday, March 27th at 10am local time until Thursday, March 29th at 10pm local time through Citi’s Private Pass® program. For complete pre-sale details, visit www.citiprivatepass.com. Tickets go on sale to the general public starting Friday, March 30 at 10am local time. 3 Doors Down and Collective Soul will be offering their own VIP packages, which include band meet and greets, exclusive merch, and much more. All VIP packages will be available starting Tuesday, March 27th at 10am local time. More information can be found at www.3doorsdown.com and www.collectivesoul.com. “Soul Asylum, Collective Soul and 3 Doors Down, that’s a big night of hits!! I’m looking forward to hopping on the Rock & Roll Express this summer, gonna be fun!” said Brad Arnold of 3 Doors Down. -
MOODY THEATER 2020 Technical Information VENUE INFORMATION
AUSTIN CITY LIMITS LIVE at the MOODY THEATER 2020 Technical Information VENUE INFORMATION AUSTIN CITY LIMITS LIVE BOX OFFICE-MAIN ENTRANCE 310 W. Willie Nelson Blvd Austin, TX 78701 P: (512) 225-7999 F: (512) 404-1399 acl-live.com ARTIST ENTRANCE / TRUCKS LOADING DOCK ADDRESS AUSTIN CITY LIMITS LIVE 311 West 3rd St Austin, TX 78701-3935 Dock Master: (512) 542-3654 Security: (512) 542-3611 W HOTEL AUSTIN- CONNECTED TO ACL LIVE For ACL-LIVE rate contact: Niko Masalas W Sales Executive [email protected] T 512-542-3646 / F 512.542.3625 200 Lavaca St Austin, TX 78701 Main: (512) 542-3600 Guest Fax: (512) 542- 3605 P: (512) 542-3656 F: (512) 542-3625 Visiting Production (512) 457-5560 F: (512) 457-5555 Dressing Rm 1 (512) 457-5591 Dressing Rm 2 (512) 457-5590 Dressing Rm 3 (512) 457-5593 Dressing Rm 4 (512) 457-5592 2020 Technical Information Deck : Page 2 VENUE CONTACTS Colleen Fischer, General Manager | Director Of Booking (512) 404-1302 | [email protected] Jack McFadden, Senior Talent Buyer (512) 404-1306 | [email protected] Gary Rushworth, Assistant General Manager/ Director of Operations (512) 404-1323 | [email protected] Shelby Voss Covington, Executive Assistant Colleen Fischer (512) 404-1307 | [email protected] Amy Copeland, Accounting Manager | Settlement (512) 479-3407 | [email protected] Samantha Garrett, Senior Staff Accountant | Settlement (512) 479-3433 | [email protected] Kaitlin Bouzek, Director of Marketing & Communications (512) 404-1308, | [email protected] Whitney LeMond, Media & Communications -
The U2 360- Degree Tour and Its Implications on the Concert Industry
THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history. -
National Basketball Association
Appendix 2 to Sports Facility Reports, Volume 5, Number 2 ( Copyright 2005, National Sports Law Institute of Marquette University Law School) NATIONAL BASKETBALL ASSOCIATION Note: Information compiled from Forbes Magazine (franchise values), Lexis.com, Sports Business Journal, and other sources published on or before January12, 2005. Team Principal Owner Recent Purchase Current Value ($/Mil) Price ($/Mil) (Percent Increase/Decrease From Last Year) Atlanta Hawks Atlanta Spirit, LLC $250 (2004) $232 (+15%) includes Atlanta Hawks, Atlanta Thrashers (NHL), and operating rights in Philips Arena Arena ETA COST % FACILITY FINANCING (millions) Publicly Financed Philips Arena 1999 $213.5 91% The facility was financed through $149.5 M in taxable revenue bonds that will be paid back through stadium revenues. A new 3% car rental tax pays for $62 M of the public infrastructure costs and Time Warner contributed $20 M for the remaining infrastructure costs. UPDATE The purchase of the Hawks, Atlanta Thrashers (NHL) franchise, and operating rights in Philips Arena to the Atlanta Spirit, Inc. was finalized in March 2004. A recently reported investor with a 1% share in the franchise is Atlanta Hawks legend Dominique Wilkins. NAMING RIGHTS Philips Electronics is paying $185 million over 20 years for the naming rights that expire in 2019. Team Principal Owner Recent Purchase Current Value ($/Mil) Price ($/Mil) (Percent Increase/Decrease From Last Year) Boston Celtics Boston Basketball $360 (2002) $290 (+6%) Partners LP, a group made up of Wycliffe Grousbeck, H. Irving Grousbeck and Stephen Pagliuca. Arena ETA COST % FACILITY FINANCING (millions) Publicly Financed FleetCenter 1995 $160 0% Privately financed and owned by the NHL’s Bruins. -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
Afi-Soa-2008-Report
The Alley Flat Initiative Topics in Sustainable Development 2008 Report Editors Steven A. Moore Sergio Palleroni Legend LOT WITH ALLEY FLAT POTENTIAL* ALLEY NEIGHBORHOOD PLANNING AREA SECONDARY APARTMENT INFILL TOOL ADOPTION (BY NPA / SUBDISTRICT) NO YES MAJOR ROAD MINOR ROAD STREET LADY BIRD LAKE * ALL LOTS WITH ALLEY FLAT POTENTIAL SHOWN ON MAP ARE ZONED SF-3. csd Center for Sustainable Development i THE UNIVERSITY OF TEXAS CENTER FOR SUSTAINABLE DEVELOPMENT 1 UNIVERSITY STATION B7500; AUSTIN, TX DR. ELIZABETH MUELLER, DIRECTOR WORKING PAPER SERIES JULY 2008 ii CONTENTS ACKNOWLEDGEMENTS PREFACE EXECUTIVE SUMMARY 1. A BRIEF HISTORY OF ALLEY FLATS IN FOUR CITIES 2. CONDITIONS IN AUSTIN: LANDSCAPE OF OPPORTUNITY (ELIZABETH) 2.1 REVIEW OF LOTS WITH ALLEY FLAT POTENTIAL 2.2 REVIEW OF LOTS WITH POTENTIAL FOR SECONDARY UNITS IN GENERAL 2.3 BEGINNING WITH EAST AUSTIN BECAUSE… 3. A BRIEF HISTORY OF THE AUSTIN’S ALLEY FLAT INITIATIVE 4. NEIGHBORHOOD CONTEXT 4.1 THREE CASES OF AUSTIN NEIGHBORHOOD CONTEXT 4.2 REGULATION 5. OWNERSHIP AND FINANCING STRUCTURES 5.1 OWNERSHIP STRUCTURES AND THEIR SUITABILITY 5.2 FUNDING SOURCES AND THEIR SUITABILITY 6. DISTRIBUTED INFRASTRUCTURE 6.1 WATER 6.2 ELECTRICITY 6.3 TECHNOLOGY ANALYSIS APPENDICES A. GIS METHODS B. LIST OF KEY STAKEHOLDERS AND PARTNERSHIPS C. OWNERSHIP AND FINANCING STRUCTURES iii ACKNOWLEDGEMENTS This project was initially supported by a generous research grant from the Henry Luce Foundation and has subsequently been supported by the Austin Community Foundation, Perry Lorenz, and anonymous donors. Support for construction of the initial prototype has been received from Autodesk, Lincoln Properties, Wells Fargo Bank, Walter Elcock Family, HG TV, Suzi Sosa, Bercy‐Chen, Alexa Werner, Michael Casias, Meridian Energy, DXS‐Daikin, Z‐Works, Ecocreto, and Pat Flanary. -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
Special Events Contingency Planning
Special Events Contingency Planning Job Aids Manual March 2005 FEMA IS-15: Special Events Contingency Planning Job Aids Manual TABLE OF CONTENTS Acknowledgements ..................................................................................... 1 Introduction Preface ....................................................................................................... 1 Background ................................................................................................. 2 Scope ......................................................................................................... 3 Synopsis ..................................................................................................... 4 Chapter Overviews........................................................................................ 4 Chapter 1: Pre-Event Planning Introduction.............................................................................................. 1-1 Definition of Special Event and Mass Gathering .............................................. 1-1 Planning Meetings for Special Events/Mass Gatherings .................................... 1-2 The Planning Process.................................................................................. 1-3 State and Federal Roles in Terrorism Incident Prevention ................................ 1-4 Crowd Types ............................................................................................. 1-9 Crowd Composition ................................................................................. -
Full Line - January 2021 - Web Edition
FULL LINE - JANUARY 2021 - WEB EDITION CONTENTS FULL LINE - JANUARY 2021 ABOUT L-ACOUSTICS 2 - 5 NEW PRODUCTS 6 - 7 LOUDSPEAKERS 8 - 39 ELECTRONICS 40 - 49 SOFTWARE 50 - 57 SUPPORT 58 - 59 TECHNICAL SPECIFICATIONS 60 - 71 MARKET REFERENCES 72 - 73 CERTIFIED PROVIDERS 74 Page 8 and 9: Omnia Dayclub Los Cabos © Tomas Muscionico; Page 11: Getty Images; Page 13: SPYSCAPE © Scott Frances; Page 15: Machine Hallucination, ARTECHOUSE © Refik Anadol; Page 17: Zero Gravity © Aleksander Pasaric; Page 19: The Los Angeles Philharmonic Orchestra © Mast Media; Page 21: European Games © Scott Willsallen; Page 23: Louis Vuitton Fashion Show © Ludovic Monchat; Page 25: Lexus National Conference @ LGA; Page 27: jazzopen © Wolf Peter Steinheißer; Page 31: EartH © Maria Zhytnikova; Page 35: Aerosmith © Katarina Benzova; Page 37: Zhang Jie © Li Benpao; Pages 39: Ferdinands Feld @ Sandra Hz; Pages 40 and 41: Blue Man Group @ Evan Zimmerman for Murphymade; Page 43: Getty Images; Page 47: Mark Knopfler © Ludovic Monchat SLU; Page 49: Alexandra Palace Theatre @ James Cumpsty; Pages 55 and 57: Bon Iver © Matt Benton; Page 63: Island and Ocean installation © Maria Zhytnikova. 1 -Acoustics can trace its beginning to 1977, when The world has never seen a better era for live entertainment particle physics scientist Christian Heil attended a than right now. Industry publication Pollstar points to L Pink Floyd concert. His love of music combined with 2018 as a “jaw-dropping year” of “goliath ticket sales a fascination for their groundbreaking approach to sound numbers,” with experts forecasting that this upward trend design would ultimately spark a lifelong vocation. Heil will continue for the next decade and beyond.