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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Miller High Life Theatre Event Advisory
ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
Walking and Tour Map 2020 Final
Take a Self-Guided Walking Tour of Downtown Phoenix Take in the sights, sounds and a little bit of history on this tour of notable downtown locales. Visit dtphx.org/walkingtour for more details about the locations on your trek or inquire about personalized tours at the Information Center, located at 1. E Washington St., Ste. 230, or call 602-495-1500. Herberger St. Mary’s Theater Basilica (1914) Hotel 13 San Carlos 14 (1928) MONROE 7 Hilton Garden MONROE Inn (1932) 8 Heritage Square Heard 9 (Late 1800s) Orpheum Building (1920) Renaissance Lofts Hotel (1931) 6 12 Phoenix Convention Center 15 10 ADAMS Orpheum Hanny’s Theatre (1947) 11 5 (1929) Arizona 4 Science Center City Hall 16 WASHINGTON CityScape WASHINGTON Historic City Hall 1 (1929) Start 5th ST 3 CityScape Here JEFFERSON Luhrs Tower Luhrs Building (1929) (1924) 2 Talking Stick End Resort Arena 18 Here JEFFERSON 17 Chase Field MADISON 7th ST JACKSON VE VE A A 4th ST 3rd 1st AVE CENTRAL AVE 3nd ST 2nd 1st ST 2nd ST 1. CityScape Phoenix (2008) 6. Orpheum Lofts (1931) 11. Hanny’s (1947) 15. Heritage Square Shopping, dining and Historic oce building, Former department store, (Late 1800s) entertainment now urban lofts now a bar and restaurant Rosson House Museum, 2. Luhrs Building & Tower (1920s) 7. Hotel San Carlos (1928) 12. Phoenix Convention built in 1895 Represents Beaux-Arts and Historic hotel with ground- Center (2008) 16. Arizona Science Art Deco architecture floor bars and restaurants Site of the original 1972 Center (1997) 3. Maricopa County Courthouse/ 8. -
Environmental Assessment
FINAL Environmental Assessment Prepared for: One Terminal Drive Nashville, TN 37214 Prepared by: Corgan Architecture and Interior Design 401 North Houston Street Dallas, TX 75202 and Amec Foster Wheeler Environment & Infrastructure, Inc. 3800 Ezell Road, Suite 100 Nashville, Tennessee 37211 This Environmental Assessment becomes a Federal document when evaluated, signed, and dated by the Responsible FAA Official. Responsible FAA Official Date February 2018 BNA Vision Environmental Assessment February 2018 EXECUTIVE SUMMARY BNA Vision is a comprehensive plan designed to enable the Nashville International Airport (BNA or Airport) to meet the needs of increased growth in the region and accommodate rapidly increasing numbers of passengers flying into and out of BNA while maintaining the character of the Greater Nashville Area1. Between 2010 and 2016, the population of the Greater Nashville Area grew by nearly 20%, from approximately 1.6 million to 1.9 million, and BNA annual enplanements2 increased by more than 55%, from approximately 4.5 million to 7 million in the same period. By 2035, the population of the Greater Nashville Area is expected to surpass 2.5 million people, and BNA enplanements are expected to grow from approximately 7 million today to more than 10 million, a further increase of approximately 43% (Lynch, 2017). In response to this unprecedented growth, Metropolitan Nashville Airport Authority (MNAA) has developed the BNA Vision. Elements of the BNA Vision include several improvements and additions to BNA to accommodate existing -
Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA Participation List Name City State Alabama Theatre Birmingham Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Sudio Muscle Shoals Alabama Jonathan Edwards Home Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Nick Pratt Boathouse Orange Bach Alabama David &DeAnn Milly Boathouse Orange Beach Alabama The Wharf Mainstreet Orange Beach Alabama Enlighten Entertainment Orange Beach Alabama Orange Beach Preforming Arts Studio Orange Beach Alabama Greg Trenor Boathouse Orange Beach Alabama Russellville Municipal Auditorium Russellville Alabama The Historic Bama Theatre Tuscaloosa Alabama Rawhide Chandler Arizona Rawhide Motorsports Park Chandler Arizona Northern Arizona university Flagstaff Arizona Orpheum Theater - Flagstaff location Flagstaff Arizona Mesa Arts Center Mesa Arizona Clearwing Productions Phoenix Arizona Creative Backstage/Pride Group Phoenix Arizona Crescent Ballroom Phoenix Arizona Herberger Theatre Phoenix -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
Here's How the State Is Helping Train the Next Generation to Adapt
CLIMER COLUMN Summitt’s legacy safe Tyler Summitt’s sins could never tarnish what his mother has accomplished. SHREVEPORTTIMES.COM VIEW FROM THE HILL Insure TN P11 quietly fades Despite angry protests DAVIDSON • WILLIAMSON • RUTHERFORD • CHEATHAM WILSON SUMNER• ROBERTSON • MAURY • DICKSONand • billboards,MONTGOMERY it looks like Ledger nothing will be accomplished. Robots P3 are taking April 22 – 28, 2016 The power of information.NASHVILLE Vol. 42 EDITION | Tennessee’s Issue 17 www.TNLedger.com FORMERLY WESTVIEW SINCE 1978 Here’s how thejobs state is helping train the next generation Page 13 to adapt Dec.: Dec.: Keith Turner, Ratliff, Jeanan Mills Stuart, Resp.: Kimberly Dawn Wallace, Atty: Mary C Lagrone, 08/24/2010, 10P1318 In re: Jeanan Mills Stuart, Princess Angela Gates, Jeanan Mills Stuart, Princess Angela Gates,Dec.: Resp.: Kim Prince Patrick, Angelo Terry Patrick, Gates, Atty: Monica D Edwards, 08/25/2010, 10P1326 In re: Keith Turner, TN Dept Of Correction, www.westviewonline.com TN Dept Of Correction, Resp.: Johnny Moore,Dec.: Melinda Atty: Bryce L Tomlinson, Coatney, Resp.: Pltf(s): Rodney A Hall, Pltf Atty(s): n/a, 08/27/2010, 10P1336 In re: Kim Patrick, Terry Patrick, Pltf(s): Sandra Heavilon, Resp.: Jewell Tinnon, Atty: Ronald Andre Stewart, 08/24/2010,Dec.: Seton Corp 10P1322 Insurance Company, Dec.: Regions Bank, Resp.: Leigh A Collins, Story by Sam Stockard In re: Melinda L Tomlinson, Def(s): Jit Steel Transport Inc, National Fire Insurance Company, Elizabeth D Hale, Atty: William Warner McNeilly, 08/24/2010, Def Atty(s): -
Visit Music City
Visitor Information: 7 days/week 866-830-4440 GAY ST Musicians Hall of Fame PEARL ST & Museum To NORTH WELCOME TO MUSIC CITY Nashville Germantown Municipal Tennessee Auditorium State Capitol TO: Bldg To I-40 E/W East Nashville I-65 N/S Music City DOWNTOWN DINING Central MTA Bus Terminal Sunday School Publishing Board To West End Metro Nashville CHARLOTTE AVE Courthouse 1. 2|22 Eatery - L 49. The Listening Room Cafe - D Br 2. 3rd & Lindsley - LD 50. Little Fib, Renaissance Hotel - BLD Br N AVE 7TH War Memorial DEADERICK ST Public Square 3. 417 Union - BLD Br 51. Little Mosko’s - BL Auditorium Parking TN Performing 33 (underground) 4. Acme Feed & Seed - LD 52. Luigi’s City Pizza - LD Tennessee State Arts Center & Museum Military DoubleTree 5. Alley Taps - D 53. Makeready L&L (inside Noelle) - BLD Br Tennessee State Branch Hotel C Museum Nashville 6. Bajo Sexto - LD 54. Martin’s Bar-B-Que SoBro - LD EROMELcM TS 44 UNION ST U POLK AVE POLK 7. Barlines - LD 55. Mellow Mushroom - LD The 3 27 Hermitage PRINTERS ALLEY BRANDON ST 10TH AVE N AVE 10TH MBE 9TH AVE N 8TH AVE N Sheraton 38 5TH AVE N AVE 5TH 8. B.B. King’s Blues Club & Restaurant - LD 56. The Melting Pot - D Hotel AVE N 6TH Hotel Grand 4TH AVE N 90 2ND AVE N AVE 2ND 3RD AVE N AVE 3RD 1ST AVE N CAPITOL BLVD CAPITOL 15 61 Indigo 9. Black Rabbit - D 57. Merchants Restaurant - LD Nashville 35 The Arcade Hotel 11 77 10. -
311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle. -
Live Nation Adds Cleveland's Masonic Auditorium To
LIVE NATION ADDS CLEVELAND’S MASONIC AUDITORIUM TO GROWING PORTFOLIO OF CLUBS AND THEATRES CLEVELAND, Ohio – (July 16, 2018) — TempleLive and Live Nation – the world’s largest live entertainment company – have announced that the Masonic Auditorium, recently purchased by TempleLive, will become part of Live Nations’ expanding portfolio of mid-west properties it now books and operates. Combined with Live Nation’s operation of the House of Blues, Jacobs Pavilion and Blossom Music Center, Live Nation plans to attract an increasingly robust roster of performers to Northeast Ohio and is now gearing up for a new fall schedule with dates starting as soon as November. Live Nation Club & Theatre, a division of Live Nation, owns, operates and books landmark clubs and theaters throughout the United States, including The Wiltern Theatre in Los Angeles and The Tabernacle in Atlanta as well as the House of Blues and Fillmore venues. The company produces more than 15,000 events – including concerts, special events, private event rentals, club nights and more – in 100 venues nationwide. “The Masonic was the next logical move for us in Cleveland. It is a vibrant music market with a very large population base that we think is underserved at the theater level,” said Ben Weeden, COO of Live Nation Club & Theatre division, which will oversee The Masonic. “We look forward to establishing the Masonic as the must- play, 2,000-capacity venue in Cleveland.” “We are proud to have The Masonic Auditorium as part of Live Nation’s portfolio of properties,” said Mike Brown of TempleLive, which recently purchased the property. -
Concert Promotion and Production
CHAPTER SIXTEEN CONCERT PROMOTION AND PRODUCTION hile the monetization of recorded music has struggled mightily for years, it’s W a different story for live concerts. Although hardly immune to the vagaries of the greater economy, live music has an enormous economic advantage over recorded music. A fan must generally pay hard dollars to enjoy a live performance by a favored act, while an unauthorized shared download or a free streamdistribute puts little or nothing in the artist’s pocket. Music concerts generated $8.2 billion in surveyed 2017 ticket sales in North America, according to industry sources, not including the value of resale of tickets on the secondary market and the many acts that don’t tour nationally. Add to that sum ticket resales, corporateor sponsorships, and the economic spillover for supporting vendors and restaurants, and the vast economic footprint of live music becomes obvious. Besides generating substantial revenue from ticket sales, live concerts boost record sales. Live concerts also increase demand for artist-related licensed mer- chandise, such as T-shirts, posters, jewelry, keychains, and books. Concerts and the sale of ancillary products are so critical that major recording companies are reluctant to sign an act that doesn’t also have a compelling stage presence. And if the label does sign the act, there’s a goodpost, chance it’s part of a broad 360 deal that yields the label a healthy piece of the box office and licensed merchandise income, among other revenue streams. Three key players move and shake the concert promotion industry: the event promoter, the artist’s manager, and the tour-booking agent.