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BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
BMW 2000 3281 UNIVERSAL CITY Lease for $388Mo BMW AUTO
USIC Art°POP R & B PRO ROCK RAP DANCE COUNTRY LATIN CLASSICAL JAll AUDIO U.N. Act Travis Takes Catat oma 's `Blessed' U.S. Venture Hit Welsh Act Hopes For `Equal' Success In States Via Atlantic Aim Stateside Via Epic BY PAUL SEXTON says Shapiro, "except for a very small LONDON -It took Catatonia four `It's stunning to be constituency of people who watch BY LARRY FLICK showcases the band did in early years from its 1992 inception to log global and European music. But we NEW YORK -When Epic issues February as proof. "A good number its first U.K. top 40 hit and another on the cover of a can enjoy the fact that we've been Travis' "The Man Who" on April 14 of people were singing along with two to get its first American release. able to say, `Here is an absolutely in the U.S., the U.K. quartet will the songs. The people who have dis- The upcoming U.S. unveiling of its well- known stunning international sensation that have already enjoyed a year of covered Travis have an incredible third album, "Equally Cursed & America needs to enjoy." international success -an accom- passion for the music and the band. Blessed," comes a year after the set national American Matthews, who professes herself a plishment that the label believes will It was clearly contagious-and it raced straight to No. 1 in Britain, but great fan of all kinds of music from be key to breaking the band here. made an excellent impression on the the band's new U.S. -
Festival Fever Sequel Season Fashion Heats Up
arts and entertainment weekly entertainment and arts THE SUMMER SEASON IS FOR MOVIES, MUSIC, FASHION AND LIFE ON THE BEACH sequelmovie multiples season mean more hits festival fever the endless summer and even more music fashionthe hemlines heats rise with up the temps daily.titan 2 BUZZ 05.14.07 TELEVISION VISIONS pg.3 One cancelled in record time and another with a bleak future, Buzz reviewrs take a look at TV show’s future and short lived past. ENTERTAINMENT EDITOR SUMMER MOVIE PREVIEW pg.4 Jickie Torres With sequels in the wings, this summer’s movie line-up is a EXECUTIVE EDITOR force to be reckoned with. Adam Levy DIRECTOR OF ADVERTISING Emily Alford SUIT SEASON pg.6 Bathing suit season is upon us. Review runway trends and ASSISTANT DIRECTOR OF ADVERTISING how you can rock the baordwalk on summer break. Beth Stirnaman PRODUCTION Jickie Torres FESTIVAL FEVER pg.6 ACCOUNT EXECUTIVES Summer music festivals are popping up like the summer Sarah Oak, Ailin Buigis temps. Take a look at what’s on the horizon during the The Daily Titan 714.278.3373 summer months. The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. The Daily Titan operates independently of Associated Students, College of Communications, CSUF administration and the WHAT’S THE BUZZ p.7 CSU system. The Daily Titan has functioned as a public forum since inception. -
The Nationalnational a Bitter, Angry Record in a Lot of Spots
ISSUE #28 MMUSICMAG.COM ISSUE #28 MMUSICMAG.COM Q&A songs and make records together, definitely and closer and repeatedly, the different “Our voices will be mixed together in a weird in the shadows. dimensions of our songs reveal themselves. I way.” I wanted it to sound like what would get why people label us dark or brooding or be on the radio in the afterlife, and she got Why was it easier to write this time? depressing. It’s the most obvious thing when into that. Our voices are kind of distorted Alligator was the first record we released you first hear us because of the sound of my and mutated into some weird hybrid that was signed to a real label. We were voice or the instrumentation we’re using. And creation in that section. But it’s not like, desperate for people to notice us, and they when I’m writing I definitely like to wallow “Here’s Annie Clark in her starring cameo!” did. But we had a lot of anxiety about how in the dark stuff, but often it’s also very silly People prefer that way because they know to follow that up without painting ourselves observations about my own neuroses or they’re not just being used for their name; into a corner. We knew we wanted to make obsessions. A lot of our songs are about it’s because we respect their musicality, something that wasn’t like Alligator, but we death and the idea of existence, but in kind and they’re friends. -
Photo Needed How Little You
HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork. -
Karan Acoustics - KA I 180 MK2
Karan Acoustics - KA I 180 MK2 You know, I was just thinking about this the last time I tried to describe the meaning Audiophile begins parts of the system in my opinion and for me. She just graduated doctor and her residency acquiring think the first serious system. She has been interested in for several years, albeit from the sidelines, listening more than talking about music, but still ... Anyway, I have outlined the amplification means a little bit more, apparently.Maybe from past experience and maybe because it was a little more "hard" to pass oral than the obvious loudspeaker for example. Why there are differences between the ladies, how is it different Aodiovilim elements between braces so justify thousands, even tens of thousands of dollars more than that. Of course the differences between the topologies and the like had little easier that work with . But all of this, a little less concern us. "We" I mean those who are deeper in the field, probably heard in quite a few men, exhibitions and with friends and probably realize aural experience - how men are changing complex system. Still, we try to describe the advantage or the tonality of an audio product tested or heard, especially men (like the time), we sometimes find it difficult. Text goes in finding what we heard or felt and creating text be understood by others in a manner that will connect to it. This is of course relevant Opening another desperate attempt to review a new amplifier in my system. Of what seems new is not acquired, but a new hearing, I tried and I have reviewed following direct import from Serbia, and now here in the Holy Land. -
Show #1345 --- Week of 10/19/20-10/25/20 HOUR
Show #1345 --- Week of 10/19/20-10/25/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "She’s Gone"-Ray Charles 3:10 Rare Genius Concord "How Lucky"-Kurt Vile & John Prine 3:20 KV: Speed, Sound, Lonley Matador "Jubilee"-The War & Treaty 3:35 Hearts Town Rounder "When The Avalanche Comes"-Matt Costa 4:30 Yellow Coat Dangerbird "The Man Who Played God"-Suzanne Vega (in-studio) 3:05 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** IAMA/"17th Annual Competition – Call For Entries" (:30) Outcue: " InAcoustic.com." The Ark/"COVID-19 Family Room Series" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 20:43 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "It’s Good To Be King"-Shannon LaBrie (in-studio) 3:50 in-studio n/a ***INTERVIEW & MUSIC: DELTA SPIRIT (at home in Texas) ("Home Again," "It Ain’t Easy") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Dangerbird Records/Matt Costa "Yellow Coat" (:30) Outcue: " MattCosta.com." Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 21:27 SEGMENT THREE: "Somersault"-Tokunbo Akinro (IAMA 2019) 3:25 The Swan self-released "Same Devil"-Brandy Clark w/Brandi Carlile 3:05 single only Warner "Watching The Wheels"-John Lennon & Yoko Ono 3:30 Double Fantasy Stripped Down Capitol ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Nettwerk Records/"Ivan & Alyosha" (:30) Outcue: " IvanAndAlyosha.com." TOTAL TRACK TIME: 12:53 TOTAL TIME FOR HOUR ONE-55:03 acoustic café · p.o. -
March 23, 2012 Masters of Tradition Celebrates the Art of Irish Music At
March 23, 2012 Masters of Tradition celebrates the art of Irish music at the Annenberg Center “A terrifically enjoyable show—accomplished line-up...thrilling climax of galloping jigs and reels.” The Australian (Philadelphia, March 23, 2012)—In its American debut, Masters of Tradition, the ensemble comprised of seven of Ireland's most compelling musicians, brings the heart of Ireland to the Annenberg Center stage. Named for the music festival held each August in the Irish coastal town of Bantry, West County Cork and curated by renowned fiddler Martin Hayes, Masters of Tradition captivates audiences with intimate performances and dazzling instrumentals. The performance will take place on April 15, 2012 at 7 PM. Tickets are $20-$40 (prices are subject to change). For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. A celebration of traditional Irish music in its purest form, the performance will showcase a variety of intimate solos, duets and trios as well as full group collaborations. The ensemble reads as a ‘who’s who’ in Irish music and includes vocalist Iarla Ó Lionnáird, fiddlers Martin Hayes and Cathal Hayden, guitarists Dennis Cahill and Seamie O’Dowd, accordionist Máirtín O’Connor and piper David Power. Artistic director Martin Hayes launched the Masters of Tradition Festival in 2002. "The goal of this tour is to focus on the nuances of Irish traditional music," says Hayes. "The performers are all masters of their instruments. Through their talent and abilities, the sophistication and artfulness of the music is revealed." Born in East County Clare, a part of Ireland renowned for traditional music, Hayes is lauded for his distinctly lyrical style. -
La Dérive Des Sentiments Troisième Album Pour La Formation Dark Rock À Géométrie Variable De Michael Sele
www.daily-rock.com UNE PUBLICATION No 41 DU COLLECTIF ÉTÉ 2010 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE ZZ Top Melissa Auf der Maur : Petrus au cœur du sujet p. 6 négatif p. 11 en Europe p.! 2 © Joseph Carlucci The Beauty Of Gemina, la dérive des sentiments Troisième album pour la formation dark rock à géométrie variable de Michael Sele. Une fois de plus, les hymnes, épiques et dramatiques, répondent présents. Peut-être enfin la reconnaissance à l'échelon planétaire ? Entretien avec le maître du château en personne. Est-ce ok d'être un artiste dans une société dominée par la médiocrité et la musique jetable ? Michael Sele : C'est un privilège d'écrire des chansons qui viennent de Edito l'intérieur et de jouer la musique que tu aimes. Cela rend la composition Maman, Papa agréable, surtout quand tu n'as pas à te conformer au mainstrean et aux J'avoue, j'ai fauté. En 2010, je me standards commerciaux. Avoir un suis tellement éloigné de mon rock nombre remarquable de personnes, chéri de mon enfance, que je me suis fans, journalistes et critiques qui retrouvée à chercher des tickets pour estiment ton travail, voilà ce qui me le concert de Lady Gaga à Dublin. rend fier et me motives à continuer. A la fin de la journée, un sentiment de Et pourtant, comme elle assure, cette Lady Gaga ! gratitude mélangé à un grand respect Là ou le rock'n'roll devient de plus en plus demeure. soft questions clips et complètement has-been question provocation, Stefani Germanotta nous Certaines personnes pensent que tu es balance un clip censuré de huit minutes et fait « At the End of the Sea » preuve d'imagination débordante, notamment en un vampire.. -
Deutsche Nationalbibliografie 2018 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 11 Stand: 07. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171918 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5.