265 © the Editor(S) (If Applicable) and the Author(S) 2018 C. Sandberg and C. Rocha (Eds.), Contemporary Latin American Cinema

Index

A Arbeláez, Carlos, 218, 226 abrazo de la serpiente, El, 16, 218 Arévalo, Julieta, 85, 94, 95, 97 abrazo partido, El, 10, 233 Argentina, 3, 6, 7, 14, 16, 19, Academy Awards, 28, 33, 103, 135, 122, 124, 171–180, 185–187, 136, 221. See also flm festivals; 189–191, 216, 220, 232, 233, Hollywood 240, 241, 243, 244, 250–252, actores del conficto, Los, 218, 226 255, 256, 259–261 adaptation, 84–86, 94, 95 Buenos Aires, 19, 171, 175 Aguilar, Gonzalo, 176, 233 Chamber of Commerce, 254 Alebrije Producciones, 28. See also Crespo, 236 production companies dictatorship Frente Para la Victoria, Alemán, Jorge, 258 250 Alias María, 18, 158, 215–229 Entre Ríos, 232 Allende, Salvador, 206, 207 Kirchner governments, 250. See also Almeida, Andrés, 84 Argentine economic crisis 2001 Amar te duele, 78 Patagonia, 244 amigos del muerto, Los, 28 Salta, 244 Amores perros, 5, 120, 128 Argentine cinema, 14, 177, 178, 181, Amores que matan, 28 183, 189, 231, 239. See also Andean regions, 61. See also Peru Argentine flm industry Andermann, Jens, 172, 232, 242, 244, Argentine economic crisis 2001, 14, 245 172, 232. See also Argentina Andrade, Óscar, 226 Argentine flm industry, 7, 18, 190 An Unknown Country–the Jewish Exiles audiovisual production, 250, 252 of Ecuador, 18, 155, 162–167 CineBruto, 255

Cine en Movimiento (CEM), 225, 240, 243, 256, 260. See also 249–260 middle-class audience Cine Gaumont, 1 Aura, El, 244 Cinema Digitization Programme, auteur, 34, 40, 93, 108, 120, 122, 186 129, 131, 182, 199, 241, 257 Cluster Audiovisual de la Provincia author cinema, 148. See also auteur de Buenos Aires (CAPBA), Avatar, 179 249–260 Avelar, Idelber, 57 collaborative production, 250, 252 Azu mare! 1 and 2, 61 digitization, 171–173, 187, 189 distribution, 2, 15, 171 Espacios INCAA, 172, 181–183, B 189 Bachiller, Diego, 187 exhibition, 2, 7, 15, 18, 19, 171– BAFICI. See Buenos Aires 173, 177, 181, 183, 189 International Festival of Federación Argentina de Independent Cinema Realizadores Audiovisuales, 255 Baja corazón, 28 Instituto Audiovisual de Entre Ríos, Balda, Kyle, 176 235 Banzer, Hugo, 30 Instituto Nacional de Cine y Artes Barea, Marita, 121 Audiovisuales (INCAA), 235 Barreto, Fernando, 121 Law 26522, 250 Bauman, Zygmaunt, 85, 201 Media Law, 250–252 Bauwens, Michel, 259 movie theatres, 256 Bazin, André, 120 national cinema spaces screening Bedoya, Ricardo, 44, 47, 121, 132 quota, 171 Benjamin, Walter, 54 Televisión Digital Abierta, 256 Bentes, Ivana, 76, 256, 259, 262 theatrical screens, 172, 189. See also Berger, James, 55, 59 Argentine cinems Berlin, 40, 122, 139, 211 Arieles, 103, 106, 107. See also flm Berlin Film Festival, 9, 10, 131. See festivals; Mexican flm industry also flm festivals; Golden Bear Aristizábal, José, 222, 227 B-Happy, 211 armed confict, 45, 158, 218, 221, Bielinsky, Fabián, 14, 62, 244 222 Bize, Matías, 13 art cinema/flm, 34, 108, 114, 128, Blanco, Alan, 159, 160, 162 149, 241, 257 Bloch-Robin, Marianne, 220 audience(s), 5, 7–12, 14, 18, 29, 40, Bogotá, 157, 158, 161, 185, 227. See 61, 68, 69, 71, 75, 83, 87, 94, also Colombia 102–108, 113–115, 120–122, Bolivia, 3, 16, 28–31, 33–35, 233, 124, 135, 139–141, 143, 145, 262. See also Cochabamba; 155, 160, 162, 167, 179, 182, Cochabamba Water War 2000 188, 203, 210, 218, 220, 221, Bollaín, Icíar, 11, 14, 16, 27, 28, 30 Index 267 bonaerense, El, 14 Casé, Regina, 72, 78 Bonbon el perro, 244 caso Pinochet, El, 211 botón de nácar, El, 211 Casseta, Alejandro, 188 Brazil, 3, 6, 7, 16, 19, 65–67, 77, Castañeda, Liliana, 217 122, 128, 160, 176, 185, 216, Castro, Alfredo, 204, 205, 208 241, 242 Castro, Daniela, 228 Brazilian flm industry, 217. See Catatonia Films, 107. See also produc- also EMBRAFILME; Globo; tion companies retomada CEM. See Cine en Movimiento Bridgeman, Duncan, 86 Centro do Brasil, 9 Brzozowska, Blanka, 155 chacotero sentimental, El, 211 Buenos Aires, 1, 15, 175, 178, 190, Chaski Group (Grupo Chaski), 191, 211, 231, 233, 235, 249, 121–123, 132 253, 255–262. See also Argentina Chávez, Hugo, 3 Buenos Aires International Festival of Chenillo, Mariana, 11, 17, 84, 90, 92, Independent Cinema (BAFICI), 96 1, 211, 240, 256. See also flm Chernin, Andrew, 199, 200 festivals Chile, 4, 6, 7, 16, 20, 135–150, 176, Burman, Daniel, 10, 233, 245 197, 198, 200, 202, 204, 205, Burucúa, Constanza, 124, 129, 131 207–211 Butler, Judith, 92 Chilean economic system, 144 Chilean neoliberalism, 136, 137 Chilean referendum 1988, 18, 135 C collective memory, 200 Caetano, Adrian, 14, 15, 232, 233 concertación, 142 Caetano, Miguel Alfonso, 155 coup d’état, 205 Caiozzi, Silvio, 198, 207, 211 neoliberal cultural practices, 137 Caluga o menta (El Niki), 211 neoliberal expansion, 144 Cama adentro, 78 Pinochet dictatorship, 139, 141 Cameron, James, 179 socialist democracy state terrorism, Campanella, Juan José, 5 197 Campos, Enid “Pinky”, 17, 121–132 transición, Unidad Popular, 143 Campusano, José Celestino, 253, Chile, la memoria obstinada, 211 255–258 Chilean cinema, 13, 18, 135–139, Cannes Film Festival, 9, 68, 135, 137. 141, 142, 145–149, 198. See also See also flm festivals Chilean flm industry CAPBA. See Cluster Audiovisual de la Chilean flm industry Provincia de Buenos Aires CinemaChile, 138 Cárdenas, Israel, 14, 161 cultural commodifcation, 147 Cardoso, Gustavo, 155 flm production, 136–138, 145, 149 Cardoso, Lucrecia, 188 flm professionals, 135–137, 139, Carretón, Manuel Antonio, 142 142 Carrillo, Jaime, 226 history, 136, 139, 142, 200 268 Index

ProChile, 135, 138. See also Chilean Colombia, 3, 6, 7, 16, 18, 19, 132, cinema 153–162, 167, 176, 185, 186, Chilewood, 8. See also production 215–217, 220, 222, 224–228 companies Guerrilla, 215, 219, 222, 224 Chocó, 218 Revolutionary Armed Forces of Ciangherotti, Cassandra, 29 Colombia (FARC), 219 Cidade de Deus, 5, 72, 76, 128 Valle de Leyva, 157 ciénaga, La, 73 warfare, 19. See also Bogotá Cinco días sin Nora, 93, 94 Colombian flm industry, 226 cine clasemediero, 66, 75 Dirección de Cinematografía, 216 Cine en Movimiento (CEM), 249, flm policy flm production, 226 253–260. See also Argentine flm FOCINE, 217 industry Law 814, 153, 217, 221 Cine Gaumont, 1 Proimagenes Colombia, 216 Cinema Novo, 71 colonial matrix of power, 32 Cinemark, 7, 171, 178–180 colonialization, 9, 31, 32, 35, 36, 39, cinematic space, 65. See also space 129, 157. See also colonial matrix cinematography, 45, 66, 70, 74, 76, of power; decolonialization; 105, 108, 256 neo-colonial economic interests; Cinépolis, 7 Spanish conquest citizenship of fear, 113 colores de la montaña, Los, 218, 226 Ciudad Satélite, 84, 86, 87. See also comedy, 15, 28, 61, 108, 126. See also Mexico genre Ciudad Universitaria, 86. See also communal networks, 19, 260 Mexico community flmmaking, 249–260 clan, El, 178 Contactado, 126 class transformations, 65 Continuidad de la memoria, La, 244 Clavijo, Carlos, 219 co-productions, 127 Climas, 122, 131 Corrales, Javier, 222 club, El, 15 Corro, Pablo, 198 Cluster Audiovisual de la Provincia Cortona, Emiliana, 182–183 de Buenos Aires (CAPBA), 249, cosmetics of hunger, 259, 262 253–260. See also Argentine flm Costa Rica, 7 industry Couldry, Nick, 85, 120, 189, 224, Cochabamba, 16, 27–31, 37, 38. See 225 also Bolivia Coundouriotis, Eleni, 164 Cochabamba Water War 2000, 27, 29. Crespo, Eduardo, 234–236, 244, 245. See also Bolivia See also Argentina Coffn, Pierre, 176 crowdfunding, 11, 18, 154–157, Cold War, 6, 208 159, 163. See also Indiegogo, collective subjectivity, 258 Kickstarter Collor de Mello, Fernando, 6 Cuarón, Alfonso, 5, 10, 66, 93, 120 Index 269

Cuba, 6, 122. See also Cuban E Revolution Ecuador, 7, 16, 18, 153–156, 159, Cuban Revolution, 208. See also Cuba 163–167 cultural production, 146, 154, 251, Ecuadorian cinema, 154 259 Ecuadorian Council on Cinema, custodio, El, 78 154 flm production, 154, 167 Law 29, 153 D Elliott, Barney, 14, 126, 128, 131 decolonization, 17, 27, 31, 32, 203 El Salvador, 7 de Dios Larraín, Juan, 140 EMBRAFILME, 6. See also Brazilian de la Calle, Luis, 65 flm industry de las Casas, Bartolomé, 29 emigration, 15 del Solar, Salvador, 14, 44, 124, 125 En la cama, 13 del Toro, Guillermo, 5, 10, 93 En tierra extraña, 28 Desmazures, Guillaume Thomine, Entreluces, 19, 234–236, 238 185, 186 Entre Ríos, 19, 231, 234–236, 242, deuda, La, 14, 126, 127, 131 244. See also Argentina Diarios de motocicleta, 15 entusiasmo, El, 211 Días de Santiago, 44, 122, 124, 125, Erice, Víctor, 28 131, 132 Esnorquel, 19, 234–238 Diegues, Carlos, 76 Espinoza, Fernando, 121 digital platforms, 7, 126 estudiante, El, 245 digitization, 173, 177–181, 184–187, exile, 15, 142, 164 189 Direse, Ariel, 180, 187 Dirty Hands, 18, 155, 159–162 F displacement, 15, 67, 144, 165, 201, Fábrega, Paz, 11 206, 208, 210, 218, 234 Fainchtein, Lynn, 86, 87, 96 d’Lugo, Marvin, 12 Falicov, Tamara, 9, 129 docudrama, 16, 27, 198, 208. See also FARC. See Revolutionary Armed genre Forces of Colombia documentary, 12, 13, 28, 29, 31, 34, Farnsworth, Elizabeth, 211 36, 121, 146, 162–167, 206, fatness, 85, 87–92, 94–97 208, 211, 220, 228, 232, 235, fat shaming, 84, 90 243, 244, 253. See also genre fat studies, 88, 96, 97 dolares de arena, O, 14 favela, 75, 76 Doméstica, 78 female directors, 158. See also women Dorff, Stephen, 127 directors; women flmmaking drama, 6, 28, 29, 36, 44, 46, 78, 93, 124, Fernández Almendras, Alejandro, 211 126, 158, 204, 208. See also genre Fernández, Omar, 30 Duque, Lisandro, 218, 226 Fernando ha vuelto, 211 270 Index

Fifty Shades of Grey, 182 García Bernal, Gael, 28, 40, 86, 138, flm festivals, 9, 10, 28, 114, 115, 143, 208 119, 137, 139, 140, 156–158, García Canclini, Néstor, 8, 20, 66 161, 162, 166, 216, 220, 221, García, Ramiro, 253 240, 254, 256. See also Academy Gaviria, Carlos, 218, 226 Awards gay and lesbian flm festivals, 158. See Berlin Film Festival, 9, 10 also flm festivals Buenos Aires International Festival genre, 5, 14, 15, 20, 35, 36, 53, 56, of Independent Cinema 78, 84, 104, 108, 113, 130, 156, (BAFICI), 1, 256 198, 203, 205, 210, 218, 235, Cannes Film Festival, 9, 68, 135, 253, 255 137 biopic, 198, 208 Gay and Lesbian flm festivals, 158 comedy, 14, 15, 108 Golden Bear, 9 docudrama, 16, 198 Goya Awards, 161 drama, 14 Havana Film Festival, 211 horror, 205, 255 Hubert Bals Fund, 9, 123 melodrama neoliberal genres, 14 Mar del Plata International Film police flms, 255 Festival, 256 political drama, 208 Rotterdam Film Festival, 9, 131 progressive genre, 20 Viña del Mar Film Festival, 9 road movie, 15, 20 flmic space, 66. See also space romantic comedy, 14 Firefy, The, 18, 155–159 science fction, 53, 56 Flores de otro mundo, 28 sci-f, 46, 255 FondsSud, 8 thriller, 15, 198 forensic memory, 206 urban western, 15 Forster, Marc, 30 western, 15, 20 Foucault, Michel, 69, 92 Germania, 19, 231–243 Friedman, Milton, 144, 209 Gershon, Ilana, 203 Fujimori, Alberto, 43, 120, 121, 123, Ghosts of the Road, 256 132 global capitalism, 131 Fund, Iván, 235, 236, 244 global economy, 56, 148 fundraising, 157, 160, 163 globalization, 32, 158, 172, 189, 222, Furtado, Jorge, 62 232. See also global economy; global capitalism Global South, 27, 31, 32, 38 G Globo, 8. See also Brazilian flm Gaggero, Jorge, 78 industry Galaz, Cristián, 198, 211 Gloria, 10 Galt, Rosalind, 15, 19, 147 Golden Bear, 9, 122. See also Berlin Galuszka, Patryk, 155 Film Festival; flm festivals Gálvez, Héctor, 122, 124 Gómez, Anderson, 219 Index 271

González Iñarritu, Alejandro, 5, 10, Hola, ¿estás sola?, 28 120, 127, 203 Hollywood, 5, 7, 8, 18, 20, 28, 34, Goya Awards, 28, 161. See also flm 93, 102, 104–106, 121, 122, festivals 127, 143, 146, 171, 175, 176, Graef-Marino, Gustavo, 211 178, 185, 186, 188, 189 Grovogui, Siba, 27, 31, 32 Digital Cinema Initiatives, 185, 188 Guatemala, 3, 7, 9, 15 flm production, 146 Guattari, Félix, 254 Motion Picture Association of Güeros, 17, 102, 106–108, 110, 112, America (MPAA), 7 115, 116 studios, 7, 178, 185, 189. See also Guerra, Ciro, 16, 156, 218 Academy Awards Guzmán, Abimael, 61, 132 Holmes, Amanda, 73 Guzmán, Laura Amelia, 11, 14 Honduras, 3, 7, 15 Guzmán, Patricio, 207, 211 horror, 54, 204, 205, 255. See also genre Hoyos, Andrés, 223, 224 H Hubert Bals Fund, 9, 123, 131, 235. Habitación disponible, 233 See also flm festivals; Rotterdam Haddu, Miriam, 67, 77 Film Festival Halle, Randall, 8, 10 Hamann, Trent H., 202 Hancock, David, 186 I Hannah Montana/Miley Cyrus– Best ICAIC. See Instituto Cubano de Arte e of Both Worlds Concert Tour 3-D, Industria Cinematográfcos 178, 179 IMCINE. See Instituto Mexicano de Hartley, John, 123 Cinematografía Harvey, David, 6, 45–47, 49, 71, 120, INCAA. See Instituto Nacional de Cine 124, 127, 130, 137, 201, 232 y Artes Audiovisuales Havana Film Festival, 211. See also flm Incredible Jessica James, The, 86 festivals Indiegogo, 155. See also crowdfunding Hecho en México, 86 indigenous populations, 243. See also helada negra, La, 235 Tainos; Quechuas; Quechua flm Hendricks, Bruce, 178 extras; Mexican indigenous people Hendrix, Johnny, 218 inquilinos, Os, 78 Herlinghaus, Hermann, 218, 227 Instituto Audiovisual de Entre Ríos, Hermida, Ana María, 18, 155, 156, 235. See also Argentine flm 167 industry Hesmondhalgh, David, 11 Instituto Cubano de Arte e Industria heterotopia, 69 Cinematográfcos (ICAIC), 6 Higson, Andrew, 145 Instituto Mexicano de Cinematografía Historia del miedo, 78 (IMCINE), 6, 107. See also Hjort, Mette, 131 Mexican flm industry 272 Index

Instituto Nacional de Cine y Artes L Audiovisuales (INCAA), 1, 6, 9, laberinto del fauno, El, 5 172, 174–177, 179–184, 186– labios, Los, 244 188, 190, 191, 235, 251, 255. Lagos, Lola, 220 See also Argentine flm industry Lake Tahoe, 77 international flm market, 137, 143 Lanfranco, Patricio, 211 International Monetary Fund, 4, 30 Lapenna, Juan Cruz, 183 invasion, 67, 69, 77, 78, 164 Larraín, Hernán, 140, 141 invasor, O, 78 Larraín, Pablo, 5, 15, 18, 135, 140, Invernario, 235, 239 142, 198 Invierno, el, 244 Larraín, Ricardo, 211 Italian Neorealism, 47 late capitalism, 56, 71, 136–138, 148, 149, 242 Latin America, 1–7, 12, 14, 17, 27, J 33, 34, 66, 72, 120, 126, 130, Jameson, Frederic, 4, 12, 56, 66, 67, 155, 157, 167, 178, 184–186, 71 198, 208, 217, 220–222, 232, jaula de oro, La, 15 233, 239–241, 261 Jiménez Castro, Adolfo, 68 Latin American cinema, 2, 3, 5, 8, 10, Johnny 100 pesos, 211 11, 14, 16, 19, 27, 36, 65, 78, Joji Fukunaga, Cary, 15 122, 123, 127, 128, 131 Joseph, Peter, 31 Latina body, 17, 88, 89 juez y el general, El, 211 Latinidad, 88 Justiniano, Gonzalo, 198, 211 Laverty, Paul, 28, 40 Ledesma, Eduardo, 223 Leduc, Paul, 103–106 K Lee, Spike, 159, 160 Kapur, Jyotsna, 4, 5, 44, 45, 138, 154, Legaspi, Alejandro, 121 173, 251 Lelio, Sebastián, 10, 13, 211 Kaspar, Stefan, 121, 122, 125, 132 León Frias, Isaac, 121, 132 Katmandú, un espejo en el cielo, 28 Lerman, Diego, 15 Kercher, Dona, 127 Levy, Daniel, 166 Kickstarter, 155, 157, 158, 160, Lewis, Jon, 120 161, 163, 166, 167. See also libertad, La, 244 crowdfunding Lima, 46, 48, 51, 53, 55, 57, 58, 60, Kirchner, Cristina, 180, 190, 250 61, 121, 123, 127, 132, 133. See Kirchner, Néstor, 3, 180, 181, 190 also Peru Klinger, Barbara, 20 limpiador, El, 17, 45, 46, 52–58 Knowles, Beyoncé, 89, 91 Littin, Miguel, 211 Kostakis, Vasilis, 259 Llosa, Claudia, 9, 11, 61, 122 Krstić, Igor, 76 Loach, Ken, 28, 40, 41 Index 273 lobo, El, 235, 245 Mendéz, Josué, 44, 122, 126 Lopez, Jennifer, 88, 89 Mendonça Filho, Kleber, 66, 71, 77, Loza, Santiago, 244 78 Lübbert, Orlando, 198, 211 Menem, Carlos, 20, 170, 190, 232 Luna, Diego, 86 Messuti, Pablo, 178 Lund, Kátia, 76, 128 Mexican cinema, 67, 84, 89, 103–105, Lyotard, Jean-François, 71 113, 114. See also Mexican flm industry Mexican Film industry, 17, 83, 93, M 102, 103, 106, 108, 112, 113, Machuca, 141, 211 115, 116 MacLaird, Misha, 65, 104, 116 Centro de Capacitación Macri, Mauricio, 1, 182, 184, 188, Cinematográfca, 93 260, 261 Law of Cinematography 1992, 105 Madeinusa, 61, 122, 126 Mexican cinema, 67, 84, 89, 103, Magallanes, 14, 15, 44, 124, 125, 131 105, 113, 114 Malbrán, Ernesto, 205 Mexican Film industry:Law of Maldonado, Ricardo, 61 Cinematography 1992, 105. Mandarin Cinéma, 28. See also produc- See also Instituto Mexicano de tion companies Cinematografía (IMCINE) Man Who Copied, The, 62 Mexican indigenous peoples, 31. See Mar del Plata International Film also indigenous populations Festival, 256. See also flm festivals Mexico City, 69, 84, 86, 91, 107, 108, Márdila, Camila, 72 112, 181. See also Mexico marginality, 44, 234, 244 Mexico, Conaculta, 107. See also Marsh, Leslie L., 65, 66, 71, 72, 77 Ciudad Satélite; Ciudad Martel, Lucrecia, 11, 73, 77, 244 Universitaria; Mexico City; masculinity, 56, 59 Tlatelolco massacre 1968 Massey, Doreen, 67, 68 middle-class audience, 65, 70. See also Mataharis, 28 audiences Maxwell, Richard, 154, 173 middle classes, 13, 17, 74, 76, 205. See Mayolo, Carlos, 262 also urban middle classes McClennen, Sophia, 122, 128, 131 Mignolo, Walter, 27, 31, 32, 35 McRobbie, Angela, 92, 156 migration, 7, 121, 162, 167, 233, 242 megalopolis, 86 Miller, Toby, 154, 173 Meirelles, Fernando, 5, 76, 128 Minions, 176, 178, 180 melodrama, 14, 20, 113, 255. See also Moguillansky, Marina, 173, 175, 190 genre Mollick, Ethan, 155 memory, 44, 45, 53, 55, 57–59, 141, Morales, Evo, 3, 30, 31 142, 144, 164, 166, 197, 198, Moreira, Iván, 141, 149 200, 206, 207, 210, 211, 217, Morena Films, 28. See also production 233, 240, 243 companies 274 Index

Moreno, Rodrigo, 78 deregulation, 101, 102, 201 Motion Picture Association of disappearance of public sphere, 201 America (MPAA), 7, 105. See also dismantling of the social state, 56 Hollywood homo economicus, 201, 202 MPAA. See Motion Picture Association hyper-consumer society, 51 of America ideology, 4, 5, 61, 101, 102, 109, mudo, El, 46, 61 115 muertos, Los, 245 individualism, 13, 46, 243 mujer fantástica, Una, 10 market logic, 201, 202 Mujer sin cabeza, La, 244 neoliberal capitalism, 44, 56, 88–90, multiplex, 5, 7, 104, 121, 171, 96 173–175, 189 neoliberal city, 86 Muylaert, Anna, 11, 17, 66, 72, neoliberal creative labor market, 92 74–78 neoliberal cultural production, 154 neoliberal ethics, 49 neoliberal marketplace, 89, 94, 97, N 203 nana, La neoliberal practices, 38, 46, 216 Nacido y criado, 244 neoliberal social identities, 54 NAFTA. See North American Free neoliberal society, 17, 54, 58, 154, Trade Agreement 200 Nagib, Lúcia, 78, 128 neoliberal subjects, 17, 86, 88, 202 Naishtat, Benjamín, 78 privatization, 101, 102, 116, 137, Navarro, Vinicius, 66–68 244 neo-colonial economic interests, 31 subjectivities, 96, 148, 149, 162, neoliberal flm industry, flm produc- 199, 250 tion, 17, 27, 33, 102, 149 neoliberal times, 53 neoliberal genres, 5. See also genres Neruda, 18, 203 neoliberalism, 1–5, 8, 11, 12, 14–19, Neruda, Pablo, 208 27, 44, 46, 53, 56, 61, 66, 67, Netfix, 7, 94, 107, 158 71, 75, 77, 83–85, 90, 96, 101, New Argentine Cinema, 14 102, 104, 106, 108, 109, 111, New Latin American Cinema, 12, 47, 112, 115, 116, 120, 121, 123, 71, 121, 146, 198, 219, 233 130, 131, 136, 137, 143–145, Newest Chilean cinema, 146 148, 149, 154, 162, 167, 172, Newman, Kathleen, 65, 77 173, 189, 197, 199, 201, 202, Nicaragua, 7, 40 205, 210, 222, 224, 232–234, niña pez, La, 233 243, 249, 251, 252, 258, 260 Nine Queens, 62 agricultural policies, 231 NN, 122, 124 austerity, 2, 101 No, 5, 18, 135–150, 203, 208–209, consumers, 4, 115, 130 211, 224 consumption, 2, 5, 17, 85 Nombre de guerra– Alias Yineth, 228 Index 275

North American Free Trade Shining Path (Sendero Luminoso), Agreement (NAFTA), 102, 105, 124, 132 106, 116 Peruvian flm industry Nostalgia de la luz, 211 cinema legislation, 121, 130 Novia del desierto, La, 244 coproduction, 126 Nueve reinas, 14 exhibition, 130 flm production, 17 funding, 17, 121, 126, 131 O Law 26270, 121 Obvious Child, 86 producer, 6, 17, 121, 130 Octubre, 17, 45, 46–52, 54, 59, 60 Pinochet, Augusto, 18, 135–137, Olivera, Oscar, 30 139–144, 146, 147, 199, 208, Olivero, Elsa, 127 209, 211 olivo, El, 28 Pizza, birra, faso, 14, 232, 238 Operation Condor, 208 police flms, 255. See also genre Ordóñez, Nicolás, 228 political cinema, 67, 136, 137, 146, Orfeu, 76 148, 149 oso rojo, Un, 15 political drama, 208. See also genre Ospina, Luis, 262 political spaces, 67, 72. See also space porno-misery, 259, 262 Portela, Gibrán, 107 P portfolio career, 92, 123 Pachamama, 31, 35 Post Mortem, 18, 140, 203, 205–207 Padilha, José, 10, 76 Post Tenebras Lux, 17, 65–77 Page, Joanna, 11, 14, 19, 83, 146, private space, 47, 67. See also space 172, 173, 244 production companies, 7, 253, 254 Paloma de papel, 122, 124 Alebrije Producciones, 28 Panama, 159 Catatonia Films, 107 Paraguay, 3, 233 Chilewood, 8 Paraíso ¿Cuánto pesa el amor?, 17, 83–97 Mandarin Cinéma, 28 pasión de Gabriel, La, 218, 226 Morena Films, 28 Pasto Cine, 235, 245. See also produc- Pasto Cine, 235, 245 tion companies Rhayuela, 220, 227 Pastor, Susana, 121 Vaca Films, 28 Patagonia, 244. See also Argentina Programa Ibermedia, 8, 131, 221 Pequeñas voces, 226 progressive genre, 20. See also genre Peru, 3, 6, 9, 16, 17, 43–46, 49, 50, 53, 54, 57, 59, 61, 120, 121, 123–127, 130, 132, 233 Q Andean regions, 61 Quantum of Solace, 30, 31 Lima, Revolutionary Government of Quechua flm extras, 29. See also indig- the Armed Forces, 122, 132 enous populations 276 Index

Quechuas, 29. See also indigenous Rodríguez, Clemencia, 225, 226 populations romantic comedy, 14. See also genre Que horas ela volta?, 17, 65–77 Rondón, Mariana, 126 Quemada-Díez, Diego, 15 Ronnie Monroy ama a todas, 126 Qué pena, 8 Ross, Miriam, 123 Rotterdam Film Festival, 9, 131. See also flm festivals; Hubert Bals R Fund Ramos, María, 11 Rousseff, Dilma, 3, 74 Redentor, 78 Ruffnelli, Jorge, 219 Rêgo, Cacilda, 6, 19, 65, 83, 216 Rugeles, José, 18, 215, 219, 220 Réimon, 78 Rubio, Luis, 65 Relatos salvajes, 14, 176 Ruiz, Erik, 219 resistance, 4, 11, 12, 16, 19, 31, 35, Ruiz, Óscar, 218 49, 145, 173, 189, 216, 223, Ruizpalacios, Alonso, 17, 102, 107 225, 226, 250, 252, 258, 260 rural space, 77. See also space Restrepo, Luis, 218, 226 reterritorialization, 250, 252 retomada, 6. See also Brazilian flm S industry Saba, Adrián, 14, 17, 45 Retratos en un mar de mentiras, 218, Sabatella, Martín, 251 226 Sacrifcio de Neuen Puyelli, El, 255 Revolutionary Armed Forces of sagrada familia, La, 13 Colombia (FARC), 219. See also Salinas de Gortaris, Carlos, 6 Colombia Salles, Walter, 9, 15 Revolutionary Government of the Salta, 244. See also Argentina Armed Forces, 122, 132. See also Sánchez Prado, Ignacio, 10, 14, 65, Peru 77, 84–86, 93, 94, 96, 116, 126 rey del Once, El, 10, 245 Schechter, Daniel, 86 Reygadas, Carlos, 10, 17, 66–71, 76, Scherson, Alicia, 11, 13, 211 78, 240 Schonfeld, Maximiliano, 19, 231–239, Rhayuela, 220, 227. See also produc- 242–245 tion companies Schroeder Rodriguez, Paul, 6, 10, 13, Rincón, Daniela, 84, 90–92, 96 14, 199, 203, 233 Rix, Rob, 130 science fction, 53, 54, 56. See also road movie, 15, 20. See also genre genre Robespierre, Gillian, 86 sci-f, 46, 255. See also genre Robles Godoy, Armando, 126 Scorer, James, 15 Rocha, Carolina, 11, 18, 19, 65, 83, Scorsese, Martin, 182 233 secreto de sus ojos, El, 5 Rocha, Eryk, 31 Sendero Luminoso, 124, 132. See also Rodrigo D No Futuro, 223 Shining Path; Peru Index 277

Serrano, José Luis, 154 Stellet Licht, 240 Serras da Desordem, 245 strategies of containment, 66, 76. See Shaw, Deborah, 5, 19, 78, 87, 93, 131 also space Shining Path, 54, 61, 124, 132, 133. Strouse, James C., 86 See also Sendero Luminoso; Peru student movement 1968, 111 siesta del tigre, La, 235 Supporting Characters, 86 Silva, Lula de, 3 sur, El, 28 Silva, Sebastián, 13, 78, 211 Svampa, Maristella, 232 Sin nombre, 15 Szifron, Damián, 14, 176 sirga, La, 158 Sznaider, Natan, 166 Skármeta, Antonio, 8 social critique, 53, 54, 128, 198, 199, 218 T social fragmentation, 101, 102, 109, Tainos, 29, 33. See also indigenous 110, 112, 114 populations social mobility, 72, 74, 75, 77. See also Tambien la lluvia, 14, 16, 17, 27–40 upward mobility Tan cerca como pueda, 244 social transformation, 224, 226 Tan de repente, 15 Soledad, 14 Taxi para tres, 211 Solomonoff, Julia, 11 Taylor-Wood, Sam, 182 som ao redor, O, 71, 77, 78 Te doy mis ojos, 28 sombra del caminante, La, 218 Teles, Karine, 72 Soñador, El, 14 teta asustada, La, 10, 15, 61, 122 Sontag, Susan, 56 Thielen Armand, Jorge, 14 Sorensen, Inge, 155 Third World, 31, 102 Sorin, Carlos, 244 thriller, 15, 124, 198, 204. See also genre space, 12, 18, 33, 45, 47, 48, 60, Tlatelolco massacre 1968, 17, 111. See 66–70, 72–77, 142, 145, 183, also Mexico 189, 200, 232, 234, 242, 244, Tonacci, Andrea, 245 250, 251, 257 Tony Manero, 18, 140, 203–210 cinematic space, 17, 65, 67 Torres, Karen, 219, 223 flmic space, 66 Torres, Willebaldo, 68 private space, 13, 47, 48, 67 Torterola, Diego, 173, 182 rural space, 19, 77 Tosar, Luis, 28, 29 spatial segregation, 66 Tovar y de Teresa, Rafael, 103, 106 strategies of containment, 66, 76 transnational flm, 33 urban periphery, 256–258 Trapero, Pablo, 14, 178, 244 urban space, 15, 17, 46, 52, 60, 66 trauma, 53–55, 57, 59, 60, 132, 143, Spanish conquest, 29, 54, 114 144, 197, 210, 211, 218 spatial segregation, 66. See also space Trejo, Roberto, 13, 138 Spike Lee Fellowship Award, 159 Tropa de Elite, 10, 76 Stantic, Lita, 17, 124, 125, 131 turistas, Las, 13 278 Index

U Volga Germans, 231–245 Ugás, Marité, 126 vuelco del cangrejo, El, 218 United States, 7, 15, 107, 143, 155, 156, 158, 161, 163–167, 176 upward mobility, 73. See also social W mobility Wagner, Keith, 4, 5, 44, 45, 138, 154, urban landscape, 47, 86 173 urban middle classes, 243. See also wealth, 4, 15, 50, 57, 87, 122, 127, middle classes 160, 250, 257 urban periphery, 256, 257. See also space wealth distribution, 57, 250 urban space, 15, 52, 66. See also space Weber, René, 121 urban western, 15. See also genre western, 15, 16, 20, 32, 34, 35, 142, Uruguay, 11, 188 238. See also genre Wheeler, Duncan, 29, 33, 34, 36, 41 Whisky, 5 V Wladytka, Joseph, 18, 155, 162 Vaca Films, 28. See also production Wolf of Wall Street, The, 182 companies women flmmaking. See female direc- Valenti, Jack, 105 tors; women directors Valle de Leyva, 157. See also Colombia Wood, Andrés, 198, 211 Vandoorne, Pierre Emile, 130, 133 World Bank, 4, 172 Vega, Daniel, 17, 45, 46, 51 Vega, Diego, 17, 45, 49, 51 Vega, William, 158 Y Venezuela, 6, 126 Y tu mamá también, 5, 15, 120 Ventana Sur, 8, 9 viajes del viento, Los, 218 vida de los peces, La, 13 Z Viña del Mar Film Festival, 9. See also Zegers, Antonia, 205 flm festivals Zeitgeist– Addendum, 31 violence, 15, 29, 54, 59, 76, 113, 114, Zeitgeist– The Movie, 31 131, 132, 147, 159, 161, 162, Zelig, Eva, 18, 155, 162–167 167, 204, 205, 224, 255 Zinn, Howard, 28 Virtual Print Fee model, 172, 185 zona, La, 78