Sibelius 150 Jubilee
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Year-End Stamps to Feature Jean Sibelius and Finnish Rock Bands That Have Taken the World by Storm
Media release 1 (3) 16.4.2015 Year-end stamps to feature Jean Sibelius and Finnish rock bands that have taken the world by storm Posti will release nine new stamp publications in September---November 2015, with a total of 35 different stamps. The stamps will feature musical themes ranging from Sibelius to hard rock. Design is another major theme of the upcoming releases, which include illustrations inspired by art, Finnish everyday design and crafts. Vegetables will also be in the spotlight, with chili peppers, tomatoes and herbs featured in stamps. This year’s autumn and Christmas stamps will depict urban cityscapes. Three stages in the life of Jean Sibelius In September, a miniature sheet of three stamps will commemorate Finland’s best-known composer, Jean Sibelius (1865---1957). The Jean Sibelius 150 years sheet is designed by graphic artist Pekka Loiri, a self-confessed classical music lover and Sibelius enthusiast. Loiri’s stamp designs are inspired by three different stages in Jean Sibelius’ life, each illustrated using different artistic techniques. Loiri has created a black-and-white inked-in drawing depicting Sibelius in the late 1800s as a passionate young artist living the bohemian life. A richly colored watercolor profile shows Sibelius as a symphonist in the early 1900s during the most prolific period of his career. A lithographic chalk drawing depicts Sibelius in the 1930s as an aging composer, matching the mental image that most Finns have of Sibelius. Six internationally successful rock bands The other music-themed stamp sheet to be released in September features six internationally successful Finnish rock bands that got to where they are today through a great deal of determination and perseverance. -
Summerthoughts RAUTAVAARA Works for Violin and Piano 1 Einojuhani Rautavaara (*1928)
PEKKA KUUSISTO PAAVALI JUMPPANEN SummerThoughts RAUTAVAARA WORKS FOR VIOLIN AND PIANO 1 EINOJUHANI RAUTAVAARA (*1928) Lost Landscapes (2005) 20’33 1 I. Tanglewood 5’58 2 II. Ascona 6’18 3 III. Rainergasse 11, Vienna 5’22 4 IV. West 23rd Street, NY 2’55 5 Summer Thoughts (1972/2008) 4’28 6 April Lines (1970/2006) 8’55 Notturno e danza (1993) 7’18 7 I. Notturno 5’15 8 II. Danza 2’03 9 Variétude, for solo violin (1974) 6’01 10 Dithyrambos (1970) 2’22 Pelimannit (The Fiddlers), Suite for piano based on traditional Finnish polska tunes for the fiddle (1952) 20’03 11 Fiddle tune: Närböläisten braa speli 1’50 12 I. Närböläisten braa speli (Narbö Villagers in Fine Fettle) 1’30 13 Fiddle tune: Kopsin Jonas 2’38 14 II. Kopsin Jonas (Jonas of Kopsi) 1’43 15 Fiddle tune: Jacob Könni 1’40 16 III. Jacob Könni 1’30 2 17 Fiddle tune: Klockar Samuel Dikström 2’24 18 IV. Klockar Samuel Dikström (Bell-ringer Samuel Dikström) 1’06 19 Fiddle tune: Pirun polska 2’12 20 V. Pirun polska (Devil’s Polka) 1’32 21 Fiddle tune: Hypyt 0’55 22 VI. Hypyt (Village Hop) 0’55 PEKKA KUUSISTO, violin (except tracks 12, 14, 16, 18, 20, and 22) PaavaLI JUMppanEN, piano (except tracks 9, 11, 13, 15, 17, 19, and 21) Publisher: Boosey & Hawkes (Lost Landscapes, Dithyrambos, Summer Thoughts, April Lines); Modus Music (Notturno e danza); Fennica Gehrman (Dithyrambos, Pelimannit, Variétude) Recordings: Sello Hall, Espoo, Finland, 28.–30.12.2010 A 24-bit recording in DXD (Digital eXtreme Definition) Executive Producer: Reijo Kiilunen Recording Producer: Seppo Siirala Recording Engineer: Enno Mäemets – Editroom Oy Piano Technician: Matti Kyllönen ℗ 2011 Ondine Oy, Helsinki © 2011 Ondine Oy, Helsinki Booklet Editor: Jean-Christophe Hausmann Cover Painting: Pekka Hepoluhta Artist Photos: Maarit Kytöharju / FIMIC (Rautavaara), Sonja Werner (Kuusisto), Petri Puromies (Jumppanen) Cover Design and Booklet Layout: Armand Alcazar This recording was produced with support from the Foundation for the Promotion of Finnish Music (LUSES) and the Finnish Performing Music Promotion Centre (ESEK). -
Jean Sibelius (1865–1957) Sibelius Sibelius Violin Concerto Violin Concerto in Dminor,Op
page 20/1 The The Absolute Absolute Jean Sibelius (1865–1957) Sibelius Sibelius Violin Concerto Violin Concerto in DMinor,Op. 47 33:33 1 IAllegromoderato 18:27 Symphony No. 2 2 II Adagio di molto 9:12 3 III Allegro, ma non tanto 7:45 ©Breitkopf &Härtel Symphony No. 2inDMajor,Op. 43 45:45 4 IAllegretto 10:39 5 II Tempo andante, ma rubato 15:03 6 III Vivacissimo 6:23 7 IV Finale. Allegromoderato 14:13 ©Breitkopf &Härtel [79:29] Pekka Kuusisto, violin Pekka Kuusisto, violin (1–3) Helsinki Philharmonic Orchestra Helsinki Philharmonic Orchestra Leif Segerstam ODE 1115-2 Leif Segerstam page 20/1 The The Absolute Absolute Jean Sibelius (1865–1957) Sibelius Sibelius Violin Concerto Violin Concerto in DMinor,Op. 47 33:33 1 IAllegromoderato 18:27 Symphony No. 2 2 II Adagio di molto 9:12 3 III Allegro, ma non tanto 7:45 ©Breitkopf &Härtel Symphony No. 2inDMajor,Op. 43 45:45 4 IAllegretto 10:39 5 II Tempo andante, ma rubato 15:03 6 III Vivacissimo 6:23 7 IV Finale. Allegromoderato 14:13 ©Breitkopf &Härtel [79:29] Pekka Kuusisto, violin Pekka Kuusisto, violin (1–3) Helsinki Philharmonic Orchestra Helsinki Philharmonic Orchestra Leif Segerstam ODE 1115-2 Leif Segerstam ne mightask whether Jean Sibelius's work. In particularthe first version –composed Violin Concerto was thecomposer's at theend of orinthe first fewdaysof carefully-planned revenge on thedei- –threatenedtodrownthe poorsoloist in aflood Oties of theinstrument.Inhis childhood, Sibelius of technicalchallenges. In Sibeliusperhaps (–)had first played thepiano,butafter sawtheerror of hisways, andproducedarevised afewyears he switched to theviolin.Helater editionwithamorebalancedoverallshape anda confessed:"The violin took me over completely. -
Tapiola Sinfonietta
MAGNUS LINDBERG VIOLIN CONCERTO PEKKA KUUSISTO, VIOLIN & DIRECTOR JUBILEES SOUVENIR MAGNUS LINDBERG, CONDUCTOR TAPIOLA SINFONIETTA 1 Magnus Lindberg 2 nstrumental qualities have always inspired Magnus Lindberg (b. 1958). However abstract his musical ideas may Ibe and however tightly constructed their subsurface structures, his music is always instrumentally idiomatic and powerful. Often his ideas develop in an instrumental direction of their own accord; sometimes they emerge from the special properties of a particular instrument, fusing musical and instrumental innovation into a single creative act. This approach is of course heightened in concertos, which constitute an important genre in Lindberg’s output. He has written two concertos for piano (1990–94; 2012) and one each for cello (1997–99), clarinet (2001–02) and violin (2006), and other works with prominent solo parts. The Violin Concerto was written to a commission from the Lincoln Center in New York together with the Barbican Centre in London, the Casa de Música–Porto and the Swedish Chamber Orchestra and was premiered at the Mostly Mozart festival in New York in August 2006. Although the commission was specifically aimed at the 250th anniversary celebration of Mozart’s birth, Lindberg did not write a tribute with Mozart elements in it. However, the situation of the premiere had an influence on the work in the way that Lindberg used a smaller orchestra than usual. There are two oboes, two bassoons and two horns plus strings – a standard Mozart orchestra, in fact. The very fact that the ensemble is so small prompted clearer and more translucent structures than in many of Lindberg’s other orchestral works. -
Sakari Oramo, Conductor Pekka Kuusisto, Violin Ottorino
Sakari Oramo, conductor Pekka Kuusisto, violin Ottorino Respighi: Fontane di Roma (The Fountains of Rome) 18 min I La fontana di Valle Giulia all’alba (The Fountain of the Valle Giulia at Dawn) (Andante mosso) II La fontana del Tritone al mattino (The Triton Fountain in Early Morning) (Vivo) III La fontana di Trevi al meriggio (The Trevi Fountain at Midday) (Allegro moderato - Allegro vivace - Largamente) IV La fontana di Villa Medici al tramonto (The Fountain of the Villa Medici at Sunset) (Andante) Samuel Barber: Violin Concerto, Op. 14 22 min I Allegro II Andante III Presto in moto perpetuo INTERVAL 20 min Joseph Haydn: Symphony No. 103 in E flat major, “Drum roll” 29 min I Adagio - Allegro con spirito - Adagio - Tempo 1 II Andante più tosto allegretto III Menuetto (Minuet) - Trio IV Finale (Allegro con spirito) Interval at about 7.45 pm. Th e concert ends at about 8.45 pm. Broadcast live on YLE Radio 1 and the Internet (www.yle.fi /rso). 1 Ottorino Respighi (1879–1936): Fontane di Roma (The Fountains of Rome, 1916) Respighi studied the viola and composition in sations and visions suggested to him by four of St. Petersburg, in the class of Rimsky-Korsakov Rome’s fountains contemplated at the hour in and others. His music was later infl uenced by which their character is most in harmony with French Impressionism, from which he selected the surrounding landscape, or in which their colours for his masterly handling of the orches- beauty appears most suggestive to the observ- tra. He is best remembered for his Roman Tril- er.” Th e day dawns at the fountain of the Valle ogy for orchestra. -
Running Head: NATIONAL IMAGERY in FINNISH FOLK METAL 1
Running head: NATIONAL IMAGERY IN FINNISH FOLK METAL 1 NATIONAL IMAGERY IN FINNISH FOLK METAL: Lyrics, Facebook and Beyond Renée Barbosa Moura Master‟s thesis Digital Culture University of Jyväskylä Department of Art and Culture Studies Jyväskylä 2014 NATIONAL IMAGERY IN FINNISH FOLK METAL 2 UNIVERSITY OF JYVÄSKYLÄ Faculty Department Humanities Art and Culture Studies Author Renée Barbosa Moura Title National Imagery in FFM: Lyrics, Facebook and Beyond Subject Level Digital Culture MA Thesis Month and year Number of pages June 2014 90 pages Abstract Folk metal is a music genre originated from heavy metal music. For many artists and fans, folk metal is more than just music: it is a way of revitalising tradition. Folk metal is then a genre which is closely related to individual‟s cultural identities. As part of popular culture, heavy metal has been investigated for instance in the fields of cultural studies and psychology. Andrew Brown investigates how heavy metal emerged as subject for academic research. Deena Weinstein approaches heavy metal as culture and behaviour that is shared by individuals from different cultural backgrounds. However, subgenres like folk metal have not yet been explored in depth by academics. Analysing folk metal‟s nuances in specific national contexts would provide further knowledge on national cultures and identities. One example of folk metal reflecting elements of national culture is Finnish folk metal. The bands whose works belong to this genre usually draw from Finnish culture to compose their works, which usually feature stories from a variety of traditional sources such as the epic book Kalevala. Such stories are then transposed into new media, disseminating the artists‟ concept of Finnishness. -
ISI99 Daily Bulletin 5
ISI99 Daily Bulletin 5 Friday 13 August, 1999 Contents Remember your ticket Please remember to take your concert ticket with you tonight. Unfortunately, no one without a ticket will be allowed in. • General Assemply 2 The concert has been one of the most popular events in the Social Programme. The organisers are very sorry that all interested • Changes in the programme 3 participants could not obtain a ticket due to the limited availability of seats in the Temppeliaukio church. • Behing the scenes and in the frontline 4 You can ask if any tickets have become available due to cancellations at the Registration Desk. • International Association for Statistical Computing, IASC 4 • Pricing of statistical journals 5 Excursion to Suomenlinna • In my experience 6 The excursion to the Suomenlinna fortress on Saturday afternoon will comprise some walking in the open air, partly on cobbled • ISI Marco Polo Committee on alleys. This is the time to wear your most comfortable pair of shoes. The weather has been rather unstable during the week, so Statistics of Travel and Tourism COSTT 7 please remember also to take an umbrella or a raincoat with you (one has been supplied in the Conference pags). • The Committee on Women in Statistics... 7 • Statistical Education 7 • Young virtuosi in concert tonight 8 • ISI in the media 9 • The church in the rock 10 • Sibelius, the sound of Finland 11 • Festivals in the forests 12 • An enviable minority 13 • Pääsy kielletty 14 • Photographs 14 • Something for the sweet tooth 15 • Children`s Helsinki 16 The IASS General Assembly In the description of the IASS in yesterday’s Daily Bulletin there was an unfortunate misprint stating that the IASS General Assembly and a silver jubilee would have taken place yesterday. -
FILM WEEK at the PHILHARMONIC Alec Baldwin, the ART of the SCORE Artistic Advisor
UPDATED April 29, 2016 CHRONOLOGICAL LISTING 2015–16 SEASON THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC Alec Baldwin, THE ART OF THE SCORE Artistic Advisor ON THE WATERFRONT Avery Fisher Hall at Lincoln Center Friday, September 18, 2015, 7:30 p.m. David Newman, conductor Robert Osborne, special guest BERNSTEIN On the Waterfront (World Premiere–live score with complete film) THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC Alec Baldwin, THE ART OF THE SCORE Artistic Advisor THE GODFATHER Avery Fisher Hall at Lincoln Center Saturday, September 19, 2015, 8:00 p.m. Monday, September 21, 2015, 7:30 p.m. Justin Freer*, conductor Paul Sorvino, special guest (September 19) ROTA The Godfather (New York Premiere–live score with complete film) * denotes New York Philharmonic debut 2 ALAN GILBERT CONDUCTS: OPENING GALA CONCERT WITH LANG LANG David Geffen Hall at Lincoln Center Thursday, September 24, 2015, 7:30 p.m. Live From Lincoln Center Alan Gilbert, conductor Lang Lang, piano GRIEG Piano Concerto BEETHOVEN Symphony No. 7 ALAN GILBERT CONDUCTS: COMPOSER-IN-RESIDENCE ESA-PEKKA SALONEN’S LA VARIATIONS David Geffen Hall at Lincoln Center Friday, September 25, 2015, 8:00 p.m. Saturday, September 26, 2015, 8:00 p.m. Alan Gilbert, conductor Esa-Pekka SALONEN LA Variations R. STRAUSS Ein Heldenleben Frank Huang, violin ALAN GILBERT CONDUCTS: BRAHMS WITH EMANUEL AX David Geffen Hall at Lincoln Center Wednesday, September 30, 2015, 7:30 p.m. Alan Gilbert, conductor Emanuel Ax, piano BEETHOVEN Symphony No. 7 BRAHMS Piano Concerto No. 2 3 ALAN GILBERT CONDUCTS: WORLD PREMIERE BY MARC NEIKRUG David Geffen Hall at Lincoln Center Thursday, October 1, 2015, 7:30 p.m. -
Music Finland UK
Music Finland UK 2012–2013 / REPORT “It seems to me that at the moment “It takes a lot to get noticed in a place “Through The Line of Best Fit’s continued like London where there is so much going on all obsession with Nordic music and our historical Finland has an awful lot to offer in music. the time. But I think with the LIFEM – The Finnish links with the likes of the Ja Ja Ja club night in Line concerts at Kings Place, the Ja Ja Ja London, we’ve always kept a very close eye on And it’s about time we need to go and find it, Festival at the Roundhouse and the Songlines the sounds coming out of Finland. In the last CD, Finnish music really did make an impact. It’s three years, the quality of emerging talent has explore it, share it with people – because it’s the quirky, surprising and adventurous quality been just incredible and we’re seeing some real- of Finnish music that stands out – alongside ly unique invention and envelope–pushing from just too good to hide!” the musical virtuosity.“ all of the bands on this special release.” SIMON BROUGHTON / SONGLINES PAUL BRIDGEWATER / THE LINE OF BEST FIT, JOHN KENNEDY / XFM COMMENTING ON THE LINE–UP FOR MUSIC FINLAND’S OFFICIAL RECORD STORE DAY RELEASE 2013 “While Finland in the past might have “One of the best musical experiences held back a little from taking its scene to the of 2013 for me was going to Helsinki’s Kuudes world, their current united front means this is Aisti festival – an amazing site and brilliant “Having recently attended festivals in “Finland’s musical life is still a shining example changing. -
[email protected] FOREIGN B
FOR IMMEDIATE RELEASE ARTIST UPDATE January 17, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] FOREIGN BODIES Conducted and Hosted by ESA-PEKKA SALONEN The Marie-Josée Kravis Composer-in-Residence June 8, 2018 Esa-Pekka SALONEN’s Foreign Bodies WORLD PREMIERE of Live Video Installation by TAL ROSNER NEW YORK PREMIERE of Daníel BJARNASON’s Violin Concerto with PEKKA KUUSISTO OBSIDIAN TEAR Choreography by Wayne McGregor Performed by Members of BOSTON BALLET Set to Esa-Pekka SALONEN’s Lachen verlernt and Nyx The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Josée Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen’s Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; the New York Premiere of Daníel Bjarnason’s Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of Boston Ballet (Philharmonic debut) and set to Mr. Salonen’s Nyx and Lachen verlernt, the latter of which will be performed by violinist Simone Porter. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event. The program showcases several cross-pollinating collaborations related to Esa-Pekka Salonen. Tal Rosner previously created a video installation for Lachen verlernt (most recently presented at London’s Barbican Centre in December 2017), and Wayne McGregor previously choreographed a ballet to Foreign Bodies. -
Making It Abroad
Saara Koikkalainen Making it abroad Experiences of highly skilled Finns in the European Union labour markets Acta Electronica Universitatis Lapponiensis 134 University of Lapland Faculty of Social Sciences © Saara Koikkalainen Layout: Paula Kassinen Sales: Lapland University Press PO Box 8123 FI-96101 Rovaniemi phone +358 40 821 4242 [email protected] University of Lapland Printing Centre, Rovaniemi 2013 Paperback Acta Universitatis Lapponiensis 267 ISBN 978-952-484-682-0 ISSN 0788-7604 PDF Acta Electronica Universitatis Lapponiensis 134 ISBN 978-952-484-683-7 ISSN 1796-6310 Abstract The geographical context of the study lies in Europe, where over the past 60 years a progressive lessening of restrictions on labour mobility between certain countries has taken place. It is possible for the majority of Europeans to study, work, or retire in any of the 28 European Union (EU) member states, as well as in Switzerland, Iceland, Norway, and Liechtenstein. Europe is thus a unique area, where sovereign states have given parts of their legislative power to supranational institutions and have given up one of the fundamental rights that define a nation state – that of deciding who can cross its borders. Increased mobility to other EU member states after Finland joined the European Economic Area (EEA) in 1994 and the EU in 1995 testifies to the fact that also Finns are taking advantage of the free movement regime. This sociological study examines the labour market experiences of one intra- European migrant group: highly skilled Finns who have moved to other EU15 countries. Based on two consecutive Working in Europe online surveys (2008, 2010) and 18 migrant interviews, this study addresses three empirical questions: “Why do highly skilled Finns move abroad?”, “How do highly skilled Finns find work in the EU15 countries?”, and “What kinds of skills and qualifications ease or impede labour market access and what kinds of jobs do these Finns work in?” The recognition of skills, educational qualifications and work experience, i.e. -
Finnish Studies
JOURNAL OF FINNISH STUDIES Volume 16 Number 2 May 2013 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TEXAS 77341-2146, USA Tel. 1.936.294.1402; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Associate Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Assistant Editor, University of Wisconsin; [email protected] Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University, Toronto Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University, New York Anselm Hollo, Professor, Naropa Institute, Boulder, Colorado Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of