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Dispacci Da Roma, 19 Gennaio
Omaggio della Giunta regionale del Veneto Centro Studi Veneziani I curatori del volume esprimono la loro gratitudine al Centro Studi Ve- neziani Donatus, al suo Presidente, Nicolò Donà dalle Rose, appartenen- te allo stesso ramo familiare dell’ambasciatore Girolamo, per aver favori- to la stampa dell’opera, e ad Antonio Foscari Widmann Rezzonico per il costante aiuto. Ringraziano altresì l’Associazione Nobiliare Regionale Veneta per il patrocinio. GIROLAMO DONÀ DISPACCI DA ROMA 19 GENNAIO - 30 AGOSTO 1510 Trascrizione di VIOLA VENTURINI Introduzione di MARINO ZORZI Venezia 2009 Direttore della collana FERIGO FOSCARI Venezia La Malcontenta 2009 Tutti i diritti riservati INDICE INTRODUZIONE, di Marino Zorzi XI REGESTI DEI DISPACCI, a cura di Marino Zorzi LIII I DISPACCI DI GIROLAMO DONÀ. Trascrizione di Viola Venturini NOTA ARCHIVISTICA 3 FONTI ARCHIVISTICHE 5 I DISPACCI 7 INDICI INDICE DEI NOMI DI PERSONA CONTENUTI NEI DISPACCI 417 INDICE DEI NOMI GEOGRAFICI CONTENUTI NEI DISPACCI 427 INDICE DEI DISPACCI NON NUMERATI 434 INTRODUZIONE 1. Girolamo Donà, umanista e uomo di stato I dispacci che qui si pubblicano sono opera di Girolamo Donà, no- bile veneziano, figura di rilievo nella vita politica e culturale del suo tempo. Nacque a Venezia nel 1456, figlio di Antonio e di Lucia Balbi; il padre, uomo politico e diplomatico, era figlio di Andrea e di Camil- la Foscari, figlia del doge Francesco. Il suo ramo è detto « dalle rose », per le tre rose che figurano nell’arma. Si laureò in artibus a Padova nel 1478; come di regola per i patrizi dottori, fu impiegato senza posa dalla Repubblica in missioni diplomatiche all’estero e nel governo di città e terre appartenenti al dominio veneto; tra un incarico e l’altro fe- ce parte degli organi centrali dello stato in posizioni adeguate alla sua cultura e alla sua conoscenza del mondo. -
Elenco Degli Edifici Monumentali
MISTERO DELLA PUBBLICA ISTRUZIONE ELENCO DEGLI EDIFICI MONUMENTALI X X X III Provincia di Pisa ROMA TIPOGRAFIA DELL'UNIONE EDITRICE Via Federico Cesi, 45 1921 AVVERTENZA L'idea di formare un catalogo di tutto il patri monio artistico dello Stato risale assai addietro nel tempo. Già l'imperatore Costantino aveva ordmata una statistica degli edifici e delle opere pubbliche che erano allora nelle quattordici re gioni delle città di Roma, donde risultarono, tra le altre opere, 22 statue equestri, 423 templi con 80 statue d’oro e 77 d’avorio e 1352 fontane. Quattordici secoli più tardi, il 20 aprile 1773, il Consiglio dei Dieci di Venezia comandava che fosse compilato il catalogo generale dei più insigni dipinti esistenti nei confini della Serenissima ; ma questo elenco aveva natura di semplice in ventario, di accertamento della consistenza patri moniale della Repubblica, senza effetti giuridici determinati. Questi invece cominciano ad appa rire connessi col catalogo delle opere d’arte nel l'editto Pacca del 7 aprile 1820, il quale, ordi nando la formazione di un elenco degli oggetti artistici più preziosi dello Stato Pontificio, im poneva alle commissioni preposte alla loro conser vazione di esaminarli « presso qualunque proprie tario e possessore ». Unificate le varie provincie in un solo regno, il concetto di porre il catalogo dei monumenti e delle opere d’arte a fondamento di ogni sanzione — fi legislativa appare in quasi tutti i disegni di legge presentati all’esame del Parlamento. Non com preso nel progetto Coppino del 31 maggio 1887, vi fu introdotto dalla Commissione parlamentare che volle la formazione di un unico catalogo degli immobili. -
Five Fair Sisters; an Italian Episode at the Court of Louis
CORNELL UNIVERSITY LIBRARY Cornell University Library DC 130.M3W72 1906a Five fair sisters; 3 1924 028 182 495 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028182495 KS. ^ FIVE FAIR SISTERS AN ITALIAN EPISODE AT THE COURT OF LOUIS XIV BY H. NOEL WILLIAMSy AUTHOR OF ' MADAME r£CAM1ER AND HER FRIENDS," " MADAME DE POMPADOUR)' "MADAME DE MONTESPAN," "MADAME DU BAREV," "queens OP THE FRENCH STAGE," "LATER QUEENS OF THE FRENCH STAGE," ETC. WITH PHOTOGRAVURE PLATE AND SIXTEEN OTHER ILLUSTRATIONS NEW YORK G. P. PUTNAM'S SONS 27 & 29 WEST 23RD STREET igo6 Printed in Great Britain TO MY WIFE LIST OF ILLUSTRATIONS HORTENSE MANCINI, DUCHESSE DE MAZARIN Frontispiece (Photogravure) From an engraving after the painting by Sir Peter Lely. TO FACE PAGE CARDINAL MAZARIN lO From an engraving after the painting by Mignard. ARMAND DE BOURBON, PRINCE DE CONTJ 38 From an engraving by Frosne. ANNE MARIE MARTINOZZI, PRINCESS DE CONTI . 40 From an engraving after the painting by Beaubrun. LAURE MANCINI, DUCHESSE DE MERCCEUR 58 From a contemporary print. LOUIS XIV 72 From an engraving after the drawing by Wallerant Vaillant. MARIE MANCINI IIO From an engraving after the painting by Sir Peter Leiy. ANNE OF AUSTRIA, QUEEN OF FRANCE 1 58 From an engraving af^er the painting by Mignard. PRINCE CHARLES (AFTER CHARLES v) OF LORRAINE . 200 From an engraving by Nanteuil. MARIA THERESA, QUEEN OF FRANCE 220 From an engraving after the painting by Beaubrun. -
Matrimony and Monarchy: the Failure of Bourbon-Habsburg Matrimonial Alliance
Matrimony and Monarchy: The Failure of Bourbon-Habsburg Matrimonial Alliance Dr Samra Sarfraz Khan* Irum Iqbal Hussain** Abstract The research paper titled “Matrimony and Monarchy: The Failure of Bourbon-Habsburg Matrimonial Alliance,” is an in depth study of the matrimonial alliance between the Bourbon and Habsburg dynasties through the marriage of Louis XIV; the King of France, with the Spanish hieress Maria Theresa. This matrimonial alliance, which was arranged to start a new era of Franco-Spanish relations in the seventeenth century, was one of the many similar examples that had been followed in state craft from the earliest times. The paper serves a two-fold purpose: to bring to light the unsuccessful nature of this marriage, and to probe the various reasons for which the alliance was a failure in the very quintessence of a marriage. The paper highlights the factors that contributed in not only keeping the matrimonial alliance into a contentious relationship between Maria Theresa and Louis XIV but also in causing a decline in the political ties between the French and Spanish kingdoms. The research paper, thus, caters to an aspect in the study of matrimonial alliances that remains largely unexplored. Keywords: Matrimonial alliance, Bourbon, Hapsburg, monarch, expansion. * Samra Sarfraz Khan, Ph.D. Assistant Professor, Department of History, University of Karachi ** Irum Iqbal Hussain, Graduate Student, Institute of Ismaili Studies (IIS), UK 15 Jhss, Vol. 10, No. 2, July to December, 2019 Introduction The matrimonial alliance of Louis XIV and Maria Theresa was one in a series of similar state alliances that took place between the Bourbon and Habsburg royal families in their days of glory days. -
In the Polite Eighteenth Century, 1750–1806 A
AMERICAN SCIENCE AND THE PURSUIT OF “USEFUL KNOWLEDGE” IN THE POLITE EIGHTEENTH CENTURY, 1750–1806 A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Elizabeth E. Webster Christopher Hamlin, Director Graduate Program in History and Philosophy of Science Notre Dame, Indiana April 2010 © Copyright 2010 Elizabeth E. Webster AMERICAN SCIENCE AND THE PURSUIT OF “USEFUL KNOWLEDGE” IN THE POLITE EIGHTEENTH CENTURY, 1750–1806 Abstract by Elizabeth E. Webster In this thesis, I will examine the promotion of science, or “useful knowledge,” in the polite eighteenth century. Historians of England and America have identified the concept of “politeness” as a key component for understanding eighteenth-century culture. At the same time, the term “useful knowledge” is also acknowledged to be a central concept for understanding the development of the early American scientific community. My dissertation looks at how these two ideas, “useful knowledge” and “polite character,” informed each other. I explore the way Americans promoted “useful knowledge” in the formative years between 1775 and 1806 by drawing on and rejecting certain aspects of the ideal of politeness. Particularly, I explore the writings of three central figures in the early years of the American Philosophical Society, David Rittenhouse, Charles Willson Peale, and Benjamin Rush, to see how they variously used the language and ideals of politeness to argue for the promotion of useful knowledge in America. Then I turn to a New Englander, Thomas Green Fessenden, who identified and caricatured a certain type of man of science and satirized the late-eighteenth-century culture of useful knowledge. -
The Institutionalisation of Scientific Thinking in the Tuscany of the Last Medici
Domenico Pietropaolo The Institutionalisation of Scientific Thinking in the Tuscany of the Last Medici It has become customary in general accounts of the Grand Duchy of Tuscany during the first three decades or so of the eighteenth cen tury, which correspond to the last years of the long Medici dynasty, to speak a little disparagingly-and even with a touch of irony-of its institutional culture, portraying its chief representatives as being either absorbed in the self-complacent protocol of the court or else intent on dispensing ultimately insignificant erudition at the podium, where only rarely is the audience treated to a flash or two of ac tual brilliance. To the extent such general statements are acceptable without being universally binding, this is perhaps a sufficiently rea sonable, if definitely uncharitable, appraisal of the situation. Cer tainly if we attempt to define its parameters geographically, we soon enough come across men like Giambattista Vico in the Vice-kingdom of Naples, Antonio Conti and Antonio Vallisnieri in the Republic of Venice, and Ludovico Antonio Muratori in the Duchy of Modena, and the comparison cannot possibly be favourable to the Tuscan literati. If we instead approach the question historically within the Grand Duchy itself, we immediately encounter the luminaries of the Accademia del Cimento (1657-1667), namely Giovanni Alfonso Borelli, Francesco Redi and Vincenzo Viviani, all of whom were dead by 1703, and we are forced to admit that their successors' contribution to world knowledge was not of an -
Las Memorias De María Mancini: Estrategias Y Alianzas De Una Mujer En La Corte De Carlos II*
TIEMPOS MODERNOS 33 (2016/2) ISSN: 1699-7778 Las memorias de María Mancini Mª Ángeles Sobaler Seco Las Memorias de María Mancini: estrategias y alianzas de una mujer en la corte de Carlos II* M.ª Ángeles SOBALER SECO Universidad de Valladolid1 Resumen: Analizamos en este trabajo las Memorias de María Mancini como un ejercicio de madurez individual, reflejo de la responsabilidad y la habilidad personal propia, como dama de la corte madrileña. Al relato de los acontecimientos y decisiones que pautaron su vida, y la búsqueda de la justificación personal, se suma en el discurso otro objetivo trascendental e inmediato: conmover y atraerse el apoyo de los nobles e influyentes personajes que se impusieron en la inestable corte de Carlos II, coincidiendo con el advenimiento de Juan José de Austria. Inundadas de personajes y situaciones, estas memorias construyen un retrato personal paralelo al de la propia corte madrileña, y los personajes y situaciones aludidos ocupan su espacio para definirse en relación con la autora y con las pulsiones políticas. Con ello, María define su propia posición, y la de su entorno de amistades y aliados; trata de preservar las garantías oportunas para sus intereses particulares, y los del linaje al que pertenecía. Palabras clave: Maria Mancini, Memorias, corte, Madrid, XVII. Abstract: The analysis of Marie Manicini’s Memories shows a text loaded with intentionality; an exercise of responsability and personal strategy made by a lady of the court. It is not just account of her life or about the justification of her decisions. Throughout the text a more transcendental and immediate objective is revealed: to gain the support of the influential personages of the court of Madrid. -
Fulltekst (Pdf)
Konstvetenskapliga institutionen ISCENSATTA RYTTARINNOR OCH PERFORMATIVA HÄSTAR EN RYTTARPORTRÄTTSVIT FRÅN TIDIG MODERN TID I SKOKLOSTERS SLOTTS SAMLING Författare: Annika Williams © Masteruppsats i konstvetenskap Vårterminen 2021 Handledare: Henrik Widmark ABSTRACT Institution/Ämne Uppsala universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Annika Williams Titel och undertitel: Iscensatta ryttarinnor och performativa hästar En ryttarporträttsvit från tidigmodern tid i Skoklosters slotts samling Engelsk titel: Enacted Equestriennes and Performative Horses A Suite of Equestrian Portraits from Early Modern Time in the Skokloster Castle Collection ! Handledare Henrik Widmark! Ventileringstermin: Höstterm. (år) Vårterm. (år) Sommartermin (år) 2021 Innehåll: This essay is a study of a suite of six small-scale equestrian portraits in the Skokloster Castle Collection. The suite represents aristocratic women at the court of Louis XIV. In the portraits, the equestriennes and their horses performe advanced dressage movements. In the 17th Century the advanced dressage riding, performed in l’art du manège, was a masculine sphere. The equestrian portraits in the Skokloster suite therefore evoke questions regarding early modern female horse- and riding culture. How do we read these equestrian portraits today? In the analysis I focus on what the horses and riders do. I discuss La Querelle des femmes and how earlymodern French elite women would search for a new female role. Horseriding would open up for a possibility for women to -
The Chevalier De Lorraine As “Maître En Titre”
Bulletin du Centre de recherche du château de Versailles Sociétés de cour en Europe, XVIe-XIXe siècle - European Court Societies, 16th to 19th Centuries Articles et études | 2017 The Chevalier de Lorraine as “Maître en Titre”: The Male Favourite as Prince, Partner and Patron Le chevalier de Lorraine comme « Maître en titre » : le favori mâle comme prince, partenaire et patron Jonathan Spangler Electronic version URL: http://journals.openedition.org/crcv/14427 ISSN: 1958-9271 Publisher Centre de recherche du château de Versailles This text was automatically generated on 14 December 2017. The Chevalier de Lorraine as “Maître en Titre”: The Male Favourite as Prince,... 1 The Chevalier de Lorraine as “Maître en Titre”: The Male Favourite as Prince, Partner and Patron Le chevalier de Lorraine comme « Maître en titre » : le favori mâle comme prince, partenaire et patron Jonathan Spangler 1 In June 1701, the only brother of Louis XIV of France, Philippe, Duke of Orléans, passed away in his château in Saint-Cloud just outside of Paris. He left behind a widow and a son, but also a significant male favourite, with whom he had shared his life for nearly forty years: Philippe, Chevalier de Lorraine. The new Duke of Orléans offered to continue his late father’s gift to the Chevalier of a pension (about 10,000 écus, or 30,000 livres), and to allow him to keep his apartments at the Palais-Royal. Several contemporaries noted the gesture, and added that the Chevalier retained the rooms, but refused the pension. Dangeau quotes the young Orléans as offering it because, “I inherit the totality of his wealth, thus it will always be him who gives it to you”. -
UC Berkeley Perspectives in Medical Humanities
UC Berkeley Perspectives in Medical Humanities Title To Feel What Others Feel: Social Sources of the Placebo Effect Permalink https://escholarship.org/uc/item/38h7x0m7 ISBN 9780983463993 Author Justman, Stewart Publication Date 2013-01-13 eScholarship.org Powered by the California Digital Library University of California To Feel What Others Feel Social Sources of the Placebo Effect Perspectives in Medical Humanities Perspectives in Medical Humanities publishes peer reviewed scholarship produced or reviewed under the auspices of the University of California Medical Humanities Consortium, a multi-campus collaborative of faculty, students, and trainees in the humanities, medicine, and health sciences. Our series invites scholars from the humanities and health care professions to share narratives and analysis on health, healing, and the contexts of our beliefs and practices that impact biomedical inquiry. General Editor Brian Dolan, PhD, Professor of Social Medicine and Medical Humanities, University of California, San Francisco (ucsf) Recent Titles Clowns and Jokers Can Heal Us: Comedy and Medicine By Albert Howard Carter iii (Fall 2011) The Remarkables: Endocrine Abnormalities in Art By Carol Clark and Orlo Clark (Winter 2011) Health Citizenship: Essays in Social Medicine and Biomedical Politics By Dorothy Porter (Winter 2011) What to Read on Love, not Sex: Freud, Fiction, and the Articulation of Truth in Modern Psychological Science By Edison Miyawaki, MD; Foreword by Harold Bloom (Fall 2012) Patient Poets: Illness from Inside Out By Marilyn Chandler McEntyre (Fall 2012) www.medicalhumanities.ucsf.edu This series is made possible by the generous support of the Dean of the School of Medicine at ucsf, the Center for Humanities and Health Sciences at ucsf, and a Multicampus Research Program Grant from the University of California Office of the President. -
Homage to Galileo Galilei 1564-2014 Reading Iuvenilia Galilean Works Within History and Historical Epistemology of Science
Philosophia Scientiæ Travaux d'histoire et de philosophie des sciences 21-1 | 2017 Homage to Galileo Galilei 1564-2014 Reading Iuvenilia Galilean Works within History and Historical Epistemology of Science Electronic version URL: http://journals.openedition.org/philosophiascientiae/1229 DOI: 10.4000/philosophiascientiae.1229 ISSN: 1775-4283 Publisher Éditions Kimé Printed version Date of publication: 15 February 2017 ISBN: 978-2-84174-801-3 ISSN: 1281-2463 Electronic reference Philosophia Scientiæ, 21-1 | 2017, “Homage to Galileo Galilei 1564-2014” [Online], Online since 15 February 2019, connection on 30 March 2021. URL: http://journals.openedition.org/ philosophiascientiae/1229; DOI: https://doi.org/10.4000/philosophiascientiae.1229 Tous droits réservés Editorial Gerhard Heinzmann Laboratoire d’Histoire des Sciences et de Philosophie, Archives H.-Poincaré, Université de Lorraine, CNRS, Nancy (France) Le premier cahier de Philosophia Scientiæ est paru il y a plus de vingt ans, en juin 1996. Il a été édité par une jeune équipe des Archives Henri-Poincaré à Nancy et dirigé par le même rédacteur en chef dans un souci constant : promouvoir la recherche en philosophie des sciences, tout particulièrement en ce qui concerne la logique, l’informatique, les mathématiques et la physique, en s’inscrivant dans la tradition analytique, en prenant en compte l’histoire et la pratique des sciences, en préservant le français, l’anglais et l’allemand comme langues « scientifiques » à titre égal. En passant la main à la nouvelle équipe, Manuel Rebuschi comme rédacteur en chef et Baptiste Mélès comme rédacteur en chef adjoint, j’exprime ma gratitude à Manuel, rédacteur en chef adjoint depuis 2008, et à Sandrine Avril, secrétaire de rédaction, pour leur travail efficace et leur dévouement. -
La Canonica Di Santa Maria Del Fiore E I Suoi Abitanti Nella Prima Metà Del XV Secolo
Gabriella Battista La canonica di Santa Maria del Fiore e i suoi abitanti nella prima metà del XV secolo The Years of the Cupola – Studies Gli anni della Cupola – Studi 2015 Berlin – Firenze Max-Planck-Institut für Wissenschaftsgeschichte, Berlin Opera di Santa Maria del Fiore, Firenze The Years of the Cupola – Studies Gli anni della Cupola – Studi ISSN: 2364-6373 Responsabile scientifico Margaret Haines Responsabile amministrativo Lorenzo Fabbri Comitato editoriale Margaret Haines Gabriella Battista Lorenzo Fabbri Giuseppe Giari Editing Pierluigi Terenzi Programmazione Jochen Büttner (direzione) Klaus Thoden Pierluigi Terenzi Gli ‘Studi’ sono uno sviluppo di Gli anni della Cupola 1417-1436. Archivio digitale delle fonti dell’Opera di Santa Maria del Fiore Edizione di testi con indici analitici e strutturati a cura di Margaret Haines Rappresentazione internet a cura di Jochen Büttner – Max-Planck-Institut für Wissenschaftsgeschichte http://archivio.operaduomo.fi.it/cupola/ http://duomo.mpiwg-berlin.mpg.de/ Gli anni della Cupola – Studi sottopone a valutazione le proposte di pubblicazione secondo le modalità del ‘doppio cieco’ (double blind peer review) Pubblicato con licenza Creative Commons by-nc-sa 3.0 Deutschland http://creativecommons.org/licenses/by-nc-sa/3.0/de/ La Deutsche Nationalbibliothek elenca questa pubblicazione nella Deutsche Nationalbibliografie; informazioni bibliografiche dettagliate sono disponibili all’indirizzo http://dnb.d-nb.de Abstract Il saggio analizza la canonica del Duomo di Firenze nel periodo coperto da Gli Anni della Cu- pola, nel suo duplice aspetto architettonico e socio-politico-culturale, al fine di comprendere la consistenza e la funzione architettonica del complesso e di conoscerne i residenti e le vicende della loro vita in comune.