A History of Translation and Interpretation
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An Ethnography of the Spring Festival
IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY, AND THE SPRING FESTIVAL A dissertation presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Li Ren June 2003 This dissertation entitled IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY AND THE SPRING FESTIVAL BY LI REN has been approved by the School of Interpersonal Communication and the College of Communication by Arvind Singhal Professor of Interpersonal Communication Timothy A. Simpson Professor of Interpersonal Communication Kathy Krendl Dean, College of Communication REN, LI. Ph.D. June 2003. Interpersonal Communication Imagining China in the Era of Global Consumerism and Local Consciousness: Media, Mobility, and the Spring Festival. (260 pp.) Co-directors of Dissertation: Arvind Singhal and Timothy A. Simpson Using the Spring Festival (the Chinese New Year) as a springboard for fieldwork and discussion, this dissertation explores the rise of electronic media and mobility in contemporary China and their effect on modern Chinese subjectivity, especially, the collective imagination of Chinese people. Informed by cultural studies and ethnographic methods, this research project consisted of 14 in-depth interviews with residents in Chengdu, China, ethnographic participatory observation of local festival activities, and analysis of media events, artifacts, documents, and online communication. The dissertation argues that “cultural China,” an officially-endorsed concept that has transformed a national entity into a borderless cultural entity, is the most conspicuous and powerful public imagery produced and circulated during the 2001 Spring Festival. As a work of collective imagination, cultural China creates a complex and contested space in which the Chinese Party-state, the global consumer culture, and individuals and local communities seek to gain their own ground with various strategies and tactics. -
Kaiming Press and the Cultural Transformation of Republican China
PRINTING, READING, AND REVOLUTION: KAIMING PRESS AND THE CULTURAL TRANSFORMATION OF REPUBLICAN CHINA BY LING A. SHIAO B.A., HEFEI UNITED COLLEGE, 1988 M.A., PENNSYVANIA STATE UNIVERSITY, 1993 M.A., BROWN UNIVERSITY, 1996 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSPHY IN THE DEPARTMENT OF HISTORY AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY 2009 UMI Number: 3370118 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3370118 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 © Copyright 2009 by Ling A. Shiao This dissertation by Ling A. Shiao is accepted in its present form by the Department of History as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date W iO /L&O^ Jerome a I Grieder, Advisor Recommended to the Graduate Council Date ^)u**u/ef<2coy' Richard L. Davis, Reader DateOtA^UT^b Approved by the Graduate Council Date w& Sheila Bonde, Dean of the Graduate School in Ling A. -
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
the iafor journal of asian studies Contemporary Chinese Cinema Special Edition Volume 2 – Issue 1 – Spring 2016 Editor: Seiko Yasumoto ISSN: 2187-6037 The IAFOR Journal of Asian Studies Volume 2 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum The IAFOR Journal of Asian Studies Editor: Seiko Yasumoto, University of Sydney, Australia Associate Editor: Jason Bainbridge, Swinburne University, Australia Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-6037 Online: joas.iafor.org Cover image: Flickr Creative Commons/Guy Gorek The IAFOR Journal of Asian Studies Volume 2 – Issue I – Spring 2016 Edited by Seiko Yasumoto Table of Contents Notes on contributors 1 Welcome and Introduction 4 From Recording to Ritual: Weimar Villa and 24 City 10 Dr. Jinhee Choi Contested identities: exploring the cultural, historical and 25 political complexities of the ‘three Chinas’ Dr. Qiao Li & Prof. Ros Jennings Sounds, Swords and Forests: An Exploration into the Representations 41 of Music and Martial Arts in Contemporary Kung Fu Films Brent Keogh Sentimentalism in Under the Hawthorn Tree 53 Jing Meng Changes Manifest: Time, Memory, and a Changing Hong Kong 65 Emma Tipson The Taste of Ice Kacang: Xiaoqingxin Film as the Possible 74 Prospect of Taiwan Popular Cinema Panpan Yang Subtitling Chinese Humour: the English Version of A Woman, a 85 Gun and a Noodle Shop (2009) Yilei Yuan The IAFOR Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 Notes on Contributers Dr. -
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 by Stephanie J. Webster-Cheng B.M., Lawrence University, 1996 M.A., University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Music Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH MUSIC DEPARTMENT This dissertation was presented by Stephanie Webster-Cheng It was defended on [author‟s name] October 31, 2008 and approved by Mark Bender, Associate Professor, East Asian Languages and Literature, Ohio State University Xinmin Liu, Assistant Professor, East Asian Languages and Literature Wenfang Tang, Associate Professor, Political Science Andrew Weintraub, Associate Professor, Music Akin Euba, Andrew W. Mellon Professor of Music, Music Dissertation Advisor: Bell Yung, Professor of Music, Music ii Copyright © by Stephanie J. Webster-Cheng 2008 iii Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 Stephanie J. Webster-Cheng, PhD University of Pittsburgh, 2008 This dissertation explores the dynamics of political control of the arts and artistic freedom in the musical storytelling art of Suzhou tanci between 1949 and 1964, years marked by extensive revision of traditional performance repertoire, widespread creation of new, contemporary-themed stories, and composition of boldly innovative ballad music. I examine four stories and ballads either composed or revised during this time, looking broadly at the role of the State in the creative process. I consider the role of high-ranking officials whose personal comments to artists shaped their creative processes, and the role of societal political pressure placed on artists through political movements and shifting trends in the dramatic arts. -
Popularizing Propaganda Under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk Lei Qin Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2017 Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk Lei Qin Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Comparative Literature Commons, and the Mass Communication Commons Recommended Citation Qin, Lei, "Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk" (2017). Arts & Sciences Electronic Theses and Dissertations. 1243. https://openscholarship.wustl.edu/art_sci_etds/1243 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Committee on Comparative Literature Dissertation Examination Committee: Robert E. Hegel, Chair Paul Michael Lützeler, Co-Chair Lingchei Letty Chen Zhao Ma Marvin Marcus Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk by Lei Qin A dissertation presented to The Graduate School -
The Shanghai Pavilion Room (Tingzijian) in Literature, 1920-1940
THREE FACES OF A SPACE: THE SHANGHAI PAVILION ROOM (TINGZIJIAN) IN LITERATURE, 1920-1940 by Jingyi Zhang B.A., Fudan University, 2015 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May. 2017 © Jingyi Zhang, 2017 Abstract From the 1920s to the 1940s, the pavilion room, or Tingzijian—the small room above the kitchen in an alleyway house—accommodated many Shanghai sojourners. Tingzijian functioned as lodging and as a social space for young writers and artists. For many lodger-writers, the Tingzijian was a temporary residence before they left around 1941. In the interim, Tingzijian life became a burgeoning literary subject, even a recognized literary category. This study explores what meanings people ascribed to Tingzijian, and the historical and the artistic function of the space in Chinese literature of the 1920s and 1930s. Scholars have traditionally viewed “Tingzijian literature” as the province of leftist “Tingzijian literati” (wenren) who later transformed into revolutionaries; this study reveals the involvement a much greater variety of writers. We find a cross section of the literary field, from famous writers like Ba Jin 巴金 and Ding Ling 丁玲, for whom living in a Tingzijian was an important stage in their transition from the margins to the center of the literary field, to a constellation of obscure tabloid writers concerned less with revolution than with common urbanites’ -
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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) An Analysis of the Educational Thoughts in Lao She's Novels Xiang Xu School of Humanities and International Education Xi'an Peihua University Xi'an, China 710125 Abstract—In the history of Chinese modern literature, only in China, but also in overseas countries such as the there is a subtle interactive relationship between literature and United Kingdom and Singapore, and has been contacted with education. Many writers in the history of literature have been students of various ages and types, combined with the era in engaged in educational work, and their works are also which Lao She was located, is an era in which China‟s new infiltrated with educational thoughts, and Lao She is one of and old cultures collide. On the one hand, Lao She was them. With rich experience in educational practice, Lao She deeply aware of China‟s traditional educational concept, and has a deep understanding of all levels of Chinese education and at the same time was exposed to advanced foreign foreign education. He also reflects complete, systematic and educational concepts, so he has a sober and sensible clear educational thoughts in his works, for example, the understanding to all kinds of phenomena in the education criticism of the drawbacks of traditional Chinese education, sector. Therefore he began to think about China's education the reflection of children's education and youth education. In Lao She's novels, the educational thought and the critical through the creation of novels. -
CHINESE LITERATURE Monthly Higb School Students and I Was One of Its Fans
'il f* CONTENTS No" 5, 1980 In Ye Shengtao's Home (an interview) - Lu Jian WRITINGS OF YE SHENGTAO A Life I' A Stroll at Dawn 2I The Package 28 A Minor Flutter 3t The Black Flag (a stoty) - Liu Zben t3 Yaolong Mountain (a folktale) 88 INTRODUCING CLASSICAL CHINESE LITER,ATURE 'Veit'en Yuan-Dynasty Drama and San-Qu Songs-Lu 73 San-Qu Sotgs of the Yuan Dynasty 79 INTRODUCING A CLASSICAL CHINESE PAINTING Liang Kai's "Eight Eminent Monks" -Xia Yucben 9t NOTES ON ART Huang Zhou and His Paintings -Vu Erlu 4i A Biog, the Blind Folk Musician - Peng Chengliang 98 Modern Drama in Tibet - Xin Min ra4 Translations of rWell-Known Chinese Litetary rilTorks Republished - Liao Xube ro7 Ar Interview with the Society for the Study of Lu Xun 1r3 CHRONICLE IIi PLATES Paintings by Huang Zhou 42-4\ Eight Eminent Monks - Liang Kai 96-cl COVER Yulan Magnolia - Sun Qileng Chief Editor: Moo Dun Lu Jion tT was a fine mid-winter day, with no biting wind and no t e lof the snow which had recently fallen. I made my way s e distance down one of Beiiing's little back streets till I came to the house of the old writer Ye Shengtao. "It's been a long time!" he greeted me, comiog out. 'We sat as usual side by side on the sofa, two steaming cups of fragratt green tea on the low table before us. "I've come this time to thank you in person!" I said. "For what?" He looked at me with an inquiring smile. -
Institute of China Studies UNIVERSITY of MALAYA
International Conference “From Hu-Wen to Xi-Li Administration: China’s Leadership Transition and Its Domestic and International Implications” jointly organized by Institute of China Studies UNIVERSITY OF MALAYA and East Asian Institute 东亚研究所 EAI 12-13 September 2013 Venue: Auditorium, Research Management and Innovation Complex, University of Malaya, Kuala Lumpur, Malaysia Is It All Too Bad to Return to Marx? Marxism and Reformism at the Central Compilation and Translation Bureau from Hu Jintao to Xi Jinping Dr Ngeow Chow Bing, Senior Lecturer, Institute of China Studies, University of Malaya, Malaysia. 1 Is It All Too Bad to Return to Marx? Marxism and Reformism at the Central Compilation and Translation Bureau from Hu Jintao to Xi Jinping Author Dr. Ngeow Chow Bing, Senior Lecturer, Institute of China Studies, University of Malaya Abstract The Central Compilation and Translation Bureau (CCTB), a central organ of the Chinese Communist Party, has not been studied much by scholars inside or outside of China. Originally an authoritative translation house for classical Marxist works, in recent years CCTB has gained more prominence as a think tank. Among its leaders are well-known advocates for political reforms and democracy. This article presents an analytical history of CCTB. It will discuss how did CCTB evolve, what factors played the major role in its evolution, and how does it reconcile its seemingly contradictory roles of being a Marxist translation house and a pro-reform think tank. Keywords: Central Compilation and Translation Bureau, Think Tank, Chinese Communist Party, Intellectuals, Yu Keping In a New York Times article that profiles Dr. -
Script Crisis and Literary Modernity in China, 1916-1958 Zhong Yurou
Script Crisis and Literary Modernity in China, 1916-1958 Zhong Yurou Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Yurou Zhong All rights reserved ABSTRACT Script Crisis and Literary Modernity in China, 1916-1958 Yurou Zhong This dissertation examines the modern Chinese script crisis in twentieth-century China. It situates the Chinese script crisis within the modern phenomenon of phonocentrism – the systematic privileging of speech over writing. It depicts the Chinese experience as an integral part of a worldwide crisis of non-alphabetic scripts in the nineteenth and twentieth centuries. It places the crisis of Chinese characters at the center of the making of modern Chinese language, literature, and culture. It investigates how the script crisis and the ensuing script revolution intersect with significant historical processes such as the Chinese engagement in the two World Wars, national and international education movements, the Communist revolution, and national salvation. Since the late nineteenth century, the Chinese writing system began to be targeted as the roadblock to literacy, science and democracy. Chinese and foreign scholars took the abolition of Chinese script to be the condition of modernity. A script revolution was launched as the Chinese response to the script crisis. This dissertation traces the beginning of the crisis to 1916, when Chao Yuen Ren published his English article “The Problem of the Chinese Language,” sweeping away all theoretical oppositions to alphabetizing the Chinese script. This was followed by two major movements dedicated to the task of eradicating Chinese characters: First, the Chinese Romanization Movement spearheaded by a group of Chinese and international scholars which was quickly endorsed by the Guomingdang (GMD) Nationalist government in the 1920s; Second, the dissident Chinese Latinization Movement initiated in the Soviet Union and championed by the Chinese Communist Party (CCP) in the 1930s. -
A Prestigious Translator and Writer of Children’S Literature
A Study of Chinese Translations and Interpretations of H.C. Andersen's Tales History and Influence Li, Wenjie Publication date: 2014 Document version Early version, also known as pre-print Citation for published version (APA): Li, W. (2014). A Study of Chinese Translations and Interpretations of H.C. Andersen's Tales: History and Influence. Det Humanistiske Fakultet, Københavns Universitet. Download date: 01. okt.. 2021 FACULTY OF HUMANITIES UNIVERSITY OF COPENHAGEN PhD thesis Li Wenjie Thesis title A STUDY OF CHINESE TRANSLATIONS AND INTERPRETATIONS OF H.C. ANDERSEN’S TALES: HISTORY AND INFLUENCE Academic advisor: Henrik Gottlieb Submitted: 23/01/2014 Institutnavn: Institut for Engelsk, Germansk and Romansk Name of department: Department of English, Germanic and Romance Studies Author: Li Wenjie Titel og evt. undertitel: En undersøgelse af kinesisk oversættelse og fortolkninger af H. C. Andersens eventyr: historie og indflydelse Title / Subtitle: A Study of Chinese Translations and Interpretations of H.C. Andersen’s Tales: History and Influence Subject description: H. C. Andersen, Tales, Translation History, Interpretation, Chinese Translation Academic advisor: Henrik Gottlieb Submitted: 23. Jan. 2014 Declaration I hereby declare that this thesis is my own work and that, to the best of my knowledge, it contains no material previously published or written by another person, except where due acknowledgement has been made in the text. It has not been submitted for any other degree or professional qualification except as specified. Contents -
Klint De Roodenbeke, Auguste (1816-1878) : Belgischer Diplomat Biographie 1868 Auguste T’Klint De Roodenbeke Ist Belgischer Gesandter in China
Report Title - p. 1 of 509 Report Title t''Klint de Roodenbeke, Auguste (1816-1878) : Belgischer Diplomat Biographie 1868 Auguste t’Klint de Roodenbeke ist belgischer Gesandter in China. [KuW1] Tabaglio, Giuseppe Maria (geb. Piacenza-gest. 1714) : Dominikaner, Professor für Theologie, Università Sapienza di Roma Bibliographie : Autor 1701 Tabaglio, Giuseppe Maria ; Benedetti, Giovanni Battista. Il Disinganno contraposto da un religioso dell' Ordine de' Predicatori alla Difesa de' missionarj cinesi della Compagnia di Giesù, et ad un' altro libricciuolo giesuitico, intitulato l' Esame dell' Autorità &c. : parte seconda, conchiusione dell' opera e discoprimento degl' inganni principali. (Colonia : per il Berges, 1701). https://archive.org/details/bub_gb_ZX__WZVH6zsC. [WC] 1709 Tabaglio, Giuseppe Maria ; Fatinelli, Giovanni Jacopo. Considerazioni sù la scrittura intitolata Riflessioni sopra la causa della Cina dopò ! venuto in Europa il decreto dell'Emo di Tournon. (Roma : [s.n.], 1709). https://archive.org/details/bub_gb_YWkGIznVv70C. [WC] Tabone, Vincent (Victoria, Gozo 1913-2012 San Giljan, Malta) : Politiker, Staatspräsident von Malta Biographie 1991 Vincent Tabone besucht China. [ChiMal3] Tacchi Venturi, Pietro (San Severino Marche 1861-1956 Rom) : Jesuit, Historiker Bibliographie : Autor 1911-1913 Ricci, Matteo ; Tacchi Venturi, Pietro. Opere storiche. Ed. a cura del Comitato per le onoranze nazionali con prolegomeni, note e tav. dal P. Pietro Tacchi-Venturi. (Macerata : F. Giorgetti, 1911-1913). [KVK] Tacconi, Noè (1873-1942) : Italienischer Bischof von Kaifeng Bibliographie : erwähnt in 1999 Crotti, Amelio. Noè Tacconi (1873-1942) : il primo vescovo di Kaifeng (Cina). (Bologna : Ed. Missionaria Italiana, 1999). [WC] Tachard, Guy (Marthon, Charente 1648-1712 Chandernagor, Indien) : Jesuitenmissionar, Mathematiker Biographie Report Title - p. 2 of 509 1685 Ludwig XIV.