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). the Golden Age of Arab and Islamic
). THE GOLDEN AGE OF ARAB AND ISLAMIC CULTURE "BAGHDAD,AT THE coNFLUENcE oF Two cuLTUREs, Aramaean and Greek, became,in the tenth century, the intellectual center of the world." As capital of the caliphate,Baghdad rvasalso to becomethe cultural capitalof the Islamic world. Our purposeis to show,as briefly aspossible, the role that this region played in the transmissionof the knowledge of antiquity, in the evolution of religious attitudes,and in the flowering of Arabic literature.We shall no[ try to flnd out, any more than did the caliphs of the period, whether the actorsrvere Iranians, Arabs, Moslems,Christians, or |ews. Mcn of lettersand of sciencehad gatheredin this city either through cultural affinityor becausethey had beensummoned to the caliph'scourt for their worth or their competence. An effort was made to keep the languageand the religion at an indispensablecultural level.In reality, there was but a single aim: It was necessary to study the structureand the rules of the language of the Koran in order to have the languagerespected and understood.We shall not spendtoo much time on the grammaticalwork, sincewe want to fol- low the more universal tendencies,especially in their in- fluenceon medievalEurope. We shall mention only Khalil, the inventor of Arabic prosody,the first author of a diction- 64 THE GOLDEN AGE ary, and especiallyhis pupil Sibawaih, who has the dis- tinction of having codified definitively all the problems of grammar. Later, Mubarrad wrote a work which is not only didactic but a valuablecollection of poetic quotations. He also shareswith his rival and contemporary,Tha'lab, the honor of having contributedto the philological training of severalpoets. -
ICPP3 Full Paper Cover Page
3rd International Conference on Public Policy (ICPP3) June 28-30, 2017 – Singapore Panel T06P01 Public Sector Innovation: Organizational and Institutional Trends in the Post-New Public Management Era Confucian Public Administration and Innovation Policy: A Conceptual Perspective - Mencius, Max Weber and the Mandate of Heaven Authors Wolfgang Drechsler; Erkki Karo Both Ragnar Nurkse School of innovation and Governance, Tallinn University of Technology, Estonia; [email protected], [email protected] Confucian Public Administration and Innovation Policy: A Conceptual Perspective Mencius, Max Weber and the Mandate of Heaven Wolfgang Drechsler1 and Erkki Karo2 1. Tallinn University of Technology, Ragnar Nurkse Department of Innovation and Governance (TUT RND) and Lee Kuan Yew School of Public Policy, National University of Singapore; [email protected] 2. TUT RND; [email protected] Abstract: We offer a tentative explanation to the ‘Confucian Paradox’, i.e. that a particularly hierarchical, retrospective and seemingly non-innovative Public Administration (PA) system appears to support innovation-based economic performance and development. We argue that the support of private sector innovation requires specific legitimacy and capacities from the government to invest into high-risk innovation activities as well as to pursue public sector innovation, if needed for support of the private sector innovation. We suggest that the ‘Confucian Paradox’ emerges from the Western perceptions of how such legitimacy and capacities can be generated. Instead, we propose that the structural-institutional model of Confucian PA together with the philosophical-cultural concept of the Mandate of Heaven, i.e. that legitimacy comes through overall, rather than some specific-indicator driven, performance, can be seen as potentially providing the East and Southeast Asian ideational and structural context in which civil servants are endowed with both the legitimacy and ‘capacities’ to support innovation – and the obligation to do so as well. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Is Shuma the Chinese Analog of Soma/Haoma? a Study of Early Contacts Between Indo-Iranians and Chinese
SINO-PLATONIC PAPERS Number 216 October, 2011 Is Shuma the Chinese Analog of Soma/Haoma? A Study of Early Contacts between Indo-Iranians and Chinese by ZHANG He Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
How Geography "Mapped" East Asia, Part One: China by Craig Benjamin, Big History Project, Adapted by Newsela Staff on 01.26.17 Word Count 1,354 Level 1020L
How Geography "Mapped" East Asia, Part One: China By Craig Benjamin, Big History Project, adapted by Newsela staff on 01.26.17 Word Count 1,354 Level 1020L TOP: The Stalagmite Gang peaks at the East Sea area of Huangshan mountain in China. Photo by: Education Images/UIG via Getty Images MIDDLE: Crescent Moon Lake and oasis in the middle of the desert. Photo by: Tom Thai, Flickr. BOTTOM: Hukou Waterfall in the Yellow River. Photo by: Wikimedia The first in a two-part series In what ways did geography allow for the establishment of villages and towns — some of which grew into cities — in various regions of East Asia? What role did climate play in enabling powerful states and civilizations to appear in some areas while other locations remained better suited for a nomadic lifestyle? Let's begin to answer these questions with a story about floods in China. China's two great rivers — the Yangtze and the Yellow — have flooded regularly for as long as we can measure in the historical and geological record. Catastrophic floodwaters This article is available at 5 reading levels at https://newsela.com. Nothing can compare, though, to the catastrophic floods of August 19, 1931. The Yangtze river rose an astonishing 53 feet above its normal level in just one day. It unleashed some of the most destructive floodwaters ever seen. The floods were caused by a "perfect storm" of conditions. Monsoon rains, heavy snowmelt, and unexpected rains pounded huge areas of southern China. All this water poured into the Yangtze. The river rose and burst its banks for hundreds of miles. -
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Advances in Social Science, Education and Humanities Research, volume 369 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019) Research on Design Strategy of Handmade Paper Products under the Concept of Cultural Consumption Shuyi Li1,a, Zhou Zhong2,b,*, Xiaopeng Peng3,c 1,2Guangdong University of Technology, Guangzhou 510090, China 3Zhongkai College of Agricultural Engineering, Guangzhou 510225, China [email protected], [email protected], [email protected] *Corresponding author Keywords: handmade paper, product design, cultural consumption, cultural heritage. Abstract. Handmade paper products are the carrier of disseminating folk culture. This article puts the design of handmade paper products under the context of cultural consumption concept, integrates modern design ideas, deeply analyzes market demand, and explores new ideas of product design.In the trend of cultural consumption, designers must dig deeply into the artistic characteristics of handmade paper, so that their products can be recognized by the society, establish cultural brands and integrate into the cultural life of the public. The design of handmade paper products needs emotional experience to get people's cultural resonance, and needs to guide people to better understand the cultural spirit behind handmade paper, so as to better inherit and develop traditional culture. 1. Introduction Traditional Chinese Arts and Crafts has a long history, among which the folk papermaking occupies an important historical position. The appearance of handmade paper can be traced back to the Western Han Dynasty. Later, after the improvement of Cai Lun of the Eastern Han Dynasty, a relatively stable papermaking method was formed. With the development of the times, the emergence of mechanization has changed the production mode of paper. -
The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
Confucianism, "Cultural Tradition" and Official Discourses in China at the Start of the New Century
China Perspectives 2007/3 | 2007 Creating a Harmonious Society Confucianism, "cultural tradition" and official discourses in China at the start of the new century Sébastien Billioud Édition électronique URL : http://journals.openedition.org/chinaperspectives/2033 DOI : 10.4000/chinaperspectives.2033 ISSN : 1996-4617 Éditeur Centre d'étude français sur la Chine contemporaine Édition imprimée Date de publication : 15 septembre 2007 ISSN : 2070-3449 Référence électronique Sébastien Billioud, « Confucianism, "cultural tradition" and official discourses in China at the start of the new century », China Perspectives [En ligne], 2007/3 | 2007, mis en ligne le 01 septembre 2010, consulté le 14 novembre 2019. URL : http://journals.openedition.org/chinaperspectives/2033 ; DOI : 10.4000/chinaperspectives.2033 © All rights reserved Special feature s e v Confucianism, “Cultural i a t c n i e Tradition,” and Official h p s c r Discourse in China at the e p Start of the New Century SÉBASTIEN BILLIOUD This article explores the reference to traditional culture and Confucianism in official discourses at the start of the new century. It shows the complexity and the ambiguity of the phenomenon and attempts to analyze it within the broader framework of society’s evolving relation to culture. armony (hexie 和谐 ), the rule of virtue ( yi into allusions made in official discourse, we are interested de zhi guo 以德治国 ): for the last few years in another general and imprecise category: cultural tradi - Hthe consonance suggested by slogans and tion ( wenhua chuantong ) or traditional cul - 文化传统 themes mobilised by China’s leadership has led to spec - ture ( chuantong wenhua 传统文化 ). ((1) However, we ulation concerning their relationship to Confucianism or, are excluding from the domain of this study the entire as - more generally, to China’s classical cultural tradition. -
Sun Tzu and Modern Strategic Thought
2016-005 13 Jan. 2016 Sun Tzu and Modern Strategic Thought Deciphering Sun Tzu: How to Read The Art of War by Derek M.C. Yuen. New York: Oxford Univ. Press, 2014. Pp. xii, 214. ISBN 978–0–19–937351–2. Sun Tzu and the Art of Modern Warfare by Mark R. McNeilly. Updated edition. New York: Oxford Univ. Press, 2015 [orig. 2001]. Pp. x, 216. ISBN 978–0–19–995785–9. Review by Larry A. Grant, Charleston, SC ([email protected]). “You know you never defeated us on the battlefield,” said the American colonel. The North Vietnam- ese colonel pondered this remark a moment. “That may be so,” he replied, “but it is also irrelevant.” —Conversation in Hanoi, April 1975 1 This exchange captures the principal thesis of both books under review here. Specifically, the require- ments for success in war transcend the simple application of force, and Sun Tzu’s statement of them remains the most insightful. Strategic theorist Derek Yuen (PhD, Univ. of Reading) 2 maintains that, “despite its popularity in the Western world, The Art of War has rarely been understood correctly with due understanding of its Chinese context and Taoist roots.” Instead, readers see only “facile references to short one- to two- sentence axioms, aphorisms, and phrases...” (4). He means Deciphering Sun Tzu to open “new avenues for further research that can play an essential role in enhancing the Western understanding of Chinese strategy” (7); to that end, he emphasizes • the foundations of Chinese strategic thought and strategic culture, • the Tao Te Ching as a strategic text, • Lao Tzu’s place in Chinese strategic thought, • Chinese military dialectics, • the epistemology of Chinese strategy, • the “Easternization” of Western strategic thought, • the future direction of the study of Chinese strategic thought and culture, • a new general theory of strategy transcending the East and West. -
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Advances in Social Science, Education and Humanities Research, volume 124 International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) Inheritance and Industrial Development of Traditional Handcraft Paper Making Process in Beizhang Village, Chang’an Shaanxi Yuan Shao School of Fine Arts Shaanxi Normal University Xi’an, China Abstract—China’s paper making technique has been transmitted to other countries in Asia, Africa, Europe and leading around the world, which has witnessed the America, reaching every corner around the world. development of over two-thousand years since Han and Tang dynasties. The handcraft paper making process in Beizhang II. PAPER MAKING IN BEIZHANG VILLAGE, CHANG’AN Village, Changan, Shaanxi, a remains of the ancient paper making, is in a trend of being forgotten during the evolvement of historic culture and economic development. For the A. Historic Source of Paper Making in Beizhang Village intangible cultural heritages which are gradually disappearing North regions are sources of handcraft paper making in in China, the optimal method to inherit is to industrialize. China, which were cores of paper making in history and Based on the status quo and paper making process in Beizhang replaced by south regions in Song and Yuan dynasties. Village, the article compares the paper making industries Beizhang Village, Chang’an District, Xi’an, Shaanxi between the region and other regions in the country and raises Province is located at Xinglong Town, Chang’an District, at feasible suggestions for the industrialization of handcraft the foot of Qinling Mountains. The paper making records in paper making in Shaanxi. The industrialized development is Beizhang Village can be traced back to East Han Dynasty, expected to improve the understanding of the public to the which can be seen from the remains of Baqiao paper, till handcraft paper making, expand the publicity and increase the now, there is a ballad about paper making by Cai Lun economic benefits so as to continue the handcraft paper spreading in Beizhang Village. -
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ISSN: 2170-1822, Al Naciriya: Journal of sociological and EISSN: 2600-6189 historical Studies Vol. 10, N°2, Décembre 2019 pp. 863-883 The Sino-Arab political relations The Sino-Arab political relations during the T’ang Dynasty (618-907AD) Imane CHABANE 1, Ahmed CHERIFI 2 University of Algiers 2 - Abu Qasim Saadallah, [email protected] 1 University of Algiers 2 - Abu Qasim Saadallah, [email protected] 2 Received: 02 /07 /2019; Accepted: 19/11 /2019 @òîiŠÈÛa @òîäî–Ûa @òîbîÛa @pbÓýÈÛa @ Hâ907 @M 618 I@Íãbm @òÛý @†èÇ @Þý @ @ Z@ —‚ܽa @Íãbm@ òÛý @ †èÇ @ Þý@ òîiŠÈÛa @ òîäî–Ûa@ pbÓýÈÛa@ òa‰…@ †Èm @Ò†è @ ‡gm @ L òbnÛa @ @ tb¡þa @ ¿@ òàè½a @ Éî™aì½a @ åß â@H 907 @M 618 I @ïbßìÜi†Ûa L@ ïbîÛa@†îÈ–Ûa@óÜÇ @´ÏŠİÛa@´i@Þ…bjn½a@qdnÛa@‰bèà ⁄ @ƒí‰bnÛa@ ìçë âL@ 907 @òíbË @ âµg@ 618 @ åß @ ñ†nà½a @ ñÐÛa@ ¿ @ ðŠØÈÛaë @¿@ õbu @ @sîy@L´–Ûaë@lŠÈÛa@´i@ïbî@Þb–ma@Þëc @éîÏ @@ ðˆÛa @µg@ p†Ïëc@ lŠÈÛa@ …ýi@ æc @ òîiŠÈÛaë @ òîäî–Ûa@ òbnÛa@ ‰…b–½a æbjÈ‘@æb¹g @ZÝaнa@ÑÛû½a @@ò튕bäÛa [email protected] 2019 @àí… @2@…†Ç @10 @Z †Ü© 863 ISSN: 2170-1822, Al Naciriya: Journal of sociological and EISSN: 2600-6189 historical Studies Vol. 10, N°2, Décembre 2019 pp. 863-883 The Sino-Arab political relations @òÐîܨa @ÝjÓ@åß @òîbßìÜi…@òrÈi@Þëc @ Íãbm @ òÛý @†èÇ@¿@´–Ûa @òíì ßþa@ òÛë†Ûa@ †èÇ @ ¿@ ôŠc@ pbrÈi@ bènÜm ë@ LæbÐÇ@ åi@ æbàrÇ @pa‰ìİnÛbi@bib¯gë bjÜ@ @´ÏŠİÛa@òÓýÇ@pŠqdm@†Óë @N òîbjÈÛa@òÛë†Ûa ë @òybÛa@ óÜÇ@ bàèäß@ Ý×@ é‰b¹@ ðˆÛa@ ‰ë†Ûaë@ òîÛë†Ûaë @ òîàîÜÓ⁄a @ @ Nòîbî Ûa @ÕíŠ [@ ÷ý [@ òjînÓ ó[@ İìÛa@bîe [@ òîbjÈÛa òÛë†Ûa @Zòîybnнa@pbàÜØÛa @ @ .ŠíЧa Abstract: The study of " The Sino-Arab political relations during the T’ang Dynasty (618-907 AD) " is one of the most important topics that had occupied a large part of the historical researches; it aims to highlight the first contact among Arabs and China which took place during the T’ang Dynasty. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history.