Eun Sun Kim Conducts Prokofiev Price & Tchaikovsky
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Bustersimpson-Surveyor.Pdf
BUSTER SIMPSON // SURVEYOR BUSTER SIMPSON // SURVEYOR FRYE ART MUSEUM 2013 EDITED BY SCOTT LAWRIMORE 6 Foreword 8 Acknowledgments Carol Yinghua Lu 10 A Letter to Buster Simpson Charles Mudede 14 Buster Simpson and a Philosophy of Urban Consciousness Scott Lawrimore 20 The Sky's the Limit 30 Selected Projects 86 Selected Art Master Plans and Proposals Buster Simpson and Scott Lawrimore 88 Rearview Mirror: A Conversation 100 Buster Simpson // Surveyor: Installation Views 118 List of Works 122 Artist Biography 132 Maps and Legends FOREWORD WOODMAN 1974 Seattle 6 In a letter to Buster Simpson published in this volume, renowned Chinese curator and critic Carol Yinghua Lu asks to what extent his practice is dependent on the ideological and social infrastructure of the city and the society in which he works. Her question from afar ruminates on a lack of similar practice in her own country: Is it because China lacks utopian visions associated with the hippie ethos of mid-twentieth-century America? Is it because a utilitarian mentality pervades the social and political context in China? Lu’s meditations on the nature of Buster Simpson’s artistic practice go to the heart of our understanding of his work. Is it utopian? Simpson would suggest it is not: his experience at Woodstock “made me realize that working in a more urban context might be more interesting than this utopian, return-to-nature idea” (p. 91). To understand the nature of Buster Simpson’s practice, we need to accompany him to the underbelly of the city where he has lived and worked for forty years. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
BIS-1280 Booklet X.Pdf-3D4912.Pdf
BIS-CD-1280 STEREO D D D Total playing time: 78'20 BRAGA, Antônio Francisco (1868-1945) 1 Cauchemar (1895) (OSESP Editora) World Première Recording 7'06 Musicological revision by Rubens Ricciardi Jupyra (1899) (OSESP Editora) World Première Recording 70'26 Opera in one act. Libretto: Luiz Gastão de Escragnolle Doria (Italian text: A. Menotti-Buja) Musicological revision by Rubens Ricciardi from the autograph kept at the Universidade Federal do Rio de Janeiro 2 Coro interno Varia l’amor come la luna varia… 1'17 3 Preludio 5'20 Atto unico 63'37 4 Scena I JUPYRA: Migrante, morente, risale pallente… 3'59 5 Scena II QUIRINO: Io t’ho seguita!… 9'31 6 Scena III CARLITO: Sciagurato!… 0'56 7 Scena IV CARLITO: Perchè sei qui?… 11'43 8 Scena V CARLITO: L’uccel di paradiso… 13'54 9 Scena VI JUPYRA: Vendetta!… 2'14 10 Scena VII QUIRINO: Allontanar lo vidi e a te ritorno io fò… 4'51 11 Scena VIII CARLITO: Amor, sei desta? Affacciati!… 4'51 12 Scena IX JUPYRA: Tua nemica son io!… 8'24 13 Scena X QUIRINO: Vendicata tu sei!… 3'14 Eliane Coelho, soprano (Jupyra); Rosana Lamosa, soprano (Rosalia); Mario Carrara, tenor (Carlito); Phillip Joll, baritone (Quirino); Coro da Orquestra de São Paulo; choral direction: Naomi Munakata Orquestra de São Paulo (leader: Cláudio Cruz) conducted by John Neschling Francisco Braga and his opera Jupyra and principal conductor. By that time he had already Antônio Francisco Braga was born in Rio de Janeiro on composed all his major scores. 15th April 1868. -
Teresita Fernández
TERESITA FERNÁNDEZ Born Miami, FL, 1968 Lives Brooklyn, NY EDUCATION 1992 MFA, Virginia Commonwealth University, Richmond, VA 1990 BFA, Florida International University, Miami, FL HONORS AND DISTINCTIONS 2017 National Academician, National Academy Museum & School, New York, NY Mayoral Advisory Commission on City Art, Monuments, and Markers, New York, NY The Drawing Center 40th Anniversary Honoree, New York, NY 2016 Visionary Artist Honoree, Art in General, New York, NY 2013 Aspen Award for Art, The Aspen Art Museum, Aspen, CO 2011 Presidential Appointment to the U.S. Commission of Fine Arts (served until 2014) 2005 MacArthur Foundation Fellowship 2003 Guggenheim Fellowship, New York, NY 1999 Louis Comfort Tiffany Biennial Award American Academy in Rome, Affiliated Fellowship 1995 National Foundation for Advancement in the Arts, CAVA Fellowship Metro-Dade Cultural Consortium Grant 1994 NEA Individual Artist's Grant, Visual Arts Cintas Fellowship COMMISSIONS AND SPECIAL PROJECTS 2019 Night Writing, Park Tower at Transbay, San Francisco, CA New Orleans Museum of Art Commission, New Orleans, LA 2015 Double Glass River, Grace Farms, New Canaan, CT Fata Morgana, Madison Square Park, New York, NY* 2014 Golden (Panorama), Aspen Art Museum, Elk Camp, Aspen, CO 2013 Nocturnal (Navigation), United States Coast Guard, Washington, D.C. 2012 Yellow Mountains, Louis Vuitton Shanghai, Shanghai, China Ink Sky, Louis Vuitton Place Vendôme, Paris, France 2010 Angel Building Commission, London, United Kingdom Louis Vuitton Commission, Biennale des Antiquaries, -
Oral History Interview with Jon Shirley, 2018 August 7-8
Oral history interview with Jon Shirley, 2018 August 7-8 Funding for this interview was provided by Barbara Fleischman. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Jon Shirley on August 7 and 8, 2018. The interview took place at the home of Jon Shirley in Medina, Washington, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution, and the Frick Collection. Jon Shirley and Mija Riedel have reviewed this transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Jon Shirley at his home in—Medina? JON SHIRLEY: Yes. MIJA RIEDEL: Medina, Washington, on August 7, 2018, for the Archives of American Art, Smithsonian Institution, and the Frick Collection. This is card number one. So, thank you for making time today and for showing me the extraordinary collection before we started. That was a real treat. JON SHIRLEY: Well, you're welcome. MIJA RIEDEL: So this house, as we were saying, was built in 2001 to house your collection. JON SHIRLEY: That's right. MIJA RIEDEL: Are the cars here as well? JON SHIRLEY: No, the cars are in a warehouse—that's about 12 minutes away. MIJA RIEDEL: Okay. -
A MISSÃO 2 R$ 13,90 John Neschling Quer Transformar O Municipal De São Paulo Em Um Grande Teatro Lírico Internacional ISSN 1413-2052 - ANO XVIII Nº 192 1413-2052 ISSN
Gramophone Choice: os melhores CDs do mês Verdi 200 anos: uma vida em quatro óperas CONCERTOGuia mensal de música clássica Março 2013 J ORGE COLI Reflexões sobre a ópera JOÃO MARCOS COELHO Desafios da composição JÚLIO MEDAGLIA O início da modernidade V IDAS MUSICAIS Yehudi Menuhin ROTEIRO MUSICAL LIVROS • CDs • DVDs A MISSÃO 2 R$ 13,90 John Neschling quer transformar o Municipal de São Paulo em um grande teatro lírico internacional ISSN 1413-2052 - ANO XVIII Nº 192 1413-2052 ISSN OSESP TEMPORADAS 2013 Alsop, Thibaudet, Vänskä, Ortiz Orquestra Sinfônica Brasileira, Tucca, e Antunes iniciam ambicioso ano Teatro São Pedro, Osusp e mais Prezado Leitor, Importantes acontecimentos movimentaram o mundo musical clássico no verão. No Rio de Janeiro, o maestro Isaac Karabtchevsky tornou-se diretor artístico do Teatro Municipal, acumulando a função com a direção da Orquestra Petrobras Sinfônica e da Sinfônica Heliópolis (página 6). Aos 78 anos e reconhecido como uma das grandes personalidades musicais de nossos dias, Karabtchevsky assume uma instituição que vem amargando temporadas problemáticas. Oxalá a nova direção possa contar com apoio político e financeiro do Estado para engatar o funcionamento do teatro de ópera mais tradicional do Brasil. Mas a grande novidade clássica é a volta do maestro John Neschling, agora como diretor artístico do Teatro Municipal de São Paulo. A notícia de sua nomeação foi bem recebida pela comunidade artística e entre os músicos do teatro, e as primeiras declarações FOTO: REVISTA CONCERTO / do maestro e da nova administração são auspiciosas, como você poderá ler na matéria CARLOS GOLDGRUB de capa e na seção Em conversa desta edição (página 24). -
Former Unocal Seattle Marketing Terminal, 3001 Elliott Avenue, Seattle, Washington
Imagine the result Chevron Environmental Management Company 2010 Summary Report and Risk Evaluation Former Unocal Seattle Marketing Terminal 3001 Elliott Avenue Seattle, Washington February 1, 2011 Table of Contents Acronyms and Abbreviations vi Executive Summary ES-1 1. Introduction 1 2. Site Background 2 2.1 Constituents of Concern 2 2.2 Elliott Avenue Area 3 2.3 Offsite Area 5 2.4 Geology and Hydrology 7 2.4.1 Elliott Avenue Area Geology 7 2.4.2 Offsite Area Geology 8 2.4.3 Groundwater Flow Direction and Gradient 8 2.4.4 Tidal Effects on Groundwater 9 2.5 Historical LNAPL Characterization 9 2.6 Second Semiannual Groundwater Monitoring Results 10 3. Subsurface Microbiological Characterization 11 4. Natural Attenuation Monitoring 13 4.1 Results 14 4.1.1 Elliott Avenue Area 14 4.1.2 Offsite Area 15 4.2 Capacity for Intrinsic Biodegradation of Petroleum Hydrocarbons 18 5. Piezometer Installation 20 5.1 Offsite Area Piezometer Installation 20 5.2 Elliott Avenue Piezometer Installation 21 5.3 Piezometer Installation Analytical Results 22 5.3.1 Offsite Area 22 5.3.2 Elliott Avenue Area 23 2010 Summary Report and Risk Evaluation_Former Unocal Seattle Marketing Terminal_020111 i Table of Contents 6. Well Development 24 6.1 New Piezometer Development 24 6.2 Existing Monitoring Well Redevelopment 25 7. Surfactant-Enhanced LNAPL Recovery Pilot Testing 26 7.1 Injection Methods 26 7.2 Injection Monitoring 26 7.3 Surfactant Extraction 28 7.4 Surfactant Monitoring Results 29 7.5 Surfactant-Enhanced LNAPL Recovery Pilot Test Conclusions 30 8. Hydraulic Conductivity Testing 31 8.1 Oil-Water Separator Maintenance 31 8.2 Pumping Tests 31 8.2.1 Step Drawdown Testing Field Methods and Results 31 8.2.2 Constant Rate Pumping Tests 35 8.3 Constant Rate Pumping Test Data Analysis 36 8.4 Constant Rate Pumping Test Results 37 8.5 MW-205 LNAPL Observation 40 9. -
Osb Homenageia Alemães E Relaciona Música Com O
u JUNHO 2019 Guia mensal de música clássica www.concerto.com.br JÚLIO MEDAGLIA Benjamin Zander JORGE COLI Hector Berlioz JOÃO MARCOS COELHO Intérpretes e compositores EM CONVERSA Ira Levin e André Heller-Lopes ACONTECE Aylton Escobar e Mário Ficarelli PALCO Orquestra Jovem do Estado FERMATA Paulo Szot Elina GARANCA Em entrevista, mezzo soprano fala de sua carreira e dos concertos que faz no Brasil com a Orquestra Acadêmica Mozarteum Brasileiro ISSN 1413-2052 - ANO XXIV - Nº 261 R$ 19,90 @RevistaConcerto ConcertoRevista concerto.com.br u JUNHO 2019 nº 261 14 45 2 Editorial 4 Cartas 6 Contraponto As notícias do mundo musical 8 Atrás da pauta Benjamin Zander, por Júlio Medaglia 10 Notas Soltas Hector Berlioz, por Jorge Coli 12 Em Conversa 12 Ira Levin e André Heller-Lopes falam sobre Leos Janácek, por Irineu Franco Perpetuo 14 Acontece Osusp estreia obras de Aylton Escobar e Mario Ficarelli, por Leonardo Martinelli 16 Música Viva Intérpretes e compositores, por João Marcos Coelho 18 Capa Elina Garanca: mezzo soprano se apresenta no Brasil 8 e fala sobre sua carreira, por João Luiz Sampaio 22 Palco Orquestra Jovem do Estado completa 40 anos 23 Abertura Roteiro Musical Destaques da programação musical no Brasil 24 Roteiro Musical São Paulo 35 Roteiro Musical Rio de Janeiro 39 Roteiro Musical Brasil 45 Lançamentos de CDs 18 Consulte os novos lançamentos e os títulos à venda 47 Outros eventos 47 Classificados 48 Fermata Paulo Szot, por Luciana Medeiros 10 Junho 2019 CONCERTO 1 u EDITORIAL Prezada leitora, prezado leitor, Você tem em mãos a edição de junho de 2019 da Revista CONCERTO, o guia da música clássica no Brasil. -
Sinfônica Do Estado Recebe Nathalie Stutzmann E
O norte-americano John Corigliano compõe de trilhas à ópera • Os melhores CDs do mês u setemBRO 2016 Guia mensal de música clássica www.concerto.com.br EDIÇÃO DE ANIVERSÁRIO Revista CONCERTO 21 anos JÚLIO MEDAGLIA Música e humor JORGE COLI O “quase nada” da música JOÃO MARCOS COELHO Cardápios musicais FESTIVAIS Artes Vertentes e Vermelhos apontam novos rumos REPERTÓRIO Turandot, ópera de Puccini FERMATA Maestro Gil Jardim defende fazer musical inquisitivo R$ 16,90 Renovação constante A contralto e regente francesa Nathalie Stutzmann inicia neste mês seu trabalho como artista associada da Osesp, dirigindo dois programas sinfônicos ISSN 1413-2052 - ANO XXII Nº 231 1413-2052 ISSN ALEYSON SCOPEL PALCO Após gravar obra de Almeida Prado, Kent Nagano fala sobre os concertos jovem pianista faz série de recitais com a Filarmônica de Hamburgo u EDITORIAL Prezado leitor, Com esta edição, a Revista CONCERTO completa 21 anos de circulação ininterrupta, um marco inédito para revistas culturais no Brasil. Desde setembro de 1995, a publicação acompanha o dia a dia da vida clássica nacional, divulgando as temporadas e debatendo os principais temas. Agradecemos o apoio e a parceria de todo o meio musical, dos teatros aos artistas, dos promotores aos patrocinadores, sem os quais esta realização não seria possível. E fazemos um agradecimento especial a nossos milhares de leitores – razão final de nosso empreendimento –, que reconhecem a qualidade da Revista CONCERTO, nos prestigiam com sua fidelidade e nos motivam a aprimorar cada vez mais nossos serviços. Muito obrigado! Esta edição de 21 anos da Revista CONCERTO traz duas importantes novidades: em primeiro lugar, ela marca uma reformulação da publicação. -
Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 4-17-2015 Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Davis, Emily. "Scholarly Program Notes on the Graduate Voice Recital of Emily Davis." (Apr 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS by Emily Davis B.A. Music, Luther College, 2013 B.A. History, Luther College, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music. Department of Music in the Graduate School Southern Illinois University Carbondale May 2015 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS By Emily Davis A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Vocal Performance Approved by: Dr. David Dillard, Chair Dr. Diane Coloton Tim Fink Graduate School Southern Illinois University Carbondale April 17, 2015 AN ABSTRACT OF THE RESEARCH PAPER OF EMILY DAVIS, for the Master of Music degree in VOCAL PERFORMANCE, presented on March 22, 2015, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS MAJOR PROFESSOR: Dr. -
Kansas State University Orchestra Programs 1990—2018 Updated January 13, 2018 David Littrell, Conductor
Kansas State University Orchestra Programs 1990—2018 updated January 13, 2018 David Littrell, conductor 1990-1991 October 16, 1990 Tragic Overture, Op. 81 Brahms Oboe Concerto R. Strauss Dr. Sara Funkhouser, oboe Symphony No. 4 in C Minor (“Tragic”) Schubert December 11, 1990 Orchestral Suite No. 1 in C Major, BWV 1066 JS Bach “Vedrai, carino” from Don Giovanni Mozart Dayna Snook, mezzo-soprano Scaramouche Suite, 2nd & 3rd mvts. Milhaud Christopher Goins, alto saxophone “Son vergin vezzosa” from I Puritani Bellini Ai-ze Wang, soprano Symphony No. 1 in F Minor, Op. 10 Shostakovich April 4-5-6, 1991 The Magic Flute (Opera) Mozart April 23, 1991 Overture to Ruy Blas Mendelssohn Symphony No. 101 in D Major (“Clock”) Haydn Symphony No. 5 in Eb Major, Op. 82 Sibelius 1991-1992 October 1, 1991 Overture to Il Signor Bruschino Rossini Concerto Grosso for Four String Orchestras Vaughan Williams assisting musicians: Manhattan public school string students Symphony No. 2 in B Minor Borodin repeat performance October 2, 1991 at Concordia KS October 24-25-26, 1991 West Side Story Bernstein December 9, 1991 In Memoriam, Wolfgang Amadeus Mozart Sinfonia concertante in Eb Major, K. 364 Mozart Cora Cooper, violin Melinda Scherer Bootz, viola Requiem, K. 626 Mozart John Alldis, guest conductor soloists: Lori Zoll, Juli Borst, Rob Fann, Andy Stuckey KSU Concert Choir March 3, 1992 Overture to Der Freischütz von Weber “Faites-lui mes aveux” from Faust Gounod Juli Borst, mezzo-soprano “Ah, per sempre” from I Puritani Bellini Andy Stuckey, baritone Concerto in D Haydn Lisa Leuthold, horn Symphony No. -
The Music of 1896 a Concert for the Community
The Music of 1896 A Concert for the Community Featuring members of the Bangor Symphony Orchestra Angel Hernandez, violin Simon Bilyk, violin Laura Gallucci, viola Noreen Silver, cello with Lucas Richman, piano Recorded November 1, 2020 at the Bangor Arts Exchange Scott Joplin Combination March (1896) arr. Lucas Richman, for piano & string quartet George Whitefield Chadwick String Quartet No. 4 in E minor (1896) III. Giocoso, un poco moderato Amy Beach Romance for Violin and Piano Op. 23 (1893) Angel Hernandez, violin & Lucas Richman, piano Antonin Dvořák String Quartet No. 12 in F Major, “American” (1893) I. Allegro ma non troppo II. Lento III. Molto vivace IV. Finale. Vivace ma non troppo Underwriting Provided By Special Thanks To Bangor Symphony Orchestra - 1 About the Musicians Angel Hernandez Dominguez is assistant concertmaster of the Bangor Symphony Orchestra. A native of Cuba, he has appeared as soloist with Mexico’s Aguascalientes Symphony Orchestra, the Queretaro Philharmonic, and the OFUNAM Philharmonic Orchestra in Mexico City. Since relocating to the United States in 2006, Angel has maintained an active performance schedule as a member of the Nashaway Piano Trio, Orchestra of Indian Hill, and the Bangor Symphony, where he serves as Assistant Concertmaster. He is currently on the faculty at Indian Hill Music, Cushing Academy and Shrewsbury Public Schools. Mr. Hernandez is also active as a violin-maker: more than 30 of his fine handmade instruments are played by professional musicians across the U.S., Mexico, and Europe. Simon Bilyk, principal 2nd violinist of the Bangor Symphony Orchestra, maintains a varied freelance career in New York City and across New England.