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“Aspects of Danish Cinema”
Programme of Danish Film Screenings at the Danish Institute at Athens 2018 “Aspects of Danish Cinema”. By Ioanna Athanassatou/Film Historic at the Greek Open University & the University of Athens Screening on the 26th of April 2018 Silent heart (2014) by Bille August In film screening programme of the last 2 years, we have had the chance to see I line of Danish movies from Carl Dreyer, Lars von Trier, Susanne Bier and Thomas Vinterberg. Today we have chosen to screen “Silent heart” - in Danish ”Stille hjerte” and in Greek “Αθόρυβη καρδιά” (2014) by Bille August, the fourth movie this year. Bille August is considered the total opposite to Lars Von Trier and Vinterberg with a great international reputation. The filmography of Bille August includes two movies that both were awarded with the Golden Palms in Cannes: “Pelle the Conqueror” (1988) and “The best intentions” (1992). In these movies, including today´s, the director is closer to the cinematic perception of Swedish director Ingmar Bergman (Valoukos 2003, page 630), avoiding formalistic searching, but focusing on the mental state of his heroes. When August directed the movie in 2014, he was inspired by the Scandinavian drama of Ibsen and Strindberg, but also by the philosophic/religious meditation of Søren Kierkegaard. “Silent heart” touches upon the very complex and emotional issue of euthanasia. It was awarded at International festivals and was admitted at the European Art House. The movie is about the family gathering of three generations, coming together for the weekend inorder to say their last goodbye to Esther (Ghita Nørby) – mother and grandmother – who is sick from the incurable disease, Amyotrophic Lateral Sclerosis. -
Family in Films
Travail de maturité – ANGLAIS Sujet no 13 Family in Films “All happy families are all alike; every unhappy family is unhappy in its own way.” Anna Karenina, Leon Tolstoy. Whether dysfunctional, separated by exile, torn apart by history, laden with secrecy, crazy, loving, caring, smothering - and even perhaps happy, family is an endless source of investigation about human relations and social groups. In this research paper, you will be able to question Leon Tolstoy’s statement and explore how films envision new and older forms of families. Some examples of films relevant to this research paper: Festen (Thomas Vintenterberg, 1998) Parasite (Bong Joon-ho, 2019) L’Heure d’été (Olivier Assayas, 2008) Family Romance, LLC (Werner Herzog, 2019) Un conte de Noël (Arnaud Desplechin, Crooklyn (Spike Lee, 1994) 2008) Sorry, We Missed You (Ken Loach, 2019) La Fête de famille (Cédric Kahn, 2019) I, Daniel Blake ( Ken Loach, 2016) After the Storm (海よりもまだ深く, Umi yori Jungle Fever (Spike Lee, 1991) mo mada fukaku, Hirokazu Rodinný Film (Family Film, Olmo Omerzu, Kore-eda, 2016) 2015) Nobody Knows (誰も知らない, Dare mo So Long My Son (地久天长, Di jiu tian chang shiranai, Hirokazu Kore-eda, Wang Xiaoshuai, 2019) 2004) Still Life (三峡好人, Sānxiá hǎorén, Jia Like Father, Like Son (そして父になる, Zhangke, 2006) Soshite chichi ni naru, Hirokazu Amreeka (Cherien Dabis, 2009) Kore-eda, 2013) Tokyo Sonata (Kiyoshi Kurosawa, 2008) Our Little Sister (海街diary, Umimachi American Beauty (Sam Mendes, 1999) Diary, Hirokazu Kore-eda, 2015) The Royal Tenenbaums (Wes Anderson, Still Walking -
Fall/Winter 2002/2003
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/ Winter 2002 Bernstein's Mahler: A Personal View @ by Sedgwick Clark n idway through the Adagio £male of Mahler's Ninth M Symphony, the music sub sides from an almost desperate turbulence. Questioning wisps of melody wander throughout the woodwinds, accompanied by mut tering lower strings and a halting harp ostinato. Then, suddenly, the orchestra "vehemently burst[s] out" fortissimo in a final attempt at salvation. Most conductors impart a noble arch and beauty of tone to the music as it rises to its climax, which Leonard Bernstein did in his Vienna Philharmonic video recording in March 1971. But only seven months before, with the New York Philharmonic, His vision of the music is neither Nearly all of the Columbia cycle he had lunged toward the cellos comfortable nor predictable. (now on Sony Classical), taped with a growl and a violent stomp Throughout that live performance I between 1960 and 1974, and all of on the podium, and the orchestra had been struck by how much the 1980s cycle for Deutsche had responded with a ferocity I more searching and spontaneous it Grammophon, are handily gath had never heard before, or since, in was than his 1965 recording with ered in space-saving, budget-priced this work. I remember thinking, as the orchestra. Bernstein's Mahler sets. Some, but not all, of the indi Bernstein tightened the tempo was to take me by surprise in con vidual releases have survived the unmercifully, "Take it easy. Not so cert many times - though not deletion hammerschlag. -
Dogme 95 and the Representation of Reality Zsolt Gyenge Moholy-Nagy University of Art and Design, Budapest (Hungary) Email: [email protected]
Acta Univ. Sapientiae, Film and Media Studies, 1 (2009) 6979 Illusions of Reality and Fiction or the Desired Reality of Fiction: Dogme 95 and the Representation of Reality Zsolt Gyenge Moholy-Nagy University of Art and Design, Budapest (Hungary) email: [email protected] Abstract. The paper identies a two channel strategy developed by the authors of the Danish Dogme lms having as goal the generation of the illusion of reality. The rst channel is aiming at the visual layer of the movies, which shows a rm decision to break with the style of the traditional ction lms. The second channel of this strategy is concerned with the narration of the lms. In this regard Dogme contrary to what had been declared in the Vow of Chastity chose one of the most popular lm and TV genres: melodrama. On the one hand Dogme lms created a highly self-reexive visual style and then they combined it on the other hand with a genre which calls for extreme audience identication. Documentarism and deeply conventionalized stories are put together in most Dogme lms to create the reality of ction. Movie is not an illusion states the Manifesto,1 and thus it makes us clear that the movement tries to say something about one of the major themes of cinema and lm theory (and of visual communication in general): the representation of reality. It is well known that the initiators of Dogme 952 1The two founding documents of the Dogme 95 are the Manifesto and the Vow of Chastity. Until recently they were to be found on the ocial website (www.dogme95.dk) of the movement, which in February 2009, during the nal revision of this paper, became unavailable. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Files/2014 Women and the Big Picture Report.Pdf>, Accessed 6 September 2018
The neuroscientific uncanny: a filmic investigation of twenty-first century hauntology GENT, Susannah <http://orcid.org/0000-0003-0091-2555> Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26099/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26099/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. THE NEUROSCIENTIFIC UNCANNY: A FILMIC INVESTIGATION OF TWENTY-FIRST CENTURY HAUNTOLOGY Susannah Gent A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate Declaration I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University’s policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acknowledged. 4. The work undertaken towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
A MISSÃO 2 R$ 13,90 John Neschling Quer Transformar O Municipal De São Paulo Em Um Grande Teatro Lírico Internacional ISSN 1413-2052 - ANO XVIII Nº 192 1413-2052 ISSN
Gramophone Choice: os melhores CDs do mês Verdi 200 anos: uma vida em quatro óperas CONCERTOGuia mensal de música clássica Março 2013 J ORGE COLI Reflexões sobre a ópera JOÃO MARCOS COELHO Desafios da composição JÚLIO MEDAGLIA O início da modernidade V IDAS MUSICAIS Yehudi Menuhin ROTEIRO MUSICAL LIVROS • CDs • DVDs A MISSÃO 2 R$ 13,90 John Neschling quer transformar o Municipal de São Paulo em um grande teatro lírico internacional ISSN 1413-2052 - ANO XVIII Nº 192 1413-2052 ISSN OSESP TEMPORADAS 2013 Alsop, Thibaudet, Vänskä, Ortiz Orquestra Sinfônica Brasileira, Tucca, e Antunes iniciam ambicioso ano Teatro São Pedro, Osusp e mais Prezado Leitor, Importantes acontecimentos movimentaram o mundo musical clássico no verão. No Rio de Janeiro, o maestro Isaac Karabtchevsky tornou-se diretor artístico do Teatro Municipal, acumulando a função com a direção da Orquestra Petrobras Sinfônica e da Sinfônica Heliópolis (página 6). Aos 78 anos e reconhecido como uma das grandes personalidades musicais de nossos dias, Karabtchevsky assume uma instituição que vem amargando temporadas problemáticas. Oxalá a nova direção possa contar com apoio político e financeiro do Estado para engatar o funcionamento do teatro de ópera mais tradicional do Brasil. Mas a grande novidade clássica é a volta do maestro John Neschling, agora como diretor artístico do Teatro Municipal de São Paulo. A notícia de sua nomeação foi bem recebida pela comunidade artística e entre os músicos do teatro, e as primeiras declarações FOTO: REVISTA CONCERTO / do maestro e da nova administração são auspiciosas, como você poderá ler na matéria CARLOS GOLDGRUB de capa e na seção Em conversa desta edição (página 24). -
Eun Sun Kim Conducts Prokofiev Price & Tchaikovsky
MARCH 2020 THOMAS DAUSGAARD, MUSIC DIRECTOR EUN SUN KIM CONDUCTS PROKOFIEV PRICE & TCHAIKOVSKY DAUSGAARD CONDUCTS STRAUSS’ SALOME ALSO THIS MONTH AUBREY LOGAN COUNT BASIE ORCHESTRA Trim: 8.375” x 10.875” Bleed: 8.625” x 11.125” My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Bjorn Stehr Director, Private Wealth Advisor 206-793-4120 [email protected] Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2020 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. CONTENTS MARCH 2020 4 / Calendar 6 / The Orchestra 54 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / In Conversation with Thomas Dausgaard 55 / The Lis(z)t CONCERTS 14 / March 3 Aubrey Logan with the Seattle Symphony 17 / March 6 & 7 Bach & Telemann 23 / March 8 Celebrate Asia 26 / March 12 & 14 Tchaikovsky Symphony No. 5 AUBREY LOGAN 31 / March 13 14 Tchaikovsky Untuxed 33 / March 19 & 21 R. -
Osb Homenageia Alemães E Relaciona Música Com O
u JUNHO 2019 Guia mensal de música clássica www.concerto.com.br JÚLIO MEDAGLIA Benjamin Zander JORGE COLI Hector Berlioz JOÃO MARCOS COELHO Intérpretes e compositores EM CONVERSA Ira Levin e André Heller-Lopes ACONTECE Aylton Escobar e Mário Ficarelli PALCO Orquestra Jovem do Estado FERMATA Paulo Szot Elina GARANCA Em entrevista, mezzo soprano fala de sua carreira e dos concertos que faz no Brasil com a Orquestra Acadêmica Mozarteum Brasileiro ISSN 1413-2052 - ANO XXIV - Nº 261 R$ 19,90 @RevistaConcerto ConcertoRevista concerto.com.br u JUNHO 2019 nº 261 14 45 2 Editorial 4 Cartas 6 Contraponto As notícias do mundo musical 8 Atrás da pauta Benjamin Zander, por Júlio Medaglia 10 Notas Soltas Hector Berlioz, por Jorge Coli 12 Em Conversa 12 Ira Levin e André Heller-Lopes falam sobre Leos Janácek, por Irineu Franco Perpetuo 14 Acontece Osusp estreia obras de Aylton Escobar e Mario Ficarelli, por Leonardo Martinelli 16 Música Viva Intérpretes e compositores, por João Marcos Coelho 18 Capa Elina Garanca: mezzo soprano se apresenta no Brasil 8 e fala sobre sua carreira, por João Luiz Sampaio 22 Palco Orquestra Jovem do Estado completa 40 anos 23 Abertura Roteiro Musical Destaques da programação musical no Brasil 24 Roteiro Musical São Paulo 35 Roteiro Musical Rio de Janeiro 39 Roteiro Musical Brasil 45 Lançamentos de CDs 18 Consulte os novos lançamentos e os títulos à venda 47 Outros eventos 47 Classificados 48 Fermata Paulo Szot, por Luciana Medeiros 10 Junho 2019 CONCERTO 1 u EDITORIAL Prezada leitora, prezado leitor, Você tem em mãos a edição de junho de 2019 da Revista CONCERTO, o guia da música clássica no Brasil. -
Sinfônica Do Estado Recebe Nathalie Stutzmann E
O norte-americano John Corigliano compõe de trilhas à ópera • Os melhores CDs do mês u setemBRO 2016 Guia mensal de música clássica www.concerto.com.br EDIÇÃO DE ANIVERSÁRIO Revista CONCERTO 21 anos JÚLIO MEDAGLIA Música e humor JORGE COLI O “quase nada” da música JOÃO MARCOS COELHO Cardápios musicais FESTIVAIS Artes Vertentes e Vermelhos apontam novos rumos REPERTÓRIO Turandot, ópera de Puccini FERMATA Maestro Gil Jardim defende fazer musical inquisitivo R$ 16,90 Renovação constante A contralto e regente francesa Nathalie Stutzmann inicia neste mês seu trabalho como artista associada da Osesp, dirigindo dois programas sinfônicos ISSN 1413-2052 - ANO XXII Nº 231 1413-2052 ISSN ALEYSON SCOPEL PALCO Após gravar obra de Almeida Prado, Kent Nagano fala sobre os concertos jovem pianista faz série de recitais com a Filarmônica de Hamburgo u EDITORIAL Prezado leitor, Com esta edição, a Revista CONCERTO completa 21 anos de circulação ininterrupta, um marco inédito para revistas culturais no Brasil. Desde setembro de 1995, a publicação acompanha o dia a dia da vida clássica nacional, divulgando as temporadas e debatendo os principais temas. Agradecemos o apoio e a parceria de todo o meio musical, dos teatros aos artistas, dos promotores aos patrocinadores, sem os quais esta realização não seria possível. E fazemos um agradecimento especial a nossos milhares de leitores – razão final de nosso empreendimento –, que reconhecem a qualidade da Revista CONCERTO, nos prestigiam com sua fidelidade e nos motivam a aprimorar cada vez mais nossos serviços. Muito obrigado! Esta edição de 21 anos da Revista CONCERTO traz duas importantes novidades: em primeiro lugar, ela marca uma reformulação da publicação. -
TRF-4 Condena Lula Pela 2A
126 anos - PaTRIMÔnIo Da PaRaÍBa Ano CXXVI NúmeroA 254 UNIÃOJoão Pessoa, Paraíba - QUInTa-FEIRa, 28 de novembro de 2019 – R$ 1,50 - Assinatura anual R$ 200,00 Governo realiza sorteio de apartamentos em JP São 256 unidades construídas na capital a partir de um investimento superior a R$ 23 milhões e que vão beneficiar 1.024 paraibanos. Página 3 Foto: Evandro Pereira Foto: Secom-PB Últimas Treinamento testa resposta a acidentes em Cabedelo Área do porto, por onde passam inúmeros produtos inflamáveis, foi palco ontem de um exercício simulado das forças de resgate do Estado. Página 4 Foto: Evandro Pereira Paraíba Foto: Léo Caldas / Folhapress Entidades advertem consumidores sobre a Black Friday Violência contra a mulher é Órgãos de defesa do consumidor autuam lojas que cometeram debatida em maternidade irregularidades e mandam a Evento na Maternidade Frei Damião teve objetivo população ter cautela. Páginas 4 e 8 de treinar a equipe para o Programa de Assistência às Mulheres Vítimas de Violência Sexual. Página 6 Foto: Divulgação TRF-4 condena Lula pela 2a vez Tribunal Regional Federal da 4ª Região ignora decisão anterior do STF que anulou processo parecido e não só manteve a condenação como aumentou a pena que tinha sido imposta pela primeira instância. Página 14 Foto: Sejel Ouro e recorde Daniel Azevedo é o mais veloz no nado costas dos Jogos Escolares em Blumenau. Página 23 Balé de luto José Enoch morre aos 88 anos e abala o meio artístico paraibano. Páginas 4 e 12 facebook.com/uniaogovpb www.paraiba.pb.gov.br auniao.pb.gov.br Twitter > @uniaogovpb Opinião Edição: José Napoleão Ângelo Editoração: Ulisses Demétrio 2 AUNIÃO João Pessoa, Paraíba - QUINTA-FEIRA, 28 de novembro de 2019 CONTATOS: [email protected] REDAÇÃO: (83) 3218-6539/3218-6509 Editorial Em dia Manter em dia os compromis- Ressalte-se que há muito tempo sos com os servidores públicos, no as famílias dos servidores públicos que diz respeito ao pagamento de estaduais dormem tranquilas, prin- salários, é uma das regras de ouro cipalmente quando se aproxima o do governo estadual.