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9 THE ARCHER - 08717 334465 AUGUST 2008 KALASHNIKOV KULTUR Rare breed spotted By Ricky Savage, the voice of social irresponsibility By Ann Bronkhorst Artists aren’t rare in East Finchley; last month’s Open weekends revealed more Gone (with the wind) than 40 of them. But it is rare today to meet an artist who is the founder of a group It’s over, the musical of the film of the book of the myth of with political as well as artistic significance. the ‘Old South’ has crashed into oblivion and joined the great Charles Thomson, who lives pantheon of theatrical failures. Yes, the idiots who decided to and paints in a 19th century turn Gone With The Wind into a musical have had to close it cottage in East Finchley, is the due to everyone else’s lack of interest. It’s not the first time founder of The Stuckists, a few that bright ideas have turned out to be as dim as a blown out like-minded artists who agreed, candle when headbutted by reality, but every time it happens in 1999, that they were opposed I just have to laugh. to much fashionable conceptual . “We were,” he says, “con- At least Gone With The Wind lasted longer than All Bob’s Women, trary to and defiant of the whole which disappeared so fast that it left nothing but a bad smell and posters art establishment.” Now the on the underground. But few can match the theatrical car crash that movement is international and was Fields of Ambrosia. has a place in . This American bright idea was all about a woman on death row and Petition to Prime Minister the efforts of a reformed executioner to save her from frying in the electric Two issues continue to be chair. It went down well in New York, but not in the West End, where the focus for Stuckists’ mock- even the most low-rent theatre critic loathed it. It staggered along for 23 ery and anger: the performances before good taste got the better of it, 22 performances (remember those demonstrators too late for most people. But there’s worse to come. dressed as clowns?) and the . Now that World War Two is disappearing into memory the coke- Sir , Tate Gal- fuelled crazies are crawling out of their bunkers with whole new lows in leries’ director for 20 years, is the taste stakes. We’ve had Sophie’s Choice -The Opera and now we strongly criticised by the Stuck- are going to have Imagine This. Well, I’d rather not imagine a fun-filled ists, who have exposed the Tate’s musical about life in the Warsaw Ghetto. I don’t care if it comes with purchase of its own trustees’ high-kicking Nazi stormtroopers or if there’s a tender love song as the work. Charles Thomson claims hero is dragged off to a death camp, I still think it stinks. Maybe the Sir Nicholas “regularly extracts weird and deranged writers who came up with this one don’t realise that large sums of money from the Springtime for Hitler is meant to be a joke. Then again, maybe that’s government and members of the their next easily missable production. public on the pretext of buying All is not lost in the land of the musical, not when the future holds art that meets a public demand”. Brokeback Mountain: The Musical, something that will be so seriously By the end of August the next camp on more than one level that the only thing to do will be to buy a director must be appointed, or tent. perhaps reappointed, so Charles has set up a public petition to the Stuckist founder Charles Thomson challenges Tate director. Photo by Ann Bronkhorst Prime Minister not to approve Sir “We paint pictures” is his Conjure up the magic of theatre Nicholas’s reappointment. simple statement about the This summer brings a unique opportunity to learn about one of the backstage crafts that “We paint pictures” group’s work: not installations, is a steady guer- concepts or stunts. And the create the magic of theatre: Mountview Academy of Theatre is running an excit- pictures have to have meaning, ing one-week course about the art and technical skills of theatre lighting design. rilla campaign, not a charge at the barricades. Charles may convey feeling and be under- Keen beginners or those with basic experience be scathing about much in the standable, whether or not they will be able to get their hands on professional light- scene but he appeal to the viewer. Charles ing equipment and enjoy the chance to put on a has a mild manner and a sense says: “Art should be life-enhanc- full-scale production. of humour. After art school he ing. This stuff,” (Brit Art, for Famous names who have been through rejected art and for 13 years example) “is life depleting.” Mountview’s doors include Connie Fisher, star of wrote and performed poetry, To check out the Stuck- The Sound of Music, and Leanne Jones, who won often in schools and on radio ists visit www.stuckism.com. a best actress award for her role in Hairspray. and TV. But in 1997, he says, The online petition is at The course is being run by lighting director “Art came back” and by art he http://petitions.pm.gov.uk/ Matt Veitch, who lives in Kitchener Road. He’s means, above all, . tatedirector passionate about what he does and convinced that the course could open the door to many a success- ful career. “Lighting is an essential part of stage design. It creates mood and atmosphere and helps you conjure up some incredible images. It’s about dark and � � � � � � � shadow as much as it is about colour,” he said. “This course is for someone who wants to gain some practical know-how. We’ll help stu- dents understand electricity and they’ll get their hands on the lighting kit, as well as designing for a show.” Matt Veitch. Photo by John Lawrence Courses run in the first two weeks of August but Mountview plans to run more in the near future. The acad- brera gardens emy is not far away, between Alexandra Palace and Wood garden design maintenance Green. For more details,   contact 020 8826 9217, email  hard landscaping  interior plants & containers [email protected] or  soft landscaping  East Finchley based visit www.mountview.org.uk. Mob. 07939 557 934 Tel. 020 8365 3615

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