DOCSLIB.ORG

The Authenticity of Ambiguity: Dada and Existentialism

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE AUTHENTICITY OF AMBIGUITY: DADA AND EXISTENTIALISM by ELIZABETH FRANCES BENJAMIN A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages College of Arts and Law University of Birmingham August 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ii - ABSTRACT - Dada is often dismissed as an anti-art movement that engaged with a limited and merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Neither was nonsensical or meaningless, but both reveal a rich individualist ethics aimed at the amelioration of the individual and society. It is through their combined analysis that we can view and productively utilise their alignment. Offering new critical aesthetic and philosophical approaches to Dada as a quintessential part of the European Avant-Garde, this thesis performs a reassessment of the movement as a form of (proto-)Existentialist philosophy. The thesis represents the first major comparative study of Dada and Existentialism, contributing a new perspective on Dada as a movement, a historical legacy, and a philosophical field of study. The five chapters analyse a range of Dada work through a lens of Existentialist literary and theoretical works across the themes of choice, alienation, responsibility, freedom and truth. These themes contribute to the overarching claim of the thesis that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity. iii iv To my teachers, in all of their guises. v vi - ACKNOWLEDGEMENTS - I would like to thank the AHRC for generously funding my PhD, as well as my earlier postgraduate study. The support of the association has provided the basis for a postgraduate experience filled with resources and academic opportunities, for which I am incredibly grateful. I would like to congratulate my supervisor, Dr Stephen Forcer, for having put up with me for almost a decade, and thank him for his indefatiguable support during my journey through higher education. I am also grateful to the French Department for providing me with books, students, and a stimulating academic environment in which to work. My thanks and sympathies go to my parents for their moral support throughout my studies, for their willingness to be test subjects for my teaching, writing, and ideas in general. Thank you more fundamentally for instilling my incurable appetite for learning in the first place. Finally I wish to thank my husband Garfield, who has been a constant source of love and encouragement every step of the way. Publications from this thesis: Chapter One is published in part as ‘Designing Identity: Sophie Taeuber, Dada, and the (Re)Construction of the Fragmented Self’, in Desearch, issue 3 (2013). Chapter Two is published in part and in altered form as ‘The Sound(track) of Silence: Hearing Things in Dada Film’, in HARTS & Minds, vol. 1.4 (Spring 2014). vii viii - TABLE OF CONTENTS - Page - Introduction - 1 ‘Je me révolte, donc nous sommes’ ‘Dada and Existentialism’ 1 Dada through Existentialism: Structuring the Thesis 5 Common Ground 15 Limitations and Boundaries 17 Situating the Thesis 24 The Ambiguity of Authenticity 31 - Chapter One - 35 Me, Myself and I: Choice and Individuality in the Many Masks of Dada Art in Society, Art and Life 35 Portraits and Playthings: Constructing the Dada Head 43 Puppet, Poupée, Puppen: Manipulating the Human Figure 54 Fabric Faces and Musical Mimesis: Performing the Mask 65 Conclusion 76 - Chapter Two - 93 ‘How am I not myself?’ Alienation and Reality in Dada Film Tempor(e)ality and Alienation 93 Filtering Reality 96 Emerging Realities: Dreams and (Mis-)Remembering 105 Merging Realities: The Superimposition of Time and Space 119 Coexisting Realities: Tactility and the Sound of Silence 127 Conclusion 135 - Chapter Three - 139 Barrès vs Meursault: Responsibility and Justice in the Dada Literary Event ‘L’homme est pleinement responsable’ 139 Against Without For the Accused 143 ‘Attentat à la sûreté de l’esprit’ 148 The Witnesses 158 Systematic Societies and Individual Ethics 171 Conclusion 175 ix - Chapter Four - 181 Censorship and Freedom: ‘Comment je suis devenu charmant, sympathique et délicieux’ Freedom and Exile 183 (Always al)Readymades and Objets (re)trouvés 188 (Anti-)Altercations with Authority 203 What’s New About Neo-Dada? 211 Conclusion 221 - Chapter Five - 233 Truth and Travesties: The Telling and Retelling of Dada (Hi)Stories Truth and Lies, Faith and Disguise 238 Memoirs of (a) Dada, or, the Importance of Being…Tzara 243 Diaries and Journals: Documenting the Self 255 Manifestos, Morals and Mindsets 264 Conclusion 270 - Conclusion - 277 ‘Essayons d’assumer notre fondamentale ambiguïté’ Dada and Existentialism: A Compatible Comparison? 281 Contribution to the Field and Areas for Futher Research 292 The Authenticity of Ambiguity 296 - Bibliography - 301 x - LIST OF ILLUSTRATIONS - Figure Page 1 Dada-Kopf (Portrait of Hans Arp) 82 Sophie Taeuber, 1918 2 Dada-Kopf 82 Sophie Taeuber, 1920 3 Assemblage on a Hand Mirror 83 Kurt Schwitters, 1920/1922 4 Mechanischer Kopf (Der Geist unserer Zeit) 84 Raoul Hausmann, 1919 5 Hugo Ball Reciting his Sound Poem 85 1916 6-13 König Hirsch Puppets 86-87 Sophie Taeuber, 1918 14 Dada Puppen 88 Hannah Höch, 1916 15 Masked Dada Dancer 89 Costume by Marcel Janco and Jean/Hans Arp, 1916 16 Sophie Taeuber and Erika Schlegel Wearing ‘Hopi Indian’ Costumes 90 Costumes by Sophie Taeuber, 1918-1920 17-18 Self-Portrait with Dada Kopf: 1, 2 91 Sophie Taeuber, 1920, 1926 19-20 Noire et blanche: 1, 2 92 Man Ray, 1926 21 Fountain 226 Marcel Duchamp, 1917 xi 22 Cadeau 227 Man Ray, 1921 23 Indestructible Object (or Object to be Destroyed) 228 Man Ray, 1923 24 Merzbild 1A Der Irrenarzt 229 Kurt Schwitters, 1919 25 Erased de Kooning Drawing 230 Robert Rauschenberg, 1953 26 I Can See the Whole Room…and there’s Nobody in It! 231 Roy Lichtenstein, 1961 27 Étant donnés 232 Marcel Duchamp, 1946-1966 28 The Surgeon and the Photographer 300 Geoffrey Farmer, 2009-2013 All images reproduced in this thesis are done so under the assumption of fair use, for educational, non-commercial purposes. xii - LIST OF ABBREVIATIONS AND CONVENTIONS - For reasons of space as well as ease of identification, several frequently occurring core primary texts will be abbreviated as follows: AA Dada Art and Anti-Art, Hans Richter. First published 1964 (German). AB L’Affaire Barrès, Marguerite Bonnet. 1987 collated text of 1921 Barrès trial. D Dada, 1917-1921, Zurich and Paris. References followed by issue number. DE ‘Dada and Existentialism’, Richard Huelsenbeck, essay first published in Willy Verkauf, Dada: Monograph of a Movement (1957). Here cited from Memoirs of a Dada Drummer (1974 [1969]). E L’Étranger, Albert Camus. First published 1942. EH L’Existentialisme est un humanisme, Jean-Paul Sartre. First published 1946. EN L’Être et le néant: Essai d’ontologie phénoménologique, Sartre. First published 1943. FT Flight out of Time: A Dada Diary, Hugo Ball. First published 1927 (German). HC Huis Clos, Sartre. First published 1947. HR L’Homme révolté, Camus. First published 1951. L Littérature, 1919-1924, Paris. References followed by issue number. MA Pour une morale de l’ambiguïté, Simone de Beauvoir. First published 1947. MS Le Mythe de Sisyphe, Camus. First published 1942. N La Nausée, Sartre. First published 1938. P La Peste, Camus. First published 1947. PP Phénoménologie de la perception, Maurice Merleau-Ponty. First published 1945. T Travesties, Tom Stoppard. First performed 10 June 1974. ZC ‘Zurich Chronicle’, Tristan Tzara, first published in Richard Huelsenbeck, Dada Almanach (1920) (French). Wherever possible, art works will be referred to in the language of their original titles. Where originals are not in English or French, translations will be provided in brackets. xiii xiv - INTRODUCTION - ‘JE ME REVOLTE, DONC NOUS SOMMES’ Dada, in other words, is but one symptom in the great spiritual revolt of our time. It may be called the existential revolt, for all its elements can be understood through human existence, by means of psychology. (DE: 146) More and more people are going to psychoanalysts, because they doubt the meaning and value of life, because they live in an ‘existential vacuum’. (AA: 204) ‘Dada and Existentialism’ When Richard Huelsenbeck posited Dada as an Existentialist phenomenon in 1957, he expressed a feeling that had been relatively unexplored critically but that had existed as an undercurrent in the movement since its beginnings: Dada not only had philosophical content, but also could be used constructively as both a commentary on, and a positive, productive analysis of, the human condition. A movement that appeared to proclaim loudly the death of all values, Dada advocated revolt beyond simple nihilism. The Dada rebel, like Albert Camus’s rebel, is ‘[u]n homme qui dit non’, but ‘s’il refuse, il ne renonce pas: c’est aussi un homme qui dit oui, dès son premier mouvement’ (HR: 27). Like Camus’s delineation of the rebel, Huelsenbeck underlines that ‘[t]he fact that the Dadaists said no was less important than the manner in which they said it’ (DE: 144). Huelsenbeck’s essay presents Dada, post facto, as a self-aware movement that increasingly drew near (in retrospect) to French Existentialism, stating that ‘[i]t was that absolute audacity which brought Dadaism so close to existentialism in those days’ (DE: 145).
Recommended publications
  • Year Ends with Even More Turmoil COVER STORY Protests for Racial Justice Spin out of Control, Rocking the Revere Community and the World

    Year Ends with Even More Turmoil COVER STORY Protests for Racial Justice Spin out of Control, Rocking the Revere Community and the World

    Paul Revere Charter Middle School and Magnet Center Friday, June 5, 2020 Volume 64, Issue 4 Year Ends With Even More Turmoil COVER STORY Protests for racial justice spin out of control, rocking the Revere community and the world. By NICO TROEDSSON On May 25, 2020, George Floyd, a 46-year-old African American man, died in Minne- apolis, Minnesota after a white officer knelt on George Floyd’s neck for over eight minutes, kill- ing him. Cellphone footage of this incident went viral, sparking protests across the U.S. where people came together in the hopes of ending police brutali- ty and the racial inequality that has infected some members of the police force. Some of these peaceful protests devolved into The National Guard protects the Seventh grader Anna Song studies on Zoom. Photo: Mary Shannon anarchy, as looters attacked Palisades Village. Photo: Arik Kraft small local businesses as well as big corporate shops, started fires, via Schoology to notify students and destroyed many neighbor- of the change: “Based on the Revere Perseveres hoods. current social issues affecting Faced with the school’s sudden closure, The civil unrest in Los An- the Westside of Los Angeles, we geles county has affected many will be canceling the Textbook/ Patriots make the switch to remote learning. Paul Revere students on many iPad collection, Locker clean out levels. Due to the chaos and vi- for the week of June 1st. We will By ARIK KRAFT olence in the streets, the school send you out the new schedule No one really knew on Friday the 13th of March that when has had to rethink end of the year tomorrow for collection.
  • Spiritual Ecology: on the Way to Ecological Existentialism

    Spiritual Ecology: on the Way to Ecological Existentialism

    religions Article Spiritual Ecology: On the Way to Ecological Existentialism Sam Mickey Theology and Religious Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Received: 17 September 2020; Accepted: 29 October 2020; Published: 4 November 2020 Abstract: Spiritual ecology is closely related to inquiries into religion and ecology, religion and nature, and religious environmentalism. This article presents considerations of the unique possibilities afforded by the idea of spiritual ecology. On one hand, these possibilities include problematic tendencies in some strands of contemporary spirituality, including anti-intellectualism, a lack of sociopolitical engagement, and complicity in a sense of happiness that is captured by capitalist enclosures and consumerist desires. On the other hand, spiritual ecology promises to involve an existential commitment to solidarity with nonhumans, and it gestures toward ways of knowing and interacting that are more inclusive than what is typically conveyed by the term “religion.” Much work on spiritual ecology is broadly pluralistic, leaving open the question of how to discern the difference between better and worse forms of spiritual ecology. This article affirms that pluralism while also distinguishing between the anti-intellectual, individualistic, and capitalistic possibilities of spiritual ecology from varieties of spiritual ecology that are on the way to what can be described as ecological existentialism or coexistentialism. Keywords: spirituality; existentialism; ecology; animism; pluralism; knowledge 1. Introduction Spiritual ecology, broadly conceived, refers to ways that individuals and communities orient their thinking, feeling, and acting in response to the intersection of religions and spiritualities with ecology, nature, and environmentalism. There are other ways of referring to this topic.
  • Pattern Discrimination PATTERN

    Pattern Discrimination PATTERN

    Apprich, Chun, Cramer, Steyerl Pattern Discrimination Pattern PATTERN DISCRIMINATION APPRICH CHUN CRAMER STEYERL Pattern Discrimination IN SEARCH OF MEDIA Götz Bachman, Timon Beyes, Mercedes Bunz, and Wendy Hui Kyong Chun, Series Editors Communication Machine Markets Pattern Discrimination Remain Pattern Discrimination Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer, and Hito Steyerl IN SEARCH OF MEDIA University of Minnesota Press Minneapolis London meson press In Search of Media is a joint collaboration between meson press and the University of Minnesota Press. Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche Nationalbibliografie (German National Bibliography); detailed bibliographic information is available online at portal.d-nb.de. Published in 2018 by meson press (Lüneburg, Germany ) in collaboration with the University of Minnesota Press (Minneapolis, USA). Design concept: Torsten Köchlin, Silke Krieg Cover image: Sascha Pohflepp ISBN (PDF): 978-3-95796-145-7 DOI: 10.14619/1457 The digital edition of this publication can be downloaded freely at: meson.press. The print edition is available from University of Minnesota Press at: www.upress.umn.edu. This Publication is licensed under CC-BY-NC-4.0 International. To view a copy of this license, visit: creativecommons.org/ licenses/by-nc/4.0/ Contents Series Foreword vii Introduction ix Clemens Apprich [ 1 ] A Sea of Data: Pattern Recognition and Corporate Animism (Forked Version) 1 Hito Steyerl [ 2 ] Crapularity Hermeneutics: Interpretation as the Blind Spot of Analytics, Artificial Intelligence, and Other Algorithmic Producers of the Postapocalyptic Present 23 Florian Cramer [ 3 ] Queerying Homophily 59 Wendy Hui Kyong Chun [ 4 ] Data Paranoia: How to Make Sense of Pattern Discrimination 99 Clemens Apprich Authors 123 Series Foreword “Media determine our situation,” Friedrich Kittler infamously wrote in his Introduction to Gramophone, Film, Typewriter.
  • The Existentialism of Martin Buber and Implications for Education

    The Existentialism of Martin Buber and Implications for Education

    This dissertation has been microfilmed exactly as received 69-4919 KINER, Edward David, 1939- THE EXISTENTIALISM OF MARTIN BUBER AND IMPLICATIONS FOR EDUCATION. The Ohio State University, Ph.D., 1968 Education, general University Microfilms, Inc., Ann Arbor, Michigan THE EXISTENTIALISM OF MARTIN BUBER AND IMPLICATIONS FOR EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward David Kiner, B.A., M.A. ####*### The Ohio State University 1968 Approved by Adviser College of Education This thesis is dedicated to significant others, to warm, vital, concerned people Who have meant much to me and have helped me achieve my self, To people whose lives and beings have manifested "glimpses" of the Eternal Thou, To my wife, Sharyn, and my children, Seth and Debra. VITA February 14* 1939 Born - Cleveland, Ohio 1961......... B.A. Western Reserve University April, 1965..... M.A. Hebrew Union College Jewish Institute of Religion June, 1965...... Ordained a Rabbi 1965-1968........ Assistant Rabbi, Temple Israel, Columbus, Ohio 1967-1968...... Director of Religious Education, Columbus, Ohio FIELDS OF STUDY Major Field: Philosophy of Education Studies in Philosophy of Education, Dr. Everett J. Kircher Studies in Curriculum, Dr. Alexander Frazier Studies in Philosophy, Dr. Marvin Fox ill TABLE OF CONTENTS Page DEDICATION............................................. ii VITA ................................................... iii INTRODUCTION............................ 1 Chapter I. AN INTRODUCTION TO MARTIN BUBER'S THOUGHT....... 6 Philosophical Anthropology I And Thou Martin Buber and Hasidism Buber and Existentialism Conclusion II. EPISTEMOLOGY . 30 Truth Past and Present I-It Knowledge Thinking Philosophy I-Thou Knowledge Complemented by I-It Living Truth Buber as an Ebdstentialist-Intuitionist Implications for Education A Major Problem Education, Inclusion, and the Problem of Criterion Conclusion III.
  • Assessing Electronic Voice Phenomena Through Speech Science Cassie C

    Assessing Electronic Voice Phenomena Through Speech Science Cassie C

    Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 2017 Assessing Electronic Voice Phenomena through Speech Science Cassie C. Axtell Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Axtell, Cassie C., "Assessing Electronic Voice Phenomena through Speech Science" (2017). Honors Theses. 415. https://encompass.eku.edu/honors_theses/415 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i EASTERN KENTUCKY UNIVERSITY Assessment of Electronic Voice Phenomena through Speech Science Honors Thesis Submitted In Partial Fulfillment of the Requirements of HON 420 Spring 2017 By Cassie Axtell Mentor Dr. Charlotte Hubbard Department of Special Education ii Assessment of Electronic Voice Phenomena through Speech Science Cassie Axtell Dr. Charlotte Hubbard; Department of Special Education Abstract Electronic Voice Phenomena (EVP) are unexplained voices captured on audio recording, allegedly paranormal in nature (Buckner & Buckner, 2012). Little research exists on listener’s perception of EVPs to date. The field of speech science involves the study of the production, transmission, and perception of human speech. Many concrete elements from the study of speech science have the potential to be applied to the interpretation of EVP content. Several works of literature were reviewed to assess current EVP analysis practices Interviews were conducted with various paranormal investigation societies across the nation to gather information on the general practices involved in EVP collection, analysis, interpretation, and use.
  • Poetics History February 2021

    Poetics History February 2021

    Stanford Workshop in Poetics Faculty Chair: Marisa Galvez Graduate Coordinator: Lorenzo Bartolucci The Workshop in Poetics was founded in 2007 by Professors Roland Greene and Nicholas Jenkins and has met regularly ever since. Its core members are about twenty graduate students and several members of the Stanford faculty. Everyone is welcome. The workshop’s main purpose is to offer Ph.D. students a place to present their work in progress in a community of peers and faculty. Not bound by language or period, the group has discussed most of the literatures studied at Stanford. The workshop’s events follow several formats. The most common format is a discussion of work in progress by either a member of the group or a visiting speaker; for these events, the paper under discussion is circulated in advance. Some events concern the state of the field, identifying a topic or issue or a recent book for general discussion, often introduced by the author. A third category deals with neglected classics in poetics, usually books or articles that once were widely known and are still important but that are now seldom found in curricula or criticism. In the history below, each event is designated work in progress [WP], state of the field [SF], or lost classic [LC]. Student members find the workshop especially useful because it augments their coursework and dissertation writing with fresh perspectives and an attentive, often challenging community of interlocutors. Many advanced dissertations in the group have been discussed in two meetings, and in principle nearly every chapter by a member can find an occasion to be presented.
  • HARD FACTS and SOFT SPECULATION Thierry De Duve

    HARD FACTS and SOFT SPECULATION Thierry De Duve

    THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION Thierry de Duve ABSTRACT Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions (attribution, etc.) and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. KEYWORDS, Readymade, Fountain, Independents, Stieglitz, Sanitary pottery Then the smell of wet glue! Mentally I was not spelling art with a capital A. — Beatrice Wood1 No doubt, Marcel Duchamp’s best known and most controversial readymade is a men’s urinal tipped on its side, signed R. Mutt, dated 1917, and titled Fountain. The 2017 centennial of Fountain brought us a harvest of new books and articles on the famous or infamous urinal. I read most of them in the hope of gleaning enough newly verified facts to curtail my natural tendency to speculate. But newly verified facts are few and far between.
  • 16: the Up-And-Coming Metro Phoenix Bands to Watch This Year

    16: the Up-And-Coming Metro Phoenix Bands to Watch This Year

    1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16­for­16­the­up­and­coming­metro­phoenix­bands­to­watch­this­year­8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you.
  • Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966

    Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966

    Cleveland State University EngagedScholarship@CSU ETD Archive 2010 The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966 Dana Aritonovich Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the History Commons How does access to this work benefit ou?y Let us know! Recommended Citation Aritonovich, Dana, "The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966" (2010). ETD Archive. 714. https://engagedscholarship.csuohio.edu/etdarchive/714 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH Bachelor of Arts in Communications Lake Erie College May, 2006 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2010 This thesis has been approved for the Department of HISTORY and the College of Graduate Studies by _____________________________________________ Thesis Chairperson, Dr. Karen Sotiropoulos ___________________________ Department & Date _____________________________________________ Dr. David Goldberg ___________________________ Department & Date _____________________________________________ Dr. Thomas Humphrey ___________________________ Department & Date THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH ABSTRACT This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966.
  • La Representación De La Visión En El Cine De Los Surrealistas

    La Representación De La Visión En El Cine De Los Surrealistas

    Máster en Estudios Comparados de Literatura, Arte y Pensamiento Iniciación a la investigación La representación de la visión en el cine de los surrealistas Ainamar Clariana Rodagut Directora de la investigación: Dra. Victoria Cirlot Curso 2011-2012 3 de septiembre de 2012 1 ÍNDICE Introducción...................................................................................................................................3 1. El cine de los surrealistas................................................................................................11 1. 1 Contexto.....................................................................................................................11 1.2 La experiencia de los surrealistas: el cine como sueño........................................13 1.3 El cine surrealista como transgresión....................................................................17 1.4 La imposibilidad de un cine surrealista..................................................................17 1.5 Diversas formas de tratar la relación entre surrealismo y cine..........................18 1.6 La obra de cada autor y los elementos surrealistas..............................................25 1.7 El sueño surrealista: liberar al espectador a través del cine................................26 1.8 La práctica subversiva y el discurso narrativo.......................................................28 1.9 Conclusión.................................................................................................................29 2. Emak Bakia........................................................................................................................31
  • Gce History of Art Major Modern Art Movements

    Gce History of Art Major Modern Art Movements

    FACTFILE: GCE HISTORY OF ART MAJOR MODERN ART MOVEMENTS Major Modern Art Movements Key words Overview New types of art; collage, assemblage, kinetic, The range of Major Modern Art Movements is photography, land art, earthworks, performance art. extensive. There are over 100 known art movements and information on a selected range of the better Use of new materials; found objects, ephemeral known art movements in modern times is provided materials, junk, readymades and everyday items. below. The influence of one art movement upon Expressive use of colour particularly in; another can be seen in the definitions as twentieth Impressionism, Post Impressionism, Fauvism, century art which became known as a time of ‘isms’. Cubism, Expressionism, and colour field painting. New Techniques; Pointilism, automatic drawing, frottage, action painting, Pop Art, Neo-Impressionism, Synthesism, Kinetic Art, Neo-Dada and Op Art. 1 FACTFILE: GCE HISTORY OF ART / MAJOR MODERN ART MOVEMENTS The Making of Modern Art The Nine most influential Art Movements to impact Cubism (fl. 1908–14) on Modern Art; Primarily practised in painting and originating (1) Impressionism; in Paris c.1907, Cubism saw artists employing (2) Fauvism; an analytic vision based on fragmentation and multiple viewpoints. It was like a deconstructing of (3) Cubism; the subject and came as a rejection of Renaissance- (4) Futurism; inspired linear perspective and rounded volumes. The two main artists practising Cubism were Pablo (5) Expressionism; Picasso and Georges Braque, in two variants (6) Dada; ‘Analytical Cubism’ and ‘Synthetic Cubism’. This movement was to influence abstract art for the (7) Surrealism; next 50 years with the emergence of the flat (8) Abstract Expressionism; picture plane and an alternative to conventional perspective.
  • Development of a Literary Dispositif

    Development of a Literary Dispositif

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-5-2018 Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso Anna Ciamparella Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the African American Studies Commons, American Literature Commons, Comparative Literature Commons, Ethnic Studies Commons, European Languages and Societies Commons, French and Francophone Language and Literature Commons, Italian Language and Literature Commons, and the Literature in English, North America Commons Recommended Citation Ciamparella, Anna, "Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso" (2018). LSU Doctoral Dissertations. 4563. https://digitalcommons.lsu.edu/gradschool_dissertations/4563 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPMENT OF A LITERARY DISPOSITIF: CONVENING DIASPORAN, BLUES, AND COSMOPOLITAN LINES OF INQUIRY TO REVEAL THE CULTURAL DIALOGUE AMONG GIUSEPPE UNGARETTI, LANGSTON HUGHES, AND ANTONIO D’ALFONSO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdisciplinary Program in Comparative Literature by Anna Ciamparella M.A.