European Parliament

Total Page：16

File Type：pdf, Size：1020Kb

EUROPEAN PARLIAMENT DELEGATION FOR RELATIONS WITH THE PEOPLE'S REPUBLIC OF CHINA 22nd EU/CHINA INTERPARLIAMENTARY MEETING Brussels/Antwerp Draft Programme Sunday 9 October arrival of delegation in Brussels Hotel Renaissance Rue du Parnasse 1050 Brussels (Ixelles) Belgium Tel: +32 (2) 505 2929 Fax: +32 (2) 505 2555 [email protected] Monday 10 October free morning 14h45 depart hotel for European Parliament Met by Mr Dirk Sterckx, Chair of the Delegation for Relations with the People's Republic of China 15h00 ALDE group bilateral meeting Altiero Spinelli building, Room A1G2 Tel : +32 2 284 8366 18h30 Return to hotel 19h15 Depart hotel for 19h30 Dinner hosted by Mr Dirk STERCKX, Chair of the Delegation for Relations with the People's Republic of China La Maison du Cygne Rue Charles Buls (Grand Place) 2 1000 Brussels Belgium Tel. +32 (2) 511 8244 Fax. +32 (2) 514 3148 21/09/05 Tuesday 11 October 2005 09h00 depart hotel 09h30 First working session 22nd EP/China Interparliamentary meeting Altiero Spinelli building, Room A1G2 Tel : +32 (2) 284 8366 13h00 Lunch hosted by Mr. Josep Borrell Fontelles, President of the European Parliament, President's Dining Room 12th floor, Paul-Henri Spaak building 15h00 Second working session 22nd EP/China Interparliamentary Meeting Altiero Spinelli building Room A1G2 Tel : +32 (2) 284 8366 18h30 depart for hotel 19h10 depart hotel for private dinner at embassy 21h00 return to hotel 21/09/05 Wednesday 12 October 07.30 Departure from Hotel, accompanied by Mr Mr Dirk Sterckx, Chair of the Delegation for Relations with the People's Republic of China 08.30 Breakfast meeting at and visit of Barry Callebaut, world's leading manufacturer of high-quality cocoa and chocolate products. Large chocolate factory in Belgium. · hosted by CEO Mr Patrick De Maeseneire · in the presence of the Governor of East-Flanders, André Denys 10.00-10.30 Bus leaves for Bruges 11.00 Arrival at Bruges 11.15 Reception in the town hall of Bruges · Welcome by the Elderman Yves Roose and reception offered by the Mayor and local authorities of Bruges · guided tour by Mr. M. Mosar, head of protocol of Bruges 12.15 A walk to the historical centre to the restaurant Duc de Bourgogne 12.30 Lunch in the historic Hotel-restaurant Duc de Bourgogne in the old town centre of Bruges 14.15 Boat trip on Bruges canals 15.00 Leaving Bruges for Antwerp 16.30 Visit of the Fashion museum Antwerpen · visit of the exhibition Europalia Rusland · active role of Flanders Fashion Institute · time to discuss textile issues 18.00 Departure for the Port of Antwerp 18.30 Welcome drinks and dinner on a boat that goes around the port. 22.00 Return to Brussels 21/09/05 Thursday 13 October 08h30 Depart hotel for European Parliament 09h00 EPP-ED group bilateral meeting 09h30 PES group bilateral meeting 10h15 GUE group bilateral meeting Altiero Spinelli building Room A5G-2 Tel : +32 2 284 8371 11h00 Attendance in diplomatic tribune for European Parliament session Welcome from the chair 11h40 Depart for restaurant (Chinese delegation only) La Grande Muraille Place Eugène Simonis 16 1081 Bruxelles (Koekelberg) Tel. +32 (2) 426 1645 Fax. +32 (2) 428 0683 13h15 Arrive airport 14h40 departure flight OK4639/SN 2811 to Prague 21/09/05.

Copy Link

Recommended publications

Conserving Victor Horta's Work in Brussel
Table of Contents List of Illustrations 2 Introduction 4 Chapter 1: Attitudes to Conservation in Brussels 6 1.1 - History of Conservation in Belgium 6 1.2 - Belgian Conservation Legislation 8 1.3 - ‘Brusselisation’ 9 Chapter 2: The Sociocultural Value of Art Nouveau 10 2.1 - Historical Value 10 2.2 - Cultural and Symbolic Value 12 2.3 - Aesthetic Value 14 Chapter 3: Economic Value of the Conservation of Art Nouveau 16 3.1 - The Cost of Conservation of a Horta Property 16 3.2 - Economic Value of a Restored House 19 Conclusions 20 Glossary of Terms 22 Appendix 23 Horta’s Most Influential Works 23 An Insight into Horta - Interview with Françoise Aubry 25 Bibliography 27 1 List of Illustrations Figure 1. Hôtel Tassel - Entrance Hall [Photograph] by: Jean and Rene Delhaye. Taken from: Horta the Ultimate Art Nouveau Architect (Aubry, et al., 2005) Figure 2. Hôtel Tassel – Front Façade [Photograph] by: Arco Ardon. Taken from: Flickr.com – Arco Ardon -Brussels (2009) Figure 3. Palais Stoclet [Photograph] by: Jean-Pol Grandmont. Taken from: Hoffmann, Brussels (2005) Figure 4. Brussels Skyline – Haphazard Placement of High Rise Buildings [Photograph] by: Erasmushogeschool. Taken from: Flickr.com – Skyline Brussels (2009) Figure 5a. Maison de Peuple [Photograph] by: Moicani. Taken from: moicani.over-blog.com (2013) Figure 5b. The Sablon Tower [Photograph] by: Knight Frank. Taken from: Knightfrank.co.uk (Unknown) Figure 6. Hôtel Tassel - Capital of an iron 'tree' column [Photograph] by: Jean and Rene Delhaye. Taken from: Horta the Ultimate Art Nouveau Architect (Aubry, et al., 2005) Figure 7. Barcelona Pavilion Structure [Photograph] by: Claudio Divizia.
[Show full text]
Walter Sauer 1889-1927
Walter Sauer 1889-1927 Révêrie Fusain et pastelsur papier signé et daté 1919 en bas à droite Dimensions : 53,4 x 14,3 cm Dimensions : 20.87 x 5.51 inch 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Walter Sauer 1889-1927 Biography Born in 1889 Saint-Gilles (Brussels), Walter Sauer was a Belgian draftsman, painter and engraver. He studied at the Academy of Fine Arts in Brussels, and in Constant Montald's class of decorative painting from 1906 to 1907, where he won a first prize for decorative composition. At this time, Sauer met Murakami, a Japanese man who owned an antique shop and introduced him to the art of Japanese prints and calligraphy. In 1911, thanks to a scholarship obtained with the Charles Buls Foundation, he traveled through France (Paris, Lyon, Marseille) and Italy. On his return to Belgium, he studied for the academic year 1911-1912 modeling courses of ancient figures and finally decided to devote himself to drawing and painting. Walter Sauer took part in the annual Salon de la Libre Esthétique in 1914, as well as at the Triennial Salon in Brussels for which he created a large decorative painting. He won the second prize in the Godecharle contest with the work "L'Atlantide". His fragile health led the artist to devote himself gradually to drawing. He thus drew many feminine nudes, the woman being at the center of his work. He exhibited at many " Salon du Nu " in Belgium and several personal exhibitions were devoted to him especially in Brussels in 1919 and in Ghent in 1920.
[Show full text]
Dossier DE STRAAT ANDERS BEKEKEN
December 2019 | Nr 032 Dossier DE STRAAT ANDERS BEKEKEN Varia ALEXIS DUMONT SAINTVERHAEGEN DE STRAAT GEZIEN DOOR KUNSTENAARS VAN HET EINDE DOSSIER VAN DE 19DE EEUW KUNST IN ALLES EN KUNST VOOR IEDEREEN CÉLINE CHÉRON KUNSTHISTORICA EN STEDENBOUWKUNDIGE De elektriciteitsmast van de Lalaing, een voorbeeld van kunst in de publieke ruimte (foto van de auteur). 078 Rond het einde van de 19de en het begin van de 20ste eeuw werd het straatbeeld in sterke mate bepaald door een grote aandacht voor de esthetisering van de stad. De aanleg van straten, hun tracé, gebouwen, aanplantingen en straatmeubilair, alles werd onderworpen aan een esthetisch onderzoek. Er werd volop geëxperimenteerd met lijnen, vormen, NOOT DE VAN REDACTIE materialen en technieken. De straat werd ook als drager beschouwd voor kunst in het publieke domein. Ze is de plaats, de ruimte waar een voor iedereen toegankelijke kunst zich kan ontplooien. Kunst in de straat was het resultaat van decennialang experimenteren op het vlak van kunst, architectuur en stedenbouw, een periode waarin men probeerde kunst en esthetische principes te integreren in alle facetten van het dagelijkse leven. Créer une émulation entre les artistes, en traçant une voie pratique où leurs travaux s’inspirent de l’intérêt général ; Revêtir d’une forme artistique tout ce qui se rattache à la vie publique contemporaine ; Transformer les rues en musées In Brussel bogen tal van politici, strijden die tussen 1872 en 1915 pittoresques constituant des éléments openbare besturen, burgers, archi- werden georganiseerd een stimu- variés d’éducation pour le peuple ; Rendre à l’art sa mission sociale tecten, kunstenaars en ambachtslui lans vormden voor de kwaliteit van d’autrefois, en l’appliquant à l’Idée zich over de kwestie van de verfraai- nieuwe wijken.
[Show full text]
'Soldiers for a Joint Cause'
bmgn - Low Countries Historical Review | Volume 130-1 (2015) | pp. 4-24 ‘Soldiers for a Joint Cause’ A Relational Perspective on Local and International Educational 1 Leagues and Associations in the 1860s carmen van praet and christophe verbruggen Between 1819 and 1830, the Dutch moral reform society Maatschappij tot Nut van ’t Algemeen [Society for Public Welfare] failed to establish any long-lasting local branches in the Catholic southern part of the Netherlands. Thirty years later, an upsurge in the number of international social reform congresses rekindled the desire to establish southern sister organizations. In this article, Carmen Van Praet and Christophe Verbruggen argue that the congresses of the International Social Science Association (issa) from 1862 to 1865 played a vital role in bringing together intermediaries from across Europe. These international congresses offered a transnational space where attendees not only exchanged information about social reform experiments, but also contributed to the dissemination of association structures. During the Amsterdam congress of the issa in 1864, the principal Belgian advocates of secular education were strongly influenced by contacts with the advocates of Tot Nut. Shortly after this contact, the Belgian Ligue de l’Enseignement, an association aimed at improving education and establishing public libraries, was founded and was modelled on the associational structure of Tot Nut. The Ligue also maintained contacts with other single and multi-issue European organizations, resulting in an educational reform network of sibling associations. ‘Bondgenoten in de strijd’. Een relationele benadering van lokale en internationale onderwijsverenigingen in de jaren 1860 De Maatschappij tot Nut van ’t Algemeen slaagde er in de periode van het Verenigd Koninkrijk der Nederlanden (1815-1830) niet in om duurzame afdelingen te vestigen in het katholieke Zuiden.
[Show full text]
Experiences of Failure by Local Activists of the Belgian Education League (C
Christina Reimann 5Putting the RuralWorld on the Road of Progress? Experiences of Failure by Local Activists of the Belgian Education League (c. 1865–1884) “Just as last year,our circle is sleeping”,wroteaneducation activist from the small town of Veurne in West Flanders, in aletter to the General Council of the Belgian Ligue de l’Enseignement (‘Education League’)inBrussels.¹ This was the type of messagethatCharles Buls (1837–1914), secretary general of the BelgianEducation League, read often ever since his association had begun to found branches in different localities all over the country.However,many local circles knew of ashortperiod of enthusiasm and vibrant activity that found expression in their earlymessages to the centre. So did the branch in Veurne.InFebruary 1869, shortlybefore his announcement of the “sleeping cir- cle”,the correspondent in Veurne had reported on avery successful public semi- nar in town, which had taken place on aSundayand attracted abig audience. He enthusiasticallyset about expanding the local circle’sactivities from Veurne to the countryside.² This spatial expansion was exactlywhat the founders of the Belgian Education League, Charles Buls and otherfreethinkers from Brussels, had had in mind when they setupthe association in 1865. Members living in the same localitywereencouraged to createlocal circles to “initiate discussions” about education reform and “servethe League’sinterests” in the provinces while regularlyreporting to the General Council in Brussels.³ In aletter to alocal circle in 1866,Buls claimed that his “biggest desire” was the League’sdecentralisation and its local members’ participation.⁴ By building up astructure of local associ- ations, the Belgian ligueurs followed theirmodel organisation, the Dutch Maat- M.
[Show full text]
19 & 20 Sept. 2020
heritage days 19 & 20 SEPT. 2020 urban.brussels new administration. new horizon. architecture and culture for the city. urbanism heritage urban renovation contemporary architecture urban.brussels (Brussels Urbanism & Heritage) is an administrative body in the Brussels Capital Region. It supports territorial development by implementing regional policies relating to urban development, cultural heritage and urban revitalisation. urban.brussels organises and coordinates a large number of public awareness campaigns concerning heritage and contemporary architecture. In addition, urban.brussels awards subsidies and grants for home renovation, facade embellishment and the restoration of heritage. urban.brussels also provides legal advice related, among other things, to the Brussels Land Management Code (CoBAT) and the Regional Urban Development Regulations (RRU). To accomplish this, urban.brussels offers a broad range of expertise, particularly in the fields of architecture, history, documentation and regulations, in order to optimise its response to citizens’ and users’ expectations. The Urbanism Directorate The Cultural Heritage Directorate The Urban Renovation Directorate The Knowledge & Communication Directorate The Legal Affairs Directorate The Staff & Organisation Directorate To carry out these tasks, urban.brussels urban.brussels tasks, these out carry To counts on a General Direction and six directorates: urban.brussels also hosts the secretariats of three independent bodies: the Royal Monuments and Sites Commission, the Urbanism College and the Environment College. urban.brussels mont des arts 10-13 1000 brussels +32 (0)2 432 83 00 [email protected] www.urban.brussels Legal deposit: D/2020/6860/009 heritage days / COLOR / 1 Over the years, the Heritage Days have become a highlight of the Brussels cultural events calendar, drawing thousands of visitors from Brussels, Wallonia, Flanders and further afield each September.
[Show full text]
19 & 20 Sept. 2020
journées du patrimoine 19 & 20 SEPT. 2020 urban.brussels new administration. new horizon. architecture and culture for the city. urbanisme patrimoine rénovation urbaine architecture contemporaine urban.brussels (Bruxelles Urbanisme & Patrimoine) est une administration de la Région de Bruxelles-Capitale qui a pour objectif de soutenir le développement territorial régional en matière d’urbanisme, de patrimoine culturel et de revita- lisation urbaine. urban.brussels organise et coordonne plusieurs initiatives permettant de sensi- biliser le public au patrimoine et à l’architecture contemporaine. En outre, urban.brussels octroie des primes et subsides à la rénovation de l’habitat, à l’embellissement des façades et à la restauration du patrimoine et assure des missions de conseil juridique liées, entre autres, au Code Bruxellois de l’Amé- nagement du Territoire (CoBAT) et au Règlement Régional d’Urbanisme (RRU). Pour ce faire, urban.brussels s’appuie sur une expertise interne importante, notam- ment dans les domaines de l’architecture, de l’histoire, de la documentation et de la réglementation, dans le but de répondre au mieux aux attentes des citoyens et des usagers. La Direction de l’Urbanisme La Direction du Patrimoine culturel La Direction de la Rénovation urbaine La Direction Connaissances & Communication : La Direction des Affaires juridiques La Direction Personnel & Organisation urban.brussels mène ces missions au au missions ces mène urban.brussels moyen de la Direction Générale et de ses six directions urban.brussels accueille également le secrétariat de trois organes indépendants : la Commission royale des Monuments et des Sites, le Collège d’urbanisme et le Collège d’environnement. urban.brussels mont des arts 10-13 1000 bruxelles +32 (0)2 432 83 00 [email protected] www.urban.brussels Dépôt légal : D/2020/6860/007 journées du patrimoine / COLOR / 1 Au fil des ans, les Journées du Patrimoine sont devenues le ren- dez-vous incontournable de la rentrée pour des milliers de visiteurs, qu’ils soient bruxellois, wallons, flamands ou étrangers.
[Show full text]
Living Marble Belgian Sculptors - 1800-1930 Living Marble Belgian Sculptors 1800-1930
LIVING MARBLE BELGIAN SCULPTORS - 1800-1930 LIVING MARBLE BELGIAN SCULPTORS 1800-1930 PAUL VERBR AEKEN ARTIMO BRUSSELS In appreciation of my parents Simona and Marcel Van Cauwenbergh, who showed me the way ARTIMO The letterhead of my art business ARTIMO depicts a gracious bust on the left, the right hand side is adorned with a precious time piece. In the past my activities were mainly concentrated on the knowledge of everything that had to do with the measurement of time, including jetlag. Now with the opening of my new gallery at the heart of Europe the sculptural element steps into the spotlight. The manner in which it does so, I believe I may call unique, both in terms of the location and the sculptures themselves. Two long-standing passions are at its origin: for decades I have bought sculptures that I traded, or kept, if they truly fascinated me. In this way a selection came about that then grew into a collection and a second passion, alongside the precious ticking clocks.With the restoration of the Art Nouveau building in Lebeau Street in Brussels, under the guidance of Monumentenzorg, the Belgian organization for the protection of monuments, the ideal platform for the presentation of the collection had arrived. This inauguration and exhibition LIVING MARBLE presents exclusive work by Belgian sculptors from the nineteenth and early twentieth centuries. Never before has it been possible in this country to see such a museum-standard collection, accompanied by a publication that contains both annotations and unique illustrations. I hope this ARTIMO initiative will contribute to a revaluation of sculptural art in general, and of Belgian sculpture from the period in particular.
[Show full text]
Tableau Chronologique De L'histoire De Bruxelles Dans Le Contexte Europe En
Tableau chronologique de l'Histoire de Bruxelles dans le contexte europe en Jean Heyblom historien 1 Chapitre 1 : Bruxelles du village à la ville constituée (10ème s. à la fin du 14ème s.) 1. Repères dans l'Histoire de l'Europe Fin 9ème s : Début de la féodalité en Europe 987 Hugues Capet (reg.987-996) élu roi de France (des Francs) c.1000 Début des grands pèlerinages (Saint-Jacques, Jérusalem, Rome) 1054 Séparation de l'Eglise orthodoxe de Constantinople et de l'Eglise catholique de Rome 1098 Fondation de l'abbaye de Cîteaux c.1050 Émergence du mouvement communal en Italie 1066 Guillaume le Conquérant s'empare de l'Angleterre 1088 Fondation de la première université à Bologne 1096 - 1099 Première croisade avec la prise de Jérusalem c.1100 : Apparition d'une corporation de tisserands à Mayence 1150-1300 Essor démographique (la population européenne passe de 50 à 73 millions) 1154-1189 Henri II Plantagenêt, roi d'Angleterre 1180-1223 Philippe II Auguste, roi de France 1189-1199 Richard Ier Cœur de Lion, roi d'Angleterre 1204 La quatrième croisade aboutit à la prise de Constantinople par les Croisés 1209 Fondation des Frères mineurs (les franciscains < saint François d'Assise), premier ordre mendiant, suivi bientôt par celui des Frères prêcheurs (les dominicains < saint Dominique) destinés à combattre les hérésies et spécialement celle des Cathares 1212 La "Reconquista" de la péninsule ibérique sur les Arabes est achevée (à l'exception de Grenade) 1214 (le 27 juillet) Bataille de Bouvines (région Hauts de France), victoire du roi de France
[Show full text]
2017-10-20 CP Visites Guidées EN
PRESS RELEASE Brussels, 20 October 2017 Discovering the secrets of Brussels' cemeteries What could be more original and unusual this autumn than exploring the past and immersing in the capital's history by visiting the cemeteries of Brussels? Veritable open air museums of funerary art where nature sometimes takes over, they are also the memory of Brussels. As historical and artistic sites, the cemeteries of Brussels represent a cultural asset often overlooked by visitors. Yet, beyond the beautiful monuments, they are the final resting places of many leading Belgian figures who have etched their names in Brussels' and Belgian history. In order to keep certain unusual sites from being forgotten, several organisations have decided to develop original guided tours there. From history and funerary art to the richness of the natural environment, curious visitors will learn the exciting stories of the people buried there. Aside from the existing guided tours available upon request, several public guided tours are conducted during the All Saints holiday period. Here's a sneak peek... In the footsteps and under the stones. Stories and legends of love and death... Ixelles cemetery is the dream setting for many surprising, funny, or moving stories. Our narrated stroll invites you to get to know the illustrious men and women at rest under the headstones through their life and accomplishments and to tell mischievous legends and interpret tales haunted by death in a fairytale atmosphere. Date: Sunday, 5 November 2017. In French. Also available (NL, FR, EN) year round upon request. Additional information: https://visit.brussels/en/event/Sur-les-pas-et-sous-les-pierres- Histoires-et-legendes-d-amour-et-de-mort The Foundry Trails: Brussels Cemetery A visit to the cemetery provides a unique look at the work of bronze smiths, especially those from the Compagnie des Bronzes.
[Show full text]
In Search of Identities: 'Foreigners' in Fin-De- Siècle Belgian Café-Concerts
. Volume 16, Issue 2 November 2019 In search of identities: ‘Foreigners’ in fin-de- siècle Belgian café-concerts Evelien Jonckheere, University of Antwerp, Belgium Abstract: This article reveals the substantial presence of all kinds of foreigners among the audiences in Belgian café-concerts and their position in ambitious urban and national politics in fin-de- siècle Belgian cities. Although ignored by academics for decades, Belgian fin-de-siècle café- concerts and their hedonistic atmosphere were highly influential, and even imitated, abroad. By combining quantitative and qualitative data from a wide range of research fields, it is possible to comprehend the café-concert and its audiences as transgressive identities, challenging concepts of social space, as well as nationalities, class and gender. By recognizing foreigners’ unique position in modern Belgian cities and also the café-concert as their favoured place for social encounters, new light is shed on the international community, urban economy, nationhood and modern identities. Keywords: Café-concert, International Audiences, Foreigners, Migration, Transgressive Identities, City Marketing, Urban Redevelopment, Global Trade, Belgium, Nationhood Introduction When visiting the Antwerp café-concert ‘Palais Indien’ in 1886, the famous French theatre critic Jules Lemaître was impressed by its lavish interior and multicultural entertainment: I saw in Antwerp something nearly perfect: Le Palais Indien. It was ornamented in a Babylonian and Sardanapalesque fashion. Compared to this, our Eden-Théâtre is the illustration of antique austerity. Le Palais offered sailors, returned after six months at sea, a summary of civilization’s supreme splendor. And to please them, there were songs in every language (1898, 311). Page 384 Volume 16, Issue 2 November 2019 Located in Belgium’s main port city, the Palais Indien witnessed a cosmopolitan audience and opulent decoration that surpassed even the most sumptuous Parisian halls of the time.
[Show full text]
Promenade Lambic 9 GB Land FINAL
Brussels is definitely worth a gueuze … Since you’ve decided to visit the Brussels Gueuze sculpted above the entrance. Today, this building is a took place in the 14th century when ‘t Serclaes gave Museum, we’d like to invite you for a stroll through the restaurant, but in the mid-19th century it was a much Brussels back to the Duchy of Brabant after driving off Brussels of today and yesteryear. Your walk will take you more proletarian place. For example, this is where Karl the occupying army of the Count of Flanders. from the historical town centre right to the Cantillon Marx wrote Das Kapital with Engels in 1847 and, in 1885, Brewery, which houses the Museum. it housed the inaugural meetings of the Belgian Workers’ Also at the beginning of the street, on the wall of the Party, the forerunner to the Socialist Party. Town Hall, there is plaque recalling the destruction and Grand’Place reconstruction of the Grand’Place after it was shelled in The third house is the “Maison des Brasseurs” 1695 by French troops under Louis XIV. The walk starts at the Grand’Place and the Town Hall. (Brewers’ House) (5), whose current appearance dates Inside the Town Hall, there is pleasant courtyard (1) back to 1698, when the Grand’Place was rebuilt. The Rue de l’Amigo with, in its centre, a star used as the reference point for previous building on this site was called “De Hille” as a calculating distances from Brussels. The star itself was reference to the surrounding landscape and there is Keep walking down rue Charles Buls and turn right into made using old cobblestones found at this very location evidence that it was already here in the late 13th or early rue de l’Amigo.
[Show full text]