Ellsworth American COUNTV GOSSIP

Total Page:16

File Type:pdf, Size:1020Kb

Ellsworth American COUNTV GOSSIP (Sltaroortl) 2liEetkjm.; Vol. LXI. ir?r.m»,^°/»^oVV.V"T“*-| ELLSWORTH, MAINE, WEDNESDAY AFTERNOON, AUGUST 18,1915. lITSSSaNo. 33. ~ ....I 1 Mill II ■■ — ■ ■ ■■ — ■ ■ ... HvuuuMinnuB. LOCAL AFFAIRS. Much for So Mach”. The company is ao&mtanntMi. well balanced, its plays clean and higii class. NEW ADVERTISEMENTS THIS WEEK. Next Sunday in the Methodist church, Strand Theatre. sermon at 10.30 a. m. Motion pictures at Eden Fair. 7.30. “The Fall of Constanti- DON’T TEMPT FATE In bankruptcy—George F Wentworth. Subject: Union Trust Hancock County Savings Bank. nople,” in three parts. This a hand-col- Free W Tickle. Company I pamphlets—J ored when less than a cent a «ill Probate A als. masterpiece. The parts will be in- day protect your valuables, papers notice—Nancy Maddocks et ME. —Louisa J Whitney. terspersed with music. ELLSWORTH, etc., in the Burglar and Fire-proof vault of the Adinr notice—Joseph B Babson. H C Austin A Co—Undertakers and furni- Miss Clementina Butler, who has been ture. Capital, $100,000. Surplus, $100,000 missionary to Mexico for many years, and Banoor, Mb: Assets, $1,700,000 who was obliged to escape in disguise Doe Business college. burrill national bank, from Mexico, will speak in the Methodist OF ELLSWOBTH church on the Mexican question Friday Receives to Check SCHEDULE OF MAILS evening, at 7.30 o’clock. Deposits Subject AT ELLSWORTH POSTOFFICE. Rupert Trueworthy, wife and three Even though just intereakod, won’t call and have In June 1915. you the effect 21, children, of Butte,. Mont., were guests — — over of A. 1. Richardson and wife. double key-system the only safe one demonstrated ? We MAILS RttCRIVED. Sunday LIBERAL INTEREST PAID ON SAVINGS ACCOUNTS IN Week Days. Mr. True worthy is a former Ellsworth do whether will gladly so, you conclude to rent or not. man. This was his first visit here since From West— 8.55, 7.11,11.16 a m. (except Mon- made on or before the he went West several years which day), 4.21 (except Sunday), 6.18 p. m. ago. department deposits From East—12.23 (except Sunday), 6.85, 10.87 A party of about twenty boy scouts first of each month draw interest from that date. a. m. m. and 10.87 mails not distributed Open Daily 9 to 4 p. m. Sat. 9 to 1 p. m. p. (10.21 from Stonington, with their scout master. until following morning.) Rev. Mr. Blake, struck Ellsworth Mon- MAIL CLOsis AT POS^OFFICB day. The boys are on a two-weeks’ Going West—11.56 a 9 m; 8.46, 5, p in. “bike” on the mainland. Monday even- Going East—6 JO, 3.45, 6.46 m. p ing they were guests of Mrs. Pettengill at SAFE DEPOSIT BOXES FOR RENT Sundays. the Strand. Arrives from the west at 6.66, 11.16 a. m., 6.40 p. m. Closes for west 8.45, 5, 9 p. m. The State board of assessors will meet We can guarantee to yon the best of banking service, at the court house in Ellsworth to- EDISON DIAMOND DISC Registered mail should be at postofflce half morrow, and in Bar Harbor Friday, to and would very much appreciate your account. an hour before mail closes. meet assessors of Hancock county towns and secure information to enable them to CONDENSED TIME TABLE. equalize valuations and investigate charges WEEK DAYS. PHONOGRAPHS of concealment of property from taxation. Trains arrive at Ellsworth from the west at 6,55. 7.18, 11.16 and 11.68 a. m., 4.21 and 6 18 p. m Rev. J. W. Tickle, wife and baby are Trains leave Ellsworth for the west at 7.37 a. spending a few weeks of their vacation m., 12.28, 4.11, 6.35,10.21 and 10J7 p. m. with friends in Surry. Mr. Tickle “The best to accumulate is to will ns SUNDAYS. way money resolutely If you tell why everything This is the instrument that does preached at Harbor last Arrive from west at 6.56, 7.18, 911 and 11.16 a. Prospect Sunday and better m 6.40 p. m. Leave for the west at 8J9 a. m., morning, and at Sullivan in the evening. save and bank a fixed of no mat- has its day something not require to have the needle portion your income, , 4.11, 5J5,10.21 and 10.87 p. m. Mr. Tickle got his first glimpse of wild takes its place, we will tell you why Maine deer on his ter how small the amount.” We interest on chanced. All Records are in- way to Prospect Harbor, pay $1. the Edison Diamond Disc Phono- WEATHER IN ELLSWORTH. two handsome fawns allowing him a close graph is taking the place of passing destructible, and prices average view. For Week Knding at Midnight Tneaday, Hancock instruments. Come in and listen. Frank of a member of Bank, lower than others. Thomas A. Aug. 17. 1916. « Field, Boston, County Savings Free demonstrations at any time. [From observations taken at the power the Urban Stock Co., which is playing station of the Bar Harbor & Union River Established 1873. Me. Edison out classes all other inven- here the first three clays of this week, Ellsworth, ! Cylinder Records furnished on Power Co., in Ellsworth. Precipitation is given in inches for the twenty-four hours died at Bar Harbor Sunday. He was notice. tors in this as in other things. at day's ending midnight.[ taken suddenly ill after the matinee per- Weather Precip- Temperature conditions itatiou formance Saturday, but recovered suf- ficiently to take part in the evening per- were asked all the bidders interest have manifested in behalf of 4am 12 m forenoon afternoon painting for, they formance. f-*oon after the he our during our here. Wed 60— 78— clear clear performance being present. Wilson and Salisbury’s sec- company stay had another and died soon after While we regret to leave Ellsworth, we feel Thurs 61— 82— clear fair attack, ond bid was $100, Mr. Pio’s 'bid $85, and J. A. THOMPSON that it is to our advantage to locate in a shoe Fri 65— 59— rain cloudy .25' midnight. C. H. & C. A. Beal allowed the first bid to center. Auburn has ten shoe 66- large factories; Sat 80— fair fair Mrs. F. C. Burrill is a stand. The contract for was entertaining painting is near the sources of supply; has a low MAIN STREET ELLSWORTH Suu 6?— 75— cloudy cloudy house party at her cottage, “Rest-a- therefore awarded to Mr. Pio. and insurance rate. The rate Mon 64— 81— fair fair power freight at in honor of her is much lower. facilities are Tues 66— 70— rain fair .03 While,” Shady Nook, The annual reunion of the Ellsworth Banking larger, guest. Miss Inez of R. and experienced shoe labor is plentiful. Giles, Edge wood, high school alumni association held last I. Among the guests are Misses Hazel Also, the United Shoe Machinery Co. main- Thursday evening at the home of Miss Miss Julia Rogers, of Orrington, visited* Giles and Christina Doyle, of Ellsworth, tains a branch there, which is of great ad- Alice H. 8cott, on School street, was a de- to the several factories. friends in Ellsworth last week. Roswell Berry and Frank Horton, of Seal vantage lightfully informal affair—a combination W'e are also pleased publicly to thank Col. E. F. Redman and wife, of Dorchester, Harbor, and Ernest Sprague, of Portland. house party and lawn party. The piazza C. C. Burrill and his associates for courtesies Cl HOTEL Mass., are visiting in Ellsworth. Misses Erva Giles and Winifred Doyle RONE’S was decorated with Japanese lanterns, and extended to us while connected with the M. L. Kim of is in Ells- have been recent guests of Mrs. Burrill. business interests of Ellsworth. Ellsworth ball, Norway, the rooms with sweet peas. There was no 8 Hancock and Main St.s., 5 worth for a few on business. The old Ellsworth AULT- WILLIAMSON SHOE Co. days schooner Franconia, speech-making, no formality, just a Miss Isa be lie"Gregg, of Bar Harbor, is now owned in Harrington, was run down social mingling of old schoolmates and COMING KVKNTS. X Fine, Neat Rooms. Good Table with best $ visiting her nephew, Sheriff F. O. Silsby. by the steamer Onondaga off Chatham, friends, which made the evening a bright Mass., last Wednesday night, in a thick in the those Mr. and Mrs. John Leland are guests of spot year. Among present ELLSWORTH. meats obtainable 5 fog. With a hole in her Mr. and Mrs F. W. at West Tre- twenty-foot side, from out of town were Miss Clio M. Chil- Lunt, Wednesday, Aug. 18, at Hancock hall— attention. she wal kept afloat by her cargo of lumber, cott, of New York; Dr. James P. Whit- X AUTOMOBILE PARTIES given special mont. Urban Stock Co. 25, 35 and 50 cents. | and towed into Boston by the Onondaga. more, of Marquette, Mich.; Frank A. Mc- Luncheons served between meals. dinners ? Miss Lotie Johns, of Boston, is spending regular Special The Franconia was bound from Windsor, of Pittsburgh, Pa.; Miss Lucy R. Thursday evening, Aug. 19, at home of of her vacation with friends in Ells- Donald, part for Mrs. John A. Peters—Musicale for benefit on advanced orders. N. S., New York, and the Onondaga of Mass.; Mrs. Martin H. 8 arranged telephone 5 worth. Osgood, Peabody, was coming up the coast from Savannah. Shute, of Texas; Rev. A. J.
Recommended publications
  • Select Letters of Percy Bysshe Shelley
    ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar­ lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain­ ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera­ ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede­ their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry.
    [Show full text]
  • What Literature Knows: Forays Into Literary Knowledge Production
    Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
    [Show full text]
  • The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
    The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R.
    [Show full text]
  • June 1902) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
    [Show full text]
  • A Special Catalogue of the Musical Material in the University of Illinois Library
    A Special Catalogue of tfec !v , ;\h icn^ h the University of Illinois Ubrarj mic 1 !: K/V ut>ji\'.<ji«- J J JU .NO EE J.,.UMI AJtV THE UNIVERSITY OF ILLINOIS LIBRARY A SPECIAL CATALOGUE OF THE MUSICAL MATERIAL IN THE UNIVERSITY OF ILLINOIS LIBRARY BY DELLA GRACE CORDELL THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC SCHOOL OF MUSIC UNIVERSITY OF ILLINOIS 1918 Itns UNIVERSITY OF ILLINOIS June 13 19^8 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Delia Grace Qqx.gL.61L. entitled A Special Catalogue of the Musical .Material in the University of Illinois Library. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE of Bachelor of Music HEAD OF DEPARTMENT OF Director, School of Music i. Table of Contents. Theoretical music. Introduction. I. History 1. II. General theory 13. III. Theory of music education, and instruction 26. IV. Philosophy and esthetics 42. V. Criticism and essays 43. VI. Periodicals 45. Practical music. I. Voice 47. II. Sacred 72. III. Piano ?6. IV. Violin S3. V. Organ 88. VI. Ensemble 108. VII. Orchestral 127. Index 140. Digitized by the Internet Archive in 2013 http://archive.org/details/specialcatalogueOOuniv S Introduction. In making this special catalogue of the music material in the University of Illinois Library, the object in view was a classifi- cation of the music and musical books from the standpoint of the music student in order that the material be made more accessible to those wishing to use it. The mu3ic material is arranged on the shelves according to the library Dewey Decimal classification system by means of which all books are classified under ten main divisions.
    [Show full text]
  • Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
    JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon.
    [Show full text]
  • The Life of Samuel Taylor Coleridge by James Gillman
    The Life of Samuel Taylor Coleridge by James Gillman The Life of Samuel Taylor Coleridge by James Gillman Produced by Clytie Siddall, Stan Goodman and Distributed Proofreaders THE LIFE OF SAMUEL TAYLOR COLERIDGE BY JAMES GILLMAN 1838 '... But some to higher hopes Were destined; some within a finer mould Were wrought, and temper'd with a purer flame: To these the Sire Omnipotent unfolds The world's harmonious volume, there to read page 1 / 340 The transcript of himself ....' TO JOSEPH HENRY GREEN, F.R.S. PROFESSOR OF ANATOMY OF THE ROYAL ACADEMY, ETC. ETC. THE HONOURED FAITHFUL AND BELOVED FRIEND OF SAMUEL TAYLOR COLERIDGE, THESE VOLUMES ARE MOST RESPECTFULLY AND AFFECTIONATELY INSCRIBED. PREFACE. The more frequently we read and contemplate the lives of those eminent men so beautifully traced by the amiable Izaak Walton, the more we are impressed with the sweetness and simplicity of the work. Walton was a man of genius--of simple calling and more simple habits, though best known perhaps by his book on Angling; yet in the scarcely less attractive pages of his biographies, like the flowing of the gentle stream on which he sometimes cast his line, to practise "the all of treachery he ever learnt," he leads the delighted reader imperceptibly page 2 / 340 on, charmed with the natural beauty of his sentiments, and the unaffected ease and simplicity of his style. In his preface to the Sermons of (that pious poet and divine,) Dr. Donne, so much may be found applicable to the great and good man whose life the author is now writing, that he hopes to be pardoned for quoting from one so much more able to delineate rare virtues and high endowments: "And if he shall now be demanded, as once Pompey's poor bondman was, who art thou that alone hast the honour to bury the body of Pompey the great?" so who is he who would thus erect a funeral pile to the memory of the honoured dead? ..
    [Show full text]
  • Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830
    Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830 Damian Frank Pearson Thesis submitted in fulfilment for the degree of Doctor of Philosophy in Literature Department of English and Creative Writing Lancaster University June 2018 Frank Pearson Table of Contents Acknowledgements iii Abstract vi Introduction: The Underworld and the Underground 1 Structure 6 Cave Context 9 The Origin of Cave Science 13 Descent Narratives and the Hidden Recesses of Nature 21 Subterranean Aesthetics 35 The Space and Place of the Underground 40 Travel, Curiosity and the Descent Narrative 44 Cave Representations 49 Chapter One: Establishing Cave Science Introduction: Natural Philosophy and Literary Science 51 The Royal Society, Fieldwork and the Concept of Nature 58 Biblical Theories of Cave Geomorphology 66 Caves and the Origin of Subterraneous Water 69 Cave Geomorphology and Erosion 75 Caves and Deep Time 79 Joseph Black, Fixed Air, Carbon Dioxide and Limestone Solution 85 James Hutton and Limestone Solution 95 Adam Walker and the Exploration of caves 100 Charles Lyell and the Formation of Caves 108 Conclusion 112 Chapter Two: Cave Myth and Literature Introduction: The Descent Narrative, Underworld and Hell 114 Thomas Burnet and the Sublime Underworld 122 The Subterranean Sublime in Descent Poetry 125 The Descent Narrative as Parody 132 The Descent Narrative as a State of Mind 134 Caves and the Poetry of Place 140 Descent Narratives and the Novel 147 Conclusion 156 Chapter Three: Caves
    [Show full text]
  • Sophie's World
    Sophie’s World Jostien Gaarder Reviews: More praise for the international bestseller that has become “Europe’s oddball literary sensation of the decade” (New York Newsday) “A page-turner.” —Entertainment Weekly “First, think of a beginner’s guide to philosophy, written by a schoolteacher ... Next, imagine a fantasy novel— something like a modern-day version of Through the Looking Glass. Meld these disparate genres, and what do you get? Well, what you get is an improbable international bestseller ... a runaway hit... [a] tour deforce.” —Time “Compelling.” —Los Angeles Times “Its depth of learning, its intelligence and its totally original conception give it enormous magnetic appeal ... To be fully human, and to feel our continuity with 3,000 years of philosophical inquiry, we need to put ourselves in Sophie’s world.” —Boston Sunday Globe “Involving and often humorous.” —USA Today “In the adroit hands of Jostein Gaarder, the whole sweep of three millennia of Western philosophy is rendered as lively as a gossip column ... Literary sorcery of the first rank.” —Fort Worth Star-Telegram “A comprehensive history of Western philosophy as recounted to a 14-year-old Norwegian schoolgirl... The book will serve as a first-rate introduction to anyone who never took an introductory philosophy course, and as a pleasant refresher for those who have and have forgotten most of it... [Sophie’s mother] is a marvelous comic foil.” —Newsweek “Terrifically entertaining and imaginative ... I’ll read Sophie’s World again.” — Daily Mail “What is admirable in the novel is the utter unpretentious-ness of the philosophical lessons, the plain and workmanlike prose which manages to deliver Western philosophy in accounts that are crystal clear.
    [Show full text]
  • This Album Presents American Piano Music from the Later Part of the Nineteenth Century to the Beginning of the Twentieth
    EDWARD MacDOWELL and Company New World Records 80206 This album presents American piano music from the later part of the nineteenth century to the beginning of the twentieth. Chronologically it ranges from John Knowles Paine’s Fuga Giocosa, published in 1884, to Henry F. Gilbert’s Mazurka, published in 1902. The majority are from the nineties, a time of great prosperity and self-satisfaction in a nation of philanthropists and “philanthropied,” as a writer characterized it in The New York Times. Though the styles are quite different, there are similarities among the composers themselves. All were pianists or organists or both, all went to Europe for musical training, and all dabbled in the classical forms. If their compatriots earlier in the nineteenth century wrote quantities of ballads, waltzes, galops, marches, polkas, and variations on popular songs (New World Records 80257-2, The Wind Demon), the present group was more likely to write songs (self-consciously referred to as “art songs”) and pieces with abstract titles like prelude, fugue, sonata, trio, quartet, and concerto. There are exceptions. MacDowell’s formal works include two piano concertos, four piano sonatas, and orchestra and piano suites, but he is perhaps best known for his shorter character pieces and nature sketches for piano, such as Fireside Tales and New England Idyls (both completed in 1902). Ethelbert Nevin was essentially a composer of songs and shorter piano pieces, most of them souvenirs of his travels, but he, too, worked in the forms that had become most prestigious in his generation. The central reason for the shift away from dance-inspired and entertainment pieces to formal compositions was that American wealth created a culture that created a musical establishment.
    [Show full text]
  • Yeats As Playwright
    THE RICE INSTITUTE YEATS AS PLAYWRIGHT by ERVIN JAMES KORGES A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Tezas May, 1955 CONTENTS Introduction i Chapter I Background, historic and dramatic 1. The political and literary revival...*. 1 2. Irish drama before the revival... 14 3. Belated movements. 17 Chapter II Dramatic theory and practice, 1884-1906 1. The 1884 plays 25 2. Changing ideals. S3 3. Plays of the 1890*s and revision 41 Chapter III Formation of a public theatre 1. The Irish Literary Theatre. ...••• 56 2. Interim....... 61 3* The Irish National Theatre................... 64 4. Beform of the theatre 69 Chapter 17 Dramatic theory and practice, 1902-1912 1* Theories. « 81 2. Flays. * • *.. 99 Chapter 7 Formation of a private theatre 1. Withdrawal.. 116 2. Discovery of the Noh 122 3. Myth and philosophy. 129 Chapter VI Dramatic theory and practice, 1912-1939 1. The theory extended .......... 133 2. Plays 141 Conclusion. 163 Appendix A Mari tain on myth 175 Appendix B Yeats as translator........................ 177 Appendix C Publication dates of Yeats*s plays......... 179 Notes 180 Bibliography. 207 Introduction The poetry of William Butler Yeats is accorded a very high place in contemporary English literature; yet his other work has been neglected. The plays are customarily passed over as an appendage to his poetry, and the prose works are almost entirely neglected, except as philosophical documents. Though the poems are constantly being examined and explicat¬ ed, the prose style is mentioned only incidentally: "one may observe in passing that the section on history in A Vision includes the finest 1 rhythmic prose written in English since that of Sir Thomas Browne." The paradox is that though Yeats* s dramatic movement, in the form of the Abbey Theatre, exerted great influence on English and American drama, his plays themselves remain outside the realm of influence and have not passed into the tradition of English drama.
    [Show full text]
  • Poetry and Chemistry, 1770-1830: Mingling Exploded Systems
    POETRY AND CHEMISTRY, 1770-1830: MINGLING EXPLODED SYSTEMS by KURTIS HESSEL B.S.C. University of Miami, 2005 M.A. Southern Illinois University Carbondale, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2017 ii This thesis entitled: Poetry and Chemistry, 1770-1830: Mingling Exploded Systems written by Kurtis Hessel has been approved for the Department of English _________________________________________ (Jill Heydt-Stevenson) _________________________________________ (Jeffrey Cox) Date_____________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii ABSTRACT Hessel, Kurtis (Ph.D., English) Poetry and Chemistry, 1770-1830: Mingling Exploded Systems Dissertation directed by Associate Professor Jill Heydt-Stevenson Poetry and Chemistry, 1770-1830: Mingling Exploded Systems argues that changes in how scientists understood and practiced chemistry influenced how literary writers defined their field. These changes also contributed to a profound transformation occurring between 1770 and 1830: the separation of the arts and sciences into disciplines. I examine the establishment of chemistry as a branch of physical science, the relationship between poetic criticism and scientific theory, and the growing estrangement during the period among humanistic, aesthetic and scientific pursuits. Authors including Anna Barbauld, Samuel Taylor Coleridge, John Keats, and Humphry Davy responded to the specialization of knowledge ambivalently, embracing the capacity of new methods of order to intensify intellectual scrutiny, but resisting the tendency of disciplines to produce epistemological stability.
    [Show full text]