March 1909) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

March 1909) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1909 Volume 27, Number 03 (March 1909) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 27, Number 03 (March 1909)." , (1909). https://digitalcommons.gardner-webb.edu/etude/545 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 4 MARH41- - mirr^ $1.50 per year Theodore Presser, Philadelphia 15c. per copy 145 SIX HAND THE ETUDE New Publications F THE EDITOR’S COLUMN MME. MARCELLA SEMBRICH ON “HOW » following ensemble pieces include all FORTUNES ARE WASTED IN The Isle of Jewels 1 Women’s Club Collection s ,Sserin^^fchaTs' W of interest to our readers. VOCAL EDUCATION.” Juvenile Album Part Songs and Choruses st. ard foreign c0Q^p°£f sj/t”sf'VoveftteS are Seated upon a throne on the stage of the ^ OPERETTA FOR YOUNG PEOPLE Price, 35 Cents . bo g “the number? We' shall continue to add A MONTHLY JOURNAL FOR THE MUSICIAN, THE ORDER THE APRIL ISSUE NOW AND Metropolitan Opera House, New York, sur- f FOR THE PIANOFORTE „„?of merit from time lo time until we have Text by JESSICA MOORE J of ci"br cino™‘l'sbandC higS'^chools. It wc MUSIC STUDENT, AND ALL MUSIC LOVERS. avoid disappointment. CARL REINECKE ons?sts of ^interesting and ^ffective^^pait aU1 the desiraWe ^literature ^™llabje rounded by many of the greatest singers of J Music by GEO. L. SPAULDING Edited by JAMES FRANCIS COOKE We regret that so many of our new sub¬ the day, buried in flowers, loving cups and r Price, 75 Cents j, selections will be made on request, Subscription, *1.50 per year. Single Copies, tSCentn. Price. 50 Cents f wTthiee a"ui-’ parts? with and without scribers have been disappointed in not re¬ jeweled tributes and other gifts; confronted | A splendid set of teaching pieces, twenty same liberal discount will be allowed as on in all. bv the veteran composer and teacnor. ceiving the January number. Notwithstand by an audience of over four thousand music , These pieces are qualified to be ranked with One of the. best operetta j; Q1lhe^ort8ed0in evehry rtyleeandaaeuitahfeefor H our own publications. Schumann's “Album for the' ing printing what we thought was an adequate lovers, all strained to the highest imaginable j delssohn’s “Kinderstdcke and lscnaiaow 6, Christ! Kind’l, Gavotte. $0 75 supply of that issue, we were not prepared £?i?£i:SUemtq,| w£3ch r KrauskOpfchen . 75 enthusiasm, Marcella Sembrich, whom many sk/s Album for the Young.” They are di- i will unquestionably equal, if not suipass, I Remittances should be made by post-office or for the avalanche of subscriptions which have versified in style, melodtcally anil rbye n popularity. The “Isle of Jewels is suit- r ;r, Fanfare Militaire. J money orders, bank check or draft, or registered have called the greatest coloratura soprano ot j ally Interesting, displaying the highest >een specia’llv composed and all’fa%e^ As letter. United States postage stamps are always come to us. It is not possible for us to begin our times, retired on February 6 from her musicians It it) The use of pieces of this ble for production at any season of tne s unquestionably the best collection of the B( nz. Marche Hongroise. 1 25 received for cash. Money sent In letters is dan tine Wlli be followed hy the most gratify¬ ear It1 is easily rehearsed and staged. 1 tind ever offered. -r. gerous,crorniia annd we are not responsible for Its safe subscriptions with either the December or the operatic career amid a scene that has rarely | ing results. They tend to develop taste January issue; both numbers are exhausted. style and musical understanding on the pa t 8 ;&and .V 0'f been equaled in the history of opera. No 1 of The April issue is going to have several spe- singer has made more friends in America and I gotten Pup and'1 substantially bound. ^lleaDadnrrgsnenvlir « ’nge I 1 Chronology Musical History £ cial features which will make it sell largely. ire perfect little gems, worthy a place in Price, 25 Cents none has been more admired and respected. j any light* opera. As the characters per¬ The retail price is to be increased, but the sonify various popular jewels, the oppor- This useful little work contains brief B< Consequently we feel grateful to Mme. Sem- number will, of course, be delivered to all sub¬ unities for picturesque staging can readily iZlTin ‘mus&Sv, °from' t°he lerf you will brich for soaring some of her precious time March Album ie realized. ( Nubscrip- scribers as usual. Don’t delay the sending sarHest times. It willf f°l™ advUreference 01 be printed the dote > which youi on the eve of her departure to give Etude FOR FOUR HANDS fIon in paid up, whlc ■eceipt for of any prospective new subscribers’ names. K’ toQanyemnuaslcal history. It shouldIbe * readers her opinions upon a very important Price, 50 Cents lirard Gavotte ........ MANUSCRIPTS0.—A^°manuscripts ^en^ed for Dubliqaj subject to all students. Hereafter' Mme. Sem¬ Anthem Devotion ; arie, La Cinqunntnine . A compilation, unique of its kind, con- tlon should be addressed to THE ElUUh, ^ The Special Plan mentioned in this column brich will devote her time exclusively to con¬ • • Sercnado Badine . Chestnut Street, and should be written on A collection of anthems^^g^hefirs^pieas-^^ ' Secret . in the February issue for the use of subscrib¬ cert and oratorio. All your musical friends " of the sheet only. Contributions ..c-study are ;H S,!:3™SS.'£ “ffiK mg ’pf>d i, Marche Triomphale • nected —--music-teaching and^ ers only has all of the advantages which we should know about this article, which will marches and grand marches in goodly pro¬ solicited. Those tj ivailnble will be re- portion' All inarch rhythms are exempli- ussian March. claimed for it. It is a plan to induce quick appear as one of the many features of the Keyboard Chart % rom Olden Times. turned. rfous^ijonmosers^'are^ representod^clasTicj Price: Single Copy, postpaid, 25c ADVERTISING RATES will he decision on the part of the prospective new next issue. __ modern and popular. Every “““Lot is a Price, 25 Cents Gc Faust. Fantasy. Forms close on 10th of each month tor tne sue subscriber, repays the subscriber, and with no gem. Tins will prove one of the most use¬ Per Dozen, $1.80 A very useful adjunct in elemental? G, [usarenmarsch . ceedlng month's Issue. ful duet albums ever published. This is the fourth and latest volume of our high¬ THEODORE PRESSER, unpleasant features. LESCHETIZKY ON “MODERN PIANO¬ ly successful series of anthem collections: venlent6 form,8 'compact ““‘subafanUM apriccietta . 1712 Chestnut St., Philadelphia, Pa. (made of heavy cardboard), yet it serves iallata . Entered at Philadelphia P. O. as Second-class Matter. We have a series of leaflets illustrating all FORTE STUDY.” Model Anthems, Anthem Repertoire, An¬ everv purpose of much larger and moie Haydn, Two Menuets . Well-known Fables Set them Worship. Copyright, 1909, by Theodore Presser Co._ of our premiums which will permit of illus¬ The great teacher of virtuosos tells The These three volumes, appearing in suc¬ Etude readers exclusively in the April special cession during the past few years, nave tration. Book cases, music cabinets, clocks, sold into the thousands. No stronger com¬ lendship Polonaise . chairs, silver, desks, cut glass, leather goods, issue many extremely valuable and important to Music mendation is necessary and no better reason tlon®ss.ir of the keyboard and gives the name of Hi, Rosebud . VOCAL OR INSTRUMENTAL could be given for the appearance of another each key and the notation for the sarni, "is-h vis, Quadrille . etc., etc. Let us send these illustrations to all facts. __' being designed chiefly to te/.c.k the relation- CONTENTS Verses by Jessica Moore of this series. ship between these. In addition there aie H< March . that are interested. Music by Geo. L. Spaulding genera^exceTence of the preceding. "ANTHEM diagrams of note vaiues and^ of^ key ^sig- K , Lustspiel Overture “THE ETUDE” ERNEST SCHELLING ON “HOW TO Price, 50 Cents DEVOTION" Mill contain^numbers^f.orjen.eral good1'advantage as an aid to self-instruc- K ’rom Norway . There is no “clap-trap” about our premiums STUDY A NEW PIECE.” lockenspiel . or premium giving; it is an honest endeavor Mr. Spaulding's work is too well known ibelfeier, Polonaise . What Musical Europe is Thinking^ Dmng, ^ This distinguished American virtuoso and to call for extended comment But tilts are mdodious and singable,, such as^will appeal to particular volume is unlque^oMts kUid.^ it msionatsfreuden, Wo on our part to repay as liberally as we can disciple of Paderewski will give in the next i Fliigelkleide . Touch the Great Essential.^ mowlUrh 15: the recommendation of The Etude by our issue some ideas that will set the teachers and .t the Telephone . benplaySed°orSsurig,neach piece taking its title Juvenile Song Book The Art of Flexibility.Amy W.
Recommended publications
  • Catalog 2008–09
    Catalog 2008–09 Featuring an Introduction to The Suzuki® Method alfred.com SHINICHI SUZUKI October 17, 1898–January 26, 1998 History of The Suzuki® Method One Man’s Vision Shinichi Suzuki—violinist, educator, philosopher, and humanitarian, was born in 1898, the son of Japan’s fi rst violin manufacturer. Suzuki worked in the violin factory as a child, but was not interested in playing the violin until he was seventeen. Suzuki then studied violin in Japan for some years before going to Germany in the 1920s for further study. When he returned to Japan, Suzuki and his brothers formed a string quartet that toured extensively. He also taught violin at universities in Tokyo and elsewhere. During this period, Suzuki became interested in the education of young children. Beginnings After World War II, Suzuki carried his interest and sympathy for children into his work as a musician and teacher. Encouraged by the ability of children to assimilate their mother tongue, he saw a great opportunity to enrich here are moments in history when a place, a their lives through music. He based his approach on the belief that musical ability is not an inborn talent, but an time, a man and an idea converge to produce T ability that can be developed—that the potential of every results of great signifi cance. Such a moment child can grow if the child is given the proper training and learning environment. Noting that children the world occurred when Shinichi Suzuki began his over learn to speak their native language with ease, Suzuki experiments in violin teaching in Japan.
    [Show full text]
  • String Methods & Collections
    248 STRING METHODS & COLLECTIONS Suzuki Violin School CD, Volume 2 Suzuki Violin School CD, Volume 5 SUZUKI Performed by Shinichi Suzuki Performed by Koji Toyoda ■ Volume 2 .................$15.95 00-0486____ ■ Volume 5 .................$15.95 00-0918____ Suzuki Violin School UPC: 654979003014 UPC: 029156269178 Suzuki Violin School CD, Volume 2 Suzuki Violin School CD, Volume 6 Suzuki Violin School CD, Volume 1 Performed by David Nadien Performed by Koji Toyoda Performed by David Cerone World-renowned violinist David Cerone has produced ■ Volume 2 (includes separate accompaniment tracks) ■ Volume 6 .................$15.95 00-0919____ a recording of the music from this volume of the .......................................$15.95 00-0347____ UPC: 029156269840 UPC: 029156150254 immensely successful Suzuki Violin School. The CD Suzuki Violin School CD, Volume 7 features an exquisite rendition of the violin part with piano Suzuki Violin School CD, Volume 2 Performed by Koji Toyoda accompaniment. Titles include: Twinkle, Twinkle, Little Star Performed by William Preucil, Jr. and Cary Lewis Variations (Suzuki) • Song of the Wind • Etude (Suzuki) • ■ Volume 7 .................$15.95 00-0920____ Minuet 1 (Bach) • The Happy Farmer (Schumann) NEW! Volume 2 (Revised) UPC: 029156269857 .......................................$15.95 00-28262____ and more. Suzuki Violin School CD, Volume 8 ■ UPC: 038081308241 Volume 1 .................$15.95 00-0596____ Performed by Koji Toyoda UPC: 029156670684 Suzuki Violin School CD, Volume 3 ■ Performed by David Cerone Volume 8 .................$15.95 00-0921____ Suzuki Violin School CD, Volume 1 UPC: 029156982428 Performed by Shinichi Suzuki World-renowned violinist David Cerone has produced a recording of the music from this volume of the Suzuki Violin School MIDI Disk Acc.
    [Show full text]
  • Beethoven's 250 Anniversary
    PIANO MAGAZINE WINTER 2020–2021 | VOL 12 | NO 5 CELEBRATING TH BEETHOVEN’S 250 ANNIVERSARY AND MUSICAL INNOVATORS WINTER 2020–2021 Anne-Marie Commissioning Stories McDermott: Composition & Celebrating | VOL 12 | NO 5 $12.99 VOL of Pianists’ Creativity Artist, Leader, Innovator Underrepresented Composers CLAVIERCOMPANION.COM / a magazine for people who are passionate about the piano PIANO MAGAZINE PUBLISHER The Frances Clark Center for Keyboard Pedagogy EDITOR-IN-CHIEF / CHIEF CONTENT DIRECTOR WHAT YOU’LL Pamela D. Pike FIND INSIDE SENIOR EDITOR / DIRECTOR OF DIGITAL CONTENT Andrea McAlister • SENIOR EDITORS Steve Betts RESOURCES TO SUPPORT Craig Sale OUR COMMUNITY IN COLUMN EDITORS MUSICAL ENGAGEMENT Linda Christensen, Technology & ADVOCACY Vanessa Cornett, Healthy Playing, Healthy Teaching Barbara Kreader Skalinder, Teaching • Artina McCain, Diversity, Equity, and Inclusion Nicholas Phillips, Recordings COVERAGE OF THE Suzanne Schons, Books, Materials, and Music NEWEST TRENDS & IDEAS Helen Smith Tarchalski, Keyboard Kids IN PERFORMANCE Jerry Wong, International Richard Zimdars, Poetry Corner AND PEDAGOGY EXECUTIVE DIRECTOR & CEO • Jennifer Snow PRACTICAL SOLUTIONS DESIGN & PRODUCTION FOR PIANO TEACHING studio Chartreuse & LEARNING PROFILES COPY EDITORS Rebecca Bellelo • Kristen Holland Shear THOUGHT-PROVOKING DIGITAL OPERATIONS Shana Kirk IDEAS FROM A RANGE OF CONTRIBUTORS ADVERTISING COORDINATOR Anna Beth Rucker • CUSTOMER SUPPORT Morgan Kline REVIEWS OF THE LATEST MUSIC, RECORDINGS, CIRCULATION The Frances Clark Center for Keyboard Pedagogy BOOKS, TECHNOLOGY, & EDUCATIONAL EDITORIAL BOARD Nancy Bachus PRODUCTS Alejandro Cremashi Barbara Fast Rebecca Grooms Johnson Scott McBride Smith Winter Issue 2020-2021 Vol 12 No 5 / 1 CONTENTS Anne-Marie McDermott: ARTIST, LEADER, INNOVATOR by Andrea McAlister 12 Photo: Group lesson at NSMS (1960s) EXPLORE LEARN TEACH 9 EDITOR’S LETTER 32 THE GIFT OF NEW 36 BECOMING WEAVERS: Pamela D.
    [Show full text]
  • The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
    The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R.
    [Show full text]
  • June 1902) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
    [Show full text]
  • “The Once and Future Juggernaut”
    WITH THE RECENT DEATHS OF CHARLES XAVIER AND WOLVERINE, THE JEAN GREY SCHOOL FOR HIGHER LEARNING HAS BEEN LEFT IN CHAOS. THE X-MEN ARE SPLINTERED AND BROKEN, AND WITH THE FUTURE OF MUTANTKIND HANGING IN THE BALANCE, IDEOLOGICAL DIFFERENCES HAVE SET LIFELONG FRIENDS AGAINST EACH OTHER. IN THE WAKE OF THIS SCHISM, MANY OF THE X-MEN HAVE FOUND THEMSELVES LOST AND SEARCHING FOR PURPOSE. ONE OF THESE X-MEN IS PIOTR RASPUTIN, KNOWN AS COLOSSUS, A MAN WHOSE HAS BEEN LEFT SCARRED BY THE HORRORS IN HIS PAST. HE HAS SEEN HIS FAMILY TORN APART, EVEN HAVING HIS SISTER CAPTURED BY THE DEMON BELASCO AND INFECTED BY THE DARK MAGIC OF HIS REALM OF LIMBO. HE WATCHED AS THE WOMEN HE LOVED WERE KIDNAPPED, LOST, AND KILLED. HE HAS DIED AND BEEN RESURRECTED. AND HIS MIND POSSESSED AND PERVERTED BY BEINGS SUCH AS THE PHOENIX AND CYTTORAK. A MAN WHO ONCE STOOD AS A SHINING, METAL EXAMPLE OF GOOD HAS SEEN HIS SOUL TAINTED BY HIS CHOICES AND THE BLOOD OF THOSE HE HAS KILLED. DESPITE ALL THIS, HE WAS GIVEN A CHANCE AT REDEMPTION BY WOLVERINE, REJOINING THE X-MEN AT THE JEAN GREY SCHOOL. HOWEVER, FACING DOWN HIS DEMONS WILL TAKE MORE THAN JUST SOME FREE ROOM AND BOARD. “THE ONCE AND FUTURE JUGGERNAUT” PART ONE OF FOUR WRITER CHRISTOPHER YOST ARTIST JORGE FORNÉS COLORIST RACHELLE ROSENBERG LETTERER VC’S JOE CARAMAGNA COVER BY KRIS ANKA ASSISTANT EDITOR XANDER JAROWEY EDITOR MIKE MARTS EDITOR IN CHIEF AXEL ALONSO CHIEF CREATIVE OFFICER JOE QUESADA PUBLISHER DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE X-MEN CREATED BY STAN LEE AND JACK KIRBY AMAZING X-MEN No.
    [Show full text]
  • 11.2020-Hawaiʻi-MTNA-Competition
    Hawaiʻi MTNA Competition Junior Piano CONTESTANTS: Sola Bando, Justin Chan, Sophie Chan, Jannik Evanoff, Isabella Liu, Anderson Mao, Aya Okimoto TEACHERS: Steven Casano, Monica Chung, Joyce Shih, Annu Shionoya, Wendy Yamashita, Thomas Yee Contestant #1 Piano Sonata No. 16 in C Major, K. 545 W.A. Mozart I. Allegro Waltz in D-flat Major, Op. 64, No. 1 Frédéric Chopin Contestant #2 Sonata in B minor No. 47, Hob. XVI/32 Franz Joseph Haydn I. Allegro moderato The Lark Glinka arr. Bakakirev If I Were a Bird (Si Oiseau J'etais), Op. 2, No. 6 George Martin Adolf von Henselt Six Romanian Folk Dances, Sz. 56 Béla Bartók Contestant #3 Italian Concerto in F Major, BWV 971 Johann Sebastian Bach I. Allegro Nocturne in C-sharp Minor, Op. posth. Frédéric Chopin Three Preludes George Gershwin III. Allegro ben ritmato e deciso Sonata in C-sharp Minor, Op. 27, No. 2 Ludwig van Beethoven III. Presto agitato Contestant #4 Sonata in F Minor, Op. 2, No. 1 Ludwig van Beethoven I. Allegro II. Adagio Seven Morceaux de Salon, Op. 10 Sergei Rachmaninoff II. Valse III. Barcarolle Contestant #5 Italian Concerto in F Major, BWV 971 Johann Sebastian Bach III. Presto Milonga, Op. 3 Alberto Ginastera Impromptu No. 1 in A-flat major, Op. 29 Frédéric Chopin Contestant #6 Rondo a Capriccio, Op. 129 Ludwig van Beethoven Impromptu in G-flat major, Op. 90, No. 3 Franz Schubert Wedding Day at Troldhaugen, Op. 65, No. 6 Edvard Grieg Six Dances in Bulgarian Rhythm from ‘Mikrokosmos’ Béla Bartók No. 2 & 6, Sz. 107/6/149 and 153 Contestant #7 Scherzo No.
    [Show full text]
  • Solo List and Reccomended List for 02-03-04 Ver 3
    Please read this before using this recommended guide! The following pages are being uploaded to the OSSAA webpage STRICTLY AS A GUIDE TO SOLO AND ENSEMBLE LITERATURE. In 1999 there was a desire to have a required list of solo and ensemble literature, similar to the PML that large groups are required to perform. Many hours were spent creating the following document to provide “graded lists” of literature for every instrument and voice part. The theory was a student who made a superior rating on a solo would be required to move up the list the next year, to a more challenging solo. After 2 years of debating the issue, the music advisory committee voted NOT to continue with the solo/ensemble required list because there was simply too much music written to confine a person to perform from such a limited list. In 2001 the music advisor committee voted NOT to proceed with the required list, but rather use it as “Recommended Literature” for each instrument or voice part. Any reference to “required lists” or “no exceptions” in this document need to be ignored, as it has not been updated since 2001. If you have any questions as to the rules and regulations governing solo and ensemble events, please refer back to the OSSAA Rules and Regulation Manual for the current year, or contact the music administrator at the OSSAA. 105 SOLO ENSEMBLE REGULATIONS 1. Pianos - It is recommended that you use digital pianos when accoustic pianos are not available or if it is most cost effective to use a digital piano.
    [Show full text]
  • April 1911) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No.
    [Show full text]
  • TSR6906.Lands.Of.Dr
    Table of Contents Preface and Introduction 3 Inhibitor Ray 36 Instant Hypnotism Impulser 37 Chapter 1: Inventing and Modifying Hardware 4 Insulato-Shield 37 Tech Rank 4 Intensified Molecule Projector 38 The Resource FEAT 5 Invincible Robot 38 Special Requirements 6 Ionic Blade 40 Construction Time 7 Latverian Guard Weaponry 40 The Reason FEAT 7 Memory Transference Machine 41 Kit-Bashing 7 Metabolic Transmuter 42 Modifying Hardware 8 Micro-Sentry 42 Damage 8 Mini-Missile Launcher 43 Damage to Robots 9 Molecular Cage 43 Long-Term Repairs 9 Molecule Displacer 43 Reprogramming 9 Multi-Dimensional Transference Center 44 Using Another Inventor's Creations 10 Nerve Impulse Scrambler 45 Mixing Science and Sorcery 10 Neuro-Space Field 45 Neutro-Chamber 45 Chapter 2: Doom's Technology Catalogue 11 Omni-Missile 46 Air Cannon 13 Pacifier Robot 46 Amphibious Skycraft 13 Particle Projector 47 Antimatter Extrapolator 14 Plasteel Sphere 48 Aquarium Cage 14 Plasti-Gun 48 Armor, Doom's Original 14 Power Dampener 49 Armor, Doom's Promethium 17 Power Sphere 49 Bio-Enhancer 17 Power Transference Machine 50 Body Transferral Ray 17 Psionic Refractor 50 Bubble Ship 18 Psycho-Prism 51 Concussion Ray 18 Rainbow Missile 52 Cosmic-Beam Gun 19 Reducing Ray 52 Doombot 19 Refrigeration Unit 53 Doom-Knight 21 Ring Imperial 53 Doomsman I 22 Robotron 53 Doomsman II 23 Saucer-Ship 54 Doom Squad 23 Seeker 54 Electro-Shock Pistol 24 Silent Stalker 55 Electronic Shackle 25 Sonic Drill 55 Energy Fist 25 Spider-Finder 56 Enlarger Ray 25 Spider-Wave Transmitter 56 Excavator
    [Show full text]
  • Ludwig Van Beethoven Hdt What? Index
    LUDWIG VAN BEETHOVEN HDT WHAT? INDEX LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN 1756 December 8, Wednesday: The Emperor’s son Maximilian Franz, the Archduke who in 1784 would become the patron of the young Ludwig van Beethoven, was born on the Emperor’s own birthday. Christoph Willibald Gluck’s dramma per musica Il rè pastore to words of Metastasio was being performed for the initial time, in the Burgtheater, Vienna, in celebration of the Emperor’s birthday. ONE COULD BE ELSEWHERE, AS ELSEWHERE DOES EXIST. ONE CANNOT BE ELSEWHEN SINCE ELSEWHEN DOES NOT. Ludwig van Beethoven “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN 1770 December 16, Sunday: This is the day on which we presume that Ludwig van Beethoven was born.1 December 17, Monday: Ludwig van Beethoven was baptized at the Parish of St. Remigius in Bonn, Germany, the 2d and eldest surviving of 7 children born to Johann van Beethoven, tenor and music teacher, and Maria Magdalena Keverich (widow of M. Leym), daughter of the chief kitchen overseer for the Elector of Trier. Given the practices of the day, it is presumed that the infant had been born on the previous day. NEVER READ AHEAD! TO APPRECIATE DECEMBER 17TH, 1770 AT ALL ONE MUST APPRECIATE IT AS A TODAY (THE FOLLOWING DAY, TOMORROW, IS BUT A PORTION OF THE UNREALIZED FUTURE AND IFFY AT BEST). 1. Q: How come Austrians have the rep of being so smart? A: They’ve managed somehow to create the impression that Beethoven, born in Germany, was Austrian, while Hitler, born in Austria, was German! HDT WHAT? INDEX LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN 1778 March 26, Thursday: In the Academy Room on the Sternengasse of Cologne, Ludwig van Beethoven appeared in concert for the initial time, with his father and another child-student of his father.
    [Show full text]
  • A Special Catalogue of the Musical Material in the University of Illinois Library
    A Special Catalogue of tfec !v , ;\h icn^ h the University of Illinois Ubrarj mic 1 !: K/V ut>ji\'.<ji«- J J JU .NO EE J.,.UMI AJtV THE UNIVERSITY OF ILLINOIS LIBRARY A SPECIAL CATALOGUE OF THE MUSICAL MATERIAL IN THE UNIVERSITY OF ILLINOIS LIBRARY BY DELLA GRACE CORDELL THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC SCHOOL OF MUSIC UNIVERSITY OF ILLINOIS 1918 Itns UNIVERSITY OF ILLINOIS June 13 19^8 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Delia Grace Qqx.gL.61L. entitled A Special Catalogue of the Musical .Material in the University of Illinois Library. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE of Bachelor of Music HEAD OF DEPARTMENT OF Director, School of Music i. Table of Contents. Theoretical music. Introduction. I. History 1. II. General theory 13. III. Theory of music education, and instruction 26. IV. Philosophy and esthetics 42. V. Criticism and essays 43. VI. Periodicals 45. Practical music. I. Voice 47. II. Sacred 72. III. Piano ?6. IV. Violin S3. V. Organ 88. VI. Ensemble 108. VII. Orchestral 127. Index 140. Digitized by the Internet Archive in 2013 http://archive.org/details/specialcatalogueOOuniv S Introduction. In making this special catalogue of the music material in the University of Illinois Library, the object in view was a classifi- cation of the music and musical books from the standpoint of the music student in order that the material be made more accessible to those wishing to use it. The mu3ic material is arranged on the shelves according to the library Dewey Decimal classification system by means of which all books are classified under ten main divisions.
    [Show full text]