Marvel Universe Thor Comic Reader 1 110 Marvel Universe Thor Comic Reader 2 110 Marvel Universe Thor Digest 110 Marvel Universe Ultimate Spider-Man Vol
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories PAUL A. CRUTCHER DAPTATIONS OF GRAPHIC NOVELS AND COMICS FOR MAJOR MOTION pictures, TV programs, and video games in just the last five Ayears are certainly compelling, and include the X-Men, Wol- verine, Hulk, Punisher, Iron Man, Spiderman, Batman, Superman, Watchmen, 300, 30 Days of Night, Wanted, The Surrogates, Kick-Ass, The Losers, Scott Pilgrim vs. the World, and more. Nevertheless, how many of the people consuming those products would visit a comic book shop, understand comics and graphic novels as sophisticated, see them as valid and significant for serious criticism and scholarship, or prefer or appreciate the medium over these film, TV, and game adaptations? Similarly, in what ways is the medium complex according to its ad- vocates, and in what ways do we see that complexity in Batman graphic novels? Recent and seminal work done to validate the comics and graphic novel medium includes Rocco Versaci’s This Book Contains Graphic Language, Scott McCloud’s Understanding Comics, and Douglas Wolk’s Reading Comics. Arguments from these and other scholars and writers suggest that significant graphic novels about the Batman, one of the most popular and iconic characters ever produced—including Frank Miller, Klaus Janson, and Lynn Varley’s Dark Knight Returns, Grant Morrison and Dave McKean’s Arkham Asylum, and Alan Moore and Brian Bolland’s Killing Joke—can provide unique complexity not found in prose-based novels and traditional films. The Journal of Popular Culture, Vol. 44, No. 1, 2011 r 2011, Wiley Periodicals, Inc. -
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
Marvel/ Dc Secret Files A.R.G.U.S / S.H.I.E.L.D
MARVEL/ DC SECRET FILES During these sessions you will take place of one of these superheroes from both worlds to discuss the take on action, the strategy, explain the reasons to proceed from certain way and giving enough intelligence and ideas to approach conflicted countries and regions where certain heroes from an specific nationality couldn’t enter due to political motives. OVERVIEW Dangerous objects and devices have fallen into the hands of both Marvel and DC villains. It is the mission of the UN to assign rescue missions of these objects located in different parts of both universes to avoid a possible collision of worlds and being used against humanity. The General Assembly of the United Nations and the Security Council has given special powers to heroes of different countries (and universes) to take action on behalf of the governments of the world to avoid a catastrophe and to be able to fight with the opposing forces that have taken possession of these devices, threatening humanity with them and disrupting world peace forming a Special Force. Recon missions have been done by Black Widow, Catwoman, Hawkeye and Plastic Man and we have gathered information of different objects that are guarded by villains in different locations of both universes. Some in the Marvel universe and others in the DC universe. Each artifact has been enclosed in a magic bubble that prevents its use to any being that has possession of it. But this enchantment created by Doctor Strange and Doctor Fate has expiration time. Within 48 hours, it will be deactivated and anyone who has any of these devices in their possession will be able to freely use them. -
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
Venom: Space Knight Vol. 2: Enemies and Allies: Vol. 2 Free
FREE VENOM: SPACE KNIGHT VOL. 2: ENEMIES AND ALLIES: VOL. 2 PDF Ariel Olivetti,Robbie Thompson | 160 pages | 13 Dec 2016 | Marvel Comics | 9780785196556 | English | New York, United States Venom (): Space Knight Volume 2 - Enemies and Allies | eBay Taking place after the crossover storyline " Secret Wars ", it details the new Marvel Universewith nearly 60—65 titles relaunched with first issues, with a total of 76 issues. Marvel NOW! It was announced in February by Marvel that following the "Secret Wars" storyline, a new universe would be Venom: Space Knight Vol. 2: Enemies and Allies: Vol. 2 by combining the Universe and Ultimate Universe. The comic also featured a preview of Uncanny Inhumans. In early JuneMarvel unveiled two photos depicting many of its iconic and lesser known characters post-"Secret Wars". Marvel unveiled most of its new titles in late Juneafter a book detailing the titles was shipped out to retailers, which was officially released on July 1. That just becomes a condition of these big event stories: what is it at the end that changes the landscape? From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Inside Pulse. Retrieved Comic Book Resources. The Mary Venom: Space Knight Vol. 2: Enemies and Allies: Vol. 2. May 25, Retrieved July 15, Retrieved May 10, Archived from the original on Retrieved July 1, LA Times. Retrieved July 12, NY Daily News. Bleeding Cool. Retrieved 15 April Retrieved 5 April Tech Times. Categories : Marvel Comics storylines comics debuts Superhero comics Comic book reboots. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
“The Once and Future Juggernaut”
WITH THE RECENT DEATHS OF CHARLES XAVIER AND WOLVERINE, THE JEAN GREY SCHOOL FOR HIGHER LEARNING HAS BEEN LEFT IN CHAOS. THE X-MEN ARE SPLINTERED AND BROKEN, AND WITH THE FUTURE OF MUTANTKIND HANGING IN THE BALANCE, IDEOLOGICAL DIFFERENCES HAVE SET LIFELONG FRIENDS AGAINST EACH OTHER. IN THE WAKE OF THIS SCHISM, MANY OF THE X-MEN HAVE FOUND THEMSELVES LOST AND SEARCHING FOR PURPOSE. ONE OF THESE X-MEN IS PIOTR RASPUTIN, KNOWN AS COLOSSUS, A MAN WHOSE HAS BEEN LEFT SCARRED BY THE HORRORS IN HIS PAST. HE HAS SEEN HIS FAMILY TORN APART, EVEN HAVING HIS SISTER CAPTURED BY THE DEMON BELASCO AND INFECTED BY THE DARK MAGIC OF HIS REALM OF LIMBO. HE WATCHED AS THE WOMEN HE LOVED WERE KIDNAPPED, LOST, AND KILLED. HE HAS DIED AND BEEN RESURRECTED. AND HIS MIND POSSESSED AND PERVERTED BY BEINGS SUCH AS THE PHOENIX AND CYTTORAK. A MAN WHO ONCE STOOD AS A SHINING, METAL EXAMPLE OF GOOD HAS SEEN HIS SOUL TAINTED BY HIS CHOICES AND THE BLOOD OF THOSE HE HAS KILLED. DESPITE ALL THIS, HE WAS GIVEN A CHANCE AT REDEMPTION BY WOLVERINE, REJOINING THE X-MEN AT THE JEAN GREY SCHOOL. HOWEVER, FACING DOWN HIS DEMONS WILL TAKE MORE THAN JUST SOME FREE ROOM AND BOARD. “THE ONCE AND FUTURE JUGGERNAUT” PART ONE OF FOUR WRITER CHRISTOPHER YOST ARTIST JORGE FORNÉS COLORIST RACHELLE ROSENBERG LETTERER VC’S JOE CARAMAGNA COVER BY KRIS ANKA ASSISTANT EDITOR XANDER JAROWEY EDITOR MIKE MARTS EDITOR IN CHIEF AXEL ALONSO CHIEF CREATIVE OFFICER JOE QUESADA PUBLISHER DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE X-MEN CREATED BY STAN LEE AND JACK KIRBY AMAZING X-MEN No. -
The Authority: Earth Inferno and Other Stories V. 3 Free
FREE THE AUTHORITY: EARTH INFERNO AND OTHER STORIES V. 3 PDF Mark Millar,Frank Quitely,Chris Weston | 160 pages | 01 Aug 2002 | DC Comics | 9781563898549 | English | United States Earth Inferno for sale online | eBay This article is a list of story arcs for the Wildstorm comic book The Authority presented in chronological order of release. The Authority make their first public appearance to stop Kaizen Gamorraan old enemy of Stormwatchwho wants to take advantage of Stormwatch's breakup to take revenge upon the world. To do this he uses engineered supersoldiers to destroy first Moscow and then part of London. The Authority does not manage to stop the attack on London, then predicts the third and final attack in Los Angeles which is averted with heavy civilian casualties. Midnighter uses the Carrier to destroy the superhuman clone factory on Gamorra's island. The Authority have to stop an invasion by a parallel Earth, specifically a parallel Britain called Sliding Albion. As it turns out, Jenny Sparks has met them before when their The Authority: Earth Inferno and Other Stories v. 3 first appeared in Sliding Albion is a world where open contact between aliens the blues and humans during the 16th century led to interbreeding and an imperialist culture similar to the Victorian British Empire. After the Authority repel the initial wave of attacks, Jenny takes the Carrier to the Sliding Albion universe where they destroy London and Italy and what's left of the blues' regime along with it. In an all-frequencies message, she tells the people to take advantage of the second chance and "We are the Authority. -
Apollo Investment Corporation (“AINV” Or the “Company”) for the Fiscal Year Ended March 31, 2020
2020 ANNUAL REPORT Dear Fellow Shareholders, We are pleased to present you with the annual report for Apollo Investment Corporation (“AINV” or the “Company”) for the fiscal year ended March 31, 2020. As we write this year's letter, the world is facing both a significant health and economic crisis due to the outbreak of the novel coronavirus (“COVID-19”, “coronavirus”, or “pandemic”). We hope this letter finds you safe and in good health. In our annual shareholder letters, we typically review our results for the year and provide our outlook for the next fiscal year. In this year’s letter, we will also focus on how AINV was positioned entering this challenging period, and how we are navigating the current environment. First and foremost, on behalf of everyone at AINV, we want to express our appreciation to all those who are working tirelessly to keep us safe and maintain essential services. We offer our deepest sympathy to all those who have been affected by the coronavirus. Our priority continues to be the health and well-being of our stakeholders and the employees of the Company’s Investment Adviser, Apollo Investment Management, L.P., an affiliate of Apollo Global Management, Inc., (together with its affiliates, “Apollo Global”). Apollo has fully transitioned to a remote work environment while ensuring full business continuity. A Review of Fiscal Year 2020 Looking back at fiscal year 2020, we continued to make significant progress executing our de-risking investment strategy to prepare for potential headwinds, if not an economic downturn such as the one we are currently experiencing. -
Peter David Greg Land Jay Leisten Frank D'armata
$4.99 0 0 1 1 1 RATED US T 7 5 9 6 0 6 0 9 9 4 4 3 BONUS DIGITAL EDITION – DETAILS INSIDE! FRANK D’ARMATA LEISTEN JAY GREG LAND PETER DAVID 1 KNULL, THE PRIMORDIAL AND MALICIOUS GOD OF THE SYMBIOTES, HAS BEEN FREED FROM HIS PRISON AT THE EDGE OF THE GALAXY. AFTER THE FIRST SECRET WARS, PETER PARKER RETURNED OLDER THAN MEMORY AND IMPRISONED FOR MILENNIA, THE GODKING OF THE HOME TO NEW YORK CITY WITH A BRAND-NEW COSTUME ABYSS HAS LED A HORDE OF HUNDREDS OF THOUSANDS OF SYMBIOTE DRAGONS HE THOUGHT HAD BEEN CRAFTED BY ALIEN TECHNOLOGY. ACROSS THE COSMOS WITH A TRAIL OF DESTRUCTION AND DEATH IN THEIR WAKE. IT COULD RESPOND TO HIS EVERY THOUGHT, SHAPE-SHIFT TO MIMIC HIS CIVILIAN CLOTHING AND EVEN GENERATE A NOW, THEY HAVE ARRIVED TO EARTH -- THE GALAXY’S FINAL LINE OF DEFENSE AGAINST SEEMINGLY ENDLESS SUPPLY OF HIS UNIQUE WEBBING! THE KING IN BLACK. NOW, IN HIS SLEEK ALL-BLACK COSTUME, PETER PARKER BALANCES HIS PERSONAL LIFE, HIS PHOTOGRAPHY JOB FOR THE DAILY BUGLE AND HIS SUPER-HEROICS AS HE SWINGS THROUGH THE CITY AS THE AMAZING FRIENDLY NEIGHBORHOOD SPIDER-MAN! THOUGH UNBEKNOWNST TO PETER, HIS ALIEN COSTUME MAY BE MORE THAN MEETS THE EYE… THE SWORD AND THE SPIRIT PART ONE PETER DAVID WRITER // GREG LAND PENCILER JAY LEISTEN INKER// FRANK D’ARMATA COLORIST VC’s JOE SABINO LETTERER GREG LAND & FRANK D’ARMATA COVER ARTISTS ALEX SAVIUK & CHRIS SOTOMAYOR; SYMBIOTE SPIDER-MAN: GEOFF SHAW & FRANK MARTIN; KING IN BLACK No.