Breve Storia Della Accademia Dei Lincei
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Leroy Nicolas7 Months Ago When I Was Young , We Learn That Jews Are
Leroy Nicolas7 months ago when i was young , we learn that jews are the gentle and victims but now we know that they are liar and kill anybody who are on their way Reply 159 View all 8 replies hours ago 10יוחאי ינון i like group shower whit your mom Reply Mark Robinson1 year ago "SIX MILLION JEWS" reference in 10 newspapers between 1915 - 1938 (HD) https://www.youtube.com/watch?v=VEJ_7vJIuUc Reply 156 View all 29 replies Mikey G2 weeks ago Link and channel removed, wow. Reply 4 lina steuben1 year ago Mel Gibson is awesome!! Reply 141 View all 3 replies Achisachis739 months ago The truth is that jews control the media because they OWN the media! they are the media, so any issue about politics or any world event will be spun in their favor! Just look at how many movies and references to hitler and the nazis we have in the media, there are many many movies about the nazis and not much about the rest of the genocides in the world history. The jews also control the world banks, thus they control the countries that are in debt with the so called "world bank" I am not talking about the jews that are normal citizens that happen to be of that faith, I am talking about the zionists that run the media and the politics of this country and the rest of the world. Show less Reply 119 View all 10 replies ExposingMiLabs1 week ago You would be amazed at how many branches of Jacob & Isaac's bloodlines there are on this earth. -
Orazio Costa Regista. Dalla Compagnia Dell’Accademia Al Piccolo Di Roma (1939- 1954)
Orazio Costa regista. Dalla Compagnia dell’Accademia al Piccolo di Roma (1939- 1954). Fonti e documenti dal suo archivio Dipartimento di Storia Antropologia Religioni Arte Spettacolo Dottorato di Ricerca in Musica e Spettacolo XXXII ciclo – Studi di Teatro Massimo Giardino Tutor Co-tutor Roberto Ciancarelli Stefano Geraci Orazio Costa regista. Dalla Compagnia dell’Accademia al Piccolo di Roma (1939- 1954). Fonti e documenti dal suo archivio Dipartimento di Storia Antropologia Religioni Arte Spettacolo Dottorato di Ricerca in Musica e Spettacolo XXXII ciclo – Studi di Teatro Massimo Giardino Matricola 1740690 Tutor Co-tutor Roberto Ciancarelli Stefano Geraci A.A. 2018-2019 INDICE PRESENTAZIONE 4 RICOGNIZIONE DEGLI STUDI E DELLE RICERCHE SU ORAZIO COSTA 10 CAPITOLO PRIMO. UN REGISTA PRIMA DELLA REGIA 1.1. Un’“innata” vocazione teatrale 12 1.2. La Scuola di Recitazione “Eleonora Duse” 15 1.3. L’educazione per un teatro possibile 21 1.4. Tra una scuola e l’altra 32 CAPITOLO SECONDO. LE PRIME REGIE COSTIANE 2.1. L’Accademia d’Arte Drammatica 36 2.2. Le assistenze alla regia 40 2.3. L’apprendistato con Copeau 47 2.4. La Compagnia dell’Accademia 54 CAPITOLO TERZO. REGISTA DI COMPAGNIA 3.1. La prima regia senza D’Amico 70 3.2. La seconda Compagnia dell’Accademia 73 3.3. Le regie ibseniane 77 3.4. I semi del metodo mimico 81 3.5. La collaborazione con la Compagnia Pagnani-Ninchi 84 3.6. Le ultime collaborazioni come regista di compagnia 85 CAPITOLO QUARTO. LA COMPAGNIA DEL TEATRO QUIRINO 4.1. La formazione della Compagnia 93 4.2. -
Galileo in Rome Galileo in Rome
Galileo in Rome Galileo in Rome The Rise and Fall of a Troublesome Genius William R. Shea and Mariano Artigas Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2003 by Oxford University Press, Inc. First published by Oxford University Press, Inc., 2003 198 Madison Avenue, New York, New York 10016 www.oup.com Issued as an Oxford University Press paperback, 2004 ISBN 0-19-517758-4 (pbk) Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. The Library of Congress has catalogued the cloth edition as follows: Artigas, Mariano. Galileo in Rome : the rise and fall of a troublesome genius / Mariano Artigas and William R. Shea. p. cm. Includes bibliographical references and index. ISBN 0-19-516598-5 1. Galilei, Galileo, 1564-1642—Journeys—Italy—Rome. 2. Religion and science—History—16th century. 3. Astronomers—Italy—Biography. I. Shea, William R. II. Title. QB36.G2 A69 2003 520'.92—dc21 2003004247 Book design by planettheo.com 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper CONTENTS ACKNO W L E D G E M E N T S vii I N TRO D U C TIO N ix CHA P TER O N E Job Hunting and the Path -
October 2013 N No 10
October 2013 n no 10 ligious and lai News Re ty th AAof the Assumption e same mission EDITORIAL Prophets for today We are prophets when we live fully religious poverty. >> Official Calls, nominations, arrangements... Father Benoît Grière, Superior General ■ EXTENSION OF THE MANDATE OF With his council has called THE PROVINCIAL OF SPAIN ■ TO PERPETUAL Profession Fr. Benoît Grière, Superior General, in his ordinary 1. Bro. ANDRIAMAHENINARIVO, Richard council, has extended the (Africa) (09/10/2013) second mandate of the 2. Bro. NKWER, Valentin-Junior Provincial of Spain, Fr. (Africa) ( 09/10/2013) Niceto Calle. It will finish 3. Bro. KASEREKA MASUMBUKO-KOMBI, Jérôme at the end of the Chapter (Africa) (09/11/2013) of the Province of Europe foreseen for May 4, 2014 and the establishment ■ TO ORDINATION TO THE DIACONATE of the sole Province of 4. Bro. MUTULIRANO LWAYIVWEKKA, Jean-Marie Europe. (Africa) (09/11/2013) 5. Bro. BARASA Jacob WELIKHA (Africa) (09/12/2013) 6. Bro. KAKULE MBOKANI, Jean-Marie (Africa) (09/12/2013) 7. Bro. KAMBALE MASINGO, Isidore (Africa) (09/13/2013) 8. Bro. MASTAKI BUTANA, Deogratias (Africa) (09/13/2013) 9. Bro. SEKERAVITI KAMBALE, Willibrord 1 2 3 4 (Africa) (09/14/2013) 10. Bro. TSHIAMALA KATALAYI, François (Africa) (09/14/2013) 5 6 7 8 ■ TO ORDINATION TO THE PRIESTHOOD 11. Bro. KAKULE KOMANDA, Gaston (Africa) (09/16/2013) 12. Bro. KATEMBO VUSEGHESA, Floribert 9 10 11 12 (Africa) (09/16/2013) 13. Bro. DIADIA MAYOKO, Fabien (Africa) (09/16/2013) Bro. KAKULE PAKA, Moïse 14. 13 14 15 16 (Africa) (09é17é2013) 15. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
DOW Final Text Panels
Wunderkammer In the 1550s a new kind of collecting emerged among wealthy Europeans as they confronted the explosion of knowledge following the discovery of distant lands and new, basic scientific principles. Emperors, princes, nobles, and merchants assembled paintings, precious objects, scientific instruments, games, and natural wonders to create individualized micro- cosms. In these chambers of wonder (Wunderkammern)—and their smaller counterparts, the cabinets of wonder (Wunderkabinette)—rare and unusual natural specimens co-existed with exquisite artificial pro- ductions and the latest technological inventions. Designed as store- houses of knowledge and instruments for learning, these all-embracing collections also provided occasions for intellectual amusement, med- itation on God’s creation, and the display of wealth and status. Playful and profound, compact yet universal, these singular spaces encouraged visitors to assemble objects into ever-changing configu- rations—like their cyber equivalent, the Internet. Both invite constant visual engagement as the primary mode of interaction. By bringing the exceptional into the world at hand, Wunderkammern accustomed the eye to visual stimulations not unlike those dominating our contemporary life. Leading toward the modern public museum, Wunderkammern inspired the mind to expand the limits of imagination and to be transported beyond the here and now. Little Epiphanies With the invention of the microscope in the early 1600s, viewers could experience sudden insight (epiphanies) into a formerly invisible universe of minute things. The multiple-lens compound microscope, initially produced by Dutch opticians and commercialized about 1660, was the first such instrument. Paradoxically, the single-lens microscope seems to have been invented after the compound microscope. Even though chromatic aberration—caused by the differences in refraction of the colored rays of the spectrum—often blurred and distorted the images, fundamental scientific discoveries were enabled by both types of early microscopes. -
2019 Publication Year 2020-05-18T17:09:00Z Acceptance
Publication Year 2019 Acceptance in OA@INAF 2020-05-18T17:09:00Z Title Della Porta, Colonna e Fontana e le prime osservazioni astronomiche a Napoli Authors GARGANO, MAURO DOI 10.35948/9788869521188/c25 Handle http://hdl.handle.net/20.500.12386/24943 Della Porta, Colonna e Fontana e le prime osservazioni astronomiche a Napoli Mauro Gargano ‒ INAF ‒ Osservatorio Astronomico di Capodimonte ‒ [email protected] Abstract: Giovan Battista Della Porta is known for his idea of experimental science, Fabio Colonna is well-known for his botanical studies, and Fran- cesco Fontana for his powerful telescopes and the exact observations of the Moon and planets. All three interested in astronomy. But when and what was observed in Naples for the first time with a telescope? And by whom? This communication, based on the correspondence of the protagonists, wants to contribute to retrace the events of the first Neapolitan astronomical observations. Keywords: Astronomy, Telescopes, Observations, Giovanni Battista Della Porta, Fabio Colonna, Francesco Fontana. 1. Il cannocchiale di Galileo «El S.r Galileo de i Galiliegi, vero arecoltore delle smatemateghe, e slenzaore in lo Bo de Pava à gi scuelari della so prefission» è l’intestazione di una dedicatoria in dialetto pavano scritta nel marzo 1608 dal gioviale poeta e pittore padovano Giuseppe Gagliardi (Firenze, Biblioteca Nazionale Centrale (FBNC), Manoscritti Galileiani (Mss. Gal.), Gagliardi 1608, P. I, T. III, cc. 68-82). In quest’epoca il “Coltivatore” Galilei è senza dubbio un raffinato professore dell’Università di Padova e un eccellente costruttore di strumenti matematici. Lo scienziato di Pisa comincia a praticare l’astronomia con l’esplosione “de stella nova in pede serpentari” verso la fine dell’ottobre 1604. -
Curriculum Vitae
1 CURRICULUM VITAE Name: Paola Malanotte Rizzoli Place of Birth: Lonigo (Vicenza), Italy Home Address: 75 Cambridge Parkway, #W502 Cambridge, MA 02142 Work Address: Department of Earth, Atmospheric & Planetary Sciences Massachusetts Institute of Technology Room 54-1416 . Cambridge, MA 02139 EDUCATION 1978 Ph.D., Physical Oceanography, Scripps Institution of Oceanography, University of California, Dissertation: “Solitary Rossby Waves Over Variable Relief and Their Stability Properties” 1968 Ph.D., Physics, University of Padua, Italy, “summa cum laude” Dissertation: “Quantum-mechanical structure of biologically important molecules. Investigation of the complex molecules of nucleic acids” 1963 B.S., Physics and Mathematics, Lyceum “Benedetti,” Venice, Italy; with highest honors EMPLOYMENT 1997 - 2009 MIT Director of the Joint Program in Oceanography and Ocean Engineering between M.I.T. and the Woods Hole Oceanographic Institution (WHOI) 1992- Professor of Physical Oceanography, M.I.T., Cambridge, Massachusetts 1987-1992 Associate Professor of Physical Oceanography with tenure, M.I.T., Cambridge, Massachusetts 1985-1987 Associate Professor of Oceanography, M.I.T., Cambridge, Massachusetts 1981-1985 Assistant Professor of Oceanography, M.I.T., Cambridge, Massachusetts 1978-1980 Cecil and Ida Green Scholar at the Institute of Geophysics and Planetary Physics, University of California at San Diego (when on leave of absence from Italy) 2 1976-1981 Senior Scientist (tenured) at the “Istituto Dinamica Grande Masse,” CNR, Venice, Italy 1972-1976 -
Physics in Italy from 1870 to 1940 Antonio Casella, Silvana Galdabini
Physics in Italy from 1870 to 1940 Antonio Casella, Silvana Galdabini, Giuseppe Giuliani, Paolantonio Marazzini Gruppo Nazionale di Storia della Fisica del CNR, Unit`adi Pavia The fact that, as you know, this Conference will be followed by another one dedicated to a century of physics in Italy, has induced us to present here firstly a general overview of our research, then a brief outline af our most recent findings. Our research started in the fall of 1983 as a project limited to the pre- history of solid state physics in Italy. It began with a study of the institutional context of physical research between 1870 and 1940, with particular attention given to the four decades of our century. The analisys of scientific production in fields that would have become parts of today solid state physics has not been completed. We have studied in some detail only five topics: magnetic properties • galvanomagnetic effects • elastic properties • photoelectric effect and photoconductivity • electric conductivity. • However it must be stressed that these five topics cover about 75% of the entire production concerning `solid state'. Moreover, it is in these fields that Italian contribution has been, for several reasons, more interesting. The results of this first effort have been described and discussed, among others, in the publications reported in footnotes.1;2;3;4 The study of the pre-history of solid state physics has found a kind of accomplishment in the organisation of a meeting on `The origins of solid state physics in Italy: 1945-1960', held in Pavia in 1987. Apart from five lectures given by historians, the contributions came from physicists who contributed to the development of this field in Italy (16) and abroad (3). -
On the Alleged Use of Keplerian Telescopes in Naples in the 1610S
On the Alleged Use of Keplerian Telescopes in Naples in the 1610s By Paolo Del Santo Museo Galileo: Institute and Museum of History of Science – Florence (Italy) Abstract The alleged use of Keplerian telescopes by Fabio Colonna (c. 1567 – 1640), in Naples, since as early as October 1614, as claimed in some recent papers, is shown to be in fact untenable and due to a misconception. At the 37th Annual Conference of the Società Italiana degli Storici della Fisica e dell'Astronomia (Italian Society of the Historians of Physics and Astronomy, SISFA), held in Bari in September 2017, Mauro Gargano gave a talk entitled Della Porta, Colonna e Fontana e le prime osservazioni astronomiche a Napoli. This contribution, which appeared in the Proceedings of the Conference (Gargano, 2019a), was then followed by a paper —actually, very close to the former, which, in turn, is very close to a previous one (Gargano, 2017)— published, in the same year, in the Journal of Astronomical History and Heritage (Gargano, 2019b). In both of these writings, Gargano claimed that the Neapolitan naturalist Fabio Colonna (c. 1567 – 1640), member of the Accademia dei Lincei, would have made observations with a so-called “Keplerian” or “astronomical” telescope (i.e. with converging eyepiece), in the early autumn of 1614. The events related to the birth and development of Keplerian telescope —named after Johannes Kepler, who theorised this optical configuration in his Dioptrice, published in 1611— are complex and not well-documented, and their examination lies beyond the scope of this paper. However, from a historiographical point of view, the news that someone was already using such a configuration since as early as autumn 1614 for astronomical observations, if true, would have not negligible implications, which Gargano himself does not seem to realize. -
The Encounter of the Emblematic Tradition with Optics the Anamorphic Elephant of Simon Vouet
Nuncius 31 (2016) 288–331 brill.com/nun The Encounter of the Emblematic Tradition with Optics The Anamorphic Elephant of Simon Vouet Susana Gómez López* Faculty of Philosophy, Complutense University, Madrid, Spain [email protected] Abstract In his excellent work Anamorphoses ou perspectives curieuses (1955), Baltrusaitis con- cluded the chapter on catoptric anamorphosis with an allusion to the small engraving by Hans Tröschel (1585–1628) after Simon Vouet’s drawing Eight satyrs observing an ele- phantreflectedonacylinder, the first known representation of a cylindrical anamorpho- sis made in Europe. This paper explores the Baroque intellectual and artistic context in which Vouet made his drawing, attempting to answer two central sets of questions. Firstly, why did Vouet make this image? For what purpose did he ideate such a curi- ous image? Was it commissioned or did Vouet intend to offer it to someone? And if so, to whom? A reconstruction of this story leads me to conclude that the cylindrical anamorphosis was conceived as an emblem for Prince Maurice of Savoy. Secondly, how did what was originally the project for a sophisticated emblem give rise in Paris, after the return of Vouet from Italy in 1627, to the geometrical study of catoptrical anamor- phosis? Through the study of this case, I hope to show that in early modern science the emblematic tradition was not only linked to natural history, but that insofar as it was a central feature of Baroque culture, it seeped into other branches of scientific inquiry, in this case the development of catoptrical anamorphosis. Vouet’s image is also a good example of how the visual and artistic poetics of the baroque were closely linked – to the point of being inseparable – with the scientific developments of the period. -
Folke Gernert Fictionalizing Heterodoxy
Folke Gernert Fictionalizing heterodoxy Folke Gernert Fictionalizing heterodoxy Various uses of knowledge in the Spanish world from the Archpriest of Hita to Mateo Alemán ISBN 978-3-11-062872-2 e-ISBN (PDF) 978-3-11-062877-7 e-ISBN (EPUB) 978-3-11-062878-4 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019941632. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Folke Gernert, published by Walter de Gruyter GmbH, Berlin/Boston Printing and binding: CPI books GmbH, Leck www.degruyter.com Contents Acknowledgements VII Introduction 1 The Tratado de la divinança by Lope de Barrientos, in the European Context 7 PhysiognomyinPrintand its Readers 20 The Legitimacy of the Partially Occult Sciences, Physiognomyand Chiromancy in the Face of the Inquisition 35 The Precariousness of Knowing the Occult: The Problematic Status of Physiognomy 59 The Physiognomic Knowledge of the Archpriest of Hita 81 The Problematic Competences of the Female Rogue: La LozanaAndaluza and La pícara Justina 100 Predictive Astrology: From King Alcaraz to La Lozana Andaluza 112 Miscellaneous Knowledge, Good and Bad, in aBookofChivalry: the Baldo of 1542 127 The Accumulation of (un)useful Knowledge in the Moralistic Commentaries of the Baldo and the Guzmán de Alfarache 153 Bibliography 173 Index 198 Acknowledgements The essays collected in this book are English translations of previouslypub- lished material.