W.S. Ships Blast Red Vessels SAIGON (AP) — V

Total Page:16

File Type:pdf, Size:1020Kb

W.S. Ships Blast Red Vessels SAIGON (AP) — V Distribution Re& Bank Area f 27,000 •aaaMy cooL la mid H^ tomor- row. Sunday* outlook, fair aad Copyright—The Red Bank Register, Inc., 1966. DIAL 741-0010 eooL MONMOUTH COUNTY'S HOME NEWSPAPER FOR 88 YEARS 7c PER COPY VOL. 88. NO. 103 Ss FRIDAY, NOVEMBER 18, 1966 PAGE ONE Says He Was Harassed Into Signing Documents Leg, Vet Charges Poor Medical Care By WILLIAM J. ZAORSKI and CHARLES A. JOHNSTON He has had no reply from the White House, though prom- Gone are his high school dreams of becoming a golf pro. He said the chief orthopedic surgeon at Clark overruled .ATLANTIC HIGHLANDS — A 20-year-old youth who has ises of investigation have come from others. He had toured local courses in the high 70s before entering ser- surgery there because he was only a transient patient and losta leg from fighting in Viet Natn has protested to President THREE INVESTIGATE vice, but tiiat was long ago as he looks back, now. tliis, he declares, "was wrong, really wrong. The cast was -Johnson that he-got poormodMalcaw^^ _.JU_,vSe^ro(Qlifj^_R>5ase and Harrison A. WSlKams Jr. , It was Oct. 13, 1965, he said, when, while directing six black, the pain intense." Ing paper? and is offered Inadequate compensation. aiuf "Rep. James 5."HowatdroTN^"Jeii^7*_SoW*"6T"ffie"case " "' 'rnen"~in"" a''itnrte&m "during"*- sea-rch and-destroy mission,.,he... ...,. On Oc4:-,20vlews,flown,.tn.,G€grge Air _Force,B as?,, Calif,..,, NeverfteJesf, gays Sp5 Carl E. Bennett, who served with and ate investigating. Spokesmen said yesterday they expect was wounded by Viet Cong gunfire in an ambush attack as he on Oct. 22, to a Michigan hospital, and the following day to the U.S. Amy's Wist Aiitorne Division, he would go back to reports soon. aided a medic who had been hit by shrapnel. Fort Dix where he was admitted to Walson Hospital. - Viet Nam if he eoul____: SpS Bennett had his right leg amputated five inches below The specialist has only high praise for medics who treated "My leg had swollen and the pain was so unbearable & ' The young vet,' now a patient at the Veterans~Admliflstra- theTtheeTrForTDIxirrAugustrlO^nonths^teirhe was wounded him andairliiftedJiini-fift:theJteld._J___undgrwent_thejjrstj|_ edic-had-slit-thecast to- relieve the-pressure.—The-smell-was— tioh Hospital, East Orange, has appealed to Disabled American in combat. He contends the care he didn't get between the what was to be a series of operations in a field hospital about worse thai* rotten eggs. Veterans Chapter 74, here, for help, and has given it his power battlefield and Font Dlx made saving the leg impossible. 75 minutes after he was hit. "I was put in a room by myself. No one else could tolerate .e< attorney. ' , • The adjutant general's office at Fort Dix said it is also TROUBLES IN EARNEST the odor." 1 '*r (appeal) to you personally , Mr. Johnson," he wrote, Investigating.-^,. '-' Then, he says, his troubles began in earnest. It was five After eight operations over many months, when surgeons "because you are my comrpander-in-chief. Sp5 Bennett is the son of Carl H. Bennett, 106 Center Ave., days later, when he was transported to Clark Air Force Base apparently attempted to save the shriveled limb, it was , "H you cajmot get the job done to corrept such abuses Atlantic Highlands, a construction supervisor, and Mrs. Bennett, Hospital in the Philippines, his cast now turned blue and amputated Aug. 2. ... then allk lost," and attended Middletown Township High School. creating a strong stench. (See VET, Page .) W.S. Ships Blast Red Vessels SAIGON (AP) — V. S. wav, John R. Craig and Hamner fired a series of explosions in a U.S. top leaders last night, and further rail lines. Aerial reconnaissance Only light ground contact was (hips bombarded -cargo, vessels more than 250 rounds of five-inch ammunition dump near Saigon, changes were thought likely. photographs indicated the Com-reported in Operation Attleboro, along a 10-mile stretch of North shells at supply craft both on thebut a U.S. military spokesman For the seventh day in a row,munists were putting a major ef- but U.S. headquarters announced Viet Nam today in a renewal of beach and in the water. said damage was light and there monsoon rains and generally fort into repairing their supply that the number of enemy killed the 7th fleet's new campaign to The U.S. command reported were no casualties. - poor weather cut heavily into lines. so far in the month-old operation cut the seaborne flow of Com- only small and scattered ground On the political front, Premier U.S. air strikes yesterday against Guam-based B52 bombers passed the 1,000 mark. munist supplies to the south. action In South Viet Nam, while Nguyen Cao Ky announced six North Viet Nam. U.S. pilots flew struck today in Tay Ninh prov- The U.S. force in Tay Ninh re- The Navy reported 42 cargo Vietnamese headquarters report- changes in .the civilian cabinet in only 52 missions, about one third ince for the ninth consecutive ported killing about 20 more Viet boats destroyed or damaged in ed a series of Viet Cong harass- an effort to end the eight-week- the average during good day in support of Operation At- Cong by air strikes and small th« bombardment by two destroy- ing attacks with mortars and old dispute between southern cab- weather. tleboro, the 30,000-man hunt by ground clashes. This raised to 1,- ers ranging 20 to 30 miles north mines that ranged from, one end inet ministers and northerners U.S. military sources said the U.S. ground forces to flush the 009 the total enemy officially re- of , the demilitarized zone be- of the country to the other. dominating the ruling military North Vietnamese are taking ad- Viet Cong out of a major strong- ported killed since the operation tween North and South Viet Nam. One mortar and sabotage at- Junta. Reports of friction persist- vantage of the foul weather to hold 60 miles northwest of Sai- started Oct. 15. Tha Navy said the destroyers tack set oft a four-hour fire and ed after a stormy meeting of rush repairs of roads, bridges and gon. : .••'•-• (See VIET NAM, Page 2) LJBFsPal: Tapioca WASHINGTON (AP) - President Johnson may turn out Tentative Approval Given to be the best friend a tapioca pudding ever bad. He can't say enough for the stuff. ' Take last night. He looked at the big, fancy cake turned out by the 'Whits' House chef for the 32nd anniversary of Johnson's marriage to Lady Bird. "It is pretty," he said, "but I think I will have to have Red Bank Library Grant DISABLED VETERAN — Sp5 Carl E. Bennett of the tapioca." , ' IOlst Airborne' Division, second from, right, told Presi- RED BANK — A $50,000 feder- struction bids can be solicited. level, which will be added to the The main level will consist of It was that way all day at Bethesda Naval Hospital. dent Johnson that he war "disappointed by the treat- In his hospital suite, the convalescent President told re- al grant for the proposed library The board hopes to seek bids rear of the existing basement, a large' open stack and reading porters he couldn't remember his menu—but "I know I had addition has received tentative before the end of the year and housing a children's room of area of about 72 by 73 feet. Both ment" he received after losing a leg from a wound sus- tapioca." . approval in Trenton. break ground in the spring, she about 45 by 41 feet, and story it and the children's rooms be- tained in Viet Nam, Nearest him are) his parents, Mr. .The windfall is contingent only said. hour and meeting room of about low it will have windowless sides And off.ht went: "Tapioca has less calories than any 21 by 42 feet, a foyer, rest and Mrs. Carl Hv Bennett of 104 Center Ave., Atlantic , other dass*rt that you get and it has great advantages when upon Borough Council's appropri Needs Certification, and a glass wall facing the river. ation of its share of the total es' The news from Trenton came rooms, the children's librarian'a The addition: will be of concreb Highlands, and left, hit brother Sp4 Randolph Bennett. f office, an equipment' rottin arid, He said R is easy to make, filling, satisfying and low on timated cost oil- WJS.OOOi ' ~ fe a letter from' Roger H« lylc- block construction., Another brother, Richard Bennett, I* tarving with the Donough, dlrector.of the Division a technical "work room" for the The addition will be wider thai calories. " - ...^-'•-.-'•' • .•: •• . • • .. , The Library,Board last night Air Force.' : By Johnson's account, a. heaping cup of tapioca has 169 made its torniki request to the of the State Library, Department stiff,: • • •.-' ••• • (See LIBRARY, Page 2) • calories; a servuig'of ice cream has 200 to 250. governing body for the appropri- of Education, through which the ':'•:': At Ws anniversary party, Johnson sent fora dish of ation, i and put its stamp of ap- federal grant must filter. He leftovtr tapioca, and fed spoonfuls to reporters, pointing out proval on the plans, both by una said his department must have By Monmouth Tax Board the calorie count. ' : . ' nimous votes. the borough's certification that He said Zephyr Wright, the family cook, makes tapioca" it can pay its share before April Board President Mrs.
Recommended publications
  • Televising the South: Race, Gender, and Region in Primetime, 1955-1980
    TELEVISING THE SOUTH: RACE, GENDER, AND REGION IN PRIMETIME, 1955-1980 by PHOEBE M. BRONSTEIN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Phoebe M. Bronstein Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Courtney Thorsson Core Member Meslissa Stuckey Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Phoebe M. Bronstein This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License iii DISSERTATION ABSTRACT Phoebe Bronstein Doctor of Philosophy Department of English September 2013 Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation traces the emergence of the U.S. South and the region’s role in primetime television, from the post-World War II era through Reagan’s election in 1980. These early years defined, as Herman Gray suggests in Watching Race, all subsequent representations of blackness on television. This defining moment, I argue, is one inextricably tethered to the South and the region’s anxiety ridden and complicated relationship with television. This anxiety was rooted in the progress and increasing visibility of the Civil Rights Movement, concern over growing white southern audiences in the wake of the FCC freeze (ended in 1952), and the fear and threat of a southern backlash against racially progressive programming.
    [Show full text]
  • A Theoretical Understanding of 2 Base Color Codes and Its
    WHITE PAPER SOLiD™ System A Theoretical Understanding of 2 Base Color Codes and Its Application to Annotation, Error Detection, and Error Correction Methods for Annotating 2 Base Color Encoded Reads in the SOLiD™ System Introduction Constructing the 2 Base Color Code The SOLiD™ System enables massively parallel sequencing of The SOLiD System’s 2 base color coding scheme is shown clonally amplified DNA fragments linked to beads. This unique in Figure 1. sequencing methodology is based on sequential ligation [code] 0 1 2 3 of dye-labeled oligonucleotide probes whereby each probe [dye] FAM Cy3 TXR Cy5 assays two base positions at a time. The system uses four (XY) AA AC AG AT fluorescent dyes to encode for the sixteen possible two-base 1 (XY) CC CA GA TA combinations. This unique approach employs a scheme that 2 (XY) GG GT CT CG represents a fragment of DNA as an initial base followed by 3 (XY) TT TG TC GC a sequence of overlapping dimers (adjacent pairs of bases). 4 The system encodes each dimer with one of four colors using Figure 1: SOLiD™ System’s 2 base Coding Scheme. The column under code i a degenerate coding scheme that satisfies a number of rules. lists the corresponding dye and the di-bases (adjacent nucleotides) encoded by color i. For example, GT is labeled with Cy3 and coded as “1”. A single color in the read can represent any of four dimers, but the overlapping properties of the dimers and the nature Use the following steps to encode a DNA sequence of the color code allow for error-correcting properties.
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: Filmografía Autor/es: Devesa, Dolores; Potes, Alicia Citar como: Devesa, D.; Potes, A. (1993). Filmografía. Nosferatu. Revista de cine. (12):72- 77. Documento descargado de: http://hdl.handle.net/10251/40864 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: El diablo de las aguas turbws (Hell and High Water, 1954) Filmografía r::x: Dolores Devesa y Alicia Potes pert Productions (EEUU). Argumento: (Sargento Zack), Robe1t Hutton (Solda­ Como director basado en un artículo publicado en Ame­ do "Conchie" Bronte), Richard Loo rican Weekly. Guión: Samuel Fuller. (Sargento Tanaka) , Steve Brodie (Te­ Supervisión del guión: Dorothy B. niente Drisco /1) , James Edwru·ds (Cabo Balas vengadoras(/ Shot Jesse James, Cormack. Fotografía: James Wong Thompson), Sid Melton (loe), Richru·d 1949) Howe. Música: Paul Dunlap. Montaje: Monahan (So ldado Bale/y), William Atthm Hilton. Intérpretes: Vincent Pri­ Chun ("Short Round", muchacho corea­ Producción:Lippert Product. (EEUU). ce (James Addison Reavis) , Ellen Drew no). Duración: 84 min. B/N. Estreno: Argumento: basado en un artículo de (Sofía Peralta Reavis), Beulah Bondi Madrid: Paz: 22 de junio de 1959.
    [Show full text]
  • Color Star Manual
    Color Star Manual Brand: TABLE OF CONTENTS 1. INTRODUCTION 2 2. DESCRIPTION OF THE DEVICE 3 3. CHARGING THE BATTERY 4 4. HOW TO TURN ON/TURN OFF 5 5. FUNCTIONS OF THE COLOR STAR 5 5.1. COLOR MEASUREMENT 5 5.2. PATTERN RECOGNITION 6 5.3. LIGHT DETECTOR WITH LIGHT ANALYSIS 6 5.4. COLOR COMPARISON 7 5.5. COLOR ANALYSIS 7 5.6. REPEAT FUNCTION OF THE COLOR ANNOUNCEMENT 8 5.7. VOLUME CONTROL 8 6. SAFETY INSTRUCTIONS 8 7. TROUBLESHOOTING 8 8. CLEANING AND MAINTENANCE 9 9. TECHNICAL DETAILS 9 10. GUARANTEE AND SERVICE 10 11. LEGAL NOTICE ON THE DISPOSAL OF ELECTRONIC DEVICES 10 11.1. DISPOSAL OF USED ELECTRONIC DEVICES 10 11.2. RECYCLING BATTERIES 11 12. SYMBOLS USED 11 13. MANUFACTURER 12 1. INTRODUCTION Color Star is a powerful color identifier. With its clear spoken voice output it recognizes more than 1000 different color shades, identifies contrast measurements, recognizes the color of LED-lights, perceives the light intensity in the surrounding environment and recognizes patterns. 2 Note: There are several methods for measuring colors such as the spectral analysis or the three range color sensor procedure. Color Star is based on the color sensor method, where three sensors are used to measure colors the same way that receptors in human eyes function. Color Star offers two different types of announcement: Universal color names and Artistic color names. The universal color names are scientific and based on mathematical color-guideline tables, developed by the International Commission on Illumination (CIE) with lighting conditions D65 corresponding to average midday sunlight.
    [Show full text]
  • The War and Fashion
    F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.
    [Show full text]
  • The Base Colors: Black and Chestnut the Tail, Called “Foal Fringes.”The Lower Legs Can Be So Pale That It Is Let’S Begin with the Base Colors
    Foal Color 4.08 3/20/08 2:18 PM Page 44 he safe arrival of a newborn foal is cause for celebration. months the sun bleaches the foal’s birth coat, altering its appear- After checking to make sure all is well with the mare and ance even more. Other environmental issues, such as type and her new addition, the questions start to fly. What gender quality of feed, also can have a profound effect on color. And as we is it? Which traits did the foal get from each parent? And shall see, some colors do change drastically in appearance with Twhat color is it, anyway? Many times this question is not easily age, such as gray and the roany type of sabino. Finally, when the answered unless the breeder has seen many foals, of many colors, foal shed occurs, the new color coming in often looks dramatical- throughout many foaling seasons. In the landmark 1939 movie, ly dark. Is it any wonder that so many foals are registered an incor- “The Wizard of Oz,” MGM used gelatin to dye the “Horse of a rect—and sometimes genetically impossible—color each year? Different Color,” but Mother Nature does a darn good job of cre- So how do you identify your foal’s color? First, let’s keep some ating the same spectacular special effects on her foals! basic rules of genetics in mind. Two chestnuts will only produce The foal’s color from birth to the foal shed (which generally chestnut; horses of the cream, dun, and silver dilutions must have occurs between three and four months of age) can change due to had at least one parent with that particular dilution themselves; many factors, prompting some breeders to describe their foal as and grays must always have one gray parent.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • 175747467.Pdf
    DIZIONARIO DEI FILM WESTERN A cura di Mario Raciti Fonti Dizionario Morandini 2008 Mymovies.it Film.tv.it Dedicato agli amici di Farwest.it A Accidenti, che ospitalità! Our Hospitality USA 1923 REGIA: Buster Keaton, John G. Blystone ATTORI: Buster Keaton, Natalie Talmadge, Joe Roberts * Una faida tra le famiglie Canfield e McKay funge da prologo. Allevato a New York da una zia, Will McKay torna dopo vent'anni al paese natale del West dove i Canfield tentano di ucciderlo. Finché è sotto il loro tetto, però, non possono farlo. E lui sposa una di loro. 2o film lungo di Keaton e uno dei suoi capolavori. È un western nel quale il comico non nasce dalla parodia ma dalla incongruità del personaggio Keaton mentre tutti gli altri sono costruiti secondo gli schemi classici e si comportano come tali. È una rivisitazione straniata che s'impernia, come il solito, sullo spostamento delle funzioni degli oggetti, sull'altalena tra sembrare ed essere. DURATA: 74' FOTOGRAFIA: BN Acquasanta Joe It. 1971 REGIA: Mario Gariazzo ATTORI: Lincoln Tate, Ty Hardin, Silvia Monelli * Dopo la guerra di secessione, in un improbabile West trovano posto la banda del cannone, un prete che fabbrica acquavite, avventurieri e tradimenti. Western povero di tutto. DURATA: 97' Adios Gringo It. 1965 REGIA: George Finley (> Giorgio Stegani) ATTORI: Giuliano Gemma, Evelyn Stewart, Robert Camardiel * Ricercato salva fanciulla da morte sicura, sgomina banda di prepotenti e prosegue con la bella per dimostrare la sua innocenza. George Finley (Giorgio Stegani) ha confezionato un discreto western all'italiana con un Gemma che fa il “buono” prima di imparare a recitare.
    [Show full text]
  • *** the Edge * Volume 23 * Issue 6 * July 2014
    DIXON ILLINOIS WW2 Re-enactment *** THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 SOUTH ELGIN ILLINOIS WW2 Re-enactment *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 2 of 46 * * 2ND Marines Reenacted check out Chuck Roberts Higgins Boat * Page 4: Communications * Page 25: Hickory Creek Middle School Visit * Page 9: WWII HRS Event Listings * Page 27: Restoring a Chrome Plated German Helmet * Page 12: Vietnam Moving Wall Event * Page 32: My WW2 Reenacting Memories * Page 14: D-Day Conneaut Ohio Event * Page 39: Photos from the Past * Page 15: WW2 Days Rockford, ILL Event * Page 43: From the Civilian View * Page 16: Operation Arcadia Event * Page 45: YouTube Video Recommendations * Page 19: WWII HRS Board Member List * Page 22: WWII HRS Board Meeting Minutes *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 3 of 46 * * soldiers under one of the evil regimes of the 20th century. The German I am Tired uniform containing 3rd Reich symbols can be shocking to the general By Jonathan Stevens, public but is often living history as usual for the reenactor. Just about any action in German uniform at public reenactments can and will WWII HRS President, 9th Infantry Div. likely be scrutinized by spectators and the media much more than any American, Soviet, or British uniformed reenactor. A further very real I am tired. I am very tired of the historical community putting down possibility is the misrepresentation of anything said by a reenactor in WWII living history. Generally I would never write something so German uniform by a journalist. When portraying a German soldier negative but we really ought to be aware of the stereotype of WWII this has to be kept in mind.
    [Show full text]
  • Differences Between the GWG 1V4 and 2015 Specifications
    Specification Guidelines Differences between the GWG 1v4 and 2015 specifications Authors David van Driessche Executive Director, Ghent Workgroup Chief Technical Officer, Four Pees [email protected] Date 27 January 2016 Status v1 [email protected] www.gwg.org Differences between the GWG 1v4 and 2015 specifications Table of Contents 1 Introduction ................................................................................................ 3 2 Variants ...................................................................................................... 4 3 Reliance on PDF/X ........................................................................................ 5 4 Color .......................................................................................................... 7 5 File size ...................................................................................................... 8 6 Optional content .......................................................................................... 9 7 OpenType fonts .......................................................................................... 10 8 16-bit images ............................................................................................. 11 9 Total Ink Coverage ...................................................................................... 12 10 Output Intent and ICC profiles ...................................................................... 13 11 Single image pages ....................................................................................
    [Show full text]
  • Randolph Scott
    NOVEMBER/DECEMBER 2013 VOLUME 3, ISSUE 8 CLICK HERE TO DOWNLOAD PDF VERSION Photo by Nadine Levin HIGH NOON Smoke Signals IN THIS ISSUE Page WesTern American AnTiques of the FuTure From a CulTure of Mass Manufacturing .....................................................4 Bits & Pieces: From Theresa.............................................................................................................................................5 Show Dealer Spotlight: Milo Marks..................................................................................................................................6 Linda’s Feedbag: Snickerdoodle Bread ............................................................................................................................8 Empty Saddle.....................................................................................................................................................................9 TCAA Tells Us “It Ain’t Dead Folks” ..............................................................................................................................10 From Our Readers ...........................................................................................................................................................11 The Curious Career of “MysTerious Dave” MaTher ........................................................................................................12 Reel Cowboys of Western Cinema: Randolph ScoTT ......................................................................................................14
    [Show full text]
  • Novel Colour Experiences and Their Implications1
    I n De re k H . Brown and F iona M a cpherson ( e ds.) The R o u tledge Han d b ook of Philosophy of Colo ur, O xfo rd: Ro u tledg e, 2 0 2 1, p p. 1 7 5 - 20 9. 11 NOVEL COLOUR EXPERIENCes AND THEIR IMPLICATIONS1 Fiona Macpherson One evening, in summer, he went into his own room and stood at the lattice- window, and gazed into the forest which fringed the outskirts of Fairyland … Sud­ denly, far among the trees, as far as the sun could shine, he saw a glorious thing. It was the end of a rainbow, large and brilliant. He could count all seven colours, and could see shade after shade beyond the violet; while before the red stood a colour more gorgeous and mysterious still. It was a colour he had never seen before. From George MacDonald (1867) “The Golden Key” in his Dealing with the Fairies, London: Alexander Strahan, pp. 250–1 In his writings for children, George MacDonald (1867) portrays the exhilaration and wonder that would likely accompany experiencing beautiful colours that one has not experienced before. One reason it would be exciting, I proffer,is that we tend to think that we have experi­ enced all the colours that we can experience, and the idea that there are other colour experi­ ences to be had seems rather far-fetched. It is no coincidence that MacDonald’s protagonist experiences the novel colours in Fairyland. Part of the reason that the idea of experiencing novel colours seems a remote possibility is that most people report that they cannot visually imagine what it would be like to experience colours other than those they have already seen.2 Contemplation of such experiences cannot be done by conjuring up images in the mind’s eye of unfamiliar colours but, instead, is limited to a rather abstract contemplation of the fact that there could be such colours.
    [Show full text]