On the Filter Approach to Perceptual Transparency
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Dispersion and Filters
Optical Filters: Dispersion and Filters Turan Erdogan, PhD (CTO and Co-founder) Semrock, A Unit of IDEX Corporation May 31, 2011 www.semrock.com Dispersion matters sometimes • Often we can sufficiently characterize the spectral performance of an optical filter by determining simply the amount of light intensity (I) it transmits (T(λ)) and it reflects (R(λ)) • T and R are called the “intensity transmission” and “intensity reflection” coefficients filter Iin IT = T(l)Iin IR = R(l)Iin 2 When dispersion matters • However, if the filter is used in an optical system that is sensitive to the phase of the light, we must use the “amplitude transmission” (t exp(iφt)) and “amplitude reflection” (r exp(iφr)) coefficients • t and r determine the amplitude of the electric field of the light that is transmitted and reflected, respectively, and φt and φr determine the change in phase of the electric field • The transmitted and reflected intensity is proportional to the square of the electric field filter 2 Iin = |Ein| phase Ein phase sensitive sensitive optical optical if (l) 2 Et = t(l)e t Ein IT = |Et| 2 system if (l) system IR = |Er| Er = r(l)e r Ein 3 When dispersion matters • Examples of cases when and where phase matters and the amplitude (rather than intensity) coefficients must be used include: . The filter is used in one arm of an interferometer, such that the light transmitted through or reflected off of the filter is coherently combined with light from the other arm or from elsewhere in the system . The filter is used to transmit or reflect a short pulse (<< 1 picosecond) such that its phase can cause the pulse to be chirped and therefore broadened or distorted filter 2 Iin = |Ein| phase Ein phase sensitive sensitive optical optical if (l) 2 Et = t(l)e t Ein IT = |Et| 2 system if (l) system IR = |Er| Er = r(l)e r Ein 4 Impact of optical filter dispersion • Consider the impact of dispersion on a short pulse reflected off of a filter with amplitude reflection coefficient r exp(iφ ) r filter . -
F I L T E R K
FILTERKIT 322 Woodwork Lane Palatine IL 60067 P: 847-359-3550 F: 847-359-3567 v2.1 [email protected] June16, 2009 www.midopt.com ABOUT MIDWEST OPTICAL SYSTEMS FK100 FILTER KIT CONTENTS ARTICLES Founded in 1988 as a manufacturer of custom precision Our continued commitment to optical components and systems, we have since been innovation has lead to the rotating Machine Vision Filters An overview involved exclusively in the design, manufacture, import Right Angle Attachment (left) that gives you more options for placing and export of vision-specific elements used by a diverse cameras in your system, and the Types of Filters The 8 major types of filters produced by MidOpt for machine vision applications variety of industries and end users. Over time, the company multi-purpose Slip Mount that lets has evolved and is now recognized worldwide as the premier you add filters to lenses when Machine v/s Photographic Filters Why photographic filters are not suitable for machine vision operations resource for filters, lenses and accessories used in industrial (1) there are no filter threads Testing with Filters Testing the effects of filtering and monochromatic lighting imaging applications. and (2) when a filter is desired for use on a wide- Increase Resolution Filters with High-Resolution and Telecentric Lenses; Chromatic Aberration By combining this extensive optics background with our angle lens. expertise in machine vision imaging, MidOpt continues Filter Applications UV Fluorescence, Polarizing, IR Blocking and Light Balancing Filters to develop economical and solutions for industrial image processing that are simply not found elsewhere. We provide FILTER NO. -
UV Optical Filters and Coatings
UV Optical Filters and Coatings BARR PRECISION OPTICS & THIN FILM COATINGS Materion Barr Precision Optics & Thin Film Coatings is a leading manufacturer and supplier of precision optical filters, hybrid circuits, flexible thin films and custom thin film coating services. We offer coating solutions for manufacturers in the defense, commercial, space, science, astronomy and thermal imaging markets. UltraViolet (UV) Optical Filters and Coatings Materion offers Ultraviolet (UV) optical filters and coatings used Material Options Include: in a wide variety of existing and emerging UV-based applications. n Metal-Dielectric Bandpass Filters, fully blocked from Whether the requirement is for small, prototype UV filter quantity, a the UV to IR “one-of-a-kind” coated optic, or for large-scale volume manufactur- n UVA, UVB Filters - fully blocked ing associated with an OEM application, Materion is equipped to n UV Filter Arrays, Discrete and Patterned meet the need. With Materion’s approach to filter design and manu- n UV Bandpass Filters with high transmission – facture, our filter design engineers work closely with our customers’ made with Environmentally-Durable Oxide Films optical system designers throughout the filter development process. n Mercury-line Isolation Filters such as i-line and g-line Filters The optical filters and coatings that result from this collaborative n AR-Coatings for UV Spectral Range process often serve to optimize the performance characteristics n UV Laser Bandpass Filters of our customers’ instruments and applications. When it comes to filter design and manufacture in the UV spectral range, Materion has n Solderable-metalized coatings developed an extensive library of manufacturing plans for UV filters n Wide UV Passband Filters (such as filters in UVC) and coatings which can be deployed or tailored to produce optical blocked for use with SiC or GaN Detectors filters, that best match customer requirements. -
A Theoretical Understanding of 2 Base Color Codes and Its
WHITE PAPER SOLiD™ System A Theoretical Understanding of 2 Base Color Codes and Its Application to Annotation, Error Detection, and Error Correction Methods for Annotating 2 Base Color Encoded Reads in the SOLiD™ System Introduction Constructing the 2 Base Color Code The SOLiD™ System enables massively parallel sequencing of The SOLiD System’s 2 base color coding scheme is shown clonally amplified DNA fragments linked to beads. This unique in Figure 1. sequencing methodology is based on sequential ligation [code] 0 1 2 3 of dye-labeled oligonucleotide probes whereby each probe [dye] FAM Cy3 TXR Cy5 assays two base positions at a time. The system uses four (XY) AA AC AG AT fluorescent dyes to encode for the sixteen possible two-base 1 (XY) CC CA GA TA combinations. This unique approach employs a scheme that 2 (XY) GG GT CT CG represents a fragment of DNA as an initial base followed by 3 (XY) TT TG TC GC a sequence of overlapping dimers (adjacent pairs of bases). 4 The system encodes each dimer with one of four colors using Figure 1: SOLiD™ System’s 2 base Coding Scheme. The column under code i a degenerate coding scheme that satisfies a number of rules. lists the corresponding dye and the di-bases (adjacent nucleotides) encoded by color i. For example, GT is labeled with Cy3 and coded as “1”. A single color in the read can represent any of four dimers, but the overlapping properties of the dimers and the nature Use the following steps to encode a DNA sequence of the color code allow for error-correcting properties. -
Color Star Manual
Color Star Manual Brand: TABLE OF CONTENTS 1. INTRODUCTION 2 2. DESCRIPTION OF THE DEVICE 3 3. CHARGING THE BATTERY 4 4. HOW TO TURN ON/TURN OFF 5 5. FUNCTIONS OF THE COLOR STAR 5 5.1. COLOR MEASUREMENT 5 5.2. PATTERN RECOGNITION 6 5.3. LIGHT DETECTOR WITH LIGHT ANALYSIS 6 5.4. COLOR COMPARISON 7 5.5. COLOR ANALYSIS 7 5.6. REPEAT FUNCTION OF THE COLOR ANNOUNCEMENT 8 5.7. VOLUME CONTROL 8 6. SAFETY INSTRUCTIONS 8 7. TROUBLESHOOTING 8 8. CLEANING AND MAINTENANCE 9 9. TECHNICAL DETAILS 9 10. GUARANTEE AND SERVICE 10 11. LEGAL NOTICE ON THE DISPOSAL OF ELECTRONIC DEVICES 10 11.1. DISPOSAL OF USED ELECTRONIC DEVICES 10 11.2. RECYCLING BATTERIES 11 12. SYMBOLS USED 11 13. MANUFACTURER 12 1. INTRODUCTION Color Star is a powerful color identifier. With its clear spoken voice output it recognizes more than 1000 different color shades, identifies contrast measurements, recognizes the color of LED-lights, perceives the light intensity in the surrounding environment and recognizes patterns. 2 Note: There are several methods for measuring colors such as the spectral analysis or the three range color sensor procedure. Color Star is based on the color sensor method, where three sensors are used to measure colors the same way that receptors in human eyes function. Color Star offers two different types of announcement: Universal color names and Artistic color names. The universal color names are scientific and based on mathematical color-guideline tables, developed by the International Commission on Illumination (CIE) with lighting conditions D65 corresponding to average midday sunlight. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
(12) Patent Application Publication (10) Pub. No.: US 2013/0258661 A1 Jousse Et Al
US 20130258661A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2013/0258661 A1 Jousse et al. (43) Pub. Date: Oct. 3, 2013 (54) WHTE LED LIGHTING DEVICE AND A Publication Classification LIGHTINGAPPLIANCE (51) Int. Cl. (71) Applicant: MAQUET SAS, Ardon (FR) F2IV 9/10 (2006.01) F2IV33/00 (2006.01) (72) Inventors: Robin Jousse, La Chapelle Saint (52) U.S. Cl. Mesmin (FR); Cécilia Valteau, Ligny Le CPC ............... F2IV 9/10 (2013.01); F2IV33/0068 Ribault (FR); Lionel Comte, La (2013.01) Chapelle Saint Mesmin (FR) USPC ........................................... 362/235; 362/293 (57) ABSTRACT An LED lighting device (6) having an LED (8) emitting white (73) Assignee: MAQUET SAS, Ardon (FR) light and optical filter means (12) suitable for filtering the white light emitted by the LED (8). The optical filter means Appl. No.: 13/793.288 comprise at least two optical filters (12) that have different (21) transmission coefficients and that are positionable to filter the light emitted by the LED (8) individually. The lighting device (22) Filed: Mar 11, 2013 (6) includes a power supply unit (10) suitable for delivering different power supply currents to the LED (8) depending on (30) Foreign Application Priority Data whether one or the other of the optical filters (12) is positioned to filter the light from the LED (8), so as to modify the color Mar. 27, 2012 (FR) ...................................... 12 52735 temperature of the light emitted by the LED (8). Patent Application Publication Oct. 3, 2013 Sheet 1 of 3 US 2013/0258661 A1 S50 8 750 850 Wavelength an Patent Application Publication Oct. -
The Base Colors: Black and Chestnut the Tail, Called “Foal Fringes.”The Lower Legs Can Be So Pale That It Is Let’S Begin with the Base Colors
Foal Color 4.08 3/20/08 2:18 PM Page 44 he safe arrival of a newborn foal is cause for celebration. months the sun bleaches the foal’s birth coat, altering its appear- After checking to make sure all is well with the mare and ance even more. Other environmental issues, such as type and her new addition, the questions start to fly. What gender quality of feed, also can have a profound effect on color. And as we is it? Which traits did the foal get from each parent? And shall see, some colors do change drastically in appearance with Twhat color is it, anyway? Many times this question is not easily age, such as gray and the roany type of sabino. Finally, when the answered unless the breeder has seen many foals, of many colors, foal shed occurs, the new color coming in often looks dramatical- throughout many foaling seasons. In the landmark 1939 movie, ly dark. Is it any wonder that so many foals are registered an incor- “The Wizard of Oz,” MGM used gelatin to dye the “Horse of a rect—and sometimes genetically impossible—color each year? Different Color,” but Mother Nature does a darn good job of cre- So how do you identify your foal’s color? First, let’s keep some ating the same spectacular special effects on her foals! basic rules of genetics in mind. Two chestnuts will only produce The foal’s color from birth to the foal shed (which generally chestnut; horses of the cream, dun, and silver dilutions must have occurs between three and four months of age) can change due to had at least one parent with that particular dilution themselves; many factors, prompting some breeders to describe their foal as and grays must always have one gray parent. -
Full Text [PDF]
IPASJ International Journal of Electrical Engineering (IIJEE) Web Site: http://www.ipasj.org/IIJEE/IIJEE.htm A Publisher for Research Motivation ........ Email:[email protected] Volume 5, Issue 8, August 2017 ISSN 2321-5984 Spectral and Thermal Effects on the Transmission Modulation Depth and Attenuation Level Estimation of High Density Optical Filters Mr. M.K. Mathur JNTUH College of Engineering, Hyderabad ABSTRACT There are many operating parameters describing optical filter properties such as the amount absorbed electromagnetic radiation which depends on the operating signal wavelength; the amount of the absorbing material in the radiation path (filter thickness); and the absorption coefficient of the material at that wavelength. This paper has presented fused silica (SiO2) glass, polystyrene (PS) plastic and arsenide trisulfide (AS2 S3) glass band pass optical filters for visible and near infrared spectrum regions over wide range of the affecting parameters. Filter transmittance, filter optical density, attenuation level or blocking level, filter correlation factor, and transmission modulation depth are the major interesting design parameters under room temperature and high temperature effects. 1. INTRODUCTION Optical filters are devices which selectively transmit light of certain properties while blocking (absorbing) the reminder [1]. In general they’re sensitive to light of particular wavelengths (and in consequence color) or range of wavelengths. This property makes optical filters often used in many industrial applications. In many branches of industry source emitting intense non-visible radiation (for example white hot metal or glass) has to be monitored. Optical filters are often used for such applications. In such cases infrared (IR) or heat absorbing filters are used in order to block mid infrared wavelengths (thermal radiation) but allow visible light to be transmitted. -
Schott Filter Catalog
Definitions Glass Filters 2009 OPTICAL FILTERS TABLE OF CONTENTS Table of Contents Foreword ....................................................................................... 4 1. General information on the catalog data ..................................... 5 2. SCHOTT glass filter catalog: product line ..................................... 6 3. Applications for SCHOTT glass filters ............................................ 7 4. Material: filter glass ..................................................................... 10 4.1 Group names ................................................................................ 10 4.2 Classification ................................................................................. 10 4.2.1 Base glasses .................................................................................. 10 4.2.2 Ionically colored glasses ................................................................. 10 4.2.3 Colloidally colored glasses ............................................................. 11 4.3 Reproducibility of transmission ...................................................... 11 4.4 Thermal toughening ..................................................................... 11 5. Filter glass properties .................................................................. 13 5.1 Mechanical density ........................................................................ 13 5.2 Transformation temperature .......................................................... 13 5.3 Thermal expansion ....................................................................... -
*** the Edge * Volume 23 * Issue 6 * July 2014
DIXON ILLINOIS WW2 Re-enactment *** THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 SOUTH ELGIN ILLINOIS WW2 Re-enactment *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 2 of 46 * * 2ND Marines Reenacted check out Chuck Roberts Higgins Boat * Page 4: Communications * Page 25: Hickory Creek Middle School Visit * Page 9: WWII HRS Event Listings * Page 27: Restoring a Chrome Plated German Helmet * Page 12: Vietnam Moving Wall Event * Page 32: My WW2 Reenacting Memories * Page 14: D-Day Conneaut Ohio Event * Page 39: Photos from the Past * Page 15: WW2 Days Rockford, ILL Event * Page 43: From the Civilian View * Page 16: Operation Arcadia Event * Page 45: YouTube Video Recommendations * Page 19: WWII HRS Board Member List * Page 22: WWII HRS Board Meeting Minutes *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 3 of 46 * * soldiers under one of the evil regimes of the 20th century. The German I am Tired uniform containing 3rd Reich symbols can be shocking to the general By Jonathan Stevens, public but is often living history as usual for the reenactor. Just about any action in German uniform at public reenactments can and will WWII HRS President, 9th Infantry Div. likely be scrutinized by spectators and the media much more than any American, Soviet, or British uniformed reenactor. A further very real I am tired. I am very tired of the historical community putting down possibility is the misrepresentation of anything said by a reenactor in WWII living history. Generally I would never write something so German uniform by a journalist. When portraying a German soldier negative but we really ought to be aware of the stereotype of WWII this has to be kept in mind. -
Differences Between the GWG 1V4 and 2015 Specifications
Specification Guidelines Differences between the GWG 1v4 and 2015 specifications Authors David van Driessche Executive Director, Ghent Workgroup Chief Technical Officer, Four Pees [email protected] Date 27 January 2016 Status v1 [email protected] www.gwg.org Differences between the GWG 1v4 and 2015 specifications Table of Contents 1 Introduction ................................................................................................ 3 2 Variants ...................................................................................................... 4 3 Reliance on PDF/X ........................................................................................ 5 4 Color .......................................................................................................... 7 5 File size ...................................................................................................... 8 6 Optional content .......................................................................................... 9 7 OpenType fonts .......................................................................................... 10 8 16-bit images ............................................................................................. 11 9 Total Ink Coverage ...................................................................................... 12 10 Output Intent and ICC profiles ...................................................................... 13 11 Single image pages ....................................................................................