Time to Start Lining Up... JCCC Bazaar Is Just Around the Corner! 今年も盛りだくさんJCCCバザー April Movie Night: Throne of Blood 4月映画鑑賞会:蜘蛛巣城

Total Page:16

File Type:pdf, Size:1020Kb

Time to Start Lining Up... JCCC Bazaar Is Just Around the Corner! 今年も盛りだくさんJCCCバザー April Movie Night: Throne of Blood 4月映画鑑賞会:蜘蛛巣城 Time to start lining up... JCCC Bazaar is just around the corner! 今年も盛りだくさんJCCCバザー April Movie Night: Throne of Blood 4月映画鑑賞会:蜘蛛巣城 April 2014 2014年4月 Vol.40 Issue 4 1 2013-14 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Peter Wakayama VP, Management Ann Ashley 日 2 JCCC Annual Bazaar Secretary Sharon Marubashi Treasurer Chris Reid 3 Toronto Japanese Film Festival Directors Ken Fukushima Anzu Hara 系 Chris Hope 4-5 Upcoming Events Shari Hosaki Warren Kawaguchi 文 Lorene Nagata 6 Spring/Summer Workshops Christine Nakamura Jan Nobuto Cary Rothbart 化 7-9 Community Events Ross Saito Nao Seko 11 Donations Takato Yamashita 会 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 12-13 Nikkei Heritage Musuem Inscriptions Sid Ikeda Miki Kobayashi 館 Mickey Matsubayashi 15-16 日本語紙面 Steve Oikawa Fred Sasaki 役 Connie Sugiyama Foundation Chair Shari Hosaki JCCC Staff 員 James Heron Calendar of Events Executive Director [email protected] 416-441-2345 ext.224 及 Kathy Tazumi April Accounting/General Administration Manager Sat 5 Karaoke Club [email protected] 416-441-2345 ext.229 び Christine Takasaki Sun 6 Asahi Book Reading Community Events/Volunteer Coordinator [email protected] 416-441-2345 ext.221 ス Thurs 17 Origami Workshop Haruko Ishihara Fri 18 JCCC closed –Good Friday Community Rentals [email protected] 416-441-2345 ext.228 タ Sat 19 Karaoke Club Christine Seki Thurs 24 Movie Night: Throne of Blood Corporate Rentals/Programming and Business Development [email protected] 416-441-2345 ext.231 ッ Sun 27 Bazaar Manju Bee Sally Kumagawa Membership/Database Administrator Mon 28 Japanese Cooking class [email protected] 416-441-2345 ext.223 フ Toshiko Yamashita Heritage/Newsletter Coordinator May [email protected] [email protected] 416-441-2345 ext.227 Fri 2 Bazaar Preparation Day Yuki Hipsh Sat 3 JCCC Annual Bazaar Community Liaison [email protected] 416-441-2345 ext.235 Sat 10 Karaoke Club Sandy Chan Thurs 15 Movie Night: Like Father, Like Son Administrative Assistant [email protected] 416-441-2345 ext.226 Mon 19 JCCC closed –Victoria Day Constantin Dutescu Operations and Technical Coordinator Thurs 22 Origami Workshop [email protected] 416-460-3522 Sat 24 Karaoke Club Maki Klotz Receptionist/Giftshop Mon 26 Japanese Cooking Class [email protected] 416-441-2345 ext.222 The Japanese Canadian Cultural Centre Newsletter June Editors: James Heron, Kathy Tazumi, Terry Takashima, Toshiko Yamashita Japanese Section: Toshiko Yamashita, Haruko Ishihara, Maki Klotz Sat 7 Karaoke Club Cover Picture: Photo by Toby Simes Thurs 12 TJFF Opening Your news is welcome! Please send articles to: [email protected] or Sat 21 Karaoke Club Japanese Canadian Cultural Centre 6 Garamond Court, Toronto, ON M3C 1Z5 Mon 23 JCCC AGM tel 416-441-2345 fax 416-441-2347 [email protected] Fri 27 TJFF Closing The submission deadline for the May issue is Thursday April 10, 2014. 日本語の記事も受け付けています。5月号の締め切りは2014年4月10日(木)です。 2 JCCC Annual Bazaar Bazaar Volunteering Opportunities The JCCC Annual From now to the day of the event, a lot of work is needed to Bazaar committee ensure that our annual Bazaar is a success! We have many is busy organizing opportunities for volunteers. NO EXPERIENCE IS NECESSARY! our biggest one-day There are jobs for everyone, from those who need high school fundraiser of the year! volunteer hours to those of us who are “young at heart” (over So mark your calendar Grade 10). Time commitments can be tailored according to for Saturday May 3, your availability. Types of work in need of volunteer help are as 2014 from 12:00pm to follows: 4:00pm. Please note the new starting time of Manju Bee: Sunday April 27, 2014 noon this year as we are opening a half hour earlier. You don’t • Making Manju and packaging (10:00am - afternoon) want to arrive and find that all the best bargains are gone!! As usual, the Annual Bazaar is a shopping extravaganza with Preparation Day: Friday, May 2, 2014 great deals on Noritake tableware, logoware, lawn accessories, • Setting up the areas for all JCCC sales (Anytime gardening items, baked goods, etc., plus lots of white/pink between 9:30am to 4:00pm) elephant treasures and, of course, our Silent Auction with some • Making Inarizushi and food prep (12:30pm to 5:00pm) great products to bid on. There will also be lots of food for sale such as sushi, udon, On the day of the Bazaar: Saturday, May 3, 2014 tempura - for take home or dining in while you take a break from Sushi Bee: before the doors open (7:00am-11:30am) your shopping spree. • Making Maki sushi Please come and support your JCCC! We welcome donations of all kinds – baked goods (including During the Bazaar: Saturday May 3, 2014 cakes, pies, cookies, squares, etc), Japanese food (including • Parking Attendant (10:00am-1:00pm, 12:00pm-3:00pm) manju, sekihan, chirashi, bento, etc), white elephant, new • Crowd Control at the door (11:00am-3:00pm) products, etc. Non-perishable donations can be dropped off at • Gift Shop (11:00am-4:30pm) the JCCC reception desk anytime. Perishable donations that can • Food Booth (10:00am-5:00pm) be refrigerated can be accepted on May 2nd and of course on the • Kitchen Help (9:00am-2:00pm, 11:00am-5:00pm) 3rd. • Food Service (11:00am-5:00pm) While we appreciate everyone’s generosity, we ask that you • Clean-up (3:00pm-7:00pm) please DO NOT donate clothing. And many more! If you have any questions or need more information, please contact Christine Takasaki at 416-441-2345 ext. 221 or christinet@ To sign up for any volunteer work, please contact Yuki jccc.on.ca. Hipsh at [email protected] or 416-441-2345 ext.235 Date: Saturday May 3, 2014 Time: 12:00pm - 4:00pm Admission: Free April Movie: Throne of Blood Kurosawa’a 1957 masterpiece comes to the Kobayashi Hall JCCC LIBRARY SCHEDULE A vivid, visceral masterpiece, Throne of Blood, directed by Akira Kurosawa, TUE/THURS/FRI sets Shakespeare’s Macbeth in a 10am – 2pm (non-lending hours) ghostly, fog-enshrouded landscape in WED feudal Japan. As a hardened warrior 1pm – 5pm (lending hours) who rises savagely to power, Toshiro SAT Mifune gives a remarkable, animalistic 1pm – 5pm (lending hours) performance, as does Isuzu Yamada as his ruthless wife. Throne of Blood fuses classical Western tragedy with formal elements taken SUN/MON from Noh theater to create an unforgettable cinematic experience. closed Library Closing Days Date: Thursday April 24, 2014 Fri. Apr. 18, Sat. May 3, Sat. May 19 Time: 7:00pm Admission: $8 JCCC members, $10 non- members 3 The Toronto Japanese Film Festival is Back and Bigger for 2014! The Toronto Japanese Film Festival is dedicated to showcasing the finest Japanese films that have been recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy. Our 2012 and 2013 festivals attracted large crowds, a broad demographic from all over the city and exit surveys indicating that audiences genuinely enjoyed the films. For our 2014 festival, we have worked hard to find a wide range of films that represent the broad spectrum of great film created in Japan. We have an exciting line-up of films this year; we invite you to enjoy yourselves and thank you for being part of this year’s festival. The 2014 festival will be held from June 12 to 27 and will feature 18 films including many North American and Canadian premieres. Some highlights include: • The Canadian premiere of Yuzo Asahara’s A TALE OF SAMURAI COOKING starring Aya Ueto and Kengo Kora and featuring an opening reception catered by Kaiseki Yuzen Hashimoto. • The North American premiere of Yoshihiro Nakamura’s fast paced thriller THE SNOW WHITE MURDER CASE, one of the most anticipated movies of 2014, starring Mao Inoue and Go Ayano. Director Nakamura will be joining us at the festival to introduce his film and meet his Toronto fans. • The North American premiere of Takashi Yamazaki’s (Always: Sunset on 3rd Street) THE ETERNAL ZERO, still in Japanese theatres and one of 10 most popular films in Japanese cinema history! Starring Jun’ichi Okada and Mao Inoue. • Canadian premiere of Yoji Yamada’s 2014 adaptation of Kiyoko Nakajima’s Naoki Prize-winning novel, THE LITTLE HOUSE. Haru Kuroki won for the Best Actress Award at the Berlin Film Festival 2104 for her role. Also with Takako Matsu, Hidetaka Yoshioka, Chieko Baisho, Satoshi Tsumabuki. • The Canadian premiere of Shin Togashi’s OSHIN the new film version the beloved NHK drama. • The Canadian premiere of Yasuo Furuhata’s SHONEN H based on the huge best seller and nominated for the Japanese Academy Award for Best Film of the Year. • The North American premiere of Miki Takahiro’s romantic fantasy GIRL IN THE SUNNY PLACE starring Arashi’s Jun Matsumoto and Juri Ueno. • The Canadian premiere of Satoshi Nagai’s hilarious advertising industry comedy JUDGE! starring Satoshi Tsumabuki and Keiko Kitagawa • The Toronto premiere of Nobu Mizuta’s (Maiko Haaaan!) wild comedy on Japanese manners, THE APOLOGY KING with Sadao Abe and Mao Inoue. And that’s just the tip of the cinematic iceberg. Please check our website torontojff.com for more details. Tickets go on sale May 1 at 10:00am. Per screening, JCCC members are $10 ($40 for a 5 film pass, $80 for 10 film pass) and non-members are $12 ($45 for a 5 film pass, $90 for 10 film pass).
Recommended publications
  • 15.Ankara Filmleri Festivali
    ANKARA JAPON FİLMLERİ FESTİVALİ 15.22-24 ŞUBAT 2019 FİLMLER TÜRKÇE ALTYAZILIDIR | GİRİŞ ÜCRETSİZDİR GÖSTERİMDEKİ FİLMLER KARA KEDİ RUDOLF OSHIN SAMURAYIN KEDİSİ USTANIN SESİ KÜÇÜK KIZ KARDEŞİM FIRTINADAN SONRA KELİME BAHÇESİ JAPONYA BÜYÜKELÇİLİĞİ ANKARA | TÜRKİYE www.tr.emb-japan.go.jp facebook.com/japonyabuyukelciligi Detaylı bilgiyi internet sitemizde bulabilirsiniz. KÜÇÜK KIZ KARDEŞİM Umimachi Diary Üç kız kardeş, vefat etmiş olan büyükannelerinin Kamakura kentindeki evinde birlikte yaşıyordur. Kardeşler, babaları başka bir kadın için evi terk ettiğinden ve anneleri de tıpkı kocası gibi başka bir erkekle gittiğinden beri birlikte yaşamaktadır. Yerel bir hastanede hemşire olan 29 yaşındaki Sachi Kouda, 22 yaşındaki Yoshino Kouda’ya ve 19 yaşındaki Chika Kouda’ya annelik etmektedir. Bir gün, üç kız kardeş babalarının ölümünü duyar ve isteksizce cenazesine katılırlar. Fakat Yamagata'da beklenmeyen bir şey olur: 13 yaşındaki kardeşleri Suzu'yla karşılaşırlar. Sachi, babasının dul eşi Yoko'nun uygun bir veli olmayacağını sezer ve Suzu'yu yanlarına taşınmaya davet eder. Bilgi: 2015 Cannes Film Festivali En İyi Film Adayı 22 ŞUBAT 2019 CUMA 19.00 Tür: Aile – Drama Yönetmen: Hirokazu Koreeda Senaryo: Hirokazu Koreeda Yapım: 2015 / 128 dk. / Renkli / Vista (1,85:1) Oyuncular: Haruka Ayase: Sachi Koda Masami Nagasawa: Yoshino Kôda Kaho: Chika Koda Suzu Hirose: Suzu Asano Ryo Kase: Yoshimi Sakashita Ryohei Suzuki: Dr. Yasuyuki Inoue Takafumi Ikeda: Sanzo Hamada Kentaro Sakaguchi: Tomoaki Fujii Ohshiro Maeda: Futa Ozaki Midoriko Kimura: Hideko Takano Yuko Nakamura: Yoko Asano Jun Fubuki: Sachiko Ninomiya Kazuaki Shimizu: Toshio Iida © 2015 "Our Little Sister" Film Partners FIRTINADAN SONRA Umi Yorimo Mada Fukaku Geçmişte ödül almış bir yazar olan Ryota, özel dedektif olarak kazandığı parayı kumara harcadığından dolayı çocuğunun nafakasını güçlükle ödeyebilmektedir.
    [Show full text]
  • Festival/Tokyo Press Release
    Festival Outline Name Festival/Tokyo 09 spring Time・Venues Feb 26 (Thu) – Mar 29 (Sun), 2009 Tokyo Metropolitan Art Space Medium Hall, Small Hall 1&2 Owlspot Theater (Toshima Performing Arts Center) Nishi-Sugamo Arts Factory, and others Program 14 performances presented by Festival/Tokyo 5 performances co-presented by Festival/Tokyo Festival/Tokyo Projects (Symposium/Station/Crew) Organized by Tokyo Metropolitan Government Tokyo Metropolitan Foundation for History and Culture Festival/Tokyo Executive Committee Toshima City, Toshima Future Culture Foundation, Arts Network Japan (NPO-ANJ) Co-organized by Japanese Centre of International Theatre Institute (ITI/UNESCO) Co-produced by The Japan Foundation Sponsored by Asahi Breweries, Ltd., Shiseido Co., Ltd. Supported by Asahi Beer Arts Foundation Endorsed by Ministry of Foreign Affairs, GEIDANKYO, Association of Japanese Theatre Companies Co-operated by The Tokyo Chamber of Commerce and Industry Toshima, Toshima City Shopping Street Federation, Toshima City Federation, Toshima City Tourism Association, Toshima Industry Association, Toshima Corporation Association Co-operated by Poster Hari’s Company Supported by the Agency for Cultural Affairs Government of Japan Related projects Tokyo Performing Arts Market 2009 2 Introduction Stimulated by the distinctive power of the performing arts and the abundant imagination of the artists, Tokyo Metropolitan Government and the Tokyo Metropolitan Foundation for History and Culture launches a new performing arts festival, the Festival/Tokyo, together with the Festival/Tokyo Executive Committee (Toshima City, Toshima Future Cultural Foundation and NPO Arts Network Japan), as part of the Tokyo Culture Creation Project, a platform for strong communication and “real” experiences. The first Festival/Tokyo will be held from February 26 to March 29 in three main venues in the Ikebukuro and Toshima area, namely the Tokyo Metropolitan Art Space, Owlspot Theater and the Nishi-Sugamo Art Factory.
    [Show full text]
  • El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
    El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones.
    [Show full text]
  • JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
    Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history.
    [Show full text]
  • Stony Brook University
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss).
    [Show full text]
  • Toronto Japanese Film Festival 2016
    1 5% discount for JCCC members For Experienced and Professional Real Estate Service... Call Anytime... Absolutely No Obligation DAVID IKEDA Sales Representative bonni maikawa 416-234-2424 www.ikedasells.com Sales Representative 416-538-6428 Sutton Group Old Mill Realty Inc., Brokerage [email protected]/www.bonnimaikawa.com Sutton Group Associates Realty Inc.,Brokerage 416-966-9300 Advertise with us! Contact [email protected] or 416-441-2345 ext. 227 2 2015 -16 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 4 Upcoming JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 6-9 Torono Japanese Film Festival VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 日 Directors Jonathan Carter 10-11 Heritage News Mark Hashimoto Kristin Kobayashi 系 15-17 Donations Christine Nakamura Dereck Oikawa Chris Reid 18-22 日本語紙面 Cary Rothbart 文 Ross Saito Nao Seko Peter Wakayama 化 Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston 会 (Ambassador of Canada to Japan William Hatanaka Sid Ikeda 館 May Sat 7 JCCC Bazaar Miki Kobayashi (in memory) Mon 9 Movie Screening – I am a Monk Steve Oikawa Sat 14 JCCC Karaoke Club Connie Sugiyama 役 JCCC Foundation Chair Shari Hosaki Mon 16 Manju Workshop Wed 18 Tattoo Exhibit Opens JCCC Staff 員 Thurs 19 Tattoo Exhibit Opening Ceremony James Heron Executive Director Sat 21 JCCC Karaoke Club [email protected] 416-441-2345 ext.224 Mon 23 JCCC closed –Victoria Day 及 Kathy
    [Show full text]
  • A Survey of Shakespearean Performances in Japan from 2001-2010
    A Survey of Shakespearean Performances in Japan from 2001-2010 Kosai Ishihara Osamu Hirokawa 1. An Overview of Shakespearean Performance in Japan We are going to survey the performances on Shakespeare in this century. The Shakespeare Institute of Komazawa University has been compiling data on Shakespeare in Japan. We would like to exhibit how widely Shakespeare has been appreciated by people in and around Tokyo on the evidence of the performance records for the ten years from 2001 to 2010, based mainly upon the data of Nihon Sheikusupia Soran ( A General Survey of Shakespeare in Japan), composed by Takashi Sasaki, a member of The Komazawa University Shakespeare Institute. *(Table 1) The annual number of performances in the 1980s came to around 20-30 but increased to about 60-70 in the 1990s. The peak year of the 1990s was 1991, when the Fifth World Shakespeare Congress was held in Tokyo; in the autumn the Japan Festival of Great Britain was held in Great Britain. A total of 93 plays was performed that year. As the graph above shows, the lower rate of the early 2000s peaked again in 2002. In the recent years more than 100 Shakespearean productions have been staged. The fi gures include all performances, varying - 1 - Kosai Ishihara, Osamu Hirokawa from small amateur groups to large professional companies, from authentic British productions to traditional Japanese productions. Most of the plays staged in Japan are performed in Japanese, sometimes highly adapted. Once Shakespeare’s plays are translated into Japanese they are no longer strictly Shakespearean, since the structural differences between English and Japanese detract from his beautiful rhyme, accent, rhythm and imagery.
    [Show full text]
  • Cineclubuned 24.Pdf
    Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07
    [Show full text]
  • PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
    PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • Biden's Foreign Agenda
    Asia’s struggle to vaccinate millions Xi’s priorities Muhyiddin’s gamble MCI(P) 053/04/2020 February 2021 BIDEN’S FOREIGN AGENDA A BIG SHIFT? WE BRING YOU SINGAPORE AND THE WORLD UP TO DATE IN THE KNOW News | Live blog | Mobile pushes Web specials | Newsletters | Microsites WhatsApp | SMS Special Features IN THE LOOP ON THE WATCH Facebook | Twitter | Instagram Videos | FB live | Live streams To subscribe to the free newsletters, go to str.sg/newsletters All newsletters connect you to stories on our straitstimes.com website. Data Digest Covid-19 vaccines: Types, routes & effectiveness WITH OVER 102 MILLION INFECTIONS Different routes to a Covid-19 vaccine and more than two million deaths How the leading contenders in the race to establish effective inoculation against the globally, much attention is now focused Sars-CoV-2 virus have approached the task on the vaccines in the works. Of the 237 vaccines in development, 64 are How vaccines work in various phases of clinical testing. 22 • Vaccines are all designed • There are four main • All methods rely • APC identifies • Immune cells will are currently in phase 3 of clinical trials, to safely trigger the body’s approaches towards on APC to initiate peptides, then be enabled to natural immune response developing a vaccine the immune snippets of recognise and with 18 still in phase 1, which include to Sars-CoV-2 against the virus response virus protein neutralise the virus testing the vaccine in a small number of healthy people. 1 Virus • Beijing Institute/Sinopharm* There are four main types of Covid-19 vaccines • Wuhan Institute/Sinopharm • Bharat Biotech/ ICMR vaccines in the works.
    [Show full text]
  • Wolf Children
    PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare.
    [Show full text]