DOCSLIB.ORG

Download Award Winners Berlinale 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Award Winners Berlinale 2014 20131108_LogobalkenA4Hoch_210x24_RZ.indd 1 08.11.13 16:30 15.02.2014 THE AWARDS OF THE 64th BERLIN INTERNATIONAL FILM FESTIVAL Official Juries Prizes of the International Jury ........................................................................................................ 2 Best First Feature Award ..................................................................................................................... 3 Prizes of the International Short Film Jury ................................................................................... 3 Prizes of the Juries Generation .......................................................................................................... 3 Independent Juries Prizes of the Ecumenical Jury ........................................................................................................... 5 Prizes of the FIPRESCI Jury .................................................................................................................. 5 Prize of the Guild of German Art House Cinemas ..................................................................... 6 CICAE Art Cinema Award .................................................................................................................... 6 Label Europa Cinemas ......................................................................................................................... 6 Teddy Award ........................................................................................................................................... 6 Made in Germany – Perspektive Fellowship ............................................................................... 6 FGYO-Award Dialogue en perspective .......................................................................................... 6 Caligari Film Prize .................................................................................................................................. 6 NETPAC Prize .......................................................................................................................................... 7 Peace Film Prize ..................................................................................................................................... 7 Amnesty International Film Prize .................................................................................................... 7 CINEMA fairbindet Prize ..................................................................................................................... 7 Heiner-Carow-Prize .............................................................................................................................. 7 Think:Film Award .................................................................................................................................. 7 Readers’ Juries and Audience Award Panorama Audience Award ................................................................................................................ 7 Berliner Morgenpost Readers’ Jury Award ................................................................................... 7 Tagesspiegel Readers’ Jury Award ................................................................................................... 7 ELSE - Siegessäule Readers’ Jury Award ....................................................................................... 7 Prizes Berlinale Co-Production Market & Berlinale Talents ARTE International Prize ..................................................................................................................... 8 VFF Talent Highlight Pitch Award ................................................................................................... 8 Dolby® Atmos Policy Trailer................................................................................................................ 8 Please find all information on juries and awards on the Berlinale website www.berlinale.de 1 15.02.2014 PRIZES OF THE INTERNATIONAL JURY GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Bai Ri Yan Huo Black Coal, Thin Ice by Diao Yinan SILVER BEAR GRAND JURY PRIZE The Grand Budapest Hotel The Grand Budapest Hotel by Wes Anderson SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Aimer, boire et chanter Life of Riley by Alain Resnais SILVER BEAR FOR BEST DIRECTOR Richard Linklater for Boyhood (Boyhood) SILVER BEAR FOR BEST ACTRESS Haru Kuroki in Chiisai Ouchi (The Little House) by Yoji Yamada SILVER BEAR FOR BEST ACTOR Liao Fan in Bai Ri Yan Huo (Black Coal, Thin Ice) by Diao Yinan SILVER BEAR FOR BEST SCRIPT Dietrich Brüggemann, Anna Brüggemann for Kreuzweg (Stations of the Cross) by Dietrich Brüggemann SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design Zeng Jian for the camera in Tui Na (Blind Massage) by Lou Ye 2 15.02.2014 BEST FIRST FEATURE AWARD BEST FIRST FEATURE AWARD, endowed with € 50,000, funded by GWFF Güeros Güeros by Alonso Ruizpalacios PRIZES OF THE INTERNATIONAL SHORT FILM JURY GOLDEN BEAR FOR BEST SHORT FILM Tant qu'il nous reste des fusils à pompe As long as shotguns remain by Caroline Poggi, Jonathan Vinel SILVER BEAR JURY PRIZE (SHORT FILM) LABORAT LABORAT by Guillaume Cailleau BERLIN SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS Taprobana Taprobana by Gabriel Abrantes DAAD SHORT FILM PRIZE Person to Person Person to Person by Dustin Guy Defa PRIZES OF THE JURIES GENERATION Children’s Jury Generation Kplus CRYSTAL BEAR for the Best Film Killa The Fort by Avinash Arun SPECIAL MENTION Hitono Nozomino Yorokobiyo Joy of Man's Desiring by Masakazu Sugita 3 15.02.2014 CRYSTAL BEAR for the Best Short Film Sprout Sprout by Ga-eun Yoon SPECIAL MENTION Sepatu Baru On Stopping the Rain by Aditya Ahmad International Jury Generation Kplus THE GRAND PRIX OF THE GENERATION KPLUS INTERNATIONAL JURY for the best feature-length film, endowed with € 7,500 by the Deutsches Kinderhilfswerk Ciencias Naturales Natural Sciences by Matías Lucchesi SPECIAL MENTION Killa The Fort by Avinash Arun THE SPECIAL PRIZE OF THE GENERATION KPLUS INTERNATIONAL JURY for the best short film, endowed with € 2,500 by the Deutsches Kinderhilfswerk Moy lichniy los' My Own Personal Moose by Leonid Shmelkov SPECIAL MENTION el away by Roland Ferge Youth Jury Generation 14plus CRYSTAL BEAR for the Best Film 52 Tuesdays 52 Tuesdays by Sophie Hyde SPECIAL MENTION ärtico arctic by Gabri Velázquez 4 15.02.2014 CRYSTAL BEAR for the Best Short Film Mike Mike by Petros Silvestros SPECIAL MENTION Emo (the musical) Emo (the musical) by Neil Triffett International Jury Generation 14plus THE GRAND PRIX OF THE GENERATION14PLUS INTERNATIONAL JURY for the best feature-length film, endowed with € 7,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education) Violet Violet by Bas Devos SPECIAL MENTION Einstein and Einstein Einstein and Einstein by Cao Baoping THE SPECIAL PRIZE OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best short film, endowed with € 2,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education) Vetrarmorgun Winter Morning by Sakaris Stórá SPECIAL MENTION Søn Son by Kristoffer Kiørboe INDEPENDENT JURIES PRIZES OF THE ECUMENICAL JURY Competition Kreuzweg (Stations of the Cross) by Dietrich Brüggemann Special Mention '71 ('71) by Yann Demange Panorama Calvary (Calvary) by John Michael McDonagh Special Mention Triptyque (Triptych) by Robert Lepage, Pedro Pires Forum Sto spiti (At Home) by Athanasios Karanikolas 5 15.02.2014 PRIZES OF THE FIPRESCI JURY Competition Aimer, boire et chanter (Life of Riley) by Alain Resnais Panorama Hoje Eu Quero Voltar Sozinho (The Way He Looks) by Daniel Ribeiro Forum Forma (Forma) by Ayumi Sakamoto PRIZE OF THE GUILD OF GERMAN ART HOUSE CINEMAS Boyhood (Boyhood) by Richard Linklater CICAE ART CINEMA AWARD Panorama Kuzu (The Lamb) by Kutluğ Ataman Forum She's Lost Control (She's Lost Control) by Anja Marquardt LABEL EUROPA CINEMAS Blind (Blind) by Eskil Vogt TEDDY AWARD Best Feature Film Hoje Eu Quero Voltar Sozinho (The Way He Looks) by Daniel Ribeiro Best Documentary/ Essay Film Der Kreis (The Circle) by Stefan Haupt Best Short Film Mondial 2010 (Mondial 2010) by Roy Dib Teddy Jury Award Pierrot Lunaire (Pierrot Lunaire) by Bruce LaBruce MADE IN GERMANY – PERSPEKTIVE FELLOWSHIP, endowed with € 15,000 funded by Glashütte Original Sandra Kaudelka for Intershop EX AEQUO Sebastian Mez for 274 FGYO-AWARD DIALOGUE EN PERSPECTIVE, endowed with € 5,000 funded by the French-German Youth Office Anderswo (Anywhere Else) by Ester Amrami SPECIAL MENTION nebel (fog) by Nicole Vögele CALIGARI FILM PRIZE Das große Museum (The Great Museum) by Johannes Holzhausen 6 15.02.2014 NETPAC PRIZE Cheol-ae-kum (A Dream of Iron) by Kelvin Kyung Kun Park EX AEQUO Non-fiction Diary (Non-fiction Diary) by Jung Yoon-suk PEACE FILM PRIZE We Come as Friends (We Come as Friends) by Hubert Sauper AMNESTY INTERNATIONAL FILM PRIZE Al midan (The Square) by Jehane Noujaim CINEMA FAIRBINDET PRIZE Concerning Violence (Concerning Violence) by Göran Hugo Olsson HEINER CAROW PRIZE Meine Mutter, ein Krieg und ich (My Mother, a War and Me) by Tamara Trampe, Johann Feindt THINK:FILM AWARD, funded by the Allianz Kulturstiftung Provenance (Provenance) by Amie Siegel READERS’ JURIES AND AUDIENCE AWARDS PANORAMA AUDIENCE AWARD – fiction film Difret (Difret) by Zeresenay Berhane Mehari PANORAMA AUDIENCE AWARD – documentary film Der Kreis (The Circle) by Stefan Haupt BERLINER MORGENPOST READERS’ JURY AWARD Boyhood (Boyhood) by Richard Linklater TAGESSPIEGEL READERS’ JURY AWARD Zamatoví teroristi (Velvet Terrorists) by Pavol Pekarčík, Ivan Ostrochovský, Peter Kerekes ELSE – SIEGESSÄULE READERS’ JURY AWARD 52 Tuesdays (52 Tuesdays) by Sophie Hyde 7 15.02.2014 PRIZES BERLINALE CO-PRODUCTION MARKET & BERLINALE TALENTS ARTE INTERNATIONAL PRIZE, endowed with € 6,000 Emir Baigazin (Kazakhstan) for The Wounded Angel VFF HIGHLIGHT PITCH AWARD, endowed with € 10,000 Bavo Defurne (Belgium) for Souvenir DOLBY® ATMOS POLICY TRAILER Yulia Glukhova (Russian Federation) 8 .
Load more

Recommended publications
  • Bakhtinian Study
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A Polyphonic Reading of Asghar Farhadi's A Separation : Bakhtinian Study Abdol Hossein Joodaki 1, Maryam Eskandarzadeh 2 1. Associate Professor , Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] / [email protected] 2.M.A. Student, Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] Abstract A Separation film, written and directed by Asghar Farhadi, is a modern and provoking film worth consideration. Asghar Farhadi has always tried to depict conflict ideas and discourses throughout the society, and that's the reason why his movies always penetrate through different social classes and become epidemic; his recent film: A Separation is not an exception. In this article we have carefully examined the term “polyphony” and its application in a descriptive-analytical manner throughout the film, while explaining this term according to Bakhtin. We have tried first to answer the question “what are the components or factors of a polyphonic work and how is it embodied or manifested in the film”. Accordingly, in this article, the emphasis is on the components of polyphony, including the structure of conflict components, polyphony among social strata, change in viewpoint, heteroglossia, Intertextuality, etc. These factors are then examined and analyzed in the film. The result of this article is that the polyphonic film, with the tools it provides to the audience, leads them to a new perception of the text. Keywords : Mikhail Bakhtin, Polyphony, A separation, social classes, heteroglossia, intertextuality Volume XIII, Issue 4, 2021 Page No: 100 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Introduction In the present article, we will first explain the term Polyphony.
    [Show full text]
  • Press Release 23/5/2018
    THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film.
    [Show full text]
  • HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
    HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores.
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016
    14 centrespread centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016 As the maximum city’s cinephiles flock to the 18th edition of the Mumbai Film Festival (October 20-27), organised by the Mumbai Academy of Moving Image, ET Magazine looks at some of its most famous counterparts across the world and also in India Other Festivals in IndiaInddia :: G Seetharaman International Film Festivalstival of Kerala Begun in 1996, the festivalstival is believed to be betterter curated than its counterparts in thee Cannes Film Festival (Cannes, France) Venice Film Festival (Italy) country. It is organisedanised by the state governmenternment STARTED IN: 1946 STARTED IN: 1932 TOP AWARD: Palme d’Or (Golden Palm) TOP AWARD: Golden Lion and held annually in Thiruvananthapuram NOTABLE WINNERS OF TOP AWARD: Blow-Up, Taxi Driver, Apocalypse Now, Pulp Fiction, Fahrenheit 9/11 NOTABLE WINNERS OF TOP AWARD: Rashomon, Belle de jour, Au revoir les enfants, Vera Drake, Brokeback Mountain ABOUT: Undoubtedly the most prestigious of all film festivals, Cannes' top awards are second only to the Oscars in their Internationalnal FilmF Festival of India cachet. Filmmakers like Woody Allen, Wes Anderson and Pedro Almodovar have premiered their films at Cannes, which is ABOUT: Given Italy’s great filmmaking tradition — think Vittorio de Sica, as much about the business of films as their aesthetics; the distribution rights for the best of world cinema are acquired by Federico Fellini and Michelangelo Antonioni — it is no surprise that the Run jointly by the information and giants like the Weinstein Company and Sony Pictures Classics, giving them a real shot at country hosts one of the finest film festivals in the world.
    [Show full text]
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
    [Show full text]
  • Golden Bear Throwbacks Bear: Mike Barrett
    WVU Tech Montgomery, WV November 16, 2012 Volume 114 Issue 3 College Kid’s 12 Fun Classes Kitchen 14 on Tech’s Tech sophiadear Horizon 7 Thanksgiving Collegian Special Luis Cortell’s blue and gold army: Battle at Nationals Daniel Eisenberg final score. Seven of these goals came in C.D./Section Editor/Staff Writer the second half of play, and the game pumped up the players and got them ready for the next game in the tournament. s most every student at Tech already The second game was against Aknows by this time of the year, the SUNY- ESF, a team who was only in their head soccer coach Luis Cortell’s fighting second year in existence. This game also Golden Bear soccer team has been proved Tech’s overpowering dominance on extremely successful. The regular season the field, for this game ended with another ended with the team holding a record Tech victory, 6-0. Jackson shot and scored of 16-1-1, giving the bears an excellent another two goals, one with an assist from reputation when heading to the National Germany transfer student Dennis Furst, Tournament in Asheville, North Carolina. who also put a goal in himself 74 minutes The first game of the tournament into the game. Manzanares also put in a was against Pennsylvania College of goal, as well as Suarez and Michael Perrow, Technology. The two Technology colleges who got an assist from Braeden Collins. battled it out and at the end of the game, This game sent the fighting Golden it was evident which Tech college was Bears to the National Championship the more dominant.
    [Show full text]
  • JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
    Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history.
    [Show full text]
  • Film Reviews Interviews Video Interviews
    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's
    [Show full text]
  • Toronto Japanese Film Festival 2016
    1 5% discount for JCCC members For Experienced and Professional Real Estate Service... Call Anytime... Absolutely No Obligation DAVID IKEDA Sales Representative bonni maikawa 416-234-2424 www.ikedasells.com Sales Representative 416-538-6428 Sutton Group Old Mill Realty Inc., Brokerage [email protected]/www.bonnimaikawa.com Sutton Group Associates Realty Inc.,Brokerage 416-966-9300 Advertise with us! Contact [email protected] or 416-441-2345 ext. 227 2 2015 -16 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 4 Upcoming JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 6-9 Torono Japanese Film Festival VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 日 Directors Jonathan Carter 10-11 Heritage News Mark Hashimoto Kristin Kobayashi 系 15-17 Donations Christine Nakamura Dereck Oikawa Chris Reid 18-22 日本語紙面 Cary Rothbart 文 Ross Saito Nao Seko Peter Wakayama 化 Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston 会 (Ambassador of Canada to Japan William Hatanaka Sid Ikeda 館 May Sat 7 JCCC Bazaar Miki Kobayashi (in memory) Mon 9 Movie Screening – I am a Monk Steve Oikawa Sat 14 JCCC Karaoke Club Connie Sugiyama 役 JCCC Foundation Chair Shari Hosaki Mon 16 Manju Workshop Wed 18 Tattoo Exhibit Opens JCCC Staff 員 Thurs 19 Tattoo Exhibit Opening Ceremony James Heron Executive Director Sat 21 JCCC Karaoke Club [email protected] 416-441-2345 ext.224 Mon 23 JCCC closed –Victoria Day 及 Kathy
    [Show full text]
  • P20-21 Layout 1
    20 Established 1961 Lifestyle Awards Monday, February 18, 2019 Israeli director Nadav Lapid celebrates with his Golden bear for best film Israeli director Nadav Lapid receives the Golden bear for best film for French director Francois Ozon celebrates with the Silver Bear grand jury Prize for for “Synonyms” during the awards ceremony of the 69th Berlinale film “Synonyms” from French actress and president of the Berlinale 2019 jury the film “By the Grace of God” (Grace a Dieu). festival. — AFP photos Juliette Binoche. Drama on fractured Israeli identity scoops Berlin filmfest top prize critical drama about an Israeli expatriate in Paris wrestling with his identity, “Synonyms” by direc- tor Nadav Lapid, won the Golden Bear top prize at the Berlin film festival Saturday. Lapid said the sexuallyA explicit, semi-autobiographical movie, which deals with a young man who has fled Israel over its fraught political situation, might “scandalize” many in his home country as well as France. “I hope that people will not look only at this film as a kind of harsh or radical political state- ment because it’s not,” he told reporters after accepting the prize from jury president Juliette Binoche. “First of all, it’s a human and existential and artistic statement. The film is also a celebration and a party, a cel- ebration of cinema.” The runner-up jury prize went to French filmmaker Francois Ozon for “By the Grace of God”, a wrenching drama based on real-life survivors of rampant sexual molestation in the Catholic church. “The film tries to break the silence in powerful institutions,” he said.
    [Show full text]
  • 'National Cinema'
    Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 18 September 2018 doi:10.20944/preprints201809.0339.v1 Peer-reviewed version available at Arts 2018, 7, 87; doi:10.3390/arts7040087 Introduction. The Misleading Discovery of Japanese ‘National Cinema’. Marcos P. CENTENO MARTÍN1 Birkbeck, University of London [email protected] Abstract: The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist visions understanding its singularities as a result of its isolation from the rest of the World and its close links to local aesthetic and philosophical traditions. Recent approaches however, have evidenced the limitations of this paradigm of ‘national cinema’. Higson (1989) opened a critical discussion on the existing consumption, text andproduction- based approaches to this concept. This article draws on Higson´s contribution and calls into question traditional theorising of Japanese film as a national cinema. Contradictions are illustrated by assessing the other side of the ‘discovery’ of Japanese cinema: certain gendaigeki works that succeeded at the domestic box office while jidaigeki burst into European film festivals. The Taiyōzoku and subsequent Mukokuseki Action created a new postwar iconography by adapting codes of representation from Hollywood youth and western films. This article does not attempt to deny the uniqueness of this film culture, but rather seeks to highlight the need to reformulate the paradigm of national cinema in the Japanese case, and illustrate the sense in which it was created from outside, failing to recognise its reach transnational intertextuality. Keywords: National Cinema; Transnational Japanese Film; taiyōzoku; mukokuseki;’kimono effect’; youth icons; postwar film festivals. 1 Lecturer in Japanese Studies, Birkbeck, University of London.
    [Show full text]