An Untraditional Approach to the Development of Untraditional Tapeless TV Technology
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Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
Live News: a Survival Guide for Journalists
AA SURVIVALSURVIVAL GUIDEGUIDE FORFOR JOURNALISTSJOURNALISTS LIVELIVE NEWSNEWS Front cover picture: A press photographer in a cloud of teargas during a riot in Lima, Peru, in May 2000. Photo: AP / Martin Mejia Title page picture (right) A newspaper vendor waits for customers in Abidjan, Ivory Coast, one of many countries where media have been put under threat. In November 2002, an emergency aid programme was launched by the IFJ, the Communication Assistance Foundation, International Media Support and Media Assistance International, working with the Union Nationale des Journalistes de Côte d'Ivoire (UNJCI) and the West Africa Journalists Association. The programme included training on safety and conflict reporting. Photo: AP / Clement Ntaye. LIVE NEWS A SURVIVAL GUIDE FOR JOURNALISTS Written and produced for the IFJ by Peter McIntyre Published by the International Federation of Journalists, Brussels March 2003 With the support of the European Initiative for Democracy and Human Rights. (i) Live News — A survival guide for journalists Published by the International Federation of Journalists March 2003. © International Federation of Journalists International Press Centre Residence Palace Rue de la Loi 155 B-1040 Brussels, Belgium ✆ +32 2 235 2200 http://www.ifj.org Editor in Chief Aidan White, General Secretary, IFJ Managing Editor Sarah de Jong, Human Rights Officer, IFJ [email protected] Projects Director Oliver Money-Kyrle Written and designed by Peter McIntyre, Oxford, UK [email protected] Acknowledgments The IFJ would like to thank: Associated Press Photos and Reuters, who donated the use of photos; AKE Ltd, Hereford, UK, for advice, information, facilities, and support; Mark Brayne (Dart Centre Europe) for advice on post trauma stress; Rodney Pinder, for comments on the drafts; All the journalists who contributed to, or were interviewed for, this book. -
Coding and Modulation for Digital Television Multimedia Systems and Applications Series
CODING AND MODULATION FOR DIGITAL TELEVISION MULTIMEDIA SYSTEMS AND APPLICATIONS SERIES Consulting Editor Borko Furht Florida Atlantic University Recently Published Titles: CELLULAR AUTOMATA TRANSFORMS: Theory and Applications in Multimedia Compression, Encryption, and Modeling, by Olu Lafe ISBN: 0-7923-7857- 1 COMPUTED SYNCHRONIZATION FOR MULTIMEDIA APPLICATIONS, by Charles B. Owen and Fillia Makedon ISBN: 0-7923-8565-9 STILL IMAGE COMPRESSION ON PARALLEL COMPUTER ARCHITECTURES, by Savitri Bevinakoppa ISBN: 0-7923-8322-2 INTERACTIVE VIDEO-ON-DEMAND SYSTEMS: Resource Management and Scheduling Strategies, by T. P. Jimmy To and Babak Hamidzadeh ISBN: 0-7923-8320-6 MULTIMEDIA TECHNOLOGIES AND APPLICATIONS FOR THE 21st CENTURY: Visions of World Experts, by Borko Furht ISBN: 0-7923-8074-6 INTELLIGENT IMAGE DATABASES: Towards Advanced Image Retrieval, by Yihong Gong ISBN: 0-7923-8015-0 BUFFERING TECHNIQUES FOR DELIVERY OF COMPRESSED VIDEO IN VIDEO-ON-DEMAND SYSTEMS, by Wu-chi Feng ISBN: 0-7923-9998-6 HUMAN FACE RECOGNITION USING THIRD-ORDER SYNTHETIC NEURAL NETWORKS, by Okechukwu A. Uwechue, and Abhijit S. Pandya ISBN: 0-7923-9957-9 MULTIMEDIA INFORMATION SYSTEMS, by Marios C. Angelides and Schahram Dustdar ISBN: 0-7923-9915-3 MOTION ESTIMATION ALGORITHMS FOR VIDEO COMPRESSION, by Borko Furht, Joshua Greenberg and Raymond Westwater ISBN: 0-7923-9793-2 VIDEO DATA COMPRESSION FOR MULTIMEDIA COMPUTING, edited by Hua Harry Li, Shan Sun, Haluk Derin ISBN: 0-7923-9790-8 REAL-TIME VIDEO COMPRESSION: Techniques and Algorithms, by Raymond Westwater and -
Playout Delay of TV Broadcasting
Master Thesis Playout delay of TV broadcasting Wouter Kooij 06/03/2014 University of Twente Faculty of Electrical Engineering, Mathematics and Computer Science Nederlandse Organisatie voor toegepast-natuurwetenschappelijk onderzoek, TNO Supervisors UT Prof. Dr. Ir. Boudewijn R. Haverkort Dr.ir. Pieter-Tjerk de Boer Supervisors TNO Ir. Hans Stokking Ray van Brandenburg, M.Sc. Date of the graduation 13/03/2014 Contents Acknowledgments 3 Nomenclature 5 1. Background 7 1.1. Introduction . .7 1.2. Research questions . .7 1.3. Outline . .8 2. Related Work 11 3. TV content delivery networks 13 3.1. Introduction . 13 3.2. Overview . 13 3.2.1. Analog TV . 14 3.2.2. Terrestrial, Satellite and Cable TV (DVB) . 15 3.2.3. IPTV . 15 3.3. TV Content delivery chain elements . 18 4. Delays in TV content delivery networks 21 4.1. Introduction . 21 4.2. Encoding and decoding . 22 4.2.1. Coding types . 23 4.2.2. Conclusion . 25 4.3. Transmission delays . 25 4.4. IPTV Techniques . 26 4.5. Delays in the KPN Chain . 26 5. Design and development of a playout difference measurement system 29 5.1. Introduction . 29 5.2. Content recognition techniques . 29 5.2.1. Audio fingerprinting . 31 5.3. Overview . 35 5.4. Reference time-source . 38 5.4.1. GPS as time-source . 38 5.4.2. GPS architecture in Android . 39 5.4.3. Obtaining GPS time in Android . 41 i Contents Contents 5.4.4. NTP as time-source . 44 5.4.5. NTP implementation in Android . 45 5.4.6. -
Television in Russia Is the Concept of PSB Relevant?
Television in Russia Is the Concept of PSB Relevant? Elena Vartanova & Yassen N. Zassoursky In the traditional Western discourse on commercial and public service broad- casting, little attention was given to the state TV model which was present in many countries of the ‘Socialist’ block, and in many Asian states as well. Strictly speaking, public service broadcasting [PSB] is not a common con- cept shared and implemented by different countries in a similar way, but rather a continuum that implies different modes of interaction between the society, audience, state, and social institutions. In many European countries – France, Germany, Netherlands, Finland, Spain, – PSB practices indicate varying degrees of control and interference from political forces, governments and state agencies (Weymouth and Lamizet, 1996, Euromedia Research Group, 1997). The model of Western European PSB provides clear evidence that the state as a social agent is not an entirely antagonistic force to public service. On the contrary, “some forms of accountability to (political representatives of) the public, other than through market forces”, was traditionally considered a key public service element (McQuail & Siune, 1998: 24). This has led to the acceptance of some forms of content regulation embodying positive and negative criteria which, in turn, were shaped by the need to serve the pub- lic interest more than commercial, political or consumerist interests of soci- ety and audience. In Western Europe, there were fierce tensions between the goals set by ‘society’ in relation to the public interest and demands of the audience as consumers (McQuail, 2000:157). Dissimilar to this, post-Socialist societies experienced another tension paradigm. -
ICE Flexible, Scalable, Reliable Integrated Playout Solution
DATASHEET ICE Flexible, Scalable, Reliable Integrated Playout Solution Best-in-class software solution for the entire SDI or IP broadcast chain. In today’s market, you’re likely to be under pressure to reduce the cost and ICE dramatically increases efficiency while reducing complexity. It is a proven complexity of your operations while finding new ways to increase revenue system that helps you lower your costs, rapidly launch new revenue-generat- and protect business continuity. ing services and grow your business. To meet these challenges, you need a flexible, scalable, and highly efficient Best of all, Grass Valley designed ICE to deliver “5 nines” reliability, and we system that provides automated channel playout, enables rapid deployment back it up with the best customer support in the business. of new revenue-generating services, and facilitates disaster recovery. ICE was designed from the ground up to meet the demands of a wide variety Above all, you need a no-compromise solution that delivers proven reliability, of applications: reduces complexity and cost, enables future-proof expansion and is backed • Single-channel playout up by world-class service and support. • Channel expansion — multichannel playout • Multiplatform playout — simulcast/delayed (+1,+3, etc.)/OTT The solution is ICE. The integrated playout solution from Grass Valley. • Disaster recovery/back-up Grass Valley understands that broadcast master control and playout is a • Centralization complex operation where a large number of sophisticated systems must all • Migration to IP playout work together flawlessly. • Software-defined channels When we designed an integrated playout solution, we focused on what it takes to make a great channel, not just a set of features, so we created ICE. -
Russian Media Policy in the First and Second Checen Campaigns
Laura Belin (doctoral candidate, University of Oxford) e-mail: [email protected] Paper given at the 52nd conference of the Political Studies Association Aberdeen, Scotland, 5-8 April 2002 RUSSIAN MEDIA POLICY IN THE FIRST AND SECOND CHECHEN CAMPAIGNS The military campaign in Chechnya from December 1994 to August 1996 became the "first real test of journalists' freedoms" since the end of the Soviet Union1 and loomed large in perceptions about the Russian media for the rest of the 1990s. Though some journalists had condemned "shock therapy" in 1992 and the shelling of the parliament in 1993, the Chechen war prompted the journalistic community to desert Boris Yel'tsin en masse for the first time. Moscow-based television networks were the public's main source of information on the fighting.2 The private network NTV exposed official lies about how the war was waged. Newscasts on state-owned Russian Television (RTR), which reached a nationwide audience on Channel 2, soon followed NTV's lead. Virtually all privately owned newspapers also raised their voices against the military campaign. The predominant slant of war coverage became a source of pride for many journalists. Though damning news reports did not end the bloodshed, steadfast public opposition to the war impelled Yel'tsin to pursue a ceasefire agreement while running for reelection in 1996.3 Both supporters and opponents of the military campaign believed that media coverage fostered and sustained the majority view. Yel'tsin rarely retreated from unpopular policies, but his turnaround on Chechnya arguably demonstrated that journalists had helped bring some degree of transparency and therefore accountability to 1 Frank Ellis, From Glasnost to the Internet: Russia's New Infosphere, London: Macmillan Press Ltd, 1999, p. -
Reform of the Latvian Public Media in the Perspective of Developing
Tomasz Fraszczyk Reform of the Latvian public media in the perspective of developing modern content distribution technologies, evolution of user needs and complicated Latvia–Russia relations KEY WORDS Latvia, public media, media policy, new media, Russia ABSTRACT The article presents an outline of the evolution of the Latvian audiovisual media market (after 1988), the influence of the 2009 market crash on media entities (including those public) and key discussion topics and decisions made as a result of the crisis by Latvian institutions responsible for the media landscape. Detailed attention will be given to the new law on electronic mass media (in force from 2011) and those elements of the public media system reform project (announced in 2013), that are an outcome of the dynamic development of new content distribution technologies and changing user needs and habits, especially in younger age groups. The final part of the work will concern the complicated Latvia–Russia relations and the multi-aspect contribution of mass media in their shaping. The conclusion indicates a broad scope of discussion and analytical works in Latvia concerning the reform of public media, which suggests it will not be abandoned in the following years. In the beginning of January 2013, the Latvian National Electronic Mass Media Council (NEPL Padome) published a new strategy for the public radio (LR) and television (LTV). It aims to rebuild the position of the public service broadcasters (LSM) after the severe crisis of 2009–2010, which had seriously damaged not only the finances but also the market position of these institutions. In the youngest age groups, these shares are the smallest by far and do not exceed 20 % for the television and 8 % for the radio1. -
The Iudgglsi
The iudgGlsi / -_ *\--.\|ll/ -- J I I ll L__J-l-:r I - Jl I \r-u judged \* @trltog The Cable & Satellite lnternational Awandg are on technical rflerit and AWARDS rnaFket contribution by an independent, exPerienced and highly reapeeted pool of international industry figuree. Dr William Cooper .leff Heynen William is founder and chief executive Jeff currently serves as directing of independent interactive media analyst, broadband and IPTV at consultancy informitv, where he Infonetics Research. He joined advises clients on convergence and Infonetics in 2005, after four years digital media strategy and implementation. as senior product marketing manager with VolP Previously, as head of interactive at BBC Broadcast, switch equipment startup SentitO Networks, and he operationally managed the launch and delivery of two years as marketing communications manager its online and interactive TV services, William began with telecoms infrastructure manufacturer Tellabs. his career as a broadcast journalist and is a regular contributor to international conferences, with papers John Moroney published at both IBC and NAB, John is a founding director of Octegra, which provides Dirk Jaeger independent market research and Dirk acted as technical director at EuroCablelabs strategic advice for companies in the from Oct 2OO1 to Dec 2OO7. He is co-ordinating telecoms, lT and media sectors, John has 25 the EU-funded project ReDeSign and is active as years of industry knowledge. Prior to setting up chairman of technical committees of standardisation Octegra, John was a principal consultant at various bodies and associations, Has been Ovum, an associate director at Gartner and a appointed into various advisory committees, He is a senior executive with BT. -
High Frame-Rate Television
Research White Paper WHP 169 September 2008 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon BRITISH BROADCASTING CORPORATION BBC Research White Paper WHP 169 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon Abstract The frame and field rates that have been used for television since the 1930s cause problems for motion portrayal, which are increasingly evident on the large, high-resolution television displays that are now common. In this paper we report on a programme of experimental work that successfully demonstrated the advantages of higher frame rate capture and display as a means of improving the quality of television systems of all spatial resolutions. We identify additional benefits from the use of high frame-rate capture for the production of programmes to be viewed using conventional televisions. We suggest ways to mitigate some of the production and distribution issues that high frame-rate television implies. This document was originally published in the proceedings of the IBC2008 conference. Additional key words: static, dynamic, compression, shuttering, temporal White Papers are distributed freely on request. Authorisation of the Head of Broadcast/FM Research is required for publication. © BBC 2008. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC Future Media & Technology except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. The BBC grants permission to individuals and organisations to make copies of the entire document (including this copyright notice) for their own internal use. -
Old and New Constraints in Foreign News Coverage in Post-Communist Ukraine Natalya Ryabinska UKRAINIAN CATHOLIC UNIVERSITY in LVIV, UKRAINE
Old and new constraints in foreign news coverage in post-communist Ukraine Natalya Ryabinska UKRAINIAN CATHOLIC UNIVERSITY IN LVIV, UKRAINE ABSTRACT: In the 1970s, when intellectual debate in the rest of the world was preoccupied with the problem of an imbalanced, one-way information flow between Western industrialized countries and less-developed countries in South and East, people in the Soviet Union faced another problem — a problem of deficit of information from the West, which was a result of purposeful politics of the Soviet state. In 1989 the Iron Curtain fell, but it does not mean that nowadays there are no bounds and boundaries in the flow of information to and from the Former Soviet Republics. This paper deals with the issue of foreign news in contemporary Ukraine and explores constraints in making international news in the media. It analyses a set of determinants of international news production in the Ukrainian media and the way they influence the scope and quality of foreign news coverage. The re- search is based on interviews with about thirty media experts and news producers at major Ukrainian broadcasting organizations, as well as from print and online media. The interviewees — editors-in- chief, heads of international news’ departments, foreign correspondents — were asked about the pro- cess of international news production in their editorial offices, the human and technical resources allocated for foreign news coverage, the professional standards of international journalism, as well as the main sources of foreign news and criteria of their selection involved in the news making process. Results of the study show that international news making in Ukraine is influenced by peculiar fac- tors rooted in the Soviet past, such as journalists’ inclination to one-sided reporting and poor com- mand of foreign languages (except Russian), and by common factors determining tendencies in for- eign news coverage worldwide, such as the pressure of the market which induces cost-cutting in media organizations and tabloidization of media content. -
System House Business Partners
Companies. Brands. Exporters. Telecommunications and information technology (IT) System House Business Partners Established in 2012, System House Business Partners for the first time on the Russian market presented systems for organizing wireless live broadcasts. © 2021. «Made in Russia» madeinrussia.ru © 2021. «Made in Russia» System House Business Partners System House Business Partners Established in 2012, System House Business Partners for the first time on the Russian market presented systems for organizing wireless live broadcasts. At that time, domestic television actively used mobile satellite stations for live broadcasting, the main disadvantages of which were: long preparation time for departure, low mobility, high cost per minute of broadcasting. The system presented by System House allowed transmitting video signal from professional TV cameras to the receiving server in the TV channel studio by means of summing up available wired and wireless networks. History of the company The first customer of the company was the All-Russia State Television and Radio Broadcasting Company. During the next few years the following clients of System House company were included: NTV, ITRC MIR, Channel One, RBC Group, Ren TV, Reuters, TV Centre, Channel Five and others. The company has established a large staff of professional engineers to service systems for live broadcasting. System House Business Partners was also actively involved in the organization of broadcasts of such landmark events as Moscow Victory Parade and Direct Line with Vladimir Putin. Over the years of operation of systems from different manufacturers, the company has gained unique experience and decided to create its own line of equipment for video and data transmission over unified communication channels under the Emerlink trademark.