DOCSLIB.ORG

The Iudgglsi

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Iudgglsi The iudgGlsi / -_ *\--.\|ll/ -- J I I ll L__J-l-:r I - Jl I \r-u judged \* @trltog The Cable & Satellite lnternational Awandg are on technical rflerit and AWARDS rnaFket contribution by an independent, exPerienced and highly reapeeted pool of international industry figuree. Dr William Cooper .leff Heynen William is founder and chief executive Jeff currently serves as directing of independent interactive media analyst, broadband and IPTV at consultancy informitv, where he Infonetics Research. He joined advises clients on convergence and Infonetics in 2005, after four years digital media strategy and implementation. as senior product marketing manager with VolP Previously, as head of interactive at BBC Broadcast, switch equipment startup SentitO Networks, and he operationally managed the launch and delivery of two years as marketing communications manager its online and interactive TV services, William began with telecoms infrastructure manufacturer Tellabs. his career as a broadcast journalist and is a regular contributor to international conferences, with papers John Moroney published at both IBC and NAB, John is a founding director of Octegra, which provides Dirk Jaeger independent market research and Dirk acted as technical director at EuroCablelabs strategic advice for companies in the from Oct 2OO1 to Dec 2OO7. He is co-ordinating telecoms, lT and media sectors, John has 25 the EU-funded project ReDeSign and is active as years of industry knowledge. Prior to setting up chairman of technical committees of standardisation Octegra, John was a principal consultant at various bodies and associations, Has been Ovum, an associate director at Gartner and a appointed into various advisory committees, He is a senior executive with BT. member of FKIG (Germany) and SCTE (UK) and has published a number of papers on aspects of Ken McCann cable, digital television and communications Ken McCann is a director and co- technologies in various journals. founder of ZetaCast, an independent technology consultancy company specialising in digital TV and A :l]lff:'fi"J research w*h rn-stat, multimedia, Ken contributed significantly to the f * where he leads the company's Mobile development of the MPEG-1 and MPEG-2 , .*S;"l ' lnternet research practice at. Prior to standards and has chaired the DVB technical ryi that. he was co-iounder and chief group responsible for audio visual coding research officer at MultiMedia lntelligence, He has specifications (TVI-AVC) since its inception some in-depth expertise in focus areas including internet 1 4 years ago. Prior to founding ZetaCast, Ken ry lPry VoD home networking, mobile video and was technology director at NTL Broadcast, content platforms. Mark Kirstein Dr George T Waters Mark is co-founder and president at Dr Waters joined RTE, the lrish public broadcaster, analyst firm MultiMedia lntelligence. in 1956 as a member of the team that prepared He has 20 years of industry the launch of television in 1961, He was also experience. director of the technical department at EBU, a co- Prior to founding MultiMedia lntelligence, Mark founder of the lnternational Academy of founded the market research company, Minova Broadcasting and is its president since 1993, He Technology, which subsequently became the also chaired the DVB World conferences for eight foundation of iSuppli's multimedja research years, Dr Waters is a life fellow of the SMPTE and a coverage, lead by Mark. Previously, Mark was VP fellow of the IEI and general manager of ln-Stat. pege fiiby foun CSI magezina, Awardg ww, csimagazine. com Westminster Cable TV Videotron, Cable & / r. \ rr \ I I ]fi; Wireless and DIVA. ttI a----rl(-]<_-ltl I I !h [1iJ;:i"T'":#i,x. " tU tn\___-_, - J ltt Ll na'ies Sebastian Moeritz \- e@@9 AWARDS BEI ii! i;Ix',r,,Til:fi :il,,';.'rd f " sebastran ts an tnlernattonatty &i:#ifi:ffi-:.. involved in a number of lT-related ventures and joined dicas, a developer of ISO MPEG-4 real-time as its N#-fi-iffisatellite, cable, IPW DTT set-top boxes, and video coding solutions, based in Germany, compression technologies. CEO in the beginning of 2OO1 , the Shane's area of expertise includes lP delivery of Since 2004, Sebastian has been president of payW services, including telco TV and internet W MPEG lndustry Forum (MPEGIF)' ln addition, Shane covers worldwide developments of HDW equipment and services. Anver Anderson With over 25 years experience in the Neil Dormand communications induskY, Anver Neil spent over a decade working in manages Anver Ltd, a full service BBCTV studios in engineering roles, solutions agency for the satellite and as well as general manager of broadcast industry. Anver has worked for global technology and production services. satellite operators and service providers and has Following retirement from the BBC in 2OOO' Neil experience in business development and product became technology consultant to the marketing centred on sport and news gathering, Commonwealth Broadcasting Association. He has also held a number of directorships in Dr Helmut Stein broadcast related companies and is an associate Helmut's professional career started in of the Bakewell House Consultancy. Neil is a 1973 aI Robert Bosch in Stuttgart, for member of the IBC Conference Committee and Later he has been a board member ln 2OO1' Chairman of the Thames Valley Centre of the R&D in BlaupunK and Nokia. Premiere as COO Royal Television SocietY. he joined German payW operator to help restructure the comPanY Phil Reed He has been in the board of European research Phil Reed is a freelance engineer and projects like Eureka 95 (HDTV), PALplus (16:9) DVB in 1991/l993. journalist with over 38 Years of and a founding member of experience in the broadcast industry, Since then he has been a member of the DVB He started as an engineer, working for Steering Board and Chalrman of the Promotion and the BBC and moved into systems wlth Ampex and Communication Module (PCM) since its creation, Sony, He has worked for both facility and production Today he runs his own comPanY, ISDM Media) companies and has a thorough knowledge of (lnternational Strategies for Digital at today's equipment and operational practices. Helmut studied Physics and Radio-Astronomy the University of Bonn, GermanY. Dr Roger BlakewaY Dr Blakeway is president of the SCTE Philip Hunter (Society of Telecommunication Philip is a technologY journalist Engineers), a post which he has held coverlng W broadcasting and content for the last 12 years. The SCTE technologies. Coming from an lT serves the technicians and engineers involved in background as a former Programmer placed to the cable telecommunications and allied fields Dr and software test analyst he is well to a Blakeway has been involved in the cable understand the current migration of content writes for communications industry for over 20 years, digital platform served on demand. Philip holding engineering director positions in C5/ on a varietY of toPics. page fifty five CSI magazinB, Awards l-_ ?'o,OSl l Awands shoFtlist / (_* .J\/ r___j=<\ i it| I \i | \-/f -!- -\Jlll broadcast technology or service \J-J! Best outside \- e@@tr] AWARDS Digital Rapids Newtec TouchStream MENOS TouchStream portable live video encoding/ MENOS (Multimedia Exchange Network Over streaming appliances deliver output quality in a Satellite), a networking concept used to self-contai ned, easy-to-deploy form factor. Models exchange multimedia content over satellite, support live encoding and streaming in multiple allows broadcasters to share video and audio formats (such as H.264 and VC-1) for applications material among several scattered sites. A ranging from Flash and Silverlight web central hub station provides permanent two- experiences to IPW set-top boxes and mobile way satellite lP connectivity among all remote phones. Easily transportable, TouchStream stations. MENOS uses DVB-S2, combined with appliances are ideal for professional media statistical multiplexing. streaming in the field, on a desktop or in a rack. SIS Live Harris uPod Micro QVM6SOO+ Quad Card uPod Micro is a complete satellite uplink The card is a quad-split multiviewer in a card that system for broadcasters designed to reduce brings full multi-image display processing the cost and complexity. There is a functionality to the Harris 6800+ modular core complementary online booking system that processi ng platform. A smal l-footprint mu ltiviewer can be used to book satellite space and solution, the QVM68OO+ features auto-sensing of remotely control the uPod. The Micro was all input formats, including 3Gb/s, HD-SDI' SDI designed to meet new IATA baggage and composite sources, as well as simultaneous regulations of under 23Kg per case, and DVI and HD-SDI outputs. packs into 'hostess' style trolley cases. Best playout/connectivity service or solution never.no Omneon Community TV MediaDeck GX Community TV is a web 2.O application MediaDeck GX is a complete channel-playout toolbox tailored for broadcast integration solution that combines video server playout, with user-generated content or content graphics, and audio processing, all of which provided by mobile journalists. operate under the control of the user's It is a complete solution for ingest, preferred automation system. lt plays out stored editing, moderation, playout stills and animations, supports transitions and and publishing. DVE effects typical of presentation mixers. Best digital video processing technology Ateme KFE 2 can transocde any type of mezzanine Kyrion File Encoder (KFE 2) input files to H.264 or MPEG-2 wrapped in Kyrion File Encoder 2 is a software solution different flavours for multiple destinations. which enables operators to launch mobile TV VoD and/or internet TV service deployments Harmonic to a wider range of potential subscribers than DiviCom Electra SOOO is possible using current codec technology. The Electra 8OOO is a universal SD/HD MPEG-2 page fifty aix GslI magazine, Awardg www.
Load more

Recommended publications
  • Coding and Modulation for Digital Television Multimedia Systems and Applications Series
    CODING AND MODULATION FOR DIGITAL TELEVISION MULTIMEDIA SYSTEMS AND APPLICATIONS SERIES Consulting Editor Borko Furht Florida Atlantic University Recently Published Titles: CELLULAR AUTOMATA TRANSFORMS: Theory and Applications in Multimedia Compression, Encryption, and Modeling, by Olu Lafe ISBN: 0-7923-7857- 1 COMPUTED SYNCHRONIZATION FOR MULTIMEDIA APPLICATIONS, by Charles B. Owen and Fillia Makedon ISBN: 0-7923-8565-9 STILL IMAGE COMPRESSION ON PARALLEL COMPUTER ARCHITECTURES, by Savitri Bevinakoppa ISBN: 0-7923-8322-2 INTERACTIVE VIDEO-ON-DEMAND SYSTEMS: Resource Management and Scheduling Strategies, by T. P. Jimmy To and Babak Hamidzadeh ISBN: 0-7923-8320-6 MULTIMEDIA TECHNOLOGIES AND APPLICATIONS FOR THE 21st CENTURY: Visions of World Experts, by Borko Furht ISBN: 0-7923-8074-6 INTELLIGENT IMAGE DATABASES: Towards Advanced Image Retrieval, by Yihong Gong ISBN: 0-7923-8015-0 BUFFERING TECHNIQUES FOR DELIVERY OF COMPRESSED VIDEO IN VIDEO-ON-DEMAND SYSTEMS, by Wu-chi Feng ISBN: 0-7923-9998-6 HUMAN FACE RECOGNITION USING THIRD-ORDER SYNTHETIC NEURAL NETWORKS, by Okechukwu A. Uwechue, and Abhijit S. Pandya ISBN: 0-7923-9957-9 MULTIMEDIA INFORMATION SYSTEMS, by Marios C. Angelides and Schahram Dustdar ISBN: 0-7923-9915-3 MOTION ESTIMATION ALGORITHMS FOR VIDEO COMPRESSION, by Borko Furht, Joshua Greenberg and Raymond Westwater ISBN: 0-7923-9793-2 VIDEO DATA COMPRESSION FOR MULTIMEDIA COMPUTING, edited by Hua Harry Li, Shan Sun, Haluk Derin ISBN: 0-7923-9790-8 REAL-TIME VIDEO COMPRESSION: Techniques and Algorithms, by Raymond Westwater and
    [Show full text]
  • Playout Delay of TV Broadcasting
    Master Thesis Playout delay of TV broadcasting Wouter Kooij 06/03/2014 University of Twente Faculty of Electrical Engineering, Mathematics and Computer Science Nederlandse Organisatie voor toegepast-natuurwetenschappelijk onderzoek, TNO Supervisors UT Prof. Dr. Ir. Boudewijn R. Haverkort Dr.ir. Pieter-Tjerk de Boer Supervisors TNO Ir. Hans Stokking Ray van Brandenburg, M.Sc. Date of the graduation 13/03/2014 Contents Acknowledgments 3 Nomenclature 5 1. Background 7 1.1. Introduction . .7 1.2. Research questions . .7 1.3. Outline . .8 2. Related Work 11 3. TV content delivery networks 13 3.1. Introduction . 13 3.2. Overview . 13 3.2.1. Analog TV . 14 3.2.2. Terrestrial, Satellite and Cable TV (DVB) . 15 3.2.3. IPTV . 15 3.3. TV Content delivery chain elements . 18 4. Delays in TV content delivery networks 21 4.1. Introduction . 21 4.2. Encoding and decoding . 22 4.2.1. Coding types . 23 4.2.2. Conclusion . 25 4.3. Transmission delays . 25 4.4. IPTV Techniques . 26 4.5. Delays in the KPN Chain . 26 5. Design and development of a playout difference measurement system 29 5.1. Introduction . 29 5.2. Content recognition techniques . 29 5.2.1. Audio fingerprinting . 31 5.3. Overview . 35 5.4. Reference time-source . 38 5.4.1. GPS as time-source . 38 5.4.2. GPS architecture in Android . 39 5.4.3. Obtaining GPS time in Android . 41 i Contents Contents 5.4.4. NTP as time-source . 44 5.4.5. NTP implementation in Android . 45 5.4.6.
    [Show full text]
  • ICE Flexible, Scalable, Reliable Integrated Playout Solution
    DATASHEET ICE Flexible, Scalable, Reliable Integrated Playout Solution Best-in-class software solution for the entire SDI or IP broadcast chain. In today’s market, you’re likely to be under pressure to reduce the cost and ICE dramatically increases efficiency while reducing complexity. It is a proven complexity of your operations while finding new ways to increase revenue system that helps you lower your costs, rapidly launch new revenue-generat- and protect business continuity. ing services and grow your business. To meet these challenges, you need a flexible, scalable, and highly efficient Best of all, Grass Valley designed ICE to deliver “5 nines” reliability, and we system that provides automated channel playout, enables rapid deployment back it up with the best customer support in the business. of new revenue-generating services, and facilitates disaster recovery. ICE was designed from the ground up to meet the demands of a wide variety Above all, you need a no-compromise solution that delivers proven reliability, of applications: reduces complexity and cost, enables future-proof expansion and is backed • Single-channel playout up by world-class service and support. • Channel expansion — multichannel playout • Multiplatform playout — simulcast/delayed (+1,+3, etc.)/OTT The solution is ICE. The integrated playout solution from Grass Valley. • Disaster recovery/back-up Grass Valley understands that broadcast master control and playout is a • Centralization complex operation where a large number of sophisticated systems must all • Migration to IP playout work together flawlessly. • Software-defined channels When we designed an integrated playout solution, we focused on what it takes to make a great channel, not just a set of features, so we created ICE.
    [Show full text]
  • High Frame-Rate Television
    Research White Paper WHP 169 September 2008 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon BRITISH BROADCASTING CORPORATION BBC Research White Paper WHP 169 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon Abstract The frame and field rates that have been used for television since the 1930s cause problems for motion portrayal, which are increasingly evident on the large, high-resolution television displays that are now common. In this paper we report on a programme of experimental work that successfully demonstrated the advantages of higher frame rate capture and display as a means of improving the quality of television systems of all spatial resolutions. We identify additional benefits from the use of high frame-rate capture for the production of programmes to be viewed using conventional televisions. We suggest ways to mitigate some of the production and distribution issues that high frame-rate television implies. This document was originally published in the proceedings of the IBC2008 conference. Additional key words: static, dynamic, compression, shuttering, temporal White Papers are distributed freely on request. Authorisation of the Head of Broadcast/FM Research is required for publication. © BBC 2008. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC Future Media & Technology except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. The BBC grants permission to individuals and organisations to make copies of the entire document (including this copyright notice) for their own internal use.
    [Show full text]
  • WISI Significantly Reduces Distribution Costs for Broadcasters and Video Content Providers with Its Smart Broadcast Platform Firefly
    112 – 19055 Airport Way Pitt Meadows, BC Canada V3Y 0G4 +1-604-998-4665 www.incanetworks.com WISI Significantly Reduces Distribution Costs for Broadcasters and Video Content Providers with its Smart Broadcast Platform Firefly Niefern-Öschelbronn, August 30, 2018 – Video Network Operators dependent on the reception of video streams from satellite, terrestrial, cable or IPTV in closed networks, now have a new option in WISI’s Smart Broadcast Platform Firefly. WISI is a global innovator of products and solutions for video and broadband networks based in Germany. The company plans on introducing the Firefly platform at IBC Amsterdam 2018 (stand B50 in hall 5). This professional end-to-end solution from playout to headend uses HLS, the proven http-based streaming protocol and is a well-suited and cost-effective alternative to video delivery via satellite, antenna and dedicated lines. Linear TV channels and video content are delivered to headends as HLS streams over the Internet with minimal quality losses. The WISI solution is ideal for broadcasters and TV and video service providers aiming to significantly reduce distribution costs. The unique Smart Broadcast Platform Firefly also offers new options for cable network operators and enables the hospitality industry to enhance existing offers with additional content and video services. Service providers, for example, can now supply viewers from abroad with TV channels from their home countries that cannot be received via regular service offerings. The platform also offers new and efficient opportunities for corporate TV systems to reach employees located at different national and international sites. Firefly HLS IRD/Receiver The heart of this compact solution is the Firefly HLS IRD/Receiver which WISI developed for alternative delivery applications.
    [Show full text]
  • Content-Aware Playout and Packet Scheduling For
    IEEE TRANSACTIONS ON MULTIMEDIA, VOL. 10, NO. 5, AUGUST 2008 885 Content-Aware Playout and Packet Scheduling for Video Streaming Over Wireless Links Yan Li, Senior Member, IEEE, Athina Markopoulou, Member, IEEE, John Apostolopoulos, Fellow, IEEE, and Nicholas Bambos Abstract—Media streaming over wireless links is a challenging at the receiver (Rx), so as to overcome the variations of the problem due to both the unreliable, time-varying nature of the channel and maximize the perceived video quality, in terms of wireless channel and the stringent delivery requirements of media both picture and playout quality. We couple the action of the traffic. In this paper, we use joint control of packet scheduling at the transmitter and content-aware playout at the receiver, so as transmitter and the receiver, so that they coordinate to overcome to maximize the quality of media streaming over a wireless link. the variations of the wireless channel. We jointly consider and Our contributions are twofold. First, we formulate and study the optimize several layers, including packet scheduling at the problem of joint scheduling and playout control in the framework medium access control (MAC) layer, together with playout and of Markov decision processes. Second, we propose a novel con- content-awareness at the video application layer. Video content tent-aware adaptive playout control, that takes into account the content of a video sequence, and in particular the motion charac- is taken into account both in playout as well as in rate-distortion teristics of different scenes. We find that the joint scheduling and optimized packet scheduling. playout control can significantly improve the quality of the received We briefly note the following intuitive tradeoffs faced by the video, at the expense of only a small amount of playout slowdown.
    [Show full text]
  • Transitioning Broadcast to Cloud
    applied sciences Article Transitioning Broadcast to Cloud Yuriy Reznik, Jordi Cenzano and Bo Zhang * Brightcove Inc., 290 Congress Street, Boston, MA 02210, USA; [email protected] (Y.R.); [email protected] (J.C.) * Correspondence: [email protected]; Tel.: +1-888-882-1880 Abstract: We analyze the differences between on-premise broadcast and cloud-based online video de- livery workflows and identify technologies needed for bridging the gaps between them. Specifically, we note differences in ingest protocols, media formats, signal-processing chains, codec constraints, metadata, transport formats, delays, and means for implementing operations such as ad-splicing, redundancy and synchronization. To bridge the gaps, we suggest specific improvements in cloud ingest, signal processing, and transcoding stacks. Cloud playout is also identified as critically needed technology for convergence. Finally, based on all such considerations, we offer sketches of several possible hybrid architectures, with different degrees of offloading of processing in cloud, that are likely to emerge in the future. Keywords: broadcast; video encoding and streaming; cloud-based services; cloud playout 1. Introduction Terrestrial broadcast TV has been historically the first and still broadly used technology for delivery of visual information to the masses. Cable and DHT (direct-to-home) satellite TV technologies came next, as highly successful evolutions and extensions of the broadcast TV model [1,2]. Yet, broadcast has some limits. For instance, in its most basic form, it only enables linear delivery. It also provides direct reach to only one category of devices: TV sets. To Citation: Reznik, Y.; Cenzano, J.; reach other devices, such as mobiles, tablets, PCs, game consoles, etc., the most practical Zhang, B.
    [Show full text]
  • Digital Orbital Die Zukunft Des Fernsehens Hat Begonnen the Future of Television Has Begun
    Magazin Edition 1_2010 infonova HybridTV Der neue Showcase The new showcase DVB-T2 Der neue Standard auf dem Prüfstand Test in progress – the new standard Digital orbital Die Zukunft des Fernsehens hat begonnen The future of television has begun B on:pulse Die Welt in Zahlen : The world in figures 04 Interview : Die Strategie 2015 Strategy for 2015 10 Digital orbital : Die Zukunft des Fernsehens ist digital 28 Zertifizierung : Certification 2000 The future of television is digital Der TV-Boxencheck (TÜV) der ORS Start Digitales Satelliten-TV The TV-Box-check (TÜV) from ORS in Österreich 18 HybridTV : So sehen wir in Zukunft fern 30 DVB-T2 : The start of digital satellite TV TV of the future 1966 in Austria Die neue Generation The new generation 750.000 Fernsehteilnehmer 19 Technik : Technology in Österreich 2006 Der Sender Pfänder (Poster) 32 Interview : Digital TV via Antenne The transmitter Pfänder (Poster) 750,000 people watch TV Richard Grasl über den ORF startet in Österreich in Austria Richard Grasl on ORF Digital TV via cable starts 25 IPTV : in Austria Fernsehvielfalt für Ihr Unternehmen 34 TMCplus : TV with many options for your company Der schnellste Verkehrsservice Österreichs The quickest traffic service in Austria 26 ServusTV : 1955 Eine österreichische Erfolgsgeschichte 35 P3tv : The austrian way of success Jahr des ersten Fernsehsender- Durchstarten mit DVB-T: P3tv Versuchsbetriebs in Wien Start-up with DVB-T: P3tv The year of the first trial TV 36 LT1 : transmission in Vienna 2009 ORF1 und ORF2 Der Regionalsender in HD-Standard
    [Show full text]
  • Technische Richtlinien, Irt.De – in German Only)
    2016 for the Production of Television Programs for St atus of: ARD, ZDF and ORF November 2016 © Publisher: Status of: November 2016 TPRF-HDTV 2016 Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland Ständiges ARD-Büro Bertramstraße 8 60320 Frankfurt Germany phone: +49 69 59 06 07 fax: +49 69 155 20 75 e-mail: [email protected] Zweites Deutsches Fernsehen ZDF-Straße 1 55100 Mainz (Mayence) Germany phone: +49 6131 70 0 fax: +49 6131 70 12 157 e-mail: [email protected] Österreichischer Rundfunk Würzburggasse 30 1136 Wien (Vienna) Autria phone: +43 1 87878 0 fax: +43 1 87878 12738 e-mail: [email protected] Copyright Notice This document and all its contents are protected by copyright law. The authors reserve all their rights. You may not alter or remove any trademark, copyright, or other notice. You are granted the right to distribute to third parties and to publish (also electronically solely in non-editable and non-copyable.pdf format) this complete and unchanged document. Translation and modification of any parts of this document as well as the distribution of excerpts requires the prior written permission of Institut für Rundfunktechnik. Published on behalf of the above-named broadcast institutions by: Institut für Rundfunktechnik GmbH (Broadcast Technology Institute) Development Planning/Public Relations Floriansmühlstraße 60 80939 München (Munich) Germany phone: +49 89 323 99 204 fax: +49 89 323 99 205 e-mail: [email protected] Web site: www.irt.de Translation: Dr. Thomas J. Kinne, Nauheim 2 Status of: November 2016 TPRF-HDTV 2016 This document was prepared on behalf of the Conference of Television Operations Managers (AG FSBL) by the “Technical Production Guidelines for Television” (TPRF) work group.
    [Show full text]
  • Nextgentv Host Station Manual V8
    HOST STATION MANUAL On behalf of Pearl TV and the Phoenix Model Market Project for the Broadcast Television Industry NEXTGEN TV logo is an unregistered trademark of the Consumer Technology Association and is used by permission. © 2019 All Rights Reserved. GETTING STARTED Contents Getting Started ___________________________________________________________________________________________ 7 Background and Goals _____________________________________________________________________________________________ 8 Sharing Channels to Clear Spectrum ______________________________________________________________________________ 9 Two Step Process ________________________________________________________________________________________________ 9 Step One - Clearing Spectrum ___________________________________________________________________________________ 9 Step Two – Building the NextGen TV Services _______________________________________________________________ 14 Licensing __________________________________________________________________________________________________________ 19 Multichannel Video-Programming Distributors (MVPD) ______________________________________________________ 21 Master Checklist __________________________________________________________________________________________________ 25 Agreements, Business and Licensing ________________________________________________________________________ 25 Technical Considerations _____________________________________________________________________________________ 26 Purchasing ATSC-1 Equipment
    [Show full text]
  • Network Video Capture and Playout a Better Way to Ingest HD/SD-SDI Video from Tape Or Live Sources
    Pipeline Product Sheet Network video capture and playout A better way to ingest HD/SD-SDI video from tape or live sources Telestream Pipeline HD Dual™ is Sits on your network, so anyone can access it a network-based video capture Pipeline HD Dual provides freedom from the hassles, limitations and expense and playout device for moving of traditional capture-card solutions on a dedicated workstation. Common HD and SD video and audio network protocols, RS-422 deck control and frame-accurate ingest/playout in and out of any file-based make the Pipeline HD Dual a smart choice for any video workflow. workflow. This solution offers users more choices for fast, More choices, more flexibility robust, reliable video capture. Pipeline HD Dual offers four easy ways to capture your video: schedule recording of live feeds, log and capture from tape, manual record and control through a simple automation API. Pipeline provides direct support for MXF workflows, creating OPAtom and OP1a media. For those wishing to maintain closed captions and other ancillary data, Pipeline offers methods of achieving this via MXF, TIFO and Avid/Apple proprietary schemes. In addition to capture, we offer an easy Print to Tape and controlled playout interface for those wishing to insert edit, assemble edit back to tape, or use Pipeline as a virtual VTR. We offer a choice of encoding formats in a single box to handle your chang- Schedule record ing format needs. Pipeline HD Dual encodes to DV25/50, DVCPRO25/50/HD, IMX 30/40/50, 10-bit Apple ProRes 422 SD/HD and 8-bit/10-bit Avid DNx- HD® up to 220Mbit.
    [Show full text]
  • 4-Channel Broadcast Server
    80341_Maxx2400HD_FINAL 4/9/08 12:02 PM Page 1 HD 4-Channel Broadcast Server BROADCAST HD 80341_Maxx2400HD_FINAL 4/9/08 12:02 PM Page 2 A New Four-Channel HD Server for Mid-Markets. Compact, 16 TB of Storage, Highly Reliable, With Economics that Make Sense. HD Designed for Mid-Market s The Industry’s Most and Pro A/ V Advanced Technology MAXX 2420 HD brings high Over 3,000 360Systems video reliability,and theindustry’sbest servers deliver content across price-performance. America and around the world. 2 | 360 SYSTEMS BROADCAST 80341_Maxx2400HD_FINAL 4/9/08 12:02 PM Page 3 o High Definition Broadcast Server 4 Channels in 2 Rack Spaces Low Cost per Channel High Reliability Smart Economics MAXX-2420 HD Delivers More File-Compatible Workflows FEATURES 360 Systems’ new High Definition 2420 Server sets Many HD formats exist—each different, Four HD-SDI playout channels a new standard for channel count and storage and all requiring rapid interchange. Now, Two record channels capacity—in only two rack spaces. The 2420 delivers an extremely fast transcoding solution Up to 300 hours (16 TB) of RAID four HD outputs, two inputs, and sixteen Terabytes exists—one that works in most HD protected program storage of storage in an attractively priced package. formats, is highly affordable, and gives 360 Systems’ 2420 Server the power Redundant cooling, plug-in power supplies Four High Definition Channels of high cost systems. Includes file trimming, segmenting & playlisting, plus as-run logs The 2420 can play up to four HD streams at once; or Ipera Technology® produces the transcode it can record two streams and play two others, while package that achieves these superior Software for remote control from a PC still ingesting files by Ethernet.
    [Show full text]