Market Profile Russia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
Live News: a Survival Guide for Journalists
AA SURVIVALSURVIVAL GUIDEGUIDE FORFOR JOURNALISTSJOURNALISTS LIVELIVE NEWSNEWS Front cover picture: A press photographer in a cloud of teargas during a riot in Lima, Peru, in May 2000. Photo: AP / Martin Mejia Title page picture (right) A newspaper vendor waits for customers in Abidjan, Ivory Coast, one of many countries where media have been put under threat. In November 2002, an emergency aid programme was launched by the IFJ, the Communication Assistance Foundation, International Media Support and Media Assistance International, working with the Union Nationale des Journalistes de Côte d'Ivoire (UNJCI) and the West Africa Journalists Association. The programme included training on safety and conflict reporting. Photo: AP / Clement Ntaye. LIVE NEWS A SURVIVAL GUIDE FOR JOURNALISTS Written and produced for the IFJ by Peter McIntyre Published by the International Federation of Journalists, Brussels March 2003 With the support of the European Initiative for Democracy and Human Rights. (i) Live News — A survival guide for journalists Published by the International Federation of Journalists March 2003. © International Federation of Journalists International Press Centre Residence Palace Rue de la Loi 155 B-1040 Brussels, Belgium ✆ +32 2 235 2200 http://www.ifj.org Editor in Chief Aidan White, General Secretary, IFJ Managing Editor Sarah de Jong, Human Rights Officer, IFJ [email protected] Projects Director Oliver Money-Kyrle Written and designed by Peter McIntyre, Oxford, UK [email protected] Acknowledgments The IFJ would like to thank: Associated Press Photos and Reuters, who donated the use of photos; AKE Ltd, Hereford, UK, for advice, information, facilities, and support; Mark Brayne (Dart Centre Europe) for advice on post trauma stress; Rodney Pinder, for comments on the drafts; All the journalists who contributed to, or were interviewed for, this book. -
Television in Russia Is the Concept of PSB Relevant?
Television in Russia Is the Concept of PSB Relevant? Elena Vartanova & Yassen N. Zassoursky In the traditional Western discourse on commercial and public service broad- casting, little attention was given to the state TV model which was present in many countries of the ‘Socialist’ block, and in many Asian states as well. Strictly speaking, public service broadcasting [PSB] is not a common con- cept shared and implemented by different countries in a similar way, but rather a continuum that implies different modes of interaction between the society, audience, state, and social institutions. In many European countries – France, Germany, Netherlands, Finland, Spain, – PSB practices indicate varying degrees of control and interference from political forces, governments and state agencies (Weymouth and Lamizet, 1996, Euromedia Research Group, 1997). The model of Western European PSB provides clear evidence that the state as a social agent is not an entirely antagonistic force to public service. On the contrary, “some forms of accountability to (political representatives of) the public, other than through market forces”, was traditionally considered a key public service element (McQuail & Siune, 1998: 24). This has led to the acceptance of some forms of content regulation embodying positive and negative criteria which, in turn, were shaped by the need to serve the pub- lic interest more than commercial, political or consumerist interests of soci- ety and audience. In Western Europe, there were fierce tensions between the goals set by ‘society’ in relation to the public interest and demands of the audience as consumers (McQuail, 2000:157). Dissimilar to this, post-Socialist societies experienced another tension paradigm. -
Russian Media Policy in the First and Second Checen Campaigns
Laura Belin (doctoral candidate, University of Oxford) e-mail: [email protected] Paper given at the 52nd conference of the Political Studies Association Aberdeen, Scotland, 5-8 April 2002 RUSSIAN MEDIA POLICY IN THE FIRST AND SECOND CHECHEN CAMPAIGNS The military campaign in Chechnya from December 1994 to August 1996 became the "first real test of journalists' freedoms" since the end of the Soviet Union1 and loomed large in perceptions about the Russian media for the rest of the 1990s. Though some journalists had condemned "shock therapy" in 1992 and the shelling of the parliament in 1993, the Chechen war prompted the journalistic community to desert Boris Yel'tsin en masse for the first time. Moscow-based television networks were the public's main source of information on the fighting.2 The private network NTV exposed official lies about how the war was waged. Newscasts on state-owned Russian Television (RTR), which reached a nationwide audience on Channel 2, soon followed NTV's lead. Virtually all privately owned newspapers also raised their voices against the military campaign. The predominant slant of war coverage became a source of pride for many journalists. Though damning news reports did not end the bloodshed, steadfast public opposition to the war impelled Yel'tsin to pursue a ceasefire agreement while running for reelection in 1996.3 Both supporters and opponents of the military campaign believed that media coverage fostered and sustained the majority view. Yel'tsin rarely retreated from unpopular policies, but his turnaround on Chechnya arguably demonstrated that journalists had helped bring some degree of transparency and therefore accountability to 1 Frank Ellis, From Glasnost to the Internet: Russia's New Infosphere, London: Macmillan Press Ltd, 1999, p. -
Reform of the Latvian Public Media in the Perspective of Developing
Tomasz Fraszczyk Reform of the Latvian public media in the perspective of developing modern content distribution technologies, evolution of user needs and complicated Latvia–Russia relations KEY WORDS Latvia, public media, media policy, new media, Russia ABSTRACT The article presents an outline of the evolution of the Latvian audiovisual media market (after 1988), the influence of the 2009 market crash on media entities (including those public) and key discussion topics and decisions made as a result of the crisis by Latvian institutions responsible for the media landscape. Detailed attention will be given to the new law on electronic mass media (in force from 2011) and those elements of the public media system reform project (announced in 2013), that are an outcome of the dynamic development of new content distribution technologies and changing user needs and habits, especially in younger age groups. The final part of the work will concern the complicated Latvia–Russia relations and the multi-aspect contribution of mass media in their shaping. The conclusion indicates a broad scope of discussion and analytical works in Latvia concerning the reform of public media, which suggests it will not be abandoned in the following years. In the beginning of January 2013, the Latvian National Electronic Mass Media Council (NEPL Padome) published a new strategy for the public radio (LR) and television (LTV). It aims to rebuild the position of the public service broadcasters (LSM) after the severe crisis of 2009–2010, which had seriously damaged not only the finances but also the market position of these institutions. In the youngest age groups, these shares are the smallest by far and do not exceed 20 % for the television and 8 % for the radio1. -
Les Services De Télévision Et De Radio Diffusés Par Câble, Par Satellite Ou Par Un Autre Réseau
Les services du câble,du satellite ou des autres réseaux Les services de télévision et de radio diffusés par câble, par satellite ou par un autre réseau Liste au 14 octobre 2005 Les services de télévision et de radio français et étrangers titulaires d’une convention avec le CSA ou déclarés S ERVICES DE TÉLÉVISION EN ACTIVITÉ 133 –Services francophones conventionnés diffusés en métropole 105 –Services francophones déclarés 2 –Services diffusés uniquement dans les DOM 5 –Services diffusés en Europe 6 –Services étrangers 13 –Services temporaires conventionnés ou déclarés 2 S ERVICES DE RADIO EN ACTIVITÉ 12 S ERVICES DE TÉLÉVISION OU DE RADIOS NON ACTIFS 46 –Services de télévision non créés ou non diffusés 31 –Services interrompus 15 T OTAL 191 5 00 2 Les services de télévision conventionnés diffusés en France métropolitaine °189 N NOVEMBRE (Les services dont la première convention a été signée en 2005 apparaissent en gras) Date Date de Date Date de Dénomination de signature renouvellement Dénomination de signature renouvellement de la convention de la convention de la convention de la convention 15 123 Sat 18-07-2005 Ciné Cinéma Émotion 29-01-1997 13 ème Rue 21-08-199708-09-2004 Ciné Cinéma Frisson 29-01-1997 AB 1 20-12-1995 11-04-2005 Ciné Cinéma Info 10-12-1999 17-11-2004 AB Moteurs 26-03-199611-04-2005 Ciné Cinéma Premier 29-01-1997 Action 26-03-199611-04-2005 Ciné Cinéma Famiz (ex CC Succès) 29-01-1997 Animaux 26-03-199611-04-2005 18-11-200211-04-2005 Astrocenter 18-03-2005 Ciné FX APTV 02-09-2005 Ciné Polar 26-03-199611-04-2005 Best -
Page 1 “OF the YEAR” FINALISTS
Page 1 “OF THE YEAR” FINALISTS MARKETING TEAM OF THE YEAR FOX SPORTS MARKETING CNN WORLDWIDE COMEDY CENTRAL NATIONAL GEOGRAPHIC TV 2 DENMARK VIACOMCBS CEE AGENCY OF THE YEAR CREATIVE SOLUTIONS DUTCHTOAST KNOWN NEW LAND THE REFINERY WIEDEN + KENNEDY Page 1 BRAND IMAGE PROMO LONG FORMAT BRAND IMAGE INSTANT SUMMER ALL THAT WE SHARE - CONNECTED FINNISH BROADCASTING COMPANY - YLE TV 2 DENMARK HLN “FROZEN MOMENTS 2” PROMO WE ARE SPORT CNN WORLDWIDE ADMIT ONE MEDIA FOR SUPERSPORT & DSTV GET FREE STAY FREE SKY ORIGINALS IMAGE REEL OPENVIEW SKY DEUTSCHLAND FERNSEHEN GMBH & CO. KG ESSENTIAL VIEWING WAS IST DEINE GESCHICHTE? / COSMO SPAIN WHAT’S YOUR STORY? LUXLOTUSLINER GMBH HBO EUROPE WILL ROCK YOU HBO EUROPE BETO & ELENA AMÉRICA TELEVISIÓN ASCENDING TINY HERO GEWOON ONGEWOON ADMIT ONE MEDIA FOR KYKNET BRAND IMAGE PROMO CAMPAIGN BRAND PROMO: WEBSITE OR APP PROMOTION TV 2 SPORT X - LAUNCH CAMPAIGN TV 2 DENMARK CRAVE: BIG MOMENTS BELL MEDIA ID BRAND CAMPAIGN - EVERY ENDING HAS A BEGINNING SHOP RT VATNIK PROMO INVESTIGATION DISCOVERY RT STAR POWER E! RADIO-CANADA OHDIO APP LAUNCH NBCUNIVERSAL INTERNATIONAL NETWORKS RADIO-CANADA TLC DIGITAL COLLECTION A&E PLAY DISCOVERY CREATIVE LONDON A&E LATIN AMERICA NAT GEO BRAND “AWARDS” SPOTS HBO EUROPE THE CURE NATIONAL GEOGRAPHIC HBO EUROPE WOMEN’S WORLD CUP CAMPAIGN CRAVE: SPOILER FREE FOX SPORTS MARKETING BELL MEDIA Page 2 BRAND PROMO: HOLIDAY PROGRAM TRAILER PROMO OR SPECIAL EVENT SPOT CNN FILMS: APOLLO 11 TRAILER 30 YEARS AFTER THE FALL OF THE BERLIN WALL CNN WORLDWIDE DW DEUTSCHE WELLE GORDON RAMSAY: UNCHARTED -
Old and New Constraints in Foreign News Coverage in Post-Communist Ukraine Natalya Ryabinska UKRAINIAN CATHOLIC UNIVERSITY in LVIV, UKRAINE
Old and new constraints in foreign news coverage in post-communist Ukraine Natalya Ryabinska UKRAINIAN CATHOLIC UNIVERSITY IN LVIV, UKRAINE ABSTRACT: In the 1970s, when intellectual debate in the rest of the world was preoccupied with the problem of an imbalanced, one-way information flow between Western industrialized countries and less-developed countries in South and East, people in the Soviet Union faced another problem — a problem of deficit of information from the West, which was a result of purposeful politics of the Soviet state. In 1989 the Iron Curtain fell, but it does not mean that nowadays there are no bounds and boundaries in the flow of information to and from the Former Soviet Republics. This paper deals with the issue of foreign news in contemporary Ukraine and explores constraints in making international news in the media. It analyses a set of determinants of international news production in the Ukrainian media and the way they influence the scope and quality of foreign news coverage. The re- search is based on interviews with about thirty media experts and news producers at major Ukrainian broadcasting organizations, as well as from print and online media. The interviewees — editors-in- chief, heads of international news’ departments, foreign correspondents — were asked about the pro- cess of international news production in their editorial offices, the human and technical resources allocated for foreign news coverage, the professional standards of international journalism, as well as the main sources of foreign news and criteria of their selection involved in the news making process. Results of the study show that international news making in Ukraine is influenced by peculiar fac- tors rooted in the Soviet past, such as journalists’ inclination to one-sided reporting and poor com- mand of foreign languages (except Russian), and by common factors determining tendencies in for- eign news coverage worldwide, such as the pressure of the market which induces cost-cutting in media organizations and tabloidization of media content. -
System House Business Partners
Companies. Brands. Exporters. Telecommunications and information technology (IT) System House Business Partners Established in 2012, System House Business Partners for the first time on the Russian market presented systems for organizing wireless live broadcasts. © 2021. «Made in Russia» madeinrussia.ru © 2021. «Made in Russia» System House Business Partners System House Business Partners Established in 2012, System House Business Partners for the first time on the Russian market presented systems for organizing wireless live broadcasts. At that time, domestic television actively used mobile satellite stations for live broadcasting, the main disadvantages of which were: long preparation time for departure, low mobility, high cost per minute of broadcasting. The system presented by System House allowed transmitting video signal from professional TV cameras to the receiving server in the TV channel studio by means of summing up available wired and wireless networks. History of the company The first customer of the company was the All-Russia State Television and Radio Broadcasting Company. During the next few years the following clients of System House company were included: NTV, ITRC MIR, Channel One, RBC Group, Ren TV, Reuters, TV Centre, Channel Five and others. The company has established a large staff of professional engineers to service systems for live broadcasting. System House Business Partners was also actively involved in the organization of broadcasts of such landmark events as Moscow Victory Parade and Direct Line with Vladimir Putin. Over the years of operation of systems from different manufacturers, the company has gained unique experience and decided to create its own line of equipment for video and data transmission over unified communication channels under the Emerlink trademark. -
BASEES Sampler
R O U T L E D G E . TAYLOR & FRANCIS Slavonic & East European Studies A Chapter and Journal Article Sampler www.routledge.com/carees3 Contents Art and Protest in Putin's Russia by Laurien 1 Crump Introduction Freedom of Speech in Russia edited by Piotr 21 Dutkiewicz, Sakwa Richard, Kulikov Vladimir Chapter 8: The Putin regime: patrimonial media The Capitalist Transformation of State 103 Socialism by David Lane Chapter 11: The move to capitalism and the alternatives Europe-Asia Studies 115 Identity in transformation: Russian speakers in Post- Soviet Ukrane by Volodymyr Kulyk Post-Soviet Affairs 138 The logic of competitive influence-seeking: Russia, Ukraine, and the conflict in Donbas by Tatyana Malyarenko and Stefan Wolff 20% Discount Available Enjoy a 20% discount across our entire portfolio of books. Simply add the discount code FGT07 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/carees4 Copyright Taylor & Francis Group. Not for distribution. 1 Introduction It was freezing cold in Moscow on 24 December 2011 – the day of the largest mass protest in Russia since 1993. A crowd of about 100 000 people had gathered to protest against electoral fraud in the Russian parliamentary elections, which had taken place nearly three weeks before. As more and more people joined the demonstration, their euphoria grew to fever pitch. Although the 24 December demonstration changed Russia, the period of euphoria was tolerated only until Vladimir Putin was once again installed as president in May 2012. -
Broadcasting
Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo, -
Russian Pay TV and SVOD Is Cord-Cutting
Russian Pay TV and SVOD Is Cord-cutting Really Happening? Russian Pay TV and SVOD: Is Cord-cutting Really Happening? European Audiovisual Observatory (Council of Europe), Strasbourg, 2019 Director of Publication Susanne Nikoltchev, Executive Director Editorial Supervision Gilles Fontaine, Head of Market Information European Audiovisual Observatory Chief Editor Dmitry Kolesov, Head of TV and Content Department, J`son & Partners Consulting Authors Dmitry Kolesov, Head of TV and Content Department Anna Kuz, Consultant of TV and Content Department J`son & Partners Consulting Press and Public Relations Alison Hindhaugh, [email protected] Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Please quote this publication as D. Kolesov, A. Kuz, Russian Pay TV and SVOD: Is Cord-cutting Really Happening?, European Audiovisual Observatory, 2019 © European Audiovisual Observatory (Council of Europe), Strasbourg, September 2019 Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. Russian Pay TV and SVOD Is Cord-cutting Really Happening? Dmitry Kolesov Anna Kuz Table of contents 1. Executive summary 1 2. Methodology 3 3. Russian pay TV market 2017-2023 5 3.1. Subscriber base, ARPU, revenue 5 3.1.1. Basic pay TV service 5 3.1.2. Additional pay TV services 9 3.1.3. HD and 4К subscriber base 10 3.2. Pay TV market segmentation by technology 14 3.2.1.