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Antagonist Images of the Turk in Early Modern European Games
ANTI/THESIS 87 The earliest representation of the Turk in art appeared in Venetian Quattrocento ANTI-THESIS Antagonist paintings as a result of the increasing com- Images of mercial activities of Venice, which played a role as the main connection between the Turk in Europe and the Levant (Raby 17). The per- ception of the image of the Turk varied Early Modern depending on the conflicts between Venice and the Ottomans, usually pro- European Games voked by religious and political propa- ganda. Gentile Bellini’s circa 1480 portrait of Mehmed the Conqueror, who con- quered Constantinople, is one of such rare early examples that reflected an apprecia- tion of an incognito enemy before the early modern period, which had faded Ömer Fatih Parlak over the course of time as tensions increased. Bellini, who started a short- “The Turk” is a multifaceted concept that perspective to the image of the Turk by lived early Renaissance Orientalism, was emerged in the late Middle Ages in shedding light on its representations in commissioned by Mehmed II, whose pri- Europe, and has gained new faces over early modern European board games and vate patronage was “eclectic with a strong the course of time until today. Being pri- playing cards; thus, contributing to a nou- interest in both historical and contempo- marily a Muslim, the Turk usually con- velle scholarly interest on the image of rary Western culture” (Raby 7).1 The forma- noted the antichrist, infidel, and the ulti- the Turk. It argues that, belonging to a tion of the Holy League of 1571 against the mate enemy. -
Presentación De Powerpoint
Painted by Titian 1551 PHILIP II KING OF SPAIN “ THE PRUDENT” Signature CONTENT AND LANGUAGE INTEGRATED LEARNING UNIT (UNIDAD DIDÁCTICA CLIL) 2017/18 HISTORY lrs Lourdes Ruiz Juana of Castile Philip “The Handsome” Maria of Aragon. Manuel I of Portugal 3rd DAUGTHER OF of Austria 4TH DAUGTHER OF Isabel and Ferdinand Isabel and Ferdinand Charles I of Spain Isabella of Portugal nd Born: 21 May 1527 1st wife 2 wife 3rd wife 4th wife Died: 13 September 1598 Maria Manuela Mary I of England Elizabeth Anna of Austria Philip II of Spain of Portugal “Bloody Mary” of Valois Spain, the Netherlands, Italian Territories & The Spanish Empire lrs 1527: Philip II of Spain was born in Palacio de Pimentel, Valladolid, which was the capital of the Spanish empire. In June 1561, Philip moved his court to Madrid making it the new capital city. Philip was a studious young boy, he learnt Spanish, Portuguese and Latin. 'The Baptism of Philip II' in Valladolid. He enjoyed hunting and sports as well as music. Historical ceiling preserved in Palacio de Pimentel (Valladolid) Also, he was trained in warfare by the . court [kɔːt] N corte Duke of Alba hunting [ˈhʌntɪŋ] N caza, cacería lrs warfare [ˈwɔːfɛər] N guerra, artes militares Look at this map. In 1554-55, Philip’s father, Charles I of Spain and Holy Roman Emperor abdicated in favour of his son Philip and his brother Ferdinand. Charles left all the territories in ORANGE to his son. After different battles and expeditions, Philip’s Empire would include all the territories in GREEN. That is, he took control of Portugal and its colonies in America, Africa and Asia. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Bartolomé De Las Casas, Soldiers of Fortune, And
HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Dissertation Submitted To The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in Theology By Damian Matthew Costello UNIVERSITY OF DAYTON Dayton, Ohio August 2013 HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew APPROVED BY: ____________________________ Dr. William L. Portier, Ph.D. Committee Chair ____________________________ Dr. Sandra Yocum, Ph.D. Committee Member ____________________________ Dr. Kelly S. Johnson, Ph.D. Committee Member ____________________________ Dr. Anthony B. Smith, Ph.D. Committee Member _____________________________ Dr. Roberto S. Goizueta, Ph.D. Committee Member ii ABSTRACT HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew University of Dayton Advisor: Dr. William L. Portier This dissertation - a postcolonial re-examination of Bartolomé de las Casas, the 16th century Spanish priest often called “The Protector of the Indians” - is a conversation between three primary components: a biography of Las Casas, an interdisciplinary history of the conquest of the Americas and early Latin America, and an analysis of the Spanish debate over the morality of Spanish colonialism. The work adds two new theses to the scholarship of Las Casas: a reassessment of the process of Spanish expansion and the nature of Las Casas’s opposition to it. The first thesis challenges the dominant paradigm of 16th century Spanish colonialism, which tends to explain conquest as the result of perceived religious and racial difference; that is, Spanish conquistadors turned to military force as a means of imposing Spanish civilization and Christianity on heathen Indians. -
Violence, Protection and Commerce
This file is to be used only for a purpose specified by Palgrave Macmillan, such as checking proofs, preparing an index, reviewing, endorsing or planning coursework/other institutional needs. You may store and print the file and share it with others helping you with the specified purpose, but under no circumstances may the file be distributed or otherwise made accessible to any other third parties without the express prior permission of Palgrave Macmillan. Please contact [email protected] if you have any queries regarding use of the file. Proof 1 2 3 3 4 Violence, Protection and 5 6 Commerce 7 8 Corsairing and ars piratica in the Early Modern 9 Mediterranean 10 11 Wolfgang Kaiser and Guillaume Calafat 12 13 14 15 Like other maritime spaces, and indeed even large oceans such as the 16 Indian Ocean, the Mediterranean was not at all a ‘no man’s sea’ – as 17 the sea in general appears, opposed to territorial conquest and occupa- 18 tion of land, in a prominent way in Carl Schmitt’s opposition between 19 a terrestrian and a ‘free maritime’ spatial order.1 Large oceanic spaces 20 such as the Indian Ocean and smaller ones such as the Mediterranean 21 were both culturally highly saturated and legally regulated spaces.2 22 The Inner Sea has even been considered as a matrix of the legal and 23 political scenario of imposition of the Roman ‘policy of the sea’ that 24 had efficiently guaranteed free circulation and trade by eliminating 25 the pirates – Cicero’s ‘enemy of mankind’ 3– who formerly had infected the 26 Mediterranean. -
Muslims in Spain, 1492–1814 Mediterranean Reconfigurations Intercultural Trade, Commercial Litigation, and Legal Pluralism
Muslims in Spain, 1492– 1814 Mediterranean Reconfigurations Intercultural Trade, Commercial Litigation, and Legal Pluralism Series Editors Wolfgang Kaiser (Université Paris I, Panthéon- Sorbonne) Guillaume Calafat (Université Paris I, Panthéon- Sorbonne) volume 3 The titles published in this series are listed at brill.com/ cmed Muslims in Spain, 1492– 1814 Living and Negotiating in the Land of the Infidel By Eloy Martín Corrales Translated by Consuelo López- Morillas LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: “El embajador de Marruecos” (Catalog Number: G002789) Museo del Prado. Library of Congress Cataloging-in-Publication Data Names: Martín Corrales, E. (Eloy), author. | Lopez-Morillas, Consuelo, translator. Title: Muslims in Spain, 1492-1814 : living and negotiating in the land of the infidel / by Eloy Martín-Corrales ; translated by Consuelo López-Morillas. Description: Leiden ; Boston : Brill, [2021] | Series: Mediterranean reconfigurations ; volume 3 | Original title unknown. | Includes bibliographical references and index. Identifiers: LCCN 2020046144 (print) | LCCN 2020046145 (ebook) | ISBN 9789004381476 (hardback) | ISBN 9789004443761 (ebook) Subjects: LCSH: Muslims—Spain—History. | Spain—Ethnic relations—History. -
The Triumphs of Alexander Farnese: a Contextual Analysis of the Series of Paintings in Santiago, Chile
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile Michael J. Panbehchi Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Other History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3628 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Michael John Panbehchi 2014 All Rights Reserved The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by Michael John Panbehchi B.A., Virginia Commonwealth University, 1988 B.A., Virginia Commonwealth University, 1994 M.A., New Mexico State University, 1996 Director: Michael Schreffler, Associate Professor, Department of Art History Virginia Commonwealth University Richmond, Virginia November, 2014 ii Acknowledgment The author wishes to thank several people. I would like to thank my parents for their continual support. I would also like to thank my son José and my wife Lulú for their love and encouragement. More importantly, I would like to thank my wife for her comments on the drafts of this dissertation as well as her help with a number of the translations. -
Battleground Perceptions in the Portuguese Early Modern Atlantic
WIH0010.1177/0968344517725540War in HistoryDantas da Cruz 725540research-article2018 Original Article War in History 1 –26 From Flanders to Pernambuco: © The Author(s) 2018 Reprints and permissions: Battleground Perceptions in sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/0968344517725540DOI: 10.1177/0968344517725540 the Portuguese Early Modern journals.sagepub.com/home/wih Atlantic World Miguel Dantas da Cruz Instituto de Ciências Sociais – Lisbon University, Portugal Abstract This article addresses the way the Portuguese experience in the seventeenth-century battlefields of Flanders, during the Iberian Union (1580–1640), reshaped Portuguese military thought and culture. It argues that their traditional martial perceptions – almost exclusively based in imperial experiences, especially against the Muslims in North Africa and in India – were transformed by the direct exposure to Spanish military endeavours in Europe. It also argues that the experience in Flanders resurfaced in the South Atlantic, in all its religious and political dimensions, transforming the prestige of Brazil as a battlefield. Finally, the article revisits the way the Flanders experience poisoned Spanish–Portuguese relations. Keywords Portuguese Atlantic, Iberian Union, War of Flanders, martial imaginary, battleground perceptions Introduction King Sebastian, in his attempt to go to North Africa, to attack the Moors himself, beyond being moved by the zeal of exalting the Catholic Faith, and spreading the Christian religion, had the example of all of his ancestors, who were always the Generals of their own Arms, and the first ones to attack. King John I went in person to take Ceuta with his four sons in a massive fleet. Afonso V went himself three times…to carry on with the war on the Berber Coast, where he achieved many victories… Manuel I was also determined to go there, carrying on with this Corresponding author: Miguel Dantas da Cruz, Instituto de Ciências Sociais – Lisbon University, Av. -
Durham E-Theses
Durham E-Theses A history of north east shipbuilding: being an attempt to describe and analyse the development of shipbuilding in the North East of England from earliest times to the end of 1967 Dougan, D. J. How to cite: Dougan, D. J. (1968) A history of north east shipbuilding: being an attempt to describe and analyse the development of shipbuilding in the North East of England from earliest times to the end of 1967, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9906/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 j> i^ ovw / si-. ABSTKACT OF Art bt.A. SUBMISSION ^ ^ "A hISTOKY <.)F wOKTn EAST SHIPrtUILtilNXi" PKKSEwTEU BY U.JJ. OOUOA1K)UGAw« FPU AN w.Aw .A. ^fr'MffffffJJgliBKK*. DECEri MBK 196g IS69 At the end or the lyth century, trie united Kingdom produced four out of every five ships built in tne whole world, and the North East coast of England, stretching from jjlyth in tne North to Whitby in the South, was responsible for tvo out of those five ships. -
Ottoman Corsairs in the Central Mediterranean and the Slave Trade in the 16Th Century
SAĠM ANIL KARZEK ANIL SAĠM MEDITERRANEAN AND THE SLAVE TRADE SLAVE AND THE IN MEDITERRANEAN OTTOMAN CORSAIRS IN THE CENTRAL CORSAIRS THE IN OTTOMAN OTTOMAN CORSAIRS IN THE CENTRAL THE 16TH 16TH THE MEDITERRANEAN AND THE SLAVE TRADE IN THE 16TH CENTURY CENTURY A Master‟s Thesis by SAĠM ANIL KARZEK Department of History Ġhsan Doğramacı Bilkent University Ankara Bilkent 2021 University August 2021 To my beloved family OTTOMAN CORSAIRS IN THE CENTRAL MEDITERRANEAN AND THE SLAVE TRADE IN THE 16TH CENTURY The Graduate School of Economics and Social Sciences of Ġhsan Doğramacı Bilkent University by SAĠM ANIL KARZEK In Partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS in HISTORY THE DEPARTMENT OF HISTORY ĠHSAN DOĞRAMACI BĠLKENT UNIVERSITY ANKARA I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of History. Prof. Dr. Özer Ergenç Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of History. I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of History Prof. Dr. Mehmet Veli Seyitdanlıoğlu Examining Committee Member Approval of the Graduate School of Economics and Social Sciences Prof. Dr. Refet Soykan Gürkaynak Director ABSTRACT OTTOMAN CORSAIRS IN THE CENTRAL MEDITERRANEAN AND THE SLAVE TRADE IN THE 16TH CENTURY Karzek, Saim Anıl M.A., Department of History Supervisor: Özer Ergenç August 2021 This thesis aims to analyze the Ottoman corsairs and their role in the slave trade in the 16th century Mediterranean, and it concentrates on the corsair activity around the central Mediterranean during Suleiman I's reign. -
Reviews of Books and Audiobooks in Italian
Reviews of books and audiobooks in Italian Susanna Agnelli (1922-2009), Vestivamo alla marinara, 231pp. (1975). Susanna Agnelli's paternal grandfather founded the Fiat company in 1899. She was thus a member of one of the richest families in Italy. Vestivamo alla marina is an autobiography beginning in childhood and ending with Agnelli's marriage in 1945. The title \We dressed like sailors" refers to the sailor-suits her parents made all the children wear, and gives little hint of what the book is really about. It begins with the sailor-suits and her upbringing under the stern eye of British nanny \Miss Parker", but before long Italy has joined the Axis and the young \Suni", as Susanna was known, is volunteering as a nurse on ships bringing injured soldiers from Africa back to Italy. As a war memoir it is fascinating, including for example an account of the utter confusion and chaos created by the Armistice of September 8, 1943 (Suni was in Rome at the time). Judging by her own account, Suni was a very courageous young woman, but it is only fair to point out that her war experience was highly atypical because of her access to wealth and power. In the middle of the war, she takes a ski vacation in Switzerland. When she and her brother Gianni need a car in Firenze, hoping to get to Perugia where they can hide out in one of their grandfather's numerous houses and await the allied advance, as Agnellis they have only to go to the local Fiat headquarters and they're set. -
Soror Maria Do Céu's Virgin Mary and the Male Gaze VS 26 (2019), P
HALLING, Anna-Lisa Soror Maria do Céu's Virgin Mary and the Male Gaze VS 26 (2019), p. 165 - 183 SOROR MARIA DO CÉU’S VIRGIN MARY AND THE MALE GAZE ANNA-LISA HALLING BRIGHAM YOUNG UNIVERSITY [email protected] ABSTRACT: In her late-baroque play, Clavel, y Rosa, the Portuguese nun playwright Soror Maria do Céu incorporates an allegorical figure that embodies the active Virgin Mary that emerged in Europe during the medieval period. By doing so, Soror Maria creates a strong female protagonist that effectively escapes the male gaze of her multiple suitors onstage while simultaneously modeling appropriate behavior for the nun spectators of her play. KEYWORDS: Virgin Mary; Male Gaze; Allegory; Convent Theater; Soror Maria do Céu. RESUMO: Na sua peça do Barroco tardio, Clavel, y Rosa, a dramaturga conventual Soror Maria do Céu incorpora uma figura alegórica que personifica a Virgem Maria ativa que surgiu na Europa durante a época medieval. Assim, Soror Maria cria uma protagonista forte que efetivamente escapa ao olhar masculino dos seus pretendentes no cenário enquanto ela modela um comportamento apropriado para as freiras que iam assistir à sua peça. PALAVRAS-CHAVE: Virgem Maria; Olhar masculino; Alegoria; Teatro conventual; Soror Maria do Céu. From Sophocles’s Antigone to George Bernard Shaw’s Eliza to Tennessee Williams’s Rose, the dramatic arts are replete with female figures who range from fierce to fragile. Despite their continuous presence throughout the history of theater, stage portrayals of female characters often do not reflect the lived realities of women. Instead, these representations are frequently nothing more than a projection of male fantasy.