The Great Tragedies: Mike Daisey Takes on Shakespeare

Created and Performed by Mike Daisey Directed by Jean-Michele Gregory

2014 SEASON 40TH ANNIVERSARY BRUNS AMPHITHEATER, ORINDA

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1213407_13132 8.375x10.875 4C.indd 1 9/10/14 10:01 AM Untitled-2 1 9/11/14 8:57 AM ROM THE ARTISTIC DIRECTOR. Spending time with Mike Daisey is like being on the most invigorating ride of your life. When I asked him nearly a year ago if he’d be interested in grappling with Shakespeare in his inimitable style as monologist, author, actor, and raconteur, he was beyond excited. And I use the word “beyond” to mean this: right off the bat, he started wrestling with Shake- speare, right there on the phone with me. He thinks by talking, he creates by talking, and he discovers meaning by talking. At the end of our two-hour talk, I was breathless. What I thought was going to be a “get to know each other” conversation turned into a ride through Mike Daisey’s brilliant mind. I felt myself slightly dizzied by our conversation—indeed, I hadn’t thought about Shakespeare like that in a long time: what he means to the world today, and why he is necessary to us as a society and as individuals as we grapple with affairs of state, of nation, of community, of family, of ourselves.

Mike doesn’t write out his material for his

performances. He takes notes, he thinks it through, and then gets on the ride and brings us with him.

Although he is talking to us, he is really in conversation with us. He was trained as an actor and knows that the audience is always in conversation with the performer, even if the audience isn’t “talking.” That’s probably why he doesn’t memorize and report. He reads the room, has ideas in his head, and a great topic at stake—Shakespeare’s tragedies. And with that, he tells a story.

Mike provokes. He challenges. He questions. He entertains. He takes his audiences on a thrilling ride. Enjoy.

JONATHAN MOSCONE Artistic Director October 2014 The arts come alive at College Prep American Conservatory Theater • Berkeley Volume 23, No. 5 Repertory Theatre • Broadway San Jose • California Shakespeare Theater• San Francisco Ballet • San Francisco Opera • SFJAZZ • Stanford Live• TheatreWorks • Weill Hall at Sonoma State Paul Heppner Reach a Publisher Susan Peterson SophiSticated Design & Production Director Ana Alvira, Deb Choat, audience Robin Kessler, Kim Love University • 5th Avenue Theatre • ACT Theatre • Design and Production Artists Book-It Repertory Theatre • Broadway Center for Mike Hathaway the Performing Arts • Pacific Northwest Ballet • Advertising Sales Director Paramount & Moore Theatres • Seattle Children’s Marty Griswold, Theatre • Seattle Men’s Chorus • Seattle Opera Seattle Sales Director • Seattle Repertory Theatre •Seattle Shakespeare Joey Chapman, Gwendolyn Fairbanks, Company • Seattle Symphony • Seattle Ann Manning, Lenore Waldron Women’s Chorus • Tacoma City Ballet • Tacoma Seattle Area Account Executives Philharmonic • Taproot Theatre • UW World Series at Meany Hall • Village Theatre Issaquah Staci Hyatt, Marilyn Kallins, & Everett • American Conservatory Theater• Tia Mignonne, Terri Reed Berkeley Repertory Theatre• Broadway San Jose• San Francisco/Bay Area Account Executives California Shakespeare Theater• San Francisco Denise Wong Ballet • San Francisco Opera • SFJAZZ • Stanford Executive Sales Coordinator Jonathan Shipley put your business here Ad Services Coordinator Live • TheatreWorks • Weill Hall at Sonoma State www.encoreartsseattle.com University • 5th Avenue Theatre • ACT Theatre • Book-It Repertory Theatre • Broadway Center The College Preparatory School A private high school for grades 9-12 Paul Heppner 6100 Broadway Oakland CA 94618 Publisher 510.652.4364 Marty Griswold college-prep.org www.encoremediagroup.com Associate Publisher Leah Baltus Editor-in-Chief Dan Paulus Art Director EAP 1_6 V template.indd 1 6/18/14EAP House 9:59 AM Ad Reach 1_6V 3.19.13.indd 1 3/20/13 3:00 PM Full-service Jonathan Zwickel business banking for Senior Editor Gemma Wilson independently-minded Associate Editor professionals like you. Amanda Manitach Exemplary service Visual Arts Editor WORK HARD. BANK SMART. Amanda Townsend Local credit decisions DREAM BIG. Events Coordinator Quick turn-around www.cityartsonline.com

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4 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG CALIFORNIA SHAKESPEARE THEATER JONATHAN MOSCONE Artistic Director SUSIE FALK MAnAging Director

PRESENTS The Great Tragedies:

Mike Daisey Takes on Shakespeare

Created and Performed by Mike Daisey Directed by Jean-Michele Gregory

OCTOBER 2–12, 2014 BRUNS MEMORIAL AMPHITHEATER, ORINDA

PROPS DESIGNER SEREN HELDAY LIGHTING DESIGNER KRISTA SMITH SOUND ENGINEER CHRISTOPHER LOSSIUS STAGE MANAGER DEIRDRE ROSE HOLLAND

Mike Daisey will be tackling the tragedies in order of age of the tragic hero:

Romeo & Juliet: October 2, 9 Hamlet: October 3, 10 Macbeth: October 4, 11 King Lear: October 5, 12

EXECUTIVE PRODUCERS: ELLEN & JOFFA DALE, MAUREEN & CALVIN KNIGHT, HELEN & JOHN MEYER, NICOLA MINER & ROBERT MAILER ANDERSON, PETER & DELANIE READ, MICHAEL & VIRGINIA ROSS, JEAN SIMPSON, SHARON & BARCLAY SIMPSON, JAY YAMADA

PRODUCTION PARTNERS

SEASON UNDERWRITERS

MIKE DAISEY IS EXCLUSIVELY REPRESENTED BY "OPUS 3 ARTISTS."

SAVE THE DATE MARCH 14, 2015

PLAY IT FORWARD at our annual gala!

FOUR SEASONS HOTEL, SAN FRANCISCO

Visit calshakes.org/gala for details.

encoreartsprograms.com 5

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DaiseyBY ANY OTHER Name MIKE DAISEY’S THEATRICAL DECONSTRUCTIONS By Keith Spencer

M S F Hamlet, Henry IV The Tempest. I M Hamlet II II S Similarly, popular fi lm and literature are infected with the plot E S T M T Parent Trap Lost Castaway (think every Tarantino fi lm), or the Iago-esque, unremorseful, S E S fl ourish of a statement, though there is a kernel of truth S S T H S Hamlet I J S ERNARO Shakespeare play, his ubiquitous infl uence trickles through FRANCISCO N E N H M I T S The Taming of the Shrew A S Henry IV S M C

6 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG C H A O I I HR ESRE T M C A S C H WITH THE T CAL SHAES tabulas rasa LEAC CIRCLE H C S S critique T Enter Ghost A A ARCELLS C S T C S L C I I S Is it a one-man Shakespeare play? What’s a monologist? Do I S they study mono, the disease? I M I C S HAE OU CONSIERE ROIIN genres, and defi es being put into a box. In FOR CAL SHAES IN OUR ILL M I I E OSCONE ERANENT M ENOENT LEA ONORS E J S S Part of Mike Daisey’s wily indefi nability lies in his prolifi c nature. He has, since 1997— LEAC CIRCLE CHARTER EERS E M J over 20 monologues. In 2013, his perfor- C C I I All the Faces of the Moon C went up in New York. A 29-part, 44-hour Hamlet E J F H J H American Utopias J M J C A L A S F T M N someone like Mike Daisey to help us fi gure A M S O O S J N L S I ARCELLS S S S I J S S S ERNARO K S C S S M C HORATIO MJ S T theaterati S I J T C J U How Theater Failed America J breathing op-ed. Both fi gures are political; Exit Ghost. A S J C M A K S The Agony and the C S INTERESTED IN JOINING Ecstasy of Steve Jobs, produced over 150 T H THE CIRCLE? CONTACT Full-Stop, Dissent, EACCASHAES.R PopFront H OR CALL 510..422 29 episodes of the Daisey monologue All the FOR MORE INFORMATION. Faces of the Moon. WHO’S WHO Since his first monologue in 1997, Daisey Theatre); the World Premiere of Bonnie and has created countless others, including the Clyde and The Laramie Project: Ten Years Later groundbreaking The Last Cargo Cult, the (La Jolla Playhouse); the Shakespeare Festival JEAN-MICHELE incendiary How Theater Failed America, the (2011), How the Grinch Stole Christmas!, GREGORY Disney/Burning Man/Occupy mashup American Brighton Beach Memoirs/Broadway Bound, (Director) Utopias, the scathing Fucking Fucking Fucking Lost in Yonkers, and The Mystery of Irma Vep Jean-Michele Gregory Ayn Rand, the twenty-four-hour feat All the Hours (Old Globe Theatre). Ms. Holland holds an MFA works as a director, editor, in the Day, the international sensation 21 Dog in Stage Management from the University of and dramaturg, focusing Years, and many more. California, San Diego. on extemporaneous Last fall he performed the critically-acclaimed theatrical works that live monologue All the Faces of the Moon as a SEREN HELDAY in the moment they are 29-night live theatrical novel at the Public Theater (Props Designer) told. Working primarily in New York. At over forty hours in duration it is Seren Helday is Cal Shakes’ Prop Master and has with solo artists, for seventeen years she has been the longest sustained theatrical narrative work in worked in the department since 2009. She has Mike Daisey’s chief co-conspirator, staging his the history of theater. You can listen to this entire also provided props for many Bay Area theaters monologues at venues across the globe including show and many of his other stories on his free including Marin Theatre Company, A.C.T., Center the Public Theater, the Sydney Opera House, podcast, All Stories Are Fiction, available through REP, New Conservatory Theatre Center, and SF Berkeley Repertory Theatre, the Spoleto Festival, iTunes, Soundcloud, and at mikedaisey.com. Playhouse. T:BA Festival, Woolly Mammoth Theatre, Under He has performed across five continents, from the Radar Festival, and many more. Notable Off-Broadway at the Public Theater to remote KRISTA SMITH works with Daisey include The Agony and the islands in the South Pacific, from the Sydney (Lighting Designer) Ecstasy of Steve Jobs, How Theater Failed Opera House to abandoned theaters in post- Ms. Smith is pleased to have just completed her America, Great Men of Genius, The Last Cargo communist Tajikistan. He’s been a guest on fifth season with California Shakespeare Theater, Cult, American Utopias, and All the Faces of Real Time with Bill Maher, the Late Show with having worked on over a dozen productions as the the Moon, a 29-part epic story told over one David Letterman, a longtime host and storyteller Assistant Lighting Designer. Recent design work lunar cycle in collaboration with painter Larissa with The Moth, as well as a commentator includes the World Premiere of Laura Gunderson's Tokmakova as part of the Public Theater’s 2013 and contributor to The New York Times, The Fire Work at TheatreFIRST, The Marriage of season. Guardian, Harper’s Magazine, Newsweek, Figaro at Cinnabar Theater, and productions Other notable collaborators include New York WIRED, Vanity Fair, Slate, Salon, NPR and from American Conservatory Theater’s MFA storyteller Martin Dockery, whose shows she the BBC. In a brief, meteoric career with This program and Young Conservatory. Ms. Smith’s has directed in New York and San Francisco American Life, his two shows are among the designs have also been seen at Aurora Theatre, (Wanderlust, The Surprise); author and most listened to and downloaded episodes of that Marin Theatre Company, Custom Made Theatre, performer Suzanne Morrison, with productions program’s history. SF Playhouse, Exit Theatre, Noh Space, Brava in London, New York, Seattle, Atlanta, and Maui As a playwright, his controversial work The Theater, Jewish Theatre San Francisco, Fort (Yoga Bitch, Optimism); and most recently, Agony and the Ecstasy of Steve Jobs was Mason Southside Theater, and Boxcar Theatre. Heather Marlowe’s The Haze, which ran at the downloaded over a hundred thousand times the Ms. Smith received her BA in Drama from San A.C.T. Costume Shop this past September. first week it was made available. It has seen more Francisco State University. Her productions have received the Bay Area than 150 productions around the world and been Critics Circle Award (Great Men of Genius), translated into six languages. It has been adapted CAL SHAKES PROFILES nominations from the Drama League and Outer into an opera, restaged with shadow puppets, Critics Circle (If You See Something Say performed by ensembles of high school students, JONATHAN MOSCONE Something), and six Seattle Times Footlight and produced all over from France to Kazakhstan. (Artistic Director) Awards (21 Dog Years, The Ugly American, The first Chinese production opened last year in Jonathan Moscone Monopoly!, The Last Cargo Cult, The Agony Beijing, and is currently touring to Hong Kong, is in his 15th season and the Ecstasy of Steve Jobs, and Fucking Shanghai, and Shenzhen. as artistic director of Fucking Fucking Ayn Rand). He is currently at work on his second book, California Shakespeare She has taught the art of first person narrative Here at the End of Empire, which will be Theater, where he at Colby College and told her own stories onstage published next year by Simon and Schuster. most directed Shaw's with The Moth, The Liar Show, Women of He stars in the Lawrence Krauser feature film Pygmalion and Richard Letters, and Speakeasy. Her writing has Horrible Child, and the filmLayover , for which Montoya’s American appeared in Brevity and in profiles for theNew he wrote the screenplay, was shown at the Cannes Night: The Ballad of Juan José. His other credits York Sun and Barnard magazine. She is currently Film Festival. He has been nominated for the include Tribes at Berkeley Rep, and the World at work on a memoir about her family’s exodus Outer Critics Circle Award, two Drama League Premiere of Ghost Light, which he co-created from Poland and what it means to forgive. Awards, and is the recipient of the Bay Area and developed with playwright Tony Taccone for Theatre Critics Circle Award, six Seattle Times Oregon Shakespeare Festival and Berkeley Rep. MIKE DAISEY Footlight Awards, the Sloan Foundation’s Galileo In addition, he directed Bruce Norris’ Clybourne (Creator, Performer) Prize, and a MacDowell Fellowship. Park for American Conservatory Theater (where Hailed as “the master he is an adjunct professor). For Cal Shakes, storyteller” and “one of DEIRDRE ROSE HOLLAND* Jonathan has directed the World Premiere of John the finest solo performers (Stage Manager) Steinbeck's The Pastures of Heaven by Octavio of his generation” by Ms. Holland is thrilled to be back for a second Solis, The Life and Adventures of Nicholas the New York Times, season at Cal Shakes, having previously worked Nickleby, Candida, Twelfth Night, Happy Days, Daisey is the preeminent on Lady Windermere’s Fan. Her regional Much Ado About Nothing, The Tempest, and monologist in the theater credits include: The Disappearing The Seagull. He is the first recipient of the Zelda American theater today. Man (TheatreWorks); Felix Starro (American Fichandler Award, given by the Stage Directors He has been compared to a modern-day Mark Conservatory Theater); The Big Meal, Game On, and Choreographers Foundation for “transforming Twain and a latter-day Orson Welles for his The Tragical History of Doctor Faustus, Next to the American theatre through his unique and provocative monologues that weave together Normal, A Christmas Carol (2011 and 2012), creative work.” His regional credits include autobiography, gonzo journalism, and unscripted and Spring Awakening (San Jose Repertory Intersection for the Arts, the Huntington Theatre, performance to tell hilarious and heartbreaking stories that cut to the bone. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

8 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG Alley Theatre, Milwaukee Repertory Theater, Lafayette, where he brought about both artistic artistic and education programs are accessible to Goodspeed Musicals, Dallas Theater Center, San and fiscal success. As an award-winning actor he everyone. Jose Repertory Theatre, Intiman Theatre, and has appeared on many Bay Area stages including Magic Theatre, among others. Jonathan has serves Cal Shakes, Berkeley Rep, TheatreWorks, Marin OUR CORPORATE PARTNERS on panels for the National Endowment for the Arts Theatre Company, Magic Theatre, Center REP, and the Massachusetts Arts Council. He serves Shotgun, and others. Mr. Worsley brings to the BART as a board member of Theatre Communications company a holistic philosophy and longstanding (Production Partner) Group and Yerba Buena Center for the Arts, and passion for arts education. He believes strongly in The Bay Area Rapid Transit District (BART) is a he is a current participant in the National Arts the power of theater to educate and enrich people 104-mile, automated rapid transit system serving Strategies' Chief Executive Program. regardless of age or background and looks forward over three million people. Forty-four BART stations to building upon the great success of the Artistic are located in Alameda, Contra Costa, San SUSIE FALK Learning programs. Francisco, and San Mateo counties, and serve to (Managing Director) truly connect the Bay Area. BART’s mission is to Ms. Falk came to Cal PHILIPPA KELLY provide a safe, reliable, economical, and energy- Shakes as marketing (Resident Dramaturg) efficient means of transportation. director in 2004, Dr. Kelly’s work has been supported by many With gas prices climbing ever higher and and was appointed foundations and organizations, including the everyone looking to green their commute, BART managing director in Fulbright, Rockefeller, and Walter and Eliza Hall expects a lot more people will be looking to BART, 2009, overseeing the Foundations. She publishes widely, from books as riders get the equivalent of 250 miles to the company’s administration on Shakespeare (her latest being The King and gallon. Don’t forget that you can BART to Bard— and operations. She I, Arden Press, 2010, a meditation on Australian Cal Shakes offers a free BART shuttle from the previously worked at Berkeley Rep, American identity through the lens of King Lear), to papers Orinda BART station. BART... and you’re there! Conservatory Theater, Seattle Rep, and Berkshire on dramaturgy and topics of cultural engagement Theatre Festival. She served for seven years on (her most recent discussion of dramaturgy can be SAN FRANCISCO MAGAZINE the board (four as vice president) of Theatre Bay found in the Cambridge Journal of Postcolonial (Production Partner) Area, the local service organization for theater Inquiry, Spring 2014). Besides her work for Cal San Francisco magazine is proud to celebrate companies and theater workers. She is a graduate Shakes, Dr. Kelly has also served as production 40 years of award-winning coverage of the Bay of Vassar College and completed course work dramaturg for the Oregon Shakespeare Festival and Area lifestyle—from food, fashion, and culture in organizational psychology at JFK University. Word for Word Theater Company. For the 2013– to politics, trends, and trendsetters. Through its She lives in Berkeley with her husband, lighting 2014 academic year she has been practicing and history, San Francisco has been honored with designer York Kennedy, and their daughter Pippa. teaching dramaturgy at the University of California, more than 50 awards for editorial and design Berkeley. She also teaches regularly for the Osher excellence. In 2010, it won the most coveted REBECCA NOVICK Lifelong Learning Institute in Berkeley. For most of award in the magazine industry, the General (Director of Artistic Engagement) the summer she can be found here at Cal Shakes, Excellence award given by the American Society Ms. Novick was the founder of Crowded Fire where she is a regular pre-show Grove Talk of Magazine Editors—and has been nominated Theater Company and served as its artistic director speaker. She is married to composer Paul Dresher again this year. This recognition substantiates San for 10 years, growing the company from an all- and mother to Cole. Francisco’s passion and commitment to publish volunteer group to one of San Francisco’s most the Bay Area’s best magazine—as well as one of respected small theaters. She has developed and PRODUCERS the nation’s best. directed new plays for many theaters in the Bay Area and elsewhere. Her directing work has been ELLEN & JOFFA DALE AFFILIATIONS recognized with a Goldie Award for outstanding (Executive Producer) local artist, among other awards. Ms. Novick has Long-time subscribers and donors, Ellen and Joffa held a number of arts management and consulting Dale live in Orinda. Ellen is serving her second positions including serving as interim arts program stint on Cal Shakes’ Board of Directors; she officer for the San Francisco Foundation, project was also on the board in 1991 when the Bruns coordinator for the Wallace Foundation Cultural Amphitheater first opened. While Ellen and Joffa This Theater operates under an agreement between Participation Initiative in the Bay Area, and thoroughly enjoy picnics and performances at the League of Resident Theatres and Actors’ Equity director of development and strategic initiatives the Bruns, the primary focus of their donations Association, the Union of Professional Actors and for Theatre Bay Area. She regularly writes and is Artistic Learning. They believe that the lives Stage Managers in the United States. The Directors speaks on issues relating to the arts sector; recent of children reached by Cal Shakes’ education and Choreographers are members of the Stage publications include contributions to 20under40, programs are enormously enriched and that these Directors and Choreographers Society, an independent national labor union. The scenic, costume, and the GIA Reader, Counting New Beans, and children are the artists and audiences of the future. lighting designers are represented by United Scenic Theatre Bay Area Magazine. Ms. Novick has a Ellen and Joffa also helped establish the Moscone Artists, Local USA-829 of the IATSE. California BA from the University of Michigan in drama and Permanent Endowment and are charter members Shakespeare Theater is an Equal Opportunity anthropology. of the Cal Shakes Legacy Circle. Employer.

CLIVE WORSLEY MAUREEN & CALVIN KNIGHT (Director of Artistic Learning) (Executive Producer) Clive Worsley assumed the reins as Director of the Maureen & Cal Knight are recent transplants to Cal Shakes Artistic Learning Department in August the Bay Area from Seattle. Cal came to join the of 2013, and has been one of Cal Shakes’ premiere team at John Muir Health, where they met former Teaching Artists since 2002. He was instrumental Cal Shakes Board Member David Goldsmith and in developing some of the first integrated arts his wife Diane. The Goldsmiths introduced the public school residency programs, and is the Knights to Cal Shakes and it was love at first play. moderator of Cal Shakes’ popular Student Maureen’s experience on the Board of the Seattle Discovery Matinee program. Clive is familiar to all Rep qualified her for a seat on the Board at Cal age groups at our popular Summer Shakespeare Shakes, where she is about to start her second Conservatories as both a Master Class Instructor term. Both Cal and Maureen believe strongly that and Director. From 2008–2013, Mr. Worsley also the arts make for vibrant, strong communities, served as Artistic Director of Town Hall Theatre in and are committed to help ensure that Cal Shakes’

encoreartsprograms.com 9 THANKS TO OUR DONORS INDIVIDUALS These contributors made gifts between August 1, 2013 and July 31, 2014. Levels of support are based on cumulative gifts to our annual fund, tax-deductible portions of gala purchases, and in-kind goods and services. Supporters noted with an asterisk (*) used matching gifts from their employers to multiply their initial contribution. Supporters noted with a diamond (◊) donated at the Benefactor level to our 2014 gala. We strive to ensure the accuracy of these listings. If we have made an error or omission, please accept our apologies and contact Renee Gholikely at 510.899.4834 or [email protected] so that we may correct our records.

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Karin & Bob Benning Kimberly & Jerry Medlin Jirayr Roubinian Sondra & Milton Schlesinger◊ Judith Butler June & Andy Monach Diana Sanson & Ben Compton in honor of Alan Schnur & Julie Landres Pamela & Christopher Cain Linda & Chris Moscone Jean Simpson

10 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG Joanne & Robert Schultz in honor of the Bay Area Ghostbusters CORPORATE, FOUNDATION, AND GOVERNMENT SUPPORT Heidi Shale & Earl Cohen James Shankland & Leslie Landau* in honor of We are grateful for the generous investment of the following foundations, the Queen’s Own David Shapiro, M.D. & Sharon Wheatley corporations, and government agencies, which support our 2014 artistic and Jeff & Gretchen Shopoff educational programs. Multiyear grants are designated with a double asterisk (**). Barbara Sklar Robert St. John & M. Melanie Searle Anne Marie & Tom Taylor PRESENTING PARTNERS $100,000 and above Meadowood Napa Valley Jeff Wagner The William and Flora Hewlett Mechanics Bank Meredith & Jeffrey Watts Foundation** Mimi & Peter Haas Fund $500-$749 The James Irvine Foundation** Moraga Rotary Anonymous (5) • Kay & David Aaker • Keren & The Dean and Margaret Lesher Morgan Stanley Robert Abra • Beth & Phil Acomb • Stephanie Foundation** Muscardini Cellars & N. Thomas Ahlberg • Ann & Russ Albano • The Andrew W. Mellon Foundation** Oakland Museum of California Jose & Carol Alonso • Mary & Leland Anderson* Meyer Sound Oliver Ranch Foundation • Barbara Aumer-Vail & Steve Vail • Susan M. Philharmonia Baroque Orchestra Avila & Stephen Gong • Elizabeth Balderston • $50,000-$99,999 Pizzaiolo Joyce & Charles Batts • Barbara & Walter Bell BART PricewaterhouseCoopers LLP • Barbara Beno & Peter Crabtree • Sara Benson Dale Family Fund Prima Ristorante • Paula Blizzard & David Brown • Nancy & Otter Cove Foundation Ramen Shop Roger Boas • Liz & Richard Bordow in honor $25,000–$49,999 Range Restaurant of Dr. Michael Cedars • Jean & John Brennan KBLX Rossmoor Rotary Foundation • Bronwyn & Kevin Brunner • Doree & Andrew The Thomas J. Long Foundation Rotary Club of Lafayette Burstein • Erin Bydalek & Patrick Bengtsson • McRoskey Mattress Rotary Club of Lamorinda Sunrise Joan Byrens • Jo Alice & Wayne Canterbury • National Endowment for the Arts: Rotary Club of Orinda Katherine & Henry Chesbrough • Matt Ching • Art Works Safeway, Inc. Marty Collins • Jane & Thomas Coulter • Chris National Endowment for the Arts: Schramsberg Vineyards & Lynn Crook • Jill & Chuck Crovitz • Theresa Shakespeare in American SFO Museum Cullen • Diana & Ralph Davisson • Maria Dichov Communities The Shotgun Players • Frank & Margaret Dietrich • Eric Dittmar & SEASON PARTNERS The Shubert Foundation Sonoma Valley Museum of Art Gayle Tupper • Corinne & Michael Doyle • Karin Sound Associates St George Spirirts Eames • Nancy & Phil Estes • Lynn & Bill Evans Swan’s Fine Books • Mary & Benedict Feinberg • Claudia Fenelon $10,000-$24,999 TWANDA Foundation & Mark Schoenrock • Scott & Joan Fife • Peter Chevron Corporation UC Berkeley Art Museum and Pacific Fisher • Kerry Francis & John Jimerson • Maribel City National Bank Film Archive & Jack Fraser* • Doris Fukawa & Marjan Pevec • Sidney E. Frank Foundation UC Berkeley Library Charla Gabert & David Frane • Gopnik & Lewinski Ann and Gordon Getty Foundation Walnut Creek Yacht Club Family • Matthew Goudeau◊ • Kathleen & David John Muir Health Waterbar Graeven • Kristi & Arthur Haigh • George Haley KCBS Westminster Kennel Club & Theresa Thomas • Harriet Hamlin & James MCJ Amelior Foundation The Whittier Trust Company in Honor of Finefrock • Sonny & Bruce Hanson • William The Gordon and Betty Moore Jonathan Moscone Hathaway • Phil Hunsucker & Kristi Helmecke • Foundation Lisa & Michael Holmes • Ben & Sarah Holzemer Peet’s Coffee & Tea TASTING PARTNERS • Ellen Brody Hughes • Leslie & George Hume • United Airlines Caravel & Outcast Wines Ken Johnson • Karin & Patrick Johnston • Leslie Coco Tutti & Murray Kalish • Martin L. Kaufman • Abby $5,000–$9,999 Crofter’s Organic Kersh • Mr. Marshall Kido • Thomas Koegel & Baker Avenue Asset Management Mt. Beautiful Anne LaFollette • Tony & Kathy Laglia • Joseph Dodge & Cox Peet’s Coffee & Tea Lee • Susan & Donald Lewis • Kate & Thomas F. East Bay Community Foundation Purity Organics Loughran • Jean & Lindsay MacDermid • Mary Lafayette Park Hotel & Spa R&B Cellars & Howard Matis • Marsha Maytum & William The Bernard Osher Foundation Upper Crust Pies Leddy • Yvonne Clinton-Mazalewski & Robert Theatre Development Fund Urbano Cellars Mazalewski • Jacquelyn McCormick & Michael Wells Fargo Foundation Wedl Wine Cellars Salkin • Will McCoy • Nion T. McEvoy • Paul & Up to $4,999 MATCHING GIFTS Ellen McKaskle • Charlie & Casey McKibben • Amber Bistro Adobe Systems, Inc. Alex Miller & Leslie Louie • D. G. Mitchell • Pia Anne Sylvain Apple Matching Gifts Program & Chris Mittlestaedt • Terri Mockler • Jennifer & Archer Norris AT&T Foundation Brian Mosel • Marilyn & David Nasatir • Joseph Aurora Theater Bank of America Navarro & Billie Jones • Rebecca Novick • Ann Berkeley Repertory Theatre Caterpillar Foundation & John Nutt • Rebecca O’Brien • Marie & Jim Britex O’Brient • Berniece & Charles Patterson • Carey Chevron Humankind Matching Gifts Cafe Rouge Program Perloff & Anthony Giles • Barbara Peterson, Ph.D. Caterpillar Foundation & Michael Cochrane • Mary C. Powelson • Pam Google Chihuly Studio Rafanelli • Joyce S. Ratner • Hillary & Jonathan John Wiley & Sons, Inc. Clif Family Winery Reinis • Roberta Richards & Robert Semar • J.P. Morgan Chase Foundation Di Rosa Art Alive Judith & William Roberts • Sean Rositano • The Gap Inc. Matching Fund Fine Arts Museums of San Francisco Alex & Tinka Ross* • Julie & Andrew Sauter • McKesson Foundation Fort Ross Vineyard & Winery Patti & Paul Sax • Joyce & Kenneth Scheidig • Sidley Austin Four Seasons Hotel San Francisco Kary Schulman • Marcus Segal • Lucille & John Visa Frances Serwa • Anne Siglin • Neil Sitzman • Eric & Wells Fargo The FruitGuys Erica Sklar • Martha & Bill Slavin • Gary Sloan Google Inc ORGANIZATIONS PROVIDING & Barbara Komas • Betsy Smith • Carrie & Helicon Collaborative DONOR-ADVISED FUNDS Jason Smith • H. Marcia Smolens • Stephanie & Incredible Adventures Bank of America Charitable Gift Fund Robert Sorenson • David Starke • Rick A. Suerth Independent Charities of America East Bay Community Foundation • Teresa & Patrick Sullivan • Tony Taccone & Judd’s Hill Fidelity Charitable Gift Fund Morgan Forsey • Ragesh Tangri & Daralyn Durie • Kaur Photography Foundation Source James Topic & Terry Powell • Dawson & Andrew Jewish Community Federation Urban • Jamie & Gerry Valle • William Van Dyk & Kiwanis Club of Moraga Valley Renaissance Charitable Foundation Margaret Sullivan • Janet & Christian von Doepp Lamborn Family Vineyards The San Francisco Foundation • Jackie Wallace • Kelvin Wate • Doug Welsh • Linden Street Brewery Schwab Charitable Fund Martha Truett & David White • Corinne & David Marine Mammal Center Whittall • Wendy & Mason Willrich • Joe Wynne Classic Catering • Linda & Warren Zittel •

encoreartsprograms.com 11 BOARD OF DIRECTORS

EXECUTIVE COMMITTEE MISSION Buddy Warner PRESIDENT Jean Simpson With Shakespeare's depth of humanity FIRST VICE PRESIDENT as our touchstone, we build character Susie Falk VICE PRESIDENT* AND MANAGING and community through authentic, DIRECTOR inclusive, and joyful theater experiences. Jonathan Moscone VICE PRESIDENT* AND ARTISTIC DIRECTOR Marshall Kido VICE PRESIDENT Alan Schnur VICE PRESIDENT Kate Stechschulte VICE PRESIDENT Ellen Dale SECRETARY Jay Yamada TREASURER

*ex-officio

DIRECTORS Jeff Bharkhda Michael Cedars Phil Chernin Mike Cleland Joshua Cohen Sonny Hanson Erin Jaeb IN MEMORY Tony Kallingal Maureen Knight The Lt. G.H. Bruns III Memorial Amphitheater is named in memory of the late Craig Moody son of George and Sue Bruns of Lafayette. Lt. George Bruns was born in Hollis, Richard Norris NY, on December 14, 1942. He came to California with his family at the age Nancy Olson of seven, and attended Pleasant Hill High School, where he played football and Linda Clark Phillips took the North Coast Championship in Greco-Roman wrestling. At the Air Force Jim Roethe Academy, he became the AAU wrestling champion. He earned a Master’s Degree John Ruskin Sharon Simpson in Mechanical Engineering from Ohio State University. George rode Brahma bulls Frank Starn and saddle broncs, and loved to ride horses through the Siesta Valley where the Amphitheater now sits. Lt. Bruns was killed in June 1967, in an automobile ADVISORY COUNCIL accident just before he was due to ship out for service in Vietnam. California Wayne Canterbury Shakespeare Theater honors the memory of Lt. George H. Bruns III. Bob Epstein Peter Fisher Allison Goldstein Jeff Green Anne Grodin Nancy Kaible Jennifer King Lesa McIntosh Tapan Munroe Susan Rainey ABOUT THE BRUNS AMPHITHEATER Carole Rathfon Peter Read Siesta Valley (the home of the Bruns Amphitheater) is one of the original land holdings of the Hugh Richmond East Bay Municipal Utility District (EBMUD). In agreeing to lease to the Theater, EBMUD seeks John Sears to serve the public with a community facility while preserving the watershed with minimal Francesca Vietor disruption to the pastoral surroundings. This land may be open to the public for performances Sarah Woodard and private events, but remains restricted private property at all other times.

PICTURED, TOP TO BOTTOM: TWELFTH NIGHT YOUTH UPRISING (PHOTO BY JAMIE BUSCHBAUM); SUMMER SHAKESPEARE CONSERVATORY STUDENTS (PHOTO BY JAY YAMADA); LADY WINDERMERE'S FAN (PHOTO BY JAY YAMADA); LT. G.H. BRUNS; THE BRUNS AMPHITHEATER (PHOTO BY JAY YAMADA). This series of eloquent, expressive photographs made by Anthony Friedkin between 1969 and 1973 chronicles gay life in Los Angeles and San Francisco at the dawn of the Gay Liberation movement. The accompanying exhibition catalogue includes essays by Julian Cox and Nayland Blake and newly commissioned poetry by Eileen Myles.

Golden Gate Park • deyoungmuseum.org

Anthony Friedkin, Jean Harlow, Drag Queen Ball, Long Beach, 1971, from the series The Gay Essay. Gelatin silver print. Fine Arts Museums of San Francisco, anonymous gift FYI IMPORTANT INFORMATION FOR OUR PATRONS CONTACT US We can also book seats, adjacent to yours, for up to three companions. Box Office: 510.548.9666 or [email protected] (Make sure to request this seating at time of purchase.) (Mon–Fri, 10am–6pm; Sat, 10am–2pm; Sun 12–4pm) Assistive Listening Devices: Available at no charge from the blanket kiosk on Mailing & Box Office Address: 701 Heinz Ave, Berkeley, CA 94710 a first-come, first-served basis. Website: calshakes.org Open-captioned Performances: Cal Shakes is proud to provide open caption- Social Media: Facebook.com/calshakes Twitter.com/calshakes ing for patrons who are deaf or hard-of-hearing during the four main stage Pinterest.com/calshakes Instagram.com/calshakestheater shows over our regular season. Open captioning utilizes an unobtrusive screen Group Sales (10+): 510.809.3290 at the front of the theater to display dialogue spoken during a performance. General: 510.548.3422 or [email protected] No special equipment is required by patrons; one can simply glance at the Program Advertising: Mike Hathaway, Encore Media Group, 800.308.2898 screen to read the text while watching the action on stage. x105 or [email protected] AMPHITHEATER ETIQUETTE Facilities Rental: 510.548.3422 x123 Be respectful: Part of Cal Shakes' mission is to inspire and cultivate diverse Costume Rental: 510.548.3422 x111 and inclusive theater experiences. We reserve the right to ask patrons to TICKETS AND SEATING leave. Ticket Exchange & Replacement: Subscribers and Flex Subscribers may ex- Arrive on time: Latecomers will be seated at an appropriate interval at the change tickets at no cost up to 24 hours in advance of the time and date of House Manager’s discretion. their scheduled performance; single ticket holders may do so for a $10 fee. Silence all electronic devices before the performance begins. If you lose or misplace your tickets, the Box Office can arrange for replace- Recording: Do not take photos of the performance. The use of any type of ments at no extra charge. camera, video or audio recorder in the amphitheater is strictly prohibited. Discounts: For information on discounted tickets for military, age 30 and Such devices may be confiscated at the House Manager’s discretion. younger, and student/senior rush, visit calshakes.org/discounts. Keep the aisles clear during the performance. 20 for $20 Policy: We’ve set aside 20 $20 tickets for each performance Observe all signage including directional signage on the grounds. It is posted this season, making it easier for more people to enjoy theater. Simply call the for your safety. Box Office between noon and 2pm the day of the show and ask to purchase Smoking is restricted to area designated: Look for the bench and ashtray “20 for $20” tickets. (Subject to availability.) on the plaza across from the café. Electronic cigarettes are allowed in the Terrace Seating: If you’re seated in our Terrace or Terrace Preferred sections, groves, plaza, and anywhere on the grounds with the exception of the Amphi- you will need to bring your own chair or rent one from us. If you choose to theater. bring your own, it must be a low-backed beach chair with a seat no more Be scentsitive: Perfumes or scented lotions may cause discomfort to other than six inches off the ground and a backrest no taller than shoulder height. patrons and may attract yellow jackets. Please keep use to a minimum. If you need to rent a chair from us, you’ll find them at the upper entrance to Picnicking: You’re welcome to enjoy food and beverages during the perfor- the Terrace for just $3. mance, but please be courteous to others. Unwrap all items before the performance begins or at intermission so as not to disturb your fellow patrons. BRUNS AMPHITHEATER 100 California Shakespeare Theater Way, Orinda, CA 94563 (not a mailing ENVIRONMENTAL STEWARDSHIP address) Recycling: Please use the labeled recycling bins to discard glass, aluminum, Hours: Box office and grounds open two hours before performance time. plastic, and paper; a portion of the proceeds from the value of our recycled Come prepared for the outdoors: Blankets are available to the right of the materials is donated to area schools. main Amphitheater entrance for a suggested $2 donation; please dress Solar: Cal Shakes is one of the largest solar-powered outdoor professional warmly for cold nights and bring sunscreen and a hat for matinees. To keep theaters in the country. The 144 260-watt panels and four 9000-watt invert- yellow jackets at bay, keep food covered whenever possible and promptly ers of our Turn Key 37.4 kilowatt DC solar electric system are designed to dispose of trash and recyclables. We’ve also found fabric softener dryer supply up to 98% of the power needs to the Bruns Amphitheater. sheets work well to repel yellow jackets. Living Roof: Like much of the Bruns Amphitheater grounds, the Sharon Take BART and our free shuttle: Cal Shakes provides free, wheelchair lift- Simpson Center’s living roof boasts native, drought-resistant plants. equipped shuttle service between the Orinda BART station and the Theater beginning 2 hours prior to and at the end of each performance. The shuttle runs approximately every 20 minutes; the final shuttle leaves the Orinda BART station approximately 20 minutes before curtain. Orinda BART pickup is in the BART parking lot to the right of the station exit; after the show, catch the shuttle on the Sue & George Bruns Plaza. EVACUATION PLAN SHARON SIMPSON CENTER AMENITIES Café by Classic Catering: Offering a wide selection of gourmet meals, wine, beer, Peet’s coffee and tea, hot cocoa, and desserts, the café opens two STAG E hours before the performance and at intermission. Catering is available for EXIT groups (10+) and special events; call 925.939.9224. Restrooms: Located to the left of the Café. (Additional restrooms are located THE SHARON SIMPSON EXIT CENTER in the Upper Grove.) EXIT First Aid: For assistance, please go to the House Management Office, P located inside to the left of the restrooms. EXIT Emergency Phone: Since we ask all patrons to silence cell phones during performances, you may leave the House Office phone number EXIT ROUTE (925.254.2395) as your contact number during a performance. PRIMARY AREA OF REFUGE MEETING PLACE FOR ALL AUDIENCE MEMBERS

ACCESSIBILITY SECONDARY AREA OF REFUGE UPPER Wheelchair Lift-equipped Shuttle: See info above, under “Take BART and GROVE FIRE HYDRANTS our free shuttle.” Wheelchair seating: Available in sections A, C, Terrace Rear, and Boxes.

14 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG 2014 COMPANY Jonathan Moscone ARTISTIC DIRECTOR Susie Falk MANAGING DIRECTOR

2014 ARTISTIC COMPANY TEACHING ARTISTS SCENERY MARKETING & COMMUNICATIONS Rotimi Agbabiaka, ACTOR Elizabeth Carter, Scott Coopwood, Colin Suemnicht, ASSISTANT TECHNICAL Janet Magleby, DIRECTOR OF MARKETING & Dede M. Ayite, SET DESIGNER Allysa Evans, Brett Jones, ZZ Moor, DIRECTOR COMMUNICATIONS Nina Ball, SET DESIGNER Dan Saski, Anna Shneiderman, Lauren Matthew Rohner, MASTER CARPENTER Marilyn Langbehn, MARKETING & PR Ajani Barrows, ACTOR Spencer, Jacinta Sutphin, Trish Tillman, Patrick Fitzgerald, CARPENTER MANAGER Beaver Bauer, COSTUME DESIGNER Marissa Wolf, Clive Worsley, Elena Keith Spencer, PUBLICATIONS MANAGER Maria Calderazzo, ASSISTANT DIRECTOR Wright, CLASSROOM RESIDENCIES SCENIC ART Callie Cullum, GRAPHIC DESIGNER/ L. Peter Callender, ACTOR Letty Samonte, SCENIC CHARGE ARTIST WEBMASTER Liam Callister, ACTOR Molly Aaronson-Gelb, Heidi Abbott, Sophia Fong, Shannon Walsh, OVERHIRE Renée Gholikely, CORPORATE PARTNER Ron Campbell, ACTOR Elizabeth Carter, Allysa Evans, Brit PAINTERS RELATIONS COORDINATOR Nancy Carlin, VOCAL/TEXT COACH Frazier, Susan-Jane Harrison, Laura James Carpenter, ACTOR Marlin, Erin Merritt, Ryan O’Donnell, ELECTRICS PATRON SERVICES Catherine Castellanos, ACTOR Carla Pantoja, Patrick Russell, Michael Del Medoff, MASTER ELECTRICIAN Pam Webster, PATRON SERVICES MANAGER Nemuna Ceesay, ACTOR Shipley, Clair Slattery, Anna Smith, Sarina Renteria, Kevin Sweetser, Ashley Molly Conway, PATRON SERVICES Dan Clegg, ACTOR Anika Solvieg, Tommy Statler, Jacinta Taylor-Frampton ASSISTANT MASTER ELECTRICIANS ASSISTANT MANAGER Shana Cooper, DIRECTOR Sutphin, Trish Tillman, Elizabeth Vega, Savannah Brandt, SEASON FOLLOWSPOT Aliya Charney, Nan Noonan, Rhoda Tristan Cunningham, ACTOR Maryssa Wanlass, Laura Wayth, Alison Hamilton Guillén, LIGHTING RUN Slanger, Sheila Yee, PATRON SERVICES ASSOCIATES David Cuthbert, LIGHTING DESIGNER Whismore, Wendy Wisely, Marissa SUPERVISOR Mike Daisey, CREATOR/PERFORMER Wolf, Elena Wright, Kat Zdan, SUMMER BOX OFFICE Adrian Danzig, ACTOR SHAKESPEARE CONSERVATORY DIRECTORS AND TEACHERS SOUND Derik Cowan, BOX OFFICE MANAGER Julie Eccles, ACTOR Brendan Aanes, Lawton Lovely, Xochitl Kelvyn Mitchell, ASSISTANT BOX OFFICE Lauren English, ACTOR Derek Fischer, Anna Smith, Jacinta Loza, MIXERS MANAGER Caitlin Evenson, ACTOR Sutphin, Trish Tillman, Elena Wright, Christopher Lossius, Charles Diego Briones, Molly Conway, Kimberlee Anthony Fusco, ACTOR CLASSES & AFTER SCHOOL PROGRAMS Trombadore, SOUND BOARD OP Hicks, Mary Cait Hogan, Calvin McRoy, Patty Gallagher, ACTOR Will McCandless, AUDIO SYSTEMS Ethan Stan, BOX OFFICE ASSOCIATES Katy Adcox, Brett Jones, SUMMER SHAKESPEARE Ponder Goddard, ACTOR CONSULTANT CONSERVATORY COORDINATORS Jean-Michele Gregory, DIRECTOR FRONT OF HOUSE COSTUMES & WARDROBE Margo Hall, ACTOR Michael Ross, HOUSE MANAGER ARTISTIC & DRAMATURGY Naomi Arnst, COSTUME DIRECTOR Marcus Henderson, ACTOR Jordan Battle, LEAD ASSISTANT HOUSE Rebecca Novick, DIRECTOR OF ARTISTIC Jessa Dunlap, RENTALS MANAGER/ Christina Hogan, ASSISTANT STAGE MANAGER ENGAGEMENT CRAFTSPERSON MANAGER Carolyn Arnold, Heidi Hayame, Mary Sonya Taylor, COMMUNITY PARTICIPATION Cheryle Honerlah, PRODUCTION ASSISTANT Cait Hogan, Calvin McRay, Adam COORDINATOR PROPERTIES Howard Johnson Jr., ACTOR Navarrete, Charles RainingBird, Belgica Denise Jolly, TRIANGLE LAB COORDINATOR Seren Helday, PROPERTIES MASTER HOUSE ASSOCIATES Laxmi Kumaran, STAGE MANAGER Rodriquez, Clea Shapiro, ARTISTIC ASSOCIATE Sarah Spero, PROPERTIES ARTISAN WELCOME Charles Lewis III, ACTOR Molly Conway, Pam Webster, Philippa Kelly, RESIDENT DRAMATURG Shaun Carroll, Manino Mendez, Kirsten CENTER COORDINATORS Sharon Lockwood, ACTOR Royston, PROPERTIES OVERHIRES TRIANGLE LAB Irene Lucio, ACTOR Jenna Nilson, K.C. O'Keefe, ARTISTIC LEARNING COORDINATORS Catherine Luedtke, ACTOR Clive Worsley, DIRECTOR OF ARTISTIC FACILITIES Dave Maier, FIGHT DIRECTOR LEARNING Manino Mendez, Brittany White, FACILITY 2014 PROFESSIONAL IMMERSION Craig Marker, ACTOR Beverly Sotelo, ARTISTIC LEARNING MANAGERS PROGRAM Gabe Maxson, LIGHTING DESIGNER PROGRAMS MANAGER Patrick Fitzgerald, Erin Gibb, Alex Higgins, DONOR ENGAGEMENT Will McCandless, SOUND DESIGNER Whitney Grace Krause, ARTISTIC MAINTENANCE TECHNICIAN Patricia McGregor, DIRECTOR LEARNING COORDINATOR Shirley Dunbar, Porscha Owens, Reva Jonathan Moscone, DIRECTOR Owens, SHUTTLE DRIVERS Parker Murphy, ACTOR DIVERSITY & INCLUSION Katherine Nowacki, COSTUME DESIGNER Carmen Morgan, DIVERSITY & INCLUSION FINANCE AND ADMINISTRATION Anna Oliver, COSTUME DESIGNER CONSULTANT Noralee Rockwell, DIRECTOR OF FINANCE Katherine O’Neill, COSTUME DESIGNER Megan Barton, Jamie Buschbaum, Derik Joyce Fleming, DIRECTOR OF HUMAN Nicholas Pelczar, ACTOR Cowan, Susie Falk, Joyce Fleming, RESOURCES Chien-Yu Peng, ASSISTANT SCENIC Marilyn Langbehn, Jonathan Moscone, Jamie Buschbaum, OPERATIONS DESIGNER Andrew Page, Clea Shapiro, Sonya MANAGER/EXECUTIVE ASSISTANT Ryan Nicole Peters, ACTOR Taylor, Tirzah Tyler, Pam Webster, Clive Marivie Koch, BUSINESS OFFICE ASSISTANT Andre Pluess, SOUND DESIGNER Worsley, TASK FORCE Paul James Prendergast, SOUND DEVELOPMENT DESIGNER PRODUCTION Megan Barton, DIRECTOR OF Elyse Price, ACTOR Tirzah Tyler, DIRECTOR OF PRODUCTION & DEVELOPMENT Zion Richardson, ACTOR FACILITIES Andrew Page, GRANTS MANAGER Jake Rodriguez, SOUND DESIGNER Jamila Cobham, ASSISTANT PRODUCTION Ian Larue, ANNUAL FUND MANAGER Travis Santell Rowland, ACTOR MANAGER Shelly Jackson, SPECIAL EVENTS MANAGER Danny Scheie, ACTOR Chris Hammer, TECHNICAL DIRECTOR Renée Gholikely, DEVELOPMENT Erika Chong Shuch, MOVEMENT DIRECTOR Naomi Arnst, COSTUME DIRECTOR COORDINATOR Annie Smart, SET DESIGNER Krista Smith, ASSISTANT LIGHTING DESIGNER STAGE MANAGEMENT Lynne Soffer, DIALECT AND TEXT COACH Christina Hogan, Deirdre Rose Holland, Stephen Strawbridge, LIGHTING DESIGNER Laxmi Kumaran, Karen Szpaller, STAGE PRODUCTION PROGRAM Daisuke Tsuji, ACTOR MANAGERS Volume 23, No. 5 Liam Vincent, ACTOR Cheryle Honerlah, Christina Larson, York Walker, ACTOR Cordelia Miller, PRODUCTION ASSISTANTS Keith Spencer, EDITOR-IN-CHIEF Drew Watkins, ACTOR Callie Cullum, ART DIRECTOR Janet Magleby, EXECUTIVE EDITOR

All listings current as of August 25, 2014. encoreartsprograms.com 15 TwelfTh NighT BY William ShakeSpeare DirecTeD BY ChriSTOpher liam mOOre

seaso N MAY 27–JUN 21 2015 Love Brings Laughter, Joy, and Tears in Shakespeare’s Romantic Comedy life is a Dream BY pedrO Calderón de la BarCa TraNslaTeD aND aDapTeD BY nilO Cruz DirecTeD BY lOreTTa GreCO JUL 8–AUG 2 A Ferociously Beautiful Adaptation of a Classic from the Spanish Golden Age The mYsTerY of irma Vep BY CharleS ludlam DirecTeD BY JOnaThan mOSCOne AUG 12–SEP 6 A Hilarious Comedy Featuring Vampires, Werewolves, and One Fabulous Mummy

KiNg lear BY William ShakeSpeare DirecTeD BY amanda dehnerT SEP 16–Oct 11 The King Returns in Shakespeare’s Tragic Masterpiece

Pictured: Danny Scheie as Dromio and Nemuna Ceesay as Adriana in Cal Shakes’ The Comedy of Errors, SubScribe by OctOber 31 and be directed by Aaron Posner; photo by Kevin Berne. autOmatically entered tO win a Titles, dates, and artists subject to change. free year Of Peet’S cOffee! call Or click: 510.548.9666 Or calShakeS.Org/SubScribe