NOMINATIONS and AWARDS in OTHER CATEGORIES for ANIMATED FEATURE FILMS [Updated Thru 88Th Awards (2/16)] [* Indicates Win] [AFF = Animated Feature Film Category]
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Walt Disney and the Power of Music James Bohn
Libri & Liberi • 2018 • 7 (1): 167–180 169 The final part of the book is the epilogue entitled “Surviving Childhoodˮ, in which the author shares her thoughts on the importance of literature in childrenʼs lives. She sees literature as an opportunity to keep memories, relate stories to pleasant times from the past, and imagine things which are unreachable or far away. For these reasons, children should be encouraged to read, which will equip them with the skills necessary to create their own associations with reading and creating their own worlds. Finally, The Courage to Imagine demonstrates how literature can influence childrenʼs thinking and help them cope with the world around them. Dealing with topics present in everyday life, such as ethnic diversity, fear, bullying, or empathy, and offering examples of child heroes who overcome their problems, this book will be engaging to teachers and students, as well as experts in the field of childrenʼs literature. Its simple message that through reading children “can escape the adult world and imagine alternativesˮ (108) should be sufficient incentive for everybody to immerse themselves in reading and to start imagining. Josipa Hotovec Walt Disney and the Power of Music James Bohn. 2017. Music in Disneyʼs Animated Features: Snow White and the Seven Dwarfs to The Jungle Book. Jackson, Mississippi: University Press of Mississippi, 294 pp. ISBN 978-1-4968-1214-8 DOI: 10.21066/carcl.libri.2018-07(01).0008 “The essence of a Disney animated feature is not drawn by pencil […]. Rather, it is written in notes”, states James Bohn in the conclusion to his 2017 book Music in Disney’s Animated Features: Snow White and the Seven Dwarfs to The Jungle Book (201). -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
A Note from the Composer
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others. -
Download Booklet
BIS-CD-1049STEREO lDD Dl Totalplaying time: 46'36 E Introduction l'28 tr O Lord My God!(How Great Thou Art) 5'15 Words & Music by Carl Bctberg.Arranged & Sequencedby Hiro lida Voeol 4rronpemcnrht Vorlon \ondcrt tr Beautyand the Beast 3'23 Worclsby Howarcl Ashman I Music by Alan Menken. Arranged & Sequencedby Jamshied Sharifi E Star Dust 1'07 Words by Michell Parish I Music by Hoag.\'Carmichael Arranged by Gil Goldstein (Dedicqted to Lili Goldstein) E IfI LovedYou 3'35 Words by Oscar Hammerstein II I Music b,t Richard Rogers Arranged by Gil Goldstein (Dedicated to Lili Goldstein) tr SilentNight 3'39 Words by Joseph Mohr I Music by Franz Gruber. Arranged by Gil Goldstein tr The Meaningof Wonder 4',59 Wordt & 14usicbt Cil Coldstein E Some Day My Prince Will Come 1r(t Words by Larr1, Morel l Music by Frank Churchill. Arranged & Sequencedby Hi'o Iida tr O Holy Night 3'36 EnglishWonls by D.S. Du'ight I Music by Adolphe Adam. Arranged and Sequencedby Jamshied Shartf @ Music of the Spheres 5'33 Words & Music br Gil Goldstetn E White Christmas 5'21 Words & Music b:" Ining Berlin. Arrqnged & Sequencedbl Hi'o lida E WhenYou Wish Upona Star 4'08 Words by NedWashingt<n I Music by Leigh Harline. Art'anged by Andy Erzin Yoshikazu Mera, counter-tenor Yoshikazu Mera, Japan's leading counter-tenor, is a winner of the highest prize at the eighth Early Music Competition (1994) and the third prize at the sixth Sogakudo JapaneseLied Com- petition (1995). He is highly acclaimedin sacredand early music field, appearingas a soloist with the Bach Collegium Japan and in opera. -
Fantasia the Famous Soundtracks of Walt Disney's Masterpieces Program
Fantasia The famous soundtracks of Walt Disney's masterpieces Sang Eun Kim soprano Luigi Giachino piano and transcriptions The Korean soprano Angela Kim with her wonderful voice and endearing presence on the stage meets the harmonies of the pianist Luigi Giachino, a great expert in film music, in a repertoire dedicated to the famous soundtracks of Walt Disney's masterpieces. The concert can be realized with the cinematographic projections made by Alba Film Festival. Since 1923 the Disney Studios have presented films that built the international history of cinema and animation, becoming immortal masterpieces as well, released from a mere function of entertainment and projected into a more “philosophical” dimension, to the point of rightfully becoming part of a worldwide popular culture. Despite the changes of time, aesthetics and lifestyles, Disney's lesson always remains current and reminds us that, despite the small and big difficulties of the life, we must continue to look forward, using the resources we have and finding solutions, never feeling lost and always listening to our emotions. The repertoire of this concert program embraces half a century of the Disney production and is a tribute to his unique style which also influenced the soundtracks. In the selected pieces, the atmospheres of poetry and dream are alternated with more playful and light-hearted moments, enhancing the versatility and great technical preparation of our artists. The concert can also be realized with the cinematic projections of the films, created by Alba Film -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Houston LGBT History
THURSDAY, MARCH 17 ST. PATRICK'S DAY GREEN SPECIAL SO¢ GREEN _ PEPPERMINT~JL~ SCHNAPPS ~.,., I~ ;07 COLORADO • AUSTIN • 474-9667 COMING THURSDAY, MARCH 24 DOO-DAH-DAZ-DA Y THE BOATHOUSE AND DIRTY SALLY'S TURN-AROUND SWITCH NIGHT TWT MARCH 11- 17. 1983 TWT MARCH 11- 17. 1983 PAGE 3 PAGE 2 ~ __ (ONTENTS~_ IT'S OUR BIRTHDAY ... Volume 8,Number 51 March 11-17, 1983 AND YOU GET THE PRESENT!!! INFORMATION ENTERTAINMENT FEATURES In celebration of our 4th anniversary in HOUSTON and our 3rd in DALLAS 11 TWT NEWS 29 BOOKS HILL COUNTRY IT COULD HAPPEN 49 HIGHLIGHT DON BAKER'S ENDORSEMENTS .. TO YOU ... COMMUNITY REVIEWED BY JOIN NOW AND GET $100 OFF!!! 57 HOT TEA PRODUCTIONS DAVID FIELDS At the :fITNESS EXCHANGE we've just DOUBLED OUR :fREE WEIGHTS ANNIVERSARY MONTH ... and added two abdominal machines to our DOUBLE LINES O:f 91 CALENDAR 35 MOVIES 64 PHOTO NAUTILUS EQUIPMENT. 93 AUSTIN MAP LIANNA ESSAY 95 THE GUIDE REVIEWED BY Available also are Suntana, jacuzzi, sauna, juices, great music and more. ART TOMASZEWSKI & COVER 38 SHOWBIZ BOBBY RAYE WE'RE NOT GETTING OLDER, WE'RE GETTING BETTERI DEPARTMENTS PHOTOS BY JUMPING THE GUN JIM HAMILTON 21 COMMENT BY JACK VARSI PUBLIC FORUM 41 OSCAR CONTEST 25 PERSPECTIVE WIN $100! "HOUSTON STYLE" IS DUMB! BY GEORGE BARNHART 44 ENTERTAINMENT 63 SPORTS VOLLEYBALL DAY ... -TEXAS HOUSTON FESTIVAL, BY CHERYL CHAMBERLAIN THE STRAND ... 70 STARSCOPE BY ROB CLARK NEW MOON 77 CLASSIFIED ~ HOURS: MON-FRI 6AM-lOPM SAT IOAM-8PM SUN NOON-6PM Memberships reciprocal between Dallas and Houston. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Tom Hanks: a Tribute November 8-14 the Roy and Niuta Titus Theaters Screening Schedule
Tom Hanks: A Tribute November 8-14 The Roy and Niuta Titus Theaters Screening Schedule Toy Story. 1995. USA. Directed by John Lasseter. Screenplay by Joss Whedon, Andrew Stanton, Joel Cohen, Alec Sokolow. Woody (voiced by Tom Hanks) is the toy that Andy plays with the most, but when he gets a Buzz Lightyear action figure for his birthday, Andy’s favorite becomes intensely jealous of the clueless spaceman. In the first completely computer-animated feature film, Lasseter and company created two utterly believable, computer-generated worlds—one real, one toy—in a timeless story of friendship and loyalty. 81 min. Tuesday, November 8, 4:30 p.m. T1 Saturday, November 12, 1:30 p.m. T2 Big. 1988. USA. Directed by Penny Marshall. With Tom Hanks, Elizabeth Perkins, Robert Loggia. Hanks proved his range—and nabbed his first Academy Award nomination—with the role of Josh Baskin, a 12- year-old whose wish to be a grown-up is granted by a haunted carnival game. As the “adult” Josh, Hanks mixes physical humor with genuine glimpses of the vulnerability of adolescence. The biggest success of Hanks’s career to that point, the film also made Penny Marshall the first woman director to surpass $100 million at the box office. Tuesday, November 8, 8:00 p.m. T1 Sunday, November 13, 2:30 p.m. T2 The ’Burbs. 1989. USA. Directed by Joe Dante. With Tom Hanks, Carrie Fisher, Bruce Dern, Corey Feldman. Unlike fellow suburban fantasist Steven Spielberg, Joe Dante added satirical bite and Looney Tunes slapstick to tales of the uncanny in the American cul-de-sac—most notably in 1984’s monsters- on-Main-Street classic Gremlins.