DOCSLIB.ORG

Houston LGBT History

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Houston LGBT History THURSDAY, MARCH 17 ST. PATRICK'S DAY GREEN SPECIAL SO¢ GREEN _ PEPPERMINT~JL~ SCHNAPPS ~.,., I~ ;07 COLORADO • AUSTIN • 474-9667 COMING THURSDAY, MARCH 24 DOO-DAH-DAZ-DA Y THE BOATHOUSE AND DIRTY SALLY'S TURN-AROUND SWITCH NIGHT TWT MARCH 11- 17. 1983 TWT MARCH 11- 17. 1983 PAGE 3 PAGE 2 ~ __ (ONTENTS~_ IT'S OUR BIRTHDAY ... Volume 8,Number 51 March 11-17, 1983 AND YOU GET THE PRESENT!!! INFORMATION ENTERTAINMENT FEATURES In celebration of our 4th anniversary in HOUSTON and our 3rd in DALLAS 11 TWT NEWS 29 BOOKS HILL COUNTRY IT COULD HAPPEN 49 HIGHLIGHT DON BAKER'S ENDORSEMENTS .. TO YOU ... COMMUNITY REVIEWED BY JOIN NOW AND GET $100 OFF!!! 57 HOT TEA PRODUCTIONS DAVID FIELDS At the :fITNESS EXCHANGE we've just DOUBLED OUR :fREE WEIGHTS ANNIVERSARY MONTH ... and added two abdominal machines to our DOUBLE LINES O:f 91 CALENDAR 35 MOVIES 64 PHOTO NAUTILUS EQUIPMENT. 93 AUSTIN MAP LIANNA ESSAY 95 THE GUIDE REVIEWED BY Available also are Suntana, jacuzzi, sauna, juices, great music and more. ART TOMASZEWSKI & COVER 38 SHOWBIZ BOBBY RAYE WE'RE NOT GETTING OLDER, WE'RE GETTING BETTERI DEPARTMENTS PHOTOS BY JUMPING THE GUN JIM HAMILTON 21 COMMENT BY JACK VARSI PUBLIC FORUM 41 OSCAR CONTEST 25 PERSPECTIVE WIN $100! "HOUSTON STYLE" IS DUMB! BY GEORGE BARNHART 44 ENTERTAINMENT 63 SPORTS VOLLEYBALL DAY ... -TEXAS HOUSTON FESTIVAL, BY CHERYL CHAMBERLAIN THE STRAND ... 70 STARSCOPE BY ROB CLARK NEW MOON 77 CLASSIFIED ~ HOURS: MON-FRI 6AM-lOPM SAT IOAM-8PM SUN NOON-6PM Memberships reciprocal between Dallas and Houston. TWT (This Week in Texas) is published weekly by Asylum Enterprises, Inc., at 2205 Montrose, Houston, Texas 77006; phone: (713) 527-9111. Opinions expressed by columnists are not necessarily those of TWT or of its staff. Publication of the name or photo- graph of any person or organization in articles or advertising in TWT is not to be construed as any indication of the sexual orienta- DALLAS HOUSTON tion of said person or organization. Subscription rates: $55 per year; $35 per half-year. Rates cover cost of first-class postage. Back issues available at $2 each. Payment must accompany all orders. First-class postage paid at Houston, Texas. Copyright © 2615 Oaklawn rf!J)fITr1ie51S 3307 Richmond Ave. 1983 by Montrose Ventures, Incorporated. All rights reserved. Partial or complete reproduction of any advertisement, news, arti- Suite 101 Houston cle or feature, copy or photograph from TWT is specifically prohibited by federal statute Dallas, TX 75219 \\@)XCIH~ Texas 77098 214/526-1220 713/524-9932 TWT MARCH 11 . 17. 1983 PAGE 7 NAUTILUS FOR MEN .....••... From New York the first theatre company ever to tour the All performances in all United States whose repertoire is exclusively gay. The plays cities start promptly at 8:00 include Doric Wilson's ''A Perfect Relationship", Jane Cham- P.M. Tickets are available ber's "My Blue Heaven" and Sidney Morris' "If This Isn't from $8.00, $10.00 and Love." This will be a chance to see some of the country's $12.00. most exciting new gay performers in the field of theater. Don't miss this opportunity to experience the gay arts in Texas now' For tickets and reservations: A Perfect Relationship Houston Phone (713) 680-3346 By Doric Wilson Or write: Community "-a scintillating, near perfect, oh-so-New- York 'domestic' Productions comedy; the kind of one-set, five character, laugh-every-third- C/O Citizens for line package of which commercial classics are made." Human Equality Gaysweek PO Box 3045 Houston, Texas Houston March 13 Cullen Aud. Univ. of Houston 77253 Dallas March 17, 20 Hall of State Aud. Fair Park Also available at Union Austin March 27 Capital City Playhouse Jack. (\~\~\~ San Antonio March 30 Bonham Exchange Ballroom Dallas ~e~9~ If This Isn't L.ove (214) 521-2037 Or write: Community By Sidney Morris Productions GO "If This Isn't Love demonstrated the need for gay theater. I 3331 Knight Suite D urge you to see it." Dallas, Texas New York Native 75219 Houston March 11, 15 Cullen Aud. Univ. of Houston Also available at Union Dallas March 18, 24 Hall of State Aud. Fair Park Jack. & Crossroads Mkt. Austin March 29 Capital City Playhouse Bonham Exchange Ballroom San Antonio March 28 Austin (512) 472·2966 Or write: Community My Blue Heaven Productions By Jane Chambers CIO Jay Cherin 708 B South First "It is a source of sheer enchantment to actors and audiences Street alike, and is a deserving cultural expression that should make Austin, Texas one proud to be gay." 78704 OUT Houston March 12. 16 Cullen Aud. Univ. of Houston San Antonio Dallas March 19,25 Hall of State Aud. Fair Park (512) 271·3811 on tour Austin March 28 Capital City Playhouse (512) 532·5986 San Antonio March 29 Bonham Exchange Ballroom Or write: Community Productions in texas CIO Claire Vinck Co-sponsored by Citizen for Human Equality and 131 Edge Street San Antonio. PRODUCTIONS Lesbian/Gay Resources Services, University of Texas 78223 presenting three Houston gay plays Co-sponsored by San Antonio Gay Alliance PAGE 8 TWT MARCH 11- 17,1983 TWT MARCH 11• 17. 1983 PAGE 9 HORMONE IMBALANCE \UI1 MAY CAUSE AIDS WASHINGTON, DC - At long last, a _NEWS- THIS WEEK IN TEXAS breakthrough may have been discover- trose Counseling Center, 900 Lovett HOME OFFICE ed revealing what causes AIDS. The Blvd., Suite 203 on Mondays, 6:30- 2205 Montrose discovery of a biological hormone im- 8:00pm. For more information, call Houston, Texas 77006 balance associated with the disease 529·0037 after 1:OOpmweekdays. (713) 527-9111 was revealed last Monday by research- DAllAS OFFICE ers at the Biochemistry Department at 3409 oak lawn, Suite 206 George Washington University School BIG FORT WORTH Dallas, Texas 75219 (214) 521-0622 of Medicine in the nation's capitol. CIRCUS BENEFIT Research has shown that AIDS vie- P\J6LISHER/EOITORChuck Patrick FORT WORTH - A large canvas tims have an elevated level of a partic- FEATURESEDITOR Blose DIStefano tent erected on the Lumber Company TEXAS ENTERTAINMENT EDITOR Rob Clor~ ular thymus gland hormone called thy- parking lot this weekend will turn this NATIONAL SHOWS/4 EDITOR Jock Varsi mosin alpha-I, Allan Goldstein, chair of NEWS EDITOR Chuck Patrick three-ring circus into a post Mardi Gras the department, told Associated Press. SPORTS EDITOR Cheryl Chamberlain madness fundraiser. Food, drinks, The discovery could lead to a simple ASSISTANT TO THE EDITORS Dennis Walker games, booths, prizes, t-shirts and fun POETRY EDITOR Art: Tomaszewski test that would reveal its presence CONTRIBUTING EDITORS quickly and prevent its spread through will be the bill of fare, Jim Boone. soscn C<;>lIins.Harry Deutsch. Jimmie Spaulding, of the soon-to- DovlO Fields. Weldon Grahame. Christopher Hart. blood transfusions. ,fOul Herrero, Hollie I-IpIflster. Harold Hoya, Measuring the level of thymosin open Snake Pit in Dallas, will be the George Klein. Dean MQIOne. Joseph Michael. guest disc jockey this Saturday night, Lindo Parks, W.J. Quigley alpha-t in blood is a simple, straiqht- March 12.The carnival resumes Sunday ART DIRECTOR Steven Douglas Fritz forward procedure that could be done ASSISTANT ART DIRECTOR Mitch Bartlow ,.,.------- routinely at hospitals. at noon. QWHIC ARTISTS Thorn Bisping, Fronk White, Local organizations participating in- Mardi Coleman, Fred Hinton. Cherokee. Som "If there is an early warning sign for TYPOGRAPHERS WJ. Quigley, leslie Holmes 3BeXES clude the Agape MCC, Tarrant County . OF AIDS, it would enable patients to seek STAfF PHOTOGRAPHERS Ell Gukich, early treatment," -Goldstein explained. Gay Alliance (TCGA), Lambda, the SCott tovor, Greg HavIcOI\ AI Macareno, WHIP·ITS Center for the Community, the Court of Jim HamlHon, J. Robert Awya, Tom Dovis, ON SALE The discovery also provides a hint CQrl Nell Oscar Mendiola. Blose Distefano $14.95 that the disease is biological. If AIDS the Golden Unicorn and the Emperor ACCOUNTING Doug Felix Council, TWT NEWS was told. turns out to be caused by a hormonal RECEPTIONIST TraO&y Springer All of Fort Worth has come together imbalance, then it correlates to 1981 under the big top because there is SALES Kinsey research which concluded that EXECUTIVE SALES MANAGER strength through unity. Jim Veteto "homosexuality may arise from a bio- Advertising rates are available on request logical precursor," TWT NEWS recalled, by telephoning the salesperson in your HOUSTON SELECTS nearest City. from 10am-5pm. weekdays. MONTROSE SUPPORT DEADLINE FOR All ADS: GAY PRIDE THEME Friday. one week prior to publication. GROUP FOR AIDS HOUSTON - "Unity Through Diver- AUSTIN HOUSTON - A support group for sity" will be this city's 1983 Gay Pride Scott Taylor. (512) 926-0253 theme, as selected at the March 6 DALLAS persons diagnosed with AIDS is sched- Richard Rogers. (214) 521-0622 uled to meet at the Montrose Counsel- meeting at Kindred Spirits. A record FORT WORTH ing Center. "The purpose of the group turnout of over 200 people received Jerry Cassidy. (817)335-0742 membership cards to become certified HOUSTON is to provide a mutually supportive net- Jim Veteto. (713) 527-9111 work for persons with this syndrome," voters, TWT NEWS reported. SAN ANTONIO Gary G. Treese, director of the center, Prior to the final vote, Gary Grant's Alan Gellman. (512) 492-6894 explained to TWT NEWS. Topics dis- theme, "Free To Be," was leading in CLASSIFIED DIRECTORS votes. But after considerable debate, Houston-Cheryl Chamberlain cussed will range from the latest infor- Houston Assistant-Leslie Holmes mation on the treatment and prevention "Unity Through Diversity" was voted Dallas-Chuck North of AIDS, to personal relationship the overwhelming favorite. This year's ASYLUM ENTERPRISES, INC.
Load more

Recommended publications
  • Reorer-Muusiko-Kin 10
    ISSN 0703 6S3S reorer-muusiko-kin1 0 ENSV Kultuuri­ ministeeriumi, ENSV Rikliku Kinokomitee, ENSV Heliloojate Eesti Kinoliidu ja ENSV Teatriühingu ajakiri 1965 IV aastakäik Esikaanel: stseen M. Undi lavastusest «Vai­ mude tund Jannseni tänaval» (Pärnu Draama­ teater L. Koidula Majamuuseumis, 1984). Aino Kallas — Siina Oksküla, Lydia Koidula — Helle Kuningas. V. Menduneni foto. Tagakaanel: Dokumentaalfilm «Mälu» (režis- söör A. Sööt). Fragment maalingust Muhu kiriku koori põhjaseinalt (seko, XIII sajand). V. Raami foto 1983. Toimetuse kolleegium \ГЯ AVO HIRVESOO JÜRI JÄRV1EI REIN KAREMÄE KARIN KASK KALJU KOMISSAROV LEIDA LAIUS ARNE MIKK VALTER OIAKÄÄR TIIU RANDVIIR ENN REKKOR ^•r LEPO SUMERA EINO TAMBERG AHTO VESMES JAAK VILLER ЯЁ»/.'- PEATO METAJA KULDAR RAUDNASK TOIMETUS: TaJIlinn, Narva mnt. 5 postiaadress 200090, postkast 51. Peatoimetaja asetäitja Vallo Raun, tel. 66 61 62 Vastutav sekretär Helju Tüksammel, tel. 44 54 68 Teatriosakond Reet Neima r ja Margot Visnap, tel. 44 54 68 Muusikaosakond Mare Põldmäe ja Madis Kolk, tel. 44 31 09 Filmiosakond Jaan Ruus ja Jaak Lõhmus, tel. 44 31 09 Keeletoimetaja Kulla Sisask, tel. 44 54 68 Fotokorrespondent Alar Ilo* tel. 42 2.5 51 KUJUNDLS: MAI EINER © KIRJASTUS PERIOODIKA • TEATER • MUUSIKA • KINO • TALLINN 1985 SISUKORD TEATER Konstantin Rudnitski KRIITIKU LIHTSAD TÕED 27 Maimu Berg PISARAD VAATAJA SILMIS ... 54 Lilian Vellerana . MUIE VAATAJA SUUNURGAS (Kaks muljet lavastusest «Vaimude tund Jannseni tänaval») 59 Ene Paaver IDENTIFITSEERUMISVÖIME, INIMESE IMELINE ANNE (Draamadebüüt 1984)
    [Show full text]
  • Premiererne Eastmancolor(?)
    Muo, Ma San. Udi: Panorama. Prem: 15.3.76 World Cinema. Karatevold. DERSU UZALA Dersu Uzala. USSR/Japan 1975. P-selskab: Sovex- port/Mosfilm. Instr: Akira Kurosawa. Manus: Akira Kurosawa, Yuri Nagibin. Efter: rejseskildring af Vladimir Arsenjev (1872-1930), da. overs. 1946: »Jægeren fra den sibiriske urskov«. Foto: Asakadru Nakat, Yuri Gantman, Fjodor Dobrovravov. Farve: Premiererne Eastmancolor(?). Medv: Maxim Munzuk (Dersu Uzala), Yuri Nagibin (Arsenjev). Længde: 137 min. 3840 m. Censur: Rød. Udi: Posthusteatret. Prem: 1.1.-31.3.76/ved Claus Hesselberg 15.3.76 Alexandra. Tilkendt en Oscar som bedste udenlandske film. Anm. Kos. 130. DET FRÆKKE ER OGSÅ GODT Quirk. USA. Farve: Eastmancolor(?). Længde: 75 min. 2000 m. Censur: Hvid. Fb.u.16. Udi: Dansk- Anvendte forkortelser: Svensk. Prem: 23.2.76 Carlton. Porno. Adapt: = Adaption Komp: = Komponist DIAMANTKUPPET Ark: = Filmarkitekt Kost: = Kostumer Diamonds. USA/lsrael 1975. P-selskab: AmeriEuro Arr: = Musikarrangør Medv: = Medvirkende skuespillere Productions. P: Menahem Golan. Ex-P: Harry N. As-P: = Associate Producer P: Producere Blum. As-P: Yoram Globus. P-leder: Arik Dichner. Instr: Instr-ass: = P-leder: = Produktionsleder Menahem Golan. Zion Chen, Ass: Assistent Shmuel Firstenberg, Roger Richman. Manus: David Dekor: = Scenedekorationer Prem: = Dansk premiere Paulsen, Menahem Golan, Ken Globus. Efter: for­ Dir: = Dirigent P-selskab: = Produktionsselskab tælling af Menahem Golan. Foto: Adam Greenberg. Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Farve: Eastmancolor. Klip: Dov Hoenig. Ark: Kuli Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) Sander. Dekor: Alfred Gershoni. Sp-E: Hanz Kram­ Foto: = Cheffotograf Rekvis: = Rekvisitør sky. Musik: Roy Budd. Sang: »Diamonds« af Roy Budd, Jack Fishman. Solister: The Three Degrees.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Homage to Piero Tosi (Costume Designer)
    The Scenographer presents Homage to Piero Tosi (costume designer) When I arrive at the Gino Carlo Sensani costume department accompanied by a student of the National School of Cinema, it does not in the least surprise me that Tosi receives me whilst keeping his back to me, intent on making some adjustment to a student’s problematic sketch. He pronounces a rapid greeting then lets pass a perfect lapse of time, neither too extended nor too brief, before turning to face me. Thoroughbred of the stage and screen, director of himself and in part an incorrigible actor, with an acknowledged debt to Norma Desmond and to those who still know how to descend a staircase with an outstretched arm on the banister, prompting those in attendance to take off their hat. I have known Pierino for many years, less in person, more through the words and the verbal accounts of Fellini, which almost never coincided with those of Tosi, yet traced a portrait with indelible colours. There is also a vague suggestion of witchcraft, from the moment in which the man ceased to change, neither from within nor from without. No sign of ageing, of the passing of time, preserved in a bubble of glass. Immutable, this is how Pierino Tosi appears to me, though he has no need of these compliments, neither does he fish for them, with always a foot placed on that shadowy line beyond which it is so easy to vanish, to fade away. Our mutual long-term acquaintance with Fellini draws us inevitably back to that climate.
    [Show full text]
  • THE LEOPARD/IL GATTOPARDO (1963) Original 205Min, UK 195, US 165, Restored ?
    6 December 2005, XI:15 LUCHINO VISCONTI (Count Don Lucino Visconti di Modrone, 2 November 1906, Milan—17 March 1976, Rome) wrote or co-wrote and directed all or part of 19 other films, the best known of which are L’Innocente 1976, Morte a Venezia/Death in Venice 1971, La Caduta degli dei/The Damned 1969, Lo Straniero/The Stranger 1967, Rocco e i suoi fratelli/Rocco and His Brothers 1960, Le Notti bianche/White Nights 1957, and Ossessione 1942. SUSO CECCHI D'AMICO (Giovanna Cecchi, 21 July 1914, Rome) daughter of screenwriter Emilio Cecchi, wrote or co-wrote nearly 90 films, the first of which was the classic Roma citt libera/Rome, Open City 1946. Some of the others: Panni sporchi/Dirty Linen 1999, Il Male oscuro/Obscure Illness 1990, L’Innocente 1976, Brother Sun, Sister Moon 1973, Lo Straniero/The Stranger 1967, Spara forte, pi forte, non capisco/Shoot Louder, I Don’t Understand 1966, I Soliti ignoti/Big Deal on Madonna Street 1958, Le Notti bianche/White Nights 1957, and Ladri di biciclette/The Bicycle Thieves 1948. PASQUALE FESTA CAMPANILE (28 July 1927, Melfi, Basilicata, Italy—25 February 1986, Rome) directed 45 films which we mention here primarily because the American and British release titles are so cockamamie, i.e., How to Lose a Wife and Find a Lover 1978, Sex Machine 1975, When Women Played Ding Dong 1971, When Women Lost Their Tails 1971, When Women Had Tails 1970, Where Are You Going All Naked? 1969, The Chastity Belt/On My Way to the Crusades, I Met a Girl Who...1969, and Drop Dead My Love 1966.
    [Show full text]
  • Cas Awards April 17, 2021
    PRESENTS THE 57TH ANNUAL CAS AWARDS APRIL 17, 2021 SCHEDULE OF EVENTS PRE-SHOW MESSAGES PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Non-Theatrical Motion Pictures or Limited Series PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary PRESIDENT’S REMARKS Karol Urban CAS MPSE Year in Review, In Memoriam INSTALLATION OF NEW BOARD OF DIRECTORS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – Half-Hour PRESENTATION OF THE CINEMA AUDIO SOCIETY Student Recognition Award PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Production PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Post-Production CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Non-Fiction, Variety, Music, Series or Specials PRESENTATION OF CAS FILMMAKER AWARD TO GEORGE CLOONEY PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Animated CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – One Hour PRESENTATION OF CAS CAREER ACHIEVEMENT AWARD TO WILLIAM B. KAPLAN CAS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Live Action AFTER-AWARDS VIRTUAL NETWORKING RECEPTION THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 1 THANK YOU TO OUR SPONSORS DIAMOND SPONSORS PLATINUM SPONSORS STUDENT RECOGNITION AWARD SPONSORS GOLD SPONSORS GROUP SILVER SPONSORS THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 3 PRESIDENT’S LETTER Welcome to the 57th CAS Awards! It has been over a year since last we came together to celebrate our sound mixing community and we are so very happy to see you all.
    [Show full text]
  • 10700990.Pdf
    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
    [Show full text]
  • Anthony Mendleson (Costume Designer) 2/1915 – 10/1996 by Admin — Last Modified Jul 27, 2008 02:38 PM
    Anthony Mendleson (costume designer) 2/1915 – 10/1996 by admin — last modified Jul 27, 2008 02:38 PM BIOGRAPHY: Initially a painter and designer for the stage, Anthony Mendleson joined the staff of Ealing Studios as costume designer and wardrobe supervisor in 1947. He remained at Ealing until the studio closed, designing for most of the studio’s classics including Kind Hearts and Coronets (1949) and The Man in the White Suit (1951). During the 1960s and ‘70s he worked at Pinewood, on a wide variety of films, including The Yellow Rolls Royce (1964), and Oh! What a Lovely War (1969), for which he was awarded a BAFTA. SUMMARY: In this interview he talks in detail to Linda Wood about his work at Ealing, the working atmosphere of the studio, and the specific demands of designing for black and white and for Technicolor. He discusses the role of the costume designer and wardrobe supervisor – the demands of working for realist as well as flamboyant productions - and the relationship between the studio designer and the couturier who might costume a leading actress. There is some material on the difference between Ealing and Pinewood, and Mendleson recalls many of the directors and actors who he has worked with, including Richard Attenborough, Rex Harrison, Ingrid Bergman, and Alexander Korda. The interview is a particularly successful mix of anecdotes and technical information on the work of the costume designer, containing some fascinating insights. BECTU History Project - Interview No. 280 [Copyright BECTU] Transcription Date: 2002-05-02 Interview Date: 1993-04-28 Interviewer: Linda Wood Interviewee: Anthony Mendleson Tape 1, Side 1 Linda Wood : Anthony Mendleson, Side One, Tape One.
    [Show full text]
  • Alternate Americas: Science Fiction Film and American Culture
    Alternate Americas: Science Fiction Film and American Culture M. Keith Booker PRAEGER Alternate Americas Science Fiction Film and American Culture F M. Keith Booker Library of Congress Cataloging-in-Publication Data Booker, M. Keith. Alternate Americas : science fiction film and American culture / M. Keith Booker. p. cm. Includes bibliographical references and index. ISBN 0–275–98395–1 (alk. paper) 1. Science fiction films—United States—History and criticism. I. Title. PN1995.9.S26B56 2006 791.43'615—dc22 2005032303 British Library Cataloguing in Publication Data is available. Copyright # 2006 by M. Keith Booker All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005032303 ISBN: 0–275–98395–1 First published in 2006 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 For Benjamin Booker Contents Introduction 1 1 F The Day the Earth Stood Still 27 2 F Forbidden Planet 43 3 F Invasion of the Body Snatchers 59 4 F 2001: A Space Odyssey 75 5 F Planet of the Apes 91 6 F Star Wars 109 7 F Close Encounters of the Third Kind 125 8 F Alien 141 9 F E.T. the Extra-Terrestrial 157 10 F Blade Runner 171 11 F The Terminator 187 12 F Robocop 203 13 F The Abyss 219 viii u Contents 14 F Independence Day 233 15 F The Matrix 247 Conclusion: Science Fiction Film and American Culture 265 Index 269 Photo essay follows chapter 7.
    [Show full text]
  • Desenho E Cinema
    Faculdade de Belas Artes da Universidade do Porto Mestrado em Desenho e Técnicas de Impressão Dissertação de: Elisa Almeida Trindade Orientado por: Doutora Cristina Mateus 2013 Desenho e Cinema Agradecimentos: À minha orientadora Doutora Cristina Mateus, à minha família, aos meus amigos e a todos que tornaram possível este trabalho. Índice Resumo/Abstract 9 3.1. Storyboards 93 Introdução: Breve enquadramento histórico. 3.2. Cenários 99 Projeto e método 11 O gabinete do Dr. Caligari 103 Capítulo 1 Metropolis 104 Realizadores desenhadores 17 A Casa Encantada 106 George Méliès 19 Ken Adam 107 Alfred Hitchcock 21 Fritz Lang 25 3.2.1. Desenhos técnicos e Sergei Eisenstein 28 desenhos concetuais 109 Akira Kurosawa 31 Orson Welles 36 3.2.2. Desenhos de Artefactos 115 Saul Bass 37 Federico Fellini 41 3.3. Desenho de Guarda-roupa 119 Satyajit Ray 45 Collen Atwood 122 Roman Polanski 47 Ngila Dickson 124 Ridley Scott 49 Sandy Powell 125 Martin Scorsese 52 Jacqueline Durran 127 Peter Greenaway 55 Eiko Ishiola 128 Tim Burton 56 3.3.1. Outros Figurinos 129 1.1. Storyboards e outros realizadores 59 F.W. Murnau 61 Jonh Huston 62 3.3.2. Desenhos de outros personagens 133 Terry Gillian 63 Jane Campion 65 Capítulo 4 Told Haynes 66 Outros processos 137 Capítulo 2 Carlos Saura 139 O desenho como parte integrante do filme 67 Pedro Costa 141 Voyage dans la Lune 69 Peter Greenaway 142 A invenção de Hugo 70 Sang d’un poète 71 Capítulo 5 O contrato do desenhador 72 Do Cinema ao Desenho 143 A walk through H 72 Gustav Deutsch 145 O sol do marmeleiro 74 William Kentridge 147 American Splendor 74 Quentin Tarantino 148 Quem tramou Roger Rabbit? 75 Kill Bill 75 Harry Potter e os Talismãs da Morte 76 Detachment 76 Reflexões finais 149 Tabu 77 Argo 78 Bibliografia 153 Culpados por suspeita 80 Capítulo 3 Índice de imagens 158 Função do desenhador de produção e do diretor artístico 81 Henry Bumstead 85 Dante Ferretti 87 Stuart Craig 90 7 8 Resumo: Esta dissertação dá uma pequena contribuição para a análise da utilidade do desenho na arte do cinema, em algumas das suas vertentes.
    [Show full text]
  • CED Digest, Vol. 7
    ************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures.
    [Show full text]
  • THTR 363 Syl-Fall
    THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design.
    [Show full text]