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Back! Education Through the Arts 2016-2017 Arts for Youth School
Welcome Back! The Lancaster Performing Arts Center offers School Shows and Workshops to integrate the arts into your curriculum and lesson plans. We have something for every school and student. Imagine what an arts- inspired lesson plan will do for your classroom! Our Arts for Youth program serves every grade level and is aligned with Common Core State Standards (CCSS). The program not only teaches about the arts but also uses music, theatre and dance as a dynamic tool for teaching all core subjects, including math, science, history and literature. LPAC's performances and workshops, complete with lesson plans and study guides, provide an enjoyable, high quality, curriculum-based learning experience for all students. Study guides for School Shows and Artists in Schools program are available on the website - lpac.org. Assistance with funding for student transportation and tickets may be available. Please contact the LPAC Box Office at (661) 723-5950 for more information. Education Through the Arts ● 2016-2017 Arts for Youth School Shows Shanghai Nights The Incredible Speediness of Thursday, September 29, 2016 Jamie Cavanaugh 9:15 a.m. and 11 a.m. Wednesday, November 16, 2016 Grades K-12 9:15 a.m. and 11 a.m. Direct from the People’s Republic of Grades 4-8 China, the world famous Shanghai Ten year old Jamie Cavanaugh is a Acrobats debut their all new spectacular production of Shanghai trouble magnet, is always going too fast…and school goes way Nights. This troupe has thrilled audiences with their precise, high too slow for her. While the adults begin to suspect she has ADHD, flying feats of daring, strength, balance and martial arts for more Jamie knows the truth. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
La Marche Des Morts
1 La marche des morts Au commencement, il y avait un livre. Au commence- ment, il y a toujours un livre. Le comic book The Walking Dead paraît pour la première fois en 2003. D’abord pressenti pour être une bande dessinée de science-fiction sur fond d’invasion zombie et portant le joli nom de Dead Planet, le projet est revu et corrigé à maintes reprises. L’aspect SF est remisé au placard, et le cadre de l’histoire nous plonge dans une époque contemporaine, à ceci près qu’une épidémie galopante a transformé une très grande partie de l’humanité en zombies. Très vite, l’œuvre en noir et blanc remporte un énorme succès. Pensez donc, le premier numéro de la BD sorti en 2003 à seulement 7300 exemplaires est aujourd’hui vendu à plus de 10 000 euros. Les chiffres de vente donnent le vertige. Le numéro 100, édité avec 10 couvertures diffé- rentes, s’est vendu à près de 400 000 exemplaires rien qu’aux États-Unis. En France aussi, le phénomène TWD affole les compteurs. Tous les spécialistes le confirment : c’est le grand hit comics des 15 dernières années. Bien que 7 THE WALKING DEAD DÉCRYPTÉ TWD ne soit arrivé dans l’Hexagone qu’en 2007, chaque tome est aujourd’hui édité à plus de 100 000 exemplaires. Plus de 2 millions d’albums ont été écoulés en moins de 10 ans, et la licence représente près de la moitié des ventes de comics dans notre pays. Rien qu’en 2013, le numéro 1 a été acquis par plus de 50 000 curieux. -
"You Remind Me of the Babe with the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth
First Class: A Journal of First-Year Composition Volume 2015 Article 7 Spring 2015 "You Remind Me of the Babe With the Power": How Jim Henson Redefined the orP trayal of Young Girls in Fanastial Movies in His Film, Labyrinth Casey Reiland Follow this and additional works at: https://dsc.duq.edu/first-class Recommended Citation Reiland, C. (2015). "You Remind Me of the Babe With the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth. First Class: A Journal of First-Year Composition, 2015 (1). Retrieved from https://dsc.duq.edu/ first-class/vol2015/iss1/7 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in First Class: A Journal of First-Year Composition by an authorized editor of Duquesne Scholarship Collection. “YOU REMIND ME OF THE BABE WITH THE POWER”: HOW JIM HENSON REDEFINED THE PORTRAYAL OF YOUNG GIRLS IN FANTASTICAL MOVIES IN HIS FILM, LABYRINTH By Casey Reiland, McAnulty College of Liberal Arts Instructor: Dr. Jessica McCort When I was fourteen, I was very surprised when one day my mom picked me up from school and plopped a DVD of David Bowie in tights posing with a Muppet into my hands. “Remember this?!” She asked excitedly. I stared quizzically at the cover and noticed it was titled, Labyrinth. For a moment I was confused as to why my mother would bother buying me some strange, fantasy movie from the eighties, but suddenly, it clicked. I had grown up watching this film; in fact I had been so obsessed with it that every time we went to our local movie rental store I would beg my mom to rent it for a couple of nights. -
50% Off List Copy
! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Houston LGBT History
THURSDAY, MARCH 17 ST. PATRICK'S DAY GREEN SPECIAL SO¢ GREEN _ PEPPERMINT~JL~ SCHNAPPS ~.,., I~ ;07 COLORADO • AUSTIN • 474-9667 COMING THURSDAY, MARCH 24 DOO-DAH-DAZ-DA Y THE BOATHOUSE AND DIRTY SALLY'S TURN-AROUND SWITCH NIGHT TWT MARCH 11- 17. 1983 TWT MARCH 11- 17. 1983 PAGE 3 PAGE 2 ~ __ (ONTENTS~_ IT'S OUR BIRTHDAY ... Volume 8,Number 51 March 11-17, 1983 AND YOU GET THE PRESENT!!! INFORMATION ENTERTAINMENT FEATURES In celebration of our 4th anniversary in HOUSTON and our 3rd in DALLAS 11 TWT NEWS 29 BOOKS HILL COUNTRY IT COULD HAPPEN 49 HIGHLIGHT DON BAKER'S ENDORSEMENTS .. TO YOU ... COMMUNITY REVIEWED BY JOIN NOW AND GET $100 OFF!!! 57 HOT TEA PRODUCTIONS DAVID FIELDS At the :fITNESS EXCHANGE we've just DOUBLED OUR :fREE WEIGHTS ANNIVERSARY MONTH ... and added two abdominal machines to our DOUBLE LINES O:f 91 CALENDAR 35 MOVIES 64 PHOTO NAUTILUS EQUIPMENT. 93 AUSTIN MAP LIANNA ESSAY 95 THE GUIDE REVIEWED BY Available also are Suntana, jacuzzi, sauna, juices, great music and more. ART TOMASZEWSKI & COVER 38 SHOWBIZ BOBBY RAYE WE'RE NOT GETTING OLDER, WE'RE GETTING BETTERI DEPARTMENTS PHOTOS BY JUMPING THE GUN JIM HAMILTON 21 COMMENT BY JACK VARSI PUBLIC FORUM 41 OSCAR CONTEST 25 PERSPECTIVE WIN $100! "HOUSTON STYLE" IS DUMB! BY GEORGE BARNHART 44 ENTERTAINMENT 63 SPORTS VOLLEYBALL DAY ... -TEXAS HOUSTON FESTIVAL, BY CHERYL CHAMBERLAIN THE STRAND ... 70 STARSCOPE BY ROB CLARK NEW MOON 77 CLASSIFIED ~ HOURS: MON-FRI 6AM-lOPM SAT IOAM-8PM SUN NOON-6PM Memberships reciprocal between Dallas and Houston. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Cannes Booklet
“I will take The Ring,” he said, “though i do not know the way.” --J.R.R. Tolkien,THE LORD OF THE RINGS INTRODUCTION TO THE LORD OF THE RINGS ማ4 ሞ TAKING ON TOLKIEN:PETER JACKSON BRINGS THE FANTASY TO LIFE ማ6 ሞ MANY CULTURES OF THE RING:THE CAST AND CHARACTERS ማ9 ሞ IMAGINING MIDDLE–EARTH:THE DESIGN ማ14 ሞ WETA GETS TO WORK ማ17 ሞ MIDDLE–EARTH DOWN UNDER:NEW ZEALAND ማ19 ሞ FROM HOBBITS TO ELVES:THE COSTUMES AND MAKE-UP ማ21 ሞ BREAKING DIGITAL GROUND:SPECIAL EFFECTS ማ23 ሞ INTO THE RING’S EVIL:STUNTS AND ACTION ማ24 ሞ THE CAST OF CHARACTERS ማ25 ሞ THE FILMMAKERS ማ29 ሞ One ring to rule them all. One ring to find them. One ring to bring them all And in the darkness bind them. For decades, four decades the words above have for cinema technology to I NTRODUCTION ignited imaginations and shaped reach the necessary level of the dreams of more then 100 million sophistication to bring them to life. readers around the globe. They were Such a vast project would require no first read in 1954, when J.R.R. Tolkien’s less than a visionary to mastermind it. The Fellowship of the Ring, the first volume in That visionary is Peter Jackson, who has his towering three-part epic, The Lord of the embarked upon an unprecedented feat to make Rings, was published. ¶ Tolkien’s work was to have three motion pictures simultaneously in order to a profound effect on generations of readers, defining capture Tolkien’s soaring epic in its entirety. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art. -
1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form.