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July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
“A Whole New World” by Zayn Malik and Zhavia Ward
PROJECT (Professional Journal of English Education) p–ISSN 2614-6320 Volume 3, No. 4, July 2020 e–ISSN 2614-6258 AN ANALYSIS OF FIGURATIVE LANGUAGE USED IN THE LYRIC OF “A WHOLE NEW WORLD” BY ZAYN MALIK AND ZHAVIA WARD Siti Nursolihat 1, Evie Kareviati2 1 IKIP Siliwangi 2 IKIP Siliwangi 1 [email protected], 2 [email protected] Abstract Language is a tool of communication used by people anywhere and every time. Now days people commonly find a figurative language in daily life, for example in a lyric of song. Figurative language is a way to express an idea in implicit way. This research is trying to analyze the figurative languages which exist in the lyric of song “A Whole New World” and trying to find out its meaning by analyzing its contextual meaning. This is a descriptive qualitative research. The data instrument is the song lyric which taken from Genius website. The result showed that this song consist of some figurative languages, such as alliteration, simile, personification, metaphor, and hyperbole. Furthermore, the most figurative language used in the lyric is metaphor. It is highly relatable with the imaginative theme of the song itself. The contextual meaning of each figurative language is also explained based on the situation of the lyric. Keywords: Figurative Language, Song Lyric, Contextual Meaning INTRODUCTION Language is a tool of communication used by the people, orally or writing. Basic aim of language learning nowdays is communication and vocabulary plays an important role in conversation (Komorowska, 2005) as cited in Nurdiansyah, Asyid, & Parmawati (2019). -
Bono, the Culture Wars, and a Profane Decision: the FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity
Bono, the Culture Wars, and a Profane Decision: The FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity Clay Calvert* INTRODUCTION The United States Supreme Court has rendered numerous high- profile opinions in the past thirty-five years regarding variations of the word "fuck." Paul Robert Cohen's anti-draft jacket,' Gregory Hess's threatening promise, 23George Carlin's satirical monologue,3 and Barbara Susan Papish's newspaper headline 4 quickly come to mind. 5 These now-aging opinions address important First Amendment issues of free speech, such as protection of political dissent,6 that continue to carry importance today. It is, however, a March 2004 ruling * Associate Professor of Communications & Law and Co-director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. with Great Distinction and Order of the Coif, 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. 1. Cohen v. California, 403 U.S. 15 (1971) (protecting, as freedom of expression, the right to wear ajacket emblazoned with the words "Fuck the Draft" in a Los Angeles courthouse corridor). 2. Hess v. Indiana, 414 U.S. 105, 105 (1973) (protecting, as freedom of expression, defendant's statement, "We'll take the fucking street later (or again)," made during an anti-war demonstration on a university campus). 3. FCC v. Pacifica Found., 438 U.S. 726 (1978) (upholding the Federal Communications Commission's power to regulate indecent radio broadcasts and involving the radio play of several offensive words, including, but not limited to, "fuck" and "motherfucker"). -
Garrett Stack's American Jukebox Originating on WMNR Fine Arts Radio
Playlist* Originating on WMNR Fine Arts Radio Garrett Stack’s American Jukebox [email protected] Show #: 197 Broadcast Date: February 21, 2015 Time: 16:00 - 18:00 # Selections: 31 * Playlist is in order by song title, not in order of play. Classic Pop from the ‘50s, ‘60s and Beyond American Jukebox Theme Song Credit: What Did You Do With Your Old 45’s, Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989, by Pam A. Hanna/George Pickard. Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 2:46 Marvin Hamlisch/Howard Liebliing California Nights Lesley Gore The Golden Hits Of Lesley Gore Mercury 1967 16 CD Golden Hits RKF Gore 0:16 18 1987 8/11/12 2/21/15 CDF-19 4:20 G Moroder/K Forsey&I Cara Flashdance - What A Feeling Irene Cara Casablanca Story - Pop Single Purchases Casablanca 1980 1 Edited down to 4:20 from original 7:14 RKV 0:19 10 2/21/15 1971-present V.4 2:12 S Gordon Hey Now Lesley Gore The Golden Hits Of Lesley Gore Mercury 1964 76 RKF Gore 0:07 11 1987 2/21/15 2:54 Jimmy Van Heusen/Sammy Cahn High Hopes Frank Sinatra Capitol Collector’s Series: Frank SInatra Capitol 1959 30 LP set Sinatra (Capitol)/CD GrHts CDM-33A PRKM Sinatra 19 1989 2/21/15 4:22 Stevie Wonder I Just Called To Say I Love You Stevie Wonder The Definitive Collection Motown 1984 1 Born Stevland Morris 5/13/1950 in Saginaw, Michigan. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
U2 Go One on One with Fans for In-Depth Q&A Session As Part Of
U2 Go One on One with Fans for In-Depth Q&A Session as Part of SiriusXM's Town Hall Series Bono, The Edge, Adam Clayton and Larry Mullen, Jr. sit down with a live audience at the SiriusXM studios in New York City NEW YORK, Aug. 3, 2015 /PRNewswire/ -- SiriusXM announced today that one of the most significant rock bands of all time, U2, sat down for an intimate Q&A session with a select group of listeners for the SiriusXM "Town Hall" series at the SiriusXM studios in New York City. Bono, The Edge, Adam Clayton and Larry Mullen, Jr. answered questions from SiriusXM listeners about their celebrated career, everything from the very early days of the band when bassist Adam Clayton was their manager and The Edge's mother was the first U2 roadie, to the future of music streaming and distribution to their most recent album Songs of Innocence and their current tour "iNNOCENCE + eXPERIENCE Tour 2015." "On a night off during their 8-night, sold-out residency at Madison Square Garden, one of the world's biggest bands came to SiriusXM and delivered to our listeners and some very lucky subscribers a once-in-a-lifetime chance to be just inches away from their music heroes and ask them questions. And, at the end, as a surprise, the band invited the SiriusXM Town Hall guests to attend their sold-out show at MSG on July 30—it was truly a memorable and special event—sure to make for an outstanding broadcast," said Scott Greenstein, President and Chief Content Officer, SiriusXM. -
MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. -
SONG ACTIVITY – Beautiful Day by U2
SONG ACTIVITY – Beautiful Day by U2 Name: Group: Date: / / 1. Work in small groups. Read the definition for the word “resilient”. Discuss the questions. resilient /rɪˈzɪliənt/ adj 1 able to become strong, healthy or successful again after something bad happens. 2 able to return to an original shape after being pulled, stretched, pressed, bent, etc. Adapted from: https://www.merriam-webster.com/dictionary/resilient a. Can you think of a situation in your life when you or a person you know were resilient? Talk about it. b. What can teenagers do to develop resilience? c. What do you usually do when you are having a difficult day? 2. Work with a partner. You are going to listen to the song Beautiful Day, by U2. The words in the cloud are in the lyrics of the song. How do you associate them with a beautiful day? Discuss your ideas and take notes in the lines below. ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ 3. Now listen to the song. Were the words in Activity 2 associated to the idea of a beautiful day in the way you imagined? SONG ACTIVITY – Beautiful Day by U2 4. Listen to the song again. Check (✓) the alternative that best explains the lines in italics, in the context of the song. a. The heart is a bloom / Shoots up through the stony ground. [ ] Love is resilient and can overcome all difficulties. [ ] Love is blind to all problems and difficulties. b. The traffic is stuck / And you’re not moving anywhere. [ ] Traffic jams can ruin even the most beautiful day. -
Ampico Popular NEW MIDI and E-Roll Files Composer
Total files = 536 Ampico Popular NEW MIDI and e-roll files AA = Ampico A, AB = Ampico B Composer (Writer) order Roll issue Title Writer(s) Composer details Pianist time midi file name No. date Stephen Adams (Michael Holy City, The Adams Brockway as Kmita 56824 1919 4:52 Holy City, Brockway AA Maybrick) Crazy Words - Crazy Tune Ager Milton Ager (1893-1979) Grofe 208611 05 1927 2:48 Crazy Words, Crazy Tune, Grofe AA I Wonder What's Become of Sally? Ager Fairchild 205191 09 1924 4:28 I Wonder What's Become of Sally AA I'll Get By Ahlert Fred E. Ahlert (1892-1953) Rainger 211171 02 1929 2:42 I'll Get By, Rainger AB I'll Tell The World Ahlert Wright & Johnston 211541 05 1929 3:14 I'll Tell The World (Ahlert) AB Marianne "Marianne" Ahlert Rainger 212191 12 1929 2:44 Marianne, Rainger AB Love Me (Deja) waltz Aivaz Morse-T. Aivaz (only item) Shipman 212241 12 1929 3:20 Love Me (Aivaz), Carroll AB Am I Blue? from "On With The Show" Akst Harry Akst (1894-1963) Arden & Carroll 212031 10 1929 3:37 Am I Blue AB Away Down South Akst Clair 203051 11 1922 2:37 Away Down South (Akst), Clair AA If I'd Only Believed In You Akst Lane 208383 02 1927 5:14 If I'd Only Believed In You AA In My Bouquet Of Memories Akst Arden 210233 07 1928 4:58 In My Bouquet of Memories AB Nobody Loves You Like I Do Akst Lopez (asst) 205531 01 1925 2:38 Nobody Loves You (Akst), Lopez AA Shanghai Dream Man Akst Grofe 208621 05 1927 3:48 Shanghai Dream Man, Grofe AA Gotta Feelin' For You "Hollywood Revue" Alter Carroll 212351 01 1930 2:49 Gotta Feelin' For You, Carroll AB Hugs and -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
The Moon in the Mango Tree Pamela Binnings Ewen
The Moon in the Mango Tree Pamela Binnings Ewen 1 To Barbara Jeanne Perkins Binnings and June Perkins Anderson Z Z Z And in memory of Muriel Carol Austgen 3 Perhaps her faults and follies, the unhappiness she had suffered, were not entirely vain if she could follow the path that she now dimly discerned before her . the path that led to peace. W. Somerset Maugham The Painted Veil 4 Prologue At the mouth of the Menam—the Chao Phraya River—fireflies covering mangrove bushes at the edge of the water sparkled in strange unison through the dusk, creating beacons of light that were seen for miles. The river flows to the Gulf of Siam from Bangkok. It is the key that unlocks the mysteries of Siam to weary travelers arriving by sea. As Harvey and I peered from the deck of the Empress of Asia, we saw each bush glimmer with light from the fireflies then quickly disappear into the gloaming—on and off together as if they were one, light, then dark. Siam, as I knew it then, has disappeared as the light of those fireflies. Today it is known as Thailand, the land of the free people. It smolders beneath the white-hot glare of the sun, just a few degrees south of the Tropic of Cancer. When we arrived at the end of the year 1919, Siam was laughter, music, color. Many years later I fled the country and the rage of darkness that howled within me. This is our story, my child—Harvey’s and mine.