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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band
Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
The Many Faces of “Dinah”: a Prewar American Popular Song and the Lineage of Its Recordings in the U.S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE The Many Faces of “Dinah” The Many Faces of “Dinah”: A Prewar American Popular Song and the Lineage of its Recordings in the U.S. and Japan Edgar W. Pope 「ダイナ」の多面性 ──戦前アメリカと日本における一つの流行歌とそのレコード── エドガー・W・ポープ 要 約 1925年にニューヨークで作曲された「ダイナ」は、1920・30年代のアメリ カと日本両国におけるもっとも人気のあるポピュラーソングの一つになり、 数多くのアメリカ人と日本人の演奏家によって録音された。本稿では、1935 年までに両国で録音されたこの曲のレコードのなかで、最も人気があり流 行したもののいくつかを選択して分析し比較する。さらにアメリカの演奏家 たちによって生み出された「ダイナ」の演奏習慣を表示する。そして日本人 の演奏家たちが、自分たちの想像力を通してこの曲の新しい理解を重ねる中 で、レコードを通して日本に伝わった演奏習慣をどのように応用していった かを考察する。 1. Introduction “Dinah,” published in 1925, was one of the leading hit songs to emerge from New York City’s “Tin Pan Alley” music industry during the interwar period, and was recorded in the U.S. by numerous singers and dance bands during the late 1920s and 1930s. It was also one of the most popular songs of the 1930s in Japan, where Japanese composers, arrangers, lyricists and performers, inspired in part by U.S. records, developed and recorded their own versions. In this paper I examine and compare a selection of the American and Japanese recordings of this song with the aim of tracing lines ─ 155 ─ 愛知県立大学外国語学部紀要第43号(言語・文学編) of influence, focusing on the aural evidence of the recordings themselves in relation to their recording and release dates. The analysis will show how American recordings of the song, which resulted from complex interactions of African American and European American artists and musical styles, established certain loose conventions of performance practices that were conveyed to Japan and to Japanese artists. It will then show how these Japanese artists made flexible use of American precedents, while also drawing influences from other Japanese recordings and adding their own individual creative ideas. -
Albuquerque Morning Journal, 05-27-1918 Journal Publishing Company
University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 5-27-1918 Albuquerque Morning Journal, 05-27-1918 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 05-27-1918." (1918). https://digitalrepository.unm.edu/ abq_mj_news/274 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. CITY CITY EDITION AliBUQUI MORNING JOURNAL EDITION U Dally by Carrier or Mail. 70c a Mouth lHIKTY-NiNT- YKAK. New Mexico, 1918. 50 OU ilAIlI, No. 57. Albuquerque, Monday, May 27, Single (tnptcn, American Aviators Who Fir3t Made CONGRESS SHUNS TEUTONS KEEP UP AMERICAN L GENERAL PAY The Germans Acquainted With Their Daring Nl RESPONSIBILITY In DRIVE PLANS AND MEN L AUDED KL1 FO L REVENUE TAX BILL ALLIES PREPARE SAVING CREW OF RAILROAD GRANTED BEFORE ELECTION TO MEET THRUST BURNING VESSEL IN Members Frankly Desirous Another Week Has Passed jtoiies of Heroic Daring En- -I DIRECTOR GENERAL M'ADOO IN in Are That Action on Measure Be Without the Germans Be- -' acted French Waters Told in of Rear Ad- -j Delayed Until After They ginning New Offensive in RepQit ANNOUNCING DECISION UPHOLDS Have Assured Seats, Flanders and -
ROBERT B. SHERMAN OBITUARY 12/19/1925 - 3/5/2012 | Visit Guest Book LONDON (AP) - Robert B
8/4/2020 Robert Sherman Obituary | Robert Sherman Funeral | Legacy.com OBITUARIES | FUNERAL HOMES | NEWSPAPERS | SEND FLOWERS Search - ADVERTISEMENT - Legacy Home Memorial Sites 2012 Broadway Robert Sherman Featured Memorial | Robert Sherman ROBERT B. SHERMAN OBITUARY 12/19/1925 - 3/5/2012 | Visit Guest Book LONDON (AP) - Robert B. Sherman, one half of the prolific, award-winning pair of brothers who penned instantly memorable songs for "Mary Poppins," ''The Jungle Book" and "Chitty Chitty Bang Bang" - as well as the most-played tune on Earth, "It's a Small World (After All)" - has died. He was 86. Sherman's agent, Stella Richards, said Tuesday that Sherman died peacefully in London on Monday. Robert B. Sherman (AP Sherman, together with his brother Richard, won two Academy Photo,File) Awards for Walt Disney's 1964 smash "Mary Poppins" - best score and best song, "Chim Chim Cher-ee." They also picked up a Grammy for best movie or TV score. Their hundreds of credits as joint lyricist and composer also include the films "Winnie the Pooh," ''The Slipper and the Rose," ''Snoopy Come Home," ''Charlotte's Web" and "The Magic of Lassie." Their Broadway musicals included 1974's "Over Here!" and stagings of "Mary Poppins" and "Chitty Chitty Bang Bang" in the mid-2000s. Son Jeffrey Sherman wrote on Facebook that his father "wanted to bring happiness to the world and, unquestionably, he succeeded." "His love and his prayers, his philosophy and his poetry will live on forever," his son wrote. "Forever his songs and his genius will bring hope, joy and love to this small, small world. -
Sheet Music Collection
McLean County Museum of History Sheet Music Collection Inventoried by Sharon Tallon, Museum Library volunteer German translation by Eleanor Mede April 2012 Collection Information VOLUME OF COLLECTION: Three Boxes COLLECTION DATES: 1870 – 1968 PROVENANCE: None RESTRICTIONS: Collection has several brittle documents. Before making photocopies of items please obtain permission from librarian or archivist. REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History. ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives Scope Note This collection includes approximately 750 individual pieces of sheet music, booklets and books copyrighted from 1870 through 1968. A few are encapsulated and may appear in displays in the People or Politics room on the Museum’s first floor. Sheet music also is sometimes featured in temporary, but long-running, displays. People who lived in (or once lived in) McLean County donated most, if not all, of the individual sheets, booklets and books of music that represent the 90 years of music listed in this collection. The first section (Box 1, Folders 1 through 6) is devoted to music that has a direct connection to McLean County. Other sections in Box 1 include music with Chicago connections as well as other places in Illinois, a few other states and Canada, as well as cultural and subject-related music. Dance and instrumental music (with or without vocal) make up the bulk of Box 2 along with a listing and some sheet music by Irving Berlin and Walt Disney. Five folders (10, 11, 15, 16, and 17) are devoted to German instrumental music. -
ASCAP Has Been There... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers
UNFORGETTABLE SONGS Continued from page A -16 SUMMERTIME George Gershwin, Ira Gershwin, DuBose Heyward THANKS FOR THE MEMORY Ralph Rainger, Leo Robin WHAT A DIFF'RENCE A DAY MADE Stanley Adams, Maria Grever AC-CENT-TCHU-ATE THE POSITIVE Harold Arlen, Johnny Mercer BLUEBERRY HILL 11 Lewis, Vincent Rose, Larry Stock BLUES IN THE NIGHT Harold Arlen, Johnny Mercer HOW ARE THINGS IN GLOCCA MORRA E.Y. Harburg, Burton Lane HOW HIGH THE MOON Nancy Hamilton, Morgan Lewis LAURA Johnny Mercer, David Raksin MONA LISA Since I9I4, Ray Evans, Jay Livingston RUDOLF THE RED -NOSED REINDEER Johnny Marks SAN ANTONIO ROSE Bob Wills ASCAP has been there... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers Not for just an hour, Not for just a day, Not for just a year, but always. Nat King Cole STRAIGHTEN UP AND FLY RIGHT Nat King Cole, Irving Mills SWINGING ON A STAR Johnny Burke, James Van Heusen TENDERLY Walter Gross, Jack Lawrence THE TROLLEY SONG Ralph Blane, Hugh Martin THERE'S NO BUSINESS LIKE SHOW BUSINESS Irving Berlin WHITE CHRISTMAS Irving Berlin WHEN YOU WISH UPON A STAR Leigh Harline, Ned Washington TM YOU MAKE ME FEEL SO YOUNG Irving Berlin Music Company® Mack Gordon, Josef Myrow YOU'LL NEVER WALK ALONE Oscar Hammerstein II, Richard Rodgers ZIP -A -DEE DOO -DAH WÎLLIAMSON MUSIC Ray Gilbert, Allie Wrubel A EpDGERS AND HAMMERSTEIN COMPANY ALL THE WAY Sammy Cahn, James Van Heusen AROUND THE WORLD Harold Adamson, Victor Young, Stella Unger Continued on page A -20 A-18 BILLBOARD SALUTE BILLBOARD FEBRUARY 13, 1999 www.americanradiohistory.com.