No. 31. Mason, Mich., Thursday, August 3,1876

Total Page:16

File Type:pdf, Size:1020Kb

No. 31. Mason, Mich., Thursday, August 3,1876 The Ingham County Ifews. The Ingham County If ei rUllLIttUEU WEKKLY, AT AOVBRTtSIIMg RATES. Mason, Ingham County, MIoh. apAoa. 11 w.jl3 w.i8 w.f< wJ8m.lBm,i 1 llnoh...,||10(mt Ti!ii¥rt.—OiHiyear, $1.50; nixmoiilliK, "Seta.; a Inohea.l 1 50| a 001 a fldi 8^QUI e siacaii tbruu muiiUin,'lOcln.iulwayH liinilvaiicu. 8 incnei.i a on a ooi 8 toiTwi 8 ootia'uoi l\ rnHTAiiBtn nnbncrlliofB living outeldo of the i incbei.iuuui^uisoutauiiia00fi8DMi county IS ctH. jiur your, . ?ff^itr..i.i».Ti:ri:i.-:i.'i.'ii:i.'rTiTiFT.Trr^nriTi.'i ^^coinmpi 7 Pop 9 oouo fio|ia ooi ao OOIBO OOI' ^ JOB PBINTINGt Keolnmniij wi|i2 OOHSia^ts wjas^OOtM 0011 1 eolMmnllft UUIIB oom 00(85 WH 40 ooieooop BnalnesB Cards |l per line per year, , aloityprlooiiT Olveuaatrlal, Addt'CBsall lottcrBto •Sl?.^ft'i£'"ni'.S^'""'5«1?«'>t Insertion. I . i nwff.iSS.^'^?.'.'"' •""* Death notices frj ir. F. OOBNEI.Ii, VOL. XVIII.-NO. 31. MASON, MICH., THURSDAY, AUGUST 3,1876. WHOLE NO. 917. Obituary notloes wva cents per line. X VAHON MioiiinAN. nuaok,awlndUng, or gift enterprise odvi tlaementB of any kind will be Inserteil, 1 OinoiriiA.TION 1,320 COPIK8. The First Regiment of State troops are en­ MiJsioAL CO'NVBNTION,—This enterprise BCrDBLIClni COHMEgglOMI. CONTGH- 2. Designation of place for holding the Alonzo Wright, of White Oak, ought to DUiolaUon RMlM. camped at Jackson this week. "Sid.'I'Cul- which Is now In session at tho Baptist church TfOiT, next congressional convention^ have his name changed. He is the wrongett 3, Nomination of candidate for congress The Arm of Ohopen & Putnam liereby sll in this place, to close with a (irand conceirtof Large and DelcrmlMd Delegallona—IIo- kind of a man. lie recently bought a tbreab- ver, of this city, his gone to join contpany 4, Miscellaneous businesa. notice tbat they have this day dissolvJ TOWN AND COUNTY, precedonlcd Ballallng—Bark 8. Brevcr A, from Ann Arbor, of whfch he Is s mem­ vocal and instrumental music on Monday, Aug. fi. Adjournment, ing machine of Henry Gordon, of Dausville, partnorslilp In tbo grocery business, by ml Elected on llie RInety-Sevenih Ballot 14,187C, seems to bo one of tho most successful by representing that he waa possessed of a tual consent. B.L,Chapen will collect J ber, TJie boys expect a glorious time, —Qnlcl IlarmoaW and <(niet Orlti On motion the report was accepted. acoountN and pay nil indebtedness of so] Iln warm nsalu; efforts of the kind ever attempted lo the The new wheat la' much dryer this year That part of the report referring to perma' greedy share of this world's goods, in fact, firm. All accounts must be settled within ( county. The course of instruction is happily Never before in the history of congression- that a camel could get through a needle's And fearfully dry, too. than Is usually the case, Last year It was nent organiitatlon was adopted, on motion, days, either by cash or note. chosen and .just adapted to ttie wants of all tal conventions in this State has there been eye much easier than he could reach a cer­ Bnalness In gotting livelier. not mised in the elevator with the old, until and after considerable discusalon, the re. H. rvOH-APiji*; classes of musical people, Besides the ordi­ displayed the quiet pertinacity on the part of *.P»rwA».. Why don't tlio llttlo rain drops come] mainder of the report was adopted after tain desirable locality, on account of the op­ tho first of September. This year tho mix­ delegates, in adhering to their first choicei Clinpen's, July 24,1876. nary work of such occasions, one hour of striking out the 2d order of business. ulence which held him back. Mr. Clordon Tlio IlnynH snil Wliocler club niiinliors 100 ing will take place AN early as the tenth of that was made manifest in the convention m\ each evening will be devoted to the study of Senator Curry thanked tho committee for subsequently found that two camels could Lost. mcmlior.s, August, held in this city yesterday for the nomination the higher classes of muslci, the honor they had conferred upon him in make the difllcult paaaage much easier than On Monday niornlng,apalrorgold-bowed Second Ltcutcuatit L, A. Holden was elect­ 'of a republican candl(|late for congress from Lon, Dunn wan in town- the fore part of Mr. Pixley Is too well' known to require giving him the position of permanent chair­ be could collect bis money of Wright, Ho pebbled Solomon's ispeotaolea, sofflewherl ed Captain of the.'light nuards, last Friday the sixth congressional district. Every man found that the affluent thresher was mticb within the olty of Mason, The finder will bl llie week. any comment here, having been before the man of the convention. He regretted that liberally rewarded by leaving them at thil evening, vice Alohiio Che'ency, resigned,— had his first choice with an emphasis, and he richer In debts than in anything else, and at Hynlt, nflor lii.i vacation, Is at work for people for moro than twenty years, Mr, they had not made a worthier choice, but be office. Mas, A, WitaBV, f Chas. Perry waa Uicn elected '2d Lieutenant quietly set about votlof for him with the full once arrested blm for obtaining goods under Blakesleo Is from Oberlin, and that Is a siifil- would endeavor to discharge bis duties with Now Is tlie time to buy boots and sliocj Tonnor again. to fill tho place! made vacant, by Iloldcn's clent guaranty that be can d« what comes in purpose of never yielding an atom from his Impartiality, The counties had come to­ false pretenses. He was captured by sberlfT' cheap ore. a.,HnDtlngton. N. A. Dunning lilii bauglit 10,87C pounds promotion, bis way. Ills experience is large in this position. But there was not thesllghtesl ill- gether to put in nomination a candidate who Neely, and lodged in Jail Monday night, On — • • I — ofwoiil thin season. The beat is the Cheapest. N, A, Dunning raises fi ninety fool pole to­ woik,' Mrs, B, Is a graddale of the Cincin­ feeling ongenilerod; ererything passed off would wrest from the democrats their power Tuesday he appeared before justice Ham­ I have a stock of the best farming imploJ ''Bijnii" accomponios tlio Detroit I<ig1it night, not for political purposes, but to pro­ amoothly and harmoniously, Tho balloting mond, and finally effected a settlement by nati Musical school, and is one of the finest in the house of representatives. They must ments.and machines In the market, Pleisif Qunrd to Pliiladolpliia. claim on a lofty banner the fact that the pianists who has ever visltnl this State. A was done with porfeot fairness and when it lay aside personal differences and nominate a inducing bis step-father to toke the reiponsi- notice iny list on another page. All partleJ ' A. D. Rose lias our tlinnk.H for n basket of Produce store is (Ift grocery, and to place good time Is In store for tilt concert goers. was over every one fdt well satisfied. /oad man. By doing this they will be sure bllity of paying for the machine. There are wbo purchased Kent Corn planters of moj last season, will be entitled to another disk] iitiuaually lino eating apples. his name high ab'bve that.of.every other gro­ Remember it Is Aug. 14th.'' Pursuant to notice the convention was to win. He said he was a Oenesse man and several complications ond aggravating cir­ (no. l)by callingat my store. cer in tho county, ; ' called to order at 12 M. August 2d, by and that one word as their only good cumstances connected with the case which Our city mills have ground about 400 Qood four foot wood taken in ezehango foi| Henry P. Lord, chairman of the congression­ talker had gone to lltah, and there was may yet cause Mr, Wright to make an invol­ bualiols of new wlioitt already. The Mutuals of JacUson Have been moat This is the way Henry Obapen worked it, goods. oil J. A. BABxas. al committee. no one left In the county who would make a untary and protracted visit to Jackson, Why don't Tilden and the doubting Thom­ wofully "squelched" by the Aetna and Cass lie owns a building at Ohapen's Crossing, Mr. Lord procoedod'.to make some expla­ speech, it would he useless for blm to take G. W.'Polar clubs, of Detroit, within; the past few days. which has formerly been used as a store, and as agree upon a letter 6f acceptance 1 nation of the course of the committee in ap­ up the time of the convention any farther. Makes to order a Stoga Kip Boot for S-LGi At a match game played with the Aotnas, during his absence, last Thursday, a bill­ The receipts and discharges at the State A tip-top Calf Boot (eastern) 3,( A.T. Ingalla has sold "Sir Charles" to pointing tho meeting of the convention at His remarks were received with much laugh­ on Monday, tho score stood 0 to 1 In favor poster connected with Uowe's circus came prison, Jackson, for the month of July are 008 Mr. .Sanford of Jackson County for $1,000. Mason, as certain delegates had found it in­ ter and applause. of the Detroit club, . over from Eaton Rapids and decorated it as follows: » » » Qcorgo James is putting up a lino barn for convenient of access.
Recommended publications
  • Asian Textiles and the Grammar of Ornament: Design in the Victorian Age, November 16, 2007-August 3, 2008
    Asian Textiles and the Grammar of Ornament: Design in the Victorian Age, November 16, 2007-August 3, 2008 This exhibition mines the Museum’s permanent collection of Asian textiles from the perspective of the 19th-century British designer and educator, Owen Jones (1809–74), author of The Grammar of Ornament (London: 1856). On view are textiles whose patterns are paired with corresponding plates from his publication. His assessment of decorative “language” was compiled as a pattern book for all of the applied arts from architecture to textiles. His sources are the ornamental traditions from cultures across the globe, including India, Persia, Egypt, and China. Critical to his undertaking was London’s Great Exposition of 1851, the setting in which the technology and manufacturing processes of the Industrial Revolution were displayed for all to see. The huge state-of-the-art glass-and- iron Crystal Palace constructed in Hyde Park for the event was the architectural stage upon which nations from around the world—but most importantly, England—displayed their accomplishments. Among the great number of Western visitors to the show, a vast majority were viewing the applied arts of other cultures for the very first time. The single most powerful influence on the applied arts during the 19th century was the reexamining of design education and practice. Reform therein was motivated by what some saw as the negative side of the Industrial Revolution. In challenge to the popular notion that new, fast, and cheap were the progressive ideals of a modern society, Jones and others started to rethink the effect this was having on design.
    [Show full text]
  • Befitting the Mughal 'Eternal Spring': the Nascent Buta Pattern In
    Befitting the Mughal ‘Eternal Spring’: The Nascent Buta Pattern in Kashmir Shawls A Study in the Light of the Mughal Islamic and Central Asian Heritage Erika Riccobon – S2458586 Pre-Master’s Thesis – South and Southeast Asian Studies University of Leiden – Faculty of Humanities Supervisor: Dr. Ellen M. Raven 30th July 2020 Word count: 9.895 Cover Image Fragment of Shawl, Loom-woven, warp and weft in goat-fleece, weave 2x2 twill tapestry, Kashmir, c. 1680. This is the earliest fragment of a Kashmir shawl to be preserved. It happens to feature the nascent buta pattern. Currently at Calico Museum of Textiles, Ahmedabad. From Irwin J. 1955, plate I. 1 2 Table of Contents Chapter 1 - Introduction .................................................................................................. 5 1.1 State of the Art ............................................................................................................... 6 1.2 Aim of the Thesis ......................................................................................................... 13 1.3 Sources and Methodology ........................................................................................... 13 1.4 Structure of the Thesis ................................................................................................. 15 Chapter 2 – Origin of the Nascent Buta Pattern .......................................................... 17 2.1 The Nascent Buta Pattern: Kashmir Shawls Before the 18th Century as Primary Sources .........................................................................................................
    [Show full text]
  • Live Horses, Asses, Mules, and Hinnies: - - Horses: 0101.21.0000 - - - Purebred Breeding Animals No
    Schedule B No. Unit of Second Commodity Description and Headings Quantity Quantity 01 Live Animals 01.01 - Live horses, asses, mules, and hinnies: - - Horses: 0101.21.0000 - - - Purebred breeding animals No. 0101.29.0000 - - - Other No. 0101.30.0000 - - Asses No. 0101.90.0000 - - Other No. 01.02 - Live bovine animals: - - Cattle: - - - Purebred breeding animals: - - - - Dairy: 0102.21.0010 - - - - - Male No. 0102.21.0020 - - - - - Female No. - - - - Other: 0102.21.0030 - - - - - Male No. 0102.21.0050 - - - - - Female No. 0102.29.0000 - - - Other No. - - Buffalo: 0102.31.0000 - - - Purebred breeding animals No. 0102.39.0000 - - - Other No. 0102.90.0002 - - Other No. 01.03 - Live swine: 0103.10.0000 - - Purebred breeding animals No. - - Other: 0103.91.0000 - - - Weighing less than 50 kg (110.23 lb.) each No. 0103.92.0000 - - - Weighing 50 kg (110.23 lb.) or more each No. 01.04 - Live sheep and goats: 0104.10.0000 - - Sheep No. 0104.20.0000 - - Goats No. 01.05 - Live poultry of the following kinds: chickens, ducks, geese, turkeys and guineas: - - Weighing not more than 185 g (6.53 oz.) each: 0105.11 - - - Chickens: - - - - Breeding stock, whether or not purebred: 0105.11.0010 - - - - - Layer-type (egg-type) No. 0105.11.0020 - - - - - Broiler-type (meat-type) No. 0105.11.0040 - - - - Other No. 0105.12.0000 - - - Turkeys No. 0105.13.0000 - - - Ducks No. 0105.14.0000 - - - Geese No. 0105.15.0000 - - - Guinea fowls No. - - Other: 0105.94.0000 - - - Chickens No. 0105.99.0000 - - - Other No. 01.06 - Other live animals: - - Mammals: 0106.11.0000 - - - Primates No. 0106.12.0100 - - - Whales, dolphins and porpoises (mammals of the order Cetacea); manatees and dugongs (mammals of the order Sirenia); seals, sea lions and walruses (mammals of the suborder Pinnipedia) No.
    [Show full text]
  • Artisan Voice
    Artisan Voice: an investigation of the collaborations between skilled, traditional textile artisans in India and foreign textile and fashion designers from the artisans’ perspective and their viewpoints of their craft industry in contemporary times. Deborah Emmett Master of Design (Hons) UNSW Art & Design March 2015 ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my supervisor, Liz Williamson for her guidance and wisdom over the past four years. Her knowledge of Indian textiles and shared interest in travelling throughout India has been both insightful and supportive in assisting me to develop my research. I wish to thank the University of New South Wales particularly UNSW Art & Design for granting travel funds that enabled me to attend international conferences related to my area of research. The assistance and advice of Wendy Parker and Joanna Elliot about postgraduate administrative procedures at UNSW has been appreciated. In addition I would like to thank Penelope Ralph for her invaluable skills in editing my thesis. This research study would not have been possible without the cooperation and candidness of the traditional textile artisans from Kashmir and Rajasthan in India who were willing to participate in the research interviews. I am indebted to them for sharing their thoughts and welcoming me into their homes and businesses. Finally I would like to give my heartfelt thanks to my husband, Riyaz Hakim. His comments, perceptions and patience have assisted me in navigating my way through these years of research. As my translator and tireless supporter he should share the credit of my work. Deborah Emmett Artisan Voice | Master of Design (Hons) 2015 i ABSTRACT This thesis and collaborative project is a result of my fourteen-year engagement of working with textile artisans in India.
    [Show full text]
  • The Poetics of Romantic Love in Vis & Rāmin
    THE UNIVERSITY OF CHICAGO THE POETICS OF ROMANTIC LOVE IN VIS & RĀMIN A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY CAMERON LINDLEY CROSS CHICAGO, ILLINOIS AUGUST 2015 Copyright © 2015 by Cameron Lindley Cross All Rights Reserved To TJ Quinn and Farouk Abdel Wahab In Memoriam َ َ ُّ َ ْ َ ً ْ اﻻﻳ ﺎ ﻛﻳ ﻬ ﺎاﻟ ﺴ ﺎﻗ ﻰ ا ِدر ﻛ ﺄﺳ ﺎ وﻧ ِﺎوﻟ ﻬ ﺎ َ ُ ُ ﻛ ﻪ ِ ﻋﺸ ﻖ آﺳ ﺎن ﻧِﻤ ﻮد ا ول َوﻟ ﻰ اﻓ ﺘ ﺎد ﻣﺸ ِ ﻜﻠ ﻬ ﺎ Boy bring round the wine and give me some for love that at first seemed easy turned difficult —Ḥāfeẓ (tr. Geoffrey Squires) Contents Abstract viii Acknowledgments ix A Note on Transcription xiii Transliteration Charts xix List of Figures xxi List of Tables xxii List of Abbreviations xxiii Introduction xxiv Proem: The Tale of Fakhri and the Slave-Boy 1 1 The Story of the Story 5 1.1 A portrait of the artist (as a young man?) ......................... 7 1.2 The rise of the Seljuk Turks ................................ 20 1.3 The mysterious sources of Vis & Rāmin .......................... 26 1.4 The Nachleben ....................................... 36 1.5 Recovery, revulsion, and revision ............................. 48 1.6 Welcome to the conversation ............................... 54 2 Finding Romance 71 2.1 The Persian renaissance .................................. 78 2.2 “Love-stories and all that sort of stuff” ........................... 94 2.3 Sailing the sea: Vāmeq & ʿAẕrā ............................... 106 v 2.4 Traversing the desert: Varqa & Golshāh .........................
    [Show full text]
  • BSC Degree in Textile Design 1St Year 352-6 Traditional Indian
    BSC Degree in Textile Design 1st Year 352-6 Traditional Indian & Design Form 1 Page INDEX Unit – I .................................................................. 3 Lesson 1: History of Indian Textiles ...................... 4 Lesson 2: History and Function of Motifs, Shamanism ........................................................... 9 Unit - II ............................................................... 14 Lesson 3: Central Asian Motifs and their Significance ......................................................... 15 Unit - III ............................................................. 37 Lesson 4: Traditional Indian Motifs and their Significance ......................................................... 38 Unit – IV .............................................................. 82 Lesson 5: Contemporary Art ................................ 83 Unit – V ............................................................... 89 Lesson 6: Practical Exercises .............................. 90 Books for Further References .............................. 94 2 Page Unit – I Lesson 1: Brief History of Indian Textiles 3 Page Lesson 1: History of Indian Textiles Objective: “To know the depth of Indian textiles.” Introduction The production of sophisticated textiles within the Indian-subcontinent has prehistoric origins. The alternate wet and dry climate of the Indian sub- continent has ensured that only a few fragments of woven plant and animal fibres remain. The archaeological finds and literary references suggest delightful myths and legends,
    [Show full text]
  • The Sultan's Garden Catalogue
    the sultan’s garden the sultan’s garden the blossoming of ottoman art Walter B. Denny and Sumru Belger Krody The Textile Museum Washington, D.C. Contents The Sultan’s Garden: The Blossoming of Ottoman Art 6 The Textile Museum By Walter B. Denny and Sumru Belger Krody First published on the occasion of the exhibition ‘The Sultan’s Garden: The Blossoming of Ottoman Art’ at 8 Supporters The Textile Museum, Washington, D.C., September 21, 2012 – March 10, 2013 Copyright © 2012 The Textile Museum 9 Foreword All rights reserved under International and Pan-American Copyright Conventions. Except for legitimate excerpts customary in review or scholarly publications, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including 10 Introduction photocopying, recording, or information storage or retrieval systems, without permission in writing from the publisher. 13 The Authors Collection photographs © 2011 The Textile Museum, Washington D.C. Plates 07, 25, 33, 34, 43 and 45 photographed by Don Tuttle. All other photographs by Renée Comet unless otherwise noted. 14 Map The Textile Museum 2320 S Street, NW 16 The Discovery of the Ottoman Floral Style Washington D.C. 20008-4088 www.textilemuseum.org 21 The Emergence and Development of the Floral Style in Textiles Produced and packaged in the United Kingdom for The Textile Museum by HALI Publications Limited Studio 30, Liddell Road 29 The Difusion of the Floral Style in Anatolia and the Empire London NW6 2EW www.hali.com 35 The Floral Style Beyond the Empire Editor/Project Director: Daniel Shafer Designer: Anikst Design, London Color Production/Print Management: Michael Anikst and Sebastian Ghandchi 38 Conclusion – The Sultan’s Garden Indexer: Christopher Phipps Library of Congress Cataloging-in-Publication Data 39 Assessing the Legacy Denny, Walter B., author.
    [Show full text]
  • KEMP's, Inc. ET's Mmk House Unit Votm
    m r AtarMta Mly Ktt PrtH Roa , ..w'-t., > a g s 7 W S l ;v i 'sfdlb'' 'W-'-—'—a — ... TUESDAY^ 7 EBSUASY RilNI MMk iU m tm u t tha AMIt . gtmrtag laU tartght. .OUmnalleee biff TW ntM y. '~ ~.~^ : -'.V Mr. uMl Mra., l« w r « io « Scraa* .y Manehest^r-^A City otV^Uage Charm ten e ( MT Beuldt^ ><w4 nnneunee I Report Ma< 'g ' AiwntTiKHm^ ■v-’+tte-bfrtii ot -'tM r Mieemi—nte; PUumiiig for USO JDrive - - .. e. ^ ^ -----------------;----- VOL. Steven Chriatopher, on Jan. M at nditi » n iCIeesifled AdVeHIOM faf> -MANCHESTER, CONN^ WEDNESDAY, FEBRUARY 6, 1952 DelU CiMter Jfo. 51, Royal the Hartford Hoepital. i I g G c M r ^ G E S ) ' - PRICE FIVE GSH^ Arch Mhanha. will confer the R ^ - GAUDET’S al Arch Defree at lU regular c^> The Willing Worker* of the lUon of . the Manches- vocation towrarrow evenug at 7:50 South Methodlat WBCS will meet 'ho received first and at the Maaonic Temple. The meet* in the Ladlea parlor tomorrow burns in. an explo- t^ers all lag will be Mlowad by the uaual afternoon. Member* ar* redueated tion/fn his falhw'e gasoline ita- / aoclal hour and raneahinenta. to meet at on* o'dock. The buai* Uoit in Harttoi^Saturday night tteaa meeting will be held at , 3 was deacribML tms morning as . The Caatac^Church Senior Choir- o'cloek. Hoataaaea will be Mra. Ana / 'very good by (nXMiobs^at Hartford will hold it* regular rahearaal to*. Bronkie and Mr*. Bnuna Dowd, Hospital where' Uken fnl. these features / '•‘mDrw arjdght at T;50r--------------- lowing the-bhMt.
    [Show full text]
  • Full Text (PDF)
    International Journal of Art and Art History June 2019, Vol. 7, No. 1, pp. 12-19 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v7n1p3 URL: https://doi.org/10.15640/ijaah.v7n1p3 Illumination of the AdiGranth: A Stylistic & Aesthetic Analysis Dr. Manavpreet Kaur Arora1 Abstract AdiGranth can be defined as a manuscript that comprises of the primal text of the sacred Guru Granth Sahib. Numerous illuminated copies of the divine text came into existence with the growing popularity of Sikh faith and patronage. This research is intended towards identifying popular design motifs that have defined the style of Sikh visual vocabulary and establish their textual context with reference to the AdiGranth. Visual analyses of some of the illuminated folios reveal that the design disposition and inspiration correlates with the compositions of the holy text. The article includes necessary transliterations and translations where required. The scope of this study is to provide the printed versions with the design vocabulary that are distinctly Sikh. Keywords: AdiGranth, Design motifs, Design inspiration, Design disposition, Sikh aesthetics Introduction The foundation of the sacred book of the Sikhs, AdiGranthis composed of consummate words uttered by the Sikh Gurus as well as Hindu and Muslim saint poets. Patronage for AdiGranth existed on a royal as well as sub royal level for handwritten sacred copies of the text, which would simultaneously be illustrated and illuminated by artists who were no different from the scribes. A few extant copies in various collections give an insight into the lost exuberance of the Sikh courts.
    [Show full text]
  • Toreutics of Azerbaijan
    Cultural heritage Tarikh DOSTIYEV Doctor of History Toreutics of Azerbaijan tems of toreutics, being a product of artistic mountains of Albania, gold, silver, copper and yellow metalworking, reflect the culture of life, ideology and incense are produced” (1, p.17). 10th century Arab aesthetic views of the society of their time. Products geographer Abu Dulaf reports that in the mountains I th th of toreutics of the 9 -15 centuries are a kind of source, near the town of Shiz, there were mines that produces reflecting the thoughts and beliefs of medieval people “gold, mercury, lead, silver, yellow arsenic and stone and the artistic tastes of different layers of feudal society. known as jamast”. He gives the names of the types of the Rich mineral deposits in Azerbaijan provided the raw gold produced: “al-gumisi”, “al-shahrani” and “al-sajabazi” material for the metal industry of handicraft production. (2, p. 77). The widespread use of items of toreutics at Albanian historian Moses Kalankatuatsi notes: “... in the home by the population of Azerbaijan was reflected in written sources. 10th century author Ibn Haukal notes Star globe of the Maraga observatory that metal containers, in particular gold and silver trays, bowls, cups and jugs are widely used (2, p.112). Archaeological work in the territory of Azerbaijan confirms that the artistic processing of metals had ancient traditions and experience was handed down from generation to generation (3, p.98). Great achievements in artistic metalworking in Azerbaijan were gained in the 11th-12th centuries in the Seljuk era. During this period, one of the most important factors of rapprochement in craftsmanship was creative exchanges between representatives of various cultural centers.
    [Show full text]
  • A Descriptive Catalogue of Greek Coins, Selected from the Cabinet of Clarence S
    A DESCRIPTIVE CATALOGUE OF GREEK COINS SELECTED FROM THE CABINET OF CLARENCE S. BEMENT, Esq. PHILADELPHIA THE AMERICAN NUMISMATIC SOCIETY BROADWAY AT I56ih STREET NEW YORK . 1921 ^56 533^ 1S2 PURCHASE ST. FOREWORD Soon after the manuscript, of this catalogue had reached the printer's hands Mr. Clarence S. Bement, the owner of the coins here described, became very ill and now for many months has l»een unable to carry further whatever plans he may have had for the development of his already splendid collection of antique coins. This interruption is most unfortvmate, considering his achievements in other fields, for Mr. Bement has long been prominent in a small group of Americans who find relaxation from their occupations in the pursuit of some branch of art or science and devote no inconsiderable amouiat of time, money, and industry to the collection of material illustrative of the subjects that claim their interest. Their enthusiasm and their collections have done much to develop our libraries, museums, art galleries, and other agents of public education. Mr. Bement's interest in books and prints resulted in the forma- tion of one of the noted private libraries of the country. This library was disposed of several years ago, some of, the fine volumes passing through the hands of the late Mr. Harry Widener to Harvard Universi- ty, while many rare prints went into the possession of a distinguished Philadelphia jurist. It was to minerals that Mr. Bement devoted the most of his leisure and the greatest care. His collection, purchased by the late Mr.
    [Show full text]
  • Resm: Beauty and Heritage Resm Jewelry Presents a Modernist Interpretation of Ancient Azerbaijani Ornamental Patterns and Symbols
    wed beauty and heritage Resm: Beauty and Heritage Resm jewelry presents a modernist interpretation of ancient Azerbaijani ornamental patterns and symbols. More than a fashion accessory, Resm pieces are a link to the culture, traditions and, above all, spirit of Azerbaijan. With its timeless character and superb craftsmanship, Resm jewelry allows the wearer to transcend mere fashion trends and enter a realm of relived ancestry. All Resm pieces come with individual descriptions explaining the design’s historical context, the origin of ornaments and traditional patterns. These unique and exclusive artifacts make an ideal gift for anyone with a natural penchant and affinity toward beauty and heritage. At Resm, we believe in creating timeless jewelry of the highest integrity. Our pieces feature a 14K/18K gold base as well as precious stones to enhance the overall aesthetic as well as intrinsic value of pieces. Designs for men in Sterling silver are also available. 3 It is the first unique collection from Resm inspired by ornaments and designs of oriental carpets. Enriched by close-to-carpets colours these hand-made jewellery pieces are designed to express matchless carpet designs and spread the word on the meaning and beauty of carpet ornaments and patterns. Each peace comes with a card which explains the meaning and history of an ornament it was inspired by. Why carpets? Above all, I wanted to convey the value and traditions of Azerbaijani carpets through another art form and thus promote this cherished heritage. Jewellery seemed just the right medium to express preciousness of carpets. And secondly... there is an interesting parallel.
    [Show full text]