Black Characters in the Street Fighter Series |Thezonegamer
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Street Fighter
STREET FIGHTER by Luis Filipe Based on Capcom's videogame "Street Fighter II" Copyright © 2019 This is a fan script [email protected] OVER BLACK. All we hear is the excited CHEER of a crowd. Hundreds of voices roaring in unison, teasing something to come. Under those voices, there is also the rhythmic sound of TRAMPLES on the floor that sound like drums. CUT TO: INT. CORRIDOR - NIGHT A dirty, dimly lit corridor. A few meters ahead, a beam of light leaks through a door that gives access to another scenario. Standing in the corridor hidden in total shadow, a barefoot MAN attired in a white karate gi uniform tightens a black martial arts BELT. We do not see his face. The cheer continues, seeming to be coming from beyond that door in the hallway. After putting on the belt, the man takes a pair of RED GLOVES from his duffel bag, which is on a bench beside him. He wears them calmly. Finally, he also grabs a RED HEADBAND from the bag and ties it around his head. All this is almost ritualistic for him. When completed, the mysterious man walks toward the corridor door where comes the intense light. INT. STREET FIGHTER ARENA - NIGHT A large warehouse-like room. Wooden boxes surround the boundaries of the fighting area. And behind these boxes are the spectators, some sit in stands and others stand on feet. Our mysterious man comes in, revealing his face for the first time: RYU. A Japanese experienced martial artist. The audience goes wild to see him there. -
Adjustment Description Alterations to V-Shift's
Adjustment Description Abilities granting invincibility or armor from the 1st frame, as well as low- risk or high-return moves invincible to throws have all been adjusted to have less effective throw invincibility. Alterations to V-Shift's Considering V-Shift's offensive and defensive capabilities, normal throws offensive/defensive should have enough impact to reliably handle V-Shifts, but characters with capabilities the invincible abilities mentioned above had an easy way to deal with throws and strikes. This gave their defense such a strong advantage that offensive opponents struggled against it. These adjustments seek to correct this issue. These general adjustments are a continuation of previous adjustments. Improvements to While V-Skills and V-Triggers have already been adjusted overall, players infrequently used V-Triggers tend to use one V-Skill and V-Trigger over the other, so we have further and V-Skills strengthened the techniques themselves and the moves that rely on their input. Some characters have been rebalanced in light of previous adjustments. We have buffed characters who were lacking in strength or who were Rebalancing of some largely left alone in previous adjustments. characters Characters with downward adjustments have not had their moves altered significantly; rather, the risks and returns of moves have been properly balanced. Balance Change Overview We've adjusted Nash's close-quarters attack, standing light kick, to yield more of an advantage on hit, and we have further improved Nash's impressive mid to long-distance combat. Standing light kick was previously adjusted to have faster start-up and to be easier to land, but we noticed that it didn't grant the same rewards as it did for other characters. -
Cgcopyright 2013 Alexander Jaffe
c Copyright 2013 Alexander Jaffe Understanding Game Balance with Quantitative Methods Alexander Jaffe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: James R. Lee, Chair Zoran Popovi´c,Chair Anna Karlin Program Authorized to Offer Degree: UW Computer Science & Engineering University of Washington Abstract Understanding Game Balance with Quantitative Methods Alexander Jaffe Co-Chairs of the Supervisory Committee: Professor James R. Lee CSE Professor Zoran Popovi´c CSE Game balancing is the fine-tuning phase in which a functioning game is adjusted to be deep, fair, and interesting. Balancing is difficult and time-consuming, as designers must repeatedly tweak parameters and run lengthy playtests to evaluate the effects of these changes. Only recently has computer science played a role in balancing, through quantitative balance analysis. Such methods take two forms: analytics for repositories of real gameplay, and the study of simulated players. In this work I rectify a deficiency of prior work: largely ignoring the players themselves. I argue that variety among players is the main source of depth in many games, and that analysis should be contextualized by the behavioral properties of players. Concretely, I present a formalization of diverse forms of game balance. This formulation, called `restricted play', reveals the connection between balancing concerns, by effectively reducing them to the fairness of games with restricted players. Using restricted play as a foundation, I contribute four novel methods of quantitative balance analysis. I first show how game balance be estimated without players, using sim- ulated agents under algorithmic restrictions. -
Fighting Games, Performativity, and Social Game Play a Dissertation
The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together. -
Revista Gameblast - 15.Pdf
ÍNDICE De volta aos ringues O rei dos jogos de luta está prestes a tomar a atenção dos jogadores mais uma vez! Isso porque estamos a poucos dias do lançamento do ano da Capcom: Street Fighter V, a luta da noite aqui na Revista GameBlast. Para o aquecimento, vamos revisitar jogos e lutadores da franquia, além de muita coisa sobre o gênero dos jogos de luta. Nos intervalos, confira tudo sobre Mighty No.9, Far Cry Primal e muito mais! Boa leitura! – Rafael Neves BLAST FROM THE PAST Street Fighter III 3rd Strike (PS2) 04 DIRETOR GERAL / PROJETO GRÁFICO Sérgio Estrella PRÉVIA Street Fighter DIRETOR EDITORIAL V (Multi) 10 Rafael Neves DIRETOR DE PAUTAS Alberto Canen PRÉVIA João Pedro Meireles Lucas Pinheiro Silva Mighty No. 9 Pedro Vicente (Multi) 19 DIRETOR DE REVISÃO Alberto Canen PRÉVIA DIRETOR DE Far Cry Primal DIAGRAMAÇÃO (Multi) 25 Breno Madureira REDAÇÃO Dácio Augusto TOP 10 Ítalo Chianca July Dourado Melhores participações Renan Pinheiro em jogos de luta 31 REVISÃO Bruno Alves PERFIL Henrique Minatogawa Luigi Santana M. Bison (Street Fighter) 36 Vitor Tibério DIAGRAMAÇÃO Breno Madureira Bruno Italiani ANÁLISE David Vieira Guilherme Lima Resident Evil Zero Leandro Fernandes ONLINE HD Remaster (Multi) Letícia Fernandes ILUSTRAÇÕES ANÁLISE S. Carlos Sr. Raposo Pony Island (PC) ONLINE CAPA Felipe Araujo gameblast.com.br 2 ÍNDICE HQ Blast: Piada eterna... E receba todas as edições FAÇA SUA ASSINATURA em seu computador, smartphone ou tablet com antecedência, além de brindes, promoções GRÁTIS DA e edições bônus! REVISTA GAMEBLAST! ASSINAR! gameblast.com.br 3 BLAST FROM THE PAST por Renan Pinheiro Revisão: Henrique Minatogawa Diagramação: Bruno Italiani Street Fighter II chegou ao seu auge e quebrou a desconfiança dos fãs mais tradicionais com a inovação da barra de Super lançando a versão definitiva:Super Street Fighter II Turbo. -
TURN SEQUENCE • Play Cards from Your Hand. • Total up Your Power
TURN SEQUENCE • Play cards from your hand. • Total up your Power and purchase cards with total cost less than or equal to that total. • As soon as you buy or gain a card, place it into your discard pile, unless instructed otherwise. • You may play additional cards even after making purchases. END OF TURN • Resolve any “at the end of your turn” effects. • Place all the cards you played and any remaining cards from your hand into your discard pile, and draw a new hand of five cards. • Fill each empty slot in the Line-Up with a card from the top of the main deck. • If the top card of the Stage stack is face down, flip it face up. Do not reshuffle your discard pile just because you have no cards in your deck. Wait until you must draw, discard, or reveal a card from your deck. Then shuffle your discard pile, and it becomes your new deck. The game ends immediately when either of the following two conditions is met: • You are unable to flip up to a new Stage on the stack. • You are unable to refill all five slots of the Line-Up. ©CAPCOM. Licensed for use by Cryptozoic Entertainment. ©2014 Cryptozoic Entertainment. 25351 Commercentre Dr., 2nd Floor, Lake Forest, CA 92630 www.cryptozoic.com Made in China. OVERVIEW In the Street Fighter Deck-building Game, you take on the role of Ryu, Chun-Li, Vega or one of the other fierce combatants in a competition to determine who reigns supreme! While you begin with only the ability to Punch your foes, you will add new, more powerful cards to your deck. -
4. the Street Fighter Lady
4. The Street Fighter Lady Invisibility and Gender in Game Composition Andy Lemon and Hillegonda C Rietveld Transactions of the Digital Games Research Association December 2019, Vol. 5 No. 1, pp. 107-133. ISSN 2328-9422 © The text of this work is licensed under a Creative Commons Attribution — NonCommercial –NonDerivative 4.0 License (http://creativecommons.org/licenses/by-nc- nd/ 2.5/). IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights ABSTRACT The international success of Japanese game design provides an example of the invisibility of female game composers, as well as of gendered identification in game music production and sound design. Yoko Shimomura, the female composer who produced the iconic soundtrack for the 1991 arcade game, Street Fighter II (Capcom 1991), seems to have been invisible to game developers and music producers, which is partly due to the way in which the game is credited as a team effort. Regardless of their personal gender identity, game composers respond to themed briefs by 107 108 The Street Fighter Lady drawing on transnational musical ideas and gendered stereotypes that resonate with the Global Popular. Game music, as imagined as suitable for hyper-masculine game arcades, seems to draw on a masculinist aesthetic developed in Hollywood compositions. In turn, Street Fighter II’s music and the competitive game culture of arcade fighting games has been interwoven with masculinist music scenes of hip-hop and grime. The discussion of the music of Street Fighter II and the musical versions it inspired, nevertheless highlights that although seemingly simplified gendered stereotypes are reproduced within the game, gender identification itself can be complex within the context of game music composition. -
Transgender in Games a Comparative Study of Transgender Characters in Games
Transgender in Games A Comparative Study of Transgender Characters in Games Emil Christenson and Danielle Unéus Faculty of Arts Department of Game Design Bachelor’s Thesis in Game Design, 15 Credits Programme: Game Design and Graphics Supervisors: Ann-Sofie Lönngren, Hans Svensson Examiner: Masaki Hayashi September, 2017 Abstract This thesis contains an analysis of transgender characters in games. The method for selecting the characters was based on the importance of the character in the game with the requirement that the game must have sold at least half a million units. The goal was to analyse well-known characters in gaming history to get an overview of how the game industry has represented transgender in games. Out of 102 characters only six of them met the requirements and have been analysed with the use of queer theory. Gender and how the characters break the norms of what is feminine and what is masculine is in focus. In the analysis, the characters are examined through their mannerism, design, personality and dialogue. The analysis is then summarized into identifiable patterns. The result of this thesis is a better understanding of how transgender characters are portrayed in the game industry. Keywords: Transgender, Video Games, LGBTQ, Character Representation, Queer Theory Abstrakt I denna uppsats analyseras transgenuskaraktärer i spel. De karaktärer som analyseras har valts ut baserat på hur mycket karaktären syns i spelet och ett krav är att spelet måste ha sålt minst en halv miljon exemplar. Målet var att analysera välkända transgenuskaraktärer från spelhistorien för att få en överblick över hur spelindustrin representerar transgender i spel. -
Pots Style Compilation
CHARACTER MAIN THEME STAGE STORY FIGHT 1 STORY FIGHT 2 BOSS (FAKE) FINAL BOSS (SECRET) FINAL BOSS Nightmare Geese; THEME: Kyo; THEME: Esaka Ken; THEME: Stage of God Rugal; THEME: The Lord Soy Sauce for Geese [FFS Reinterpretation (Ryu Suzaku Castle (Japan) Akuma THEME: Theme Ryu Forever (Kyo Kusanagi) Capcom - Street Fighter God [CvS2] STAGE: Osaka original/non-arrange ver] Stage) [SSFIIT HDR] [SSFFIIT HDR] of Akuma [SFIV] [KOF97] Remix [CvS2] [CvS2] STAGE: Geese Tower - Inner Sanctum [RBFFS] Nightmare Geese; THEME: Mai; THEME: "Floating" Cammy; THEME: M. Bison; THEME: God Rugal; THEME: The Lord Soy Sauce for Geese [FFS Street Market (Chun-Li on a Fantasy for Chun-Li Beijing (China) [SFA2] Theme of Cammy Theme of M. Bison God [CvS2] STAGE: Osaka original/non-arrange ver] Stage) [SSFIIT HDR] Yvonne Lerolle (Mai [SFIV] [SFIV] [CvS2] STAGE: Geese Tower - Inner Shiranui Stage) [FF3] Sanctum [RBFFS] Charlie; THEME: Rugal; THEME: The ЯR Nightmare Geese; THEME: Decisive Bout - Theme (Rugal Bernstein) M. Bison; THEME: God Rugal; THEME: The Lord Soy Sauce for Geese [FFS Guile Stage [Street Ghost Valley, Nevada Guile of Charlie [SFA3] [KOF98] STAGE: The Theme of M. Bison God [CvS2] STAGE: Osaka original/non-arrange ver] Fighter Tribute Album] (USA) [SFA3] STAGE: Frankfort Black Noah (round 1) [SFIV] [CvS2] STAGE: Geese Tower - Inner Hangar (USA) [SFA3] [KOF94] Sanctum [RBFFS] Nightmare Geese; THEME: God Rugal; THEME: The Lord Soy Sauce for Geese [FFS Theme of Sakura Setagaya-ku Ni-chome, Karin; THEME: Theme Yuri; THEME: Diet (Yuri Ryu; THEME: Ryu -
Moves] - NEO Encyclopedia 1 / 9
SNK vs CAPCOM - The Match of the Millennium [moves] - NEO Encyclopedia 1 / 9 The Unofficial SNK Neo Geo Games Encyclopedia of Moves & Codes http://sindoni.altervista.org/neoencyclopedia/ [moves] Kyo Kusanagi Terry Bogard Iori Yagami Ryo Sakazaki Mai Shiranui Haohmaru Nakoruru Athena Asamiya Leona Ryu Ken Masters Chun Li Morrigan Felicia Zangief Sakura Kasugano Dan Hibiki Guile Basic Moves Weak Punch Weak Kick Hard Punch Hard Kick Tag Tag Counter * only in Tag guard * only in Tag Battle Battle Average Style Counter Style Rush Style * you can charge your Super Meter * Super Meter increases as you attack. * Super Meter is increased with chain with the Power Builder move. When You can gain up to two levels of super combo attacks. You can store up to 3 full you can perform Super Impact meter. At level 1, you can perform a stocks, but can only do level 1 Super Blast. When life bar is flashing and Super Impact Blast. At Level 2 any Super Impact Blast. MAX Impact Blast you have a full meter, you can do a Impact Blast become MAX Impact Blast moves cannot be performed MAX Impact Blast Hop forward Hop Back Dash Forward Hop Back Dodge Hop Back Guard Counter Guard Counter guard * uses Super Dodge Dodge Attack guard * uses Super Meter Meter Guard Counter while knocked Knockdown guard * uses Super Taunt down Recover Meter Taunt Power Builder Taunt * moves signed with !O must be earned in the Olympic mode first. They can be performed only at Super Meter level 2 (MAX Impact Blast), so cannot be used in Rush Style Kyo Kusanagi close Hatsu Gane http://sindoni.altervista.org/neoencyclopedia/ -
Dreamcast Fighting
MKII TOURNAMENT ANIMAL CROSSING We continue our Mortal Kombat II CHRONICLES throwdown with the second round of analysis, video and more. Join us as we walk through the days with Samus as she lives her life in the town of Tokyo. PAGE 20 PAGE 37 YEAR 04, NO. 14 Second Quarter 2011 WWW.GAMINGINSURRECTION.COM DREAMCAST FIGHTING GAMES GI SPOTLIGHTS SEGA’S FALLEN VERSUS COMBAT MACHINE contents Columns Features Usual Suspects The Cry of War…....….......….3 Dreamcast fighting games …….4-15 Ready, set, begin ……... 16-19 From the Dungeon…...........3 Mortal Kombat II tournament ..20-24 Retrograde ….………….. 25-28 Beat.Trip.Game. .. .. .. .3 The Strip …....…….…..….29-31 Strip Talk ……………...........29 Online this quarter ….……..32 Otaku ………..…….............30 Retro Game Corner …...34-36 Torture of the Quarter …...36 Animal Crossing Chronicles …………………….….....…37-39 staff this issue Lyndsey Mosley Lyndsey Mosley, an avid video gamer and editor–in-chief journalist, is editor-in-chief of Gaming Insurrection. Mosley wears quite a few hats in the production process of GI: Copy editor, writer, designer, Web designer and photographer. In her spare time, she can be found blogging and watch- ing a few TV shows such as Mad Men, The Guild and Sim- ply Ming. Lyndsey is a copy editor and page designer in the newspaper industry and resides in North Carolina. Editor’s note: As we went to press this quarter, tragedy struck in Japan. Please con- sider donating to the Red Cross to help earthquake and tsunami relief efforts. Thank you from all of the Gaming Insurrection staff. CONTACTCONTACTCONTACT:CONTACT: [email protected] Jamie Mosley is GI’s associate Jamie Mosley GAMING editor. -
Entertainment
[email protected] Technique Entertainment Editor: Daniel Spiller 17 Friday, Assistant Entertainment Editor: March 6, 2009 Entertainment Jennifer Aldoretta Street Fighter !lm loses battle WATCHMEN with success FILM THE LEGENDARY GRAPHIC NOVEL COMES TO LIFE Street Fighter: The Legend of Chun-Li GENRE: Fighting, Action STARRING: Kristin Kreuk, Michael Clarke Duncan, Neal McDonough and Chris Klein DIRECTOR: Andrzej Bartkowiak RATING: PG-13 RELEASE DATE: Feb. 27, 2009 OUR TAKE: !"!!!! By Robert Solomon Contributing Writer “Your father is the milk of my organiza- tion… but all milk has an expiration date.” — M. Bison. Having not learned their lesson with the Jean-Claude Van Damme !lm based on their Street Fighter video game series, Capcom ap- parently thought that enough time had passed to give it another go. "is time it is focused on Chun-Li, the undercover Chinese agent (who has legs that are as thick as her pixilated head). Guile and Ryu are nowhere to be seen. It will take longer than 15 years to forget this wretched mess, a debacle of truly underwhelm- ing proportions. It is very di#cult to know where to begin, so let’s start with Chris Klein, who is most famous for his role in the American Pie movies. Having been largely delegated to the Images courtesy of Warner Bros. straight-to-video slums since that series petered out, Klein apparently thought the challenge of his !rst role as an action hero would be a good one to resuscitate his career. FILM are impotent with even the ing massive power, holding ther and uses the superhero "ere are bad performances, and then there Watchmen hottest babe until they acti- great in%uence over society, framework to tell us the are bad performances that make you howl in vate their kinkiness in leath- having women who adore darker aspects of the human disbelief.