SACRED MUSIC Volume 96, Number 1, Spring 1969
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Bernsteincelebrating More Sides of the Story
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Selected Organ Works of Joseph Ahrens: a Stylistic Analysis of Freely Composed Works and Serial Compositions
Selected Organ Works of Joseph Ahrens: A Stylistic Analysis of Freely Composed Works and Serial Compositions A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music 2013 by Eun Hye Kim MM, University of Cincinnati, 2007 MM, Hansei University, 2004 BA, Seoul Jangsin University and Theological Seminary, 2002 Committee Chair: Roberta Gary, DMA Committee Member: John Deaver, DMA Committee Member: David Berry, PhD Abstract Joseph Ahrens (1904–97) was a twentieth-century German composer, virtuoso organist, and teacher. He was a professor of church music at the Berlin Academy of Music (Berlin Hochschule für Musik), organist at the Cathedral of St. Hedwig, and choir director and organist at the Salvator Church in Berlin. He contributed to twentieth-century church music, especially of the Roman Catholic Church, and composed many works for organ and various choral forces. His organ pieces comprise chorale-based pieces, free (non-chorale) works, liturgical pieces, and serial compositions. He was strongly influenced by twentieth-century German music trends such as the organ reform movement, neo-baroque style, and, in his late period, serial techniques. This document examines one freely composed work and two serial compositions by Joseph Ahrens: Canzone in cis (1944), Fantasie und Ricercare (1967), and Trilogia Dodekaphonica (1978). The purpose is to demonstrate that Ahrens’s style developed throughout his career, from a post-Wagnerian harmonic language to one that adopted twentieth-century techniques, including serialism, while retaining the use of developed thematic material and a connection to neo-baroque characteristics in terms of forms and textures. -
September Newsletter
American Guild of Organists Newsletter Utah Valley Chapter 2008-2009 September 2008 No. 3 Chapter Officers Dean’s Message Dean Mike Carson [email protected] Like you, I am looking forward with great anticipation to our chapter’s Opening Gala on September 11. Our dear friend and colleague, Dr. Parley Belnap, will receive a Sub-Dean Lifetime Service Award for his dedicated service and distinguished achievements in Gayle Farnsworth organ education. Parley is a charter member of our chapter and served as dean from [email protected] 2000-2002. In addition, we are honored to have as our guest speaker Dr. John Secretary Longhurst, a Fellow of the American Guild of Organists and long-time Tabernacle Trudy Barnes Organist from 1977 to 2007. [email protected] The semi-formal event will be held at The Chillon in Spanish Fork with a reception Newsletter Editor Carol Dean, CAGO beginning at 6:30 p.m. and a buffet dinner being served at 7:15. Lella Pomeroy will [email protected] oversee the installation of the new chapter officers for 2008-2010, followed by the presentation of the Lifetime Service Award and remarks by our guest speaker. Treasurer/Registrar Joan Barnett All members and friends of the chapter are invited to attend with their guests. [email protected] RSVP to Joan Barnett with payment of $17.50 per person by August 28. Please Website Editor call or e-mail me with questions. If for some reason you did not receive your DeeAnn Stone invitation, please forgive me and come anyway! [email protected] Historian Best regards, Florence Hawkinson [email protected] Education Mike Carson, Dean Joan Barnett, Treasurer The Chillon Lori Serr, CAGO 796-6293 (home) 621 E. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS in D, K194, Classics & Spirituals
The Choral Foundation in the Midwest Presents the INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS IN D, K194, Classics & Spirituals The Summer Singers of Lee’s Summit & Chamber Orchestra Lynn Swanson & William O. Baker, DMA, Music Directors Steven McDonald, DMA, Organist Christine Freeman, soprano Jamea Sale, alto David White, tenor Michael Carter, bass Sunday Afternoon, 27 July 2014 St. Paul’s Episcopal Church Lee’s Summit, Missouri www.FestivalSingers.org The Summer Singers of Lee’s Summit William O. Baker, DMA Joseph Alsman Jennie Murphy Co-Music Director, Lee’s Summit David Armstrong Taura Owens Founder of the Choral Foundation Frances Armstrong Rebecca Palmer Nikki L. Banister Marjorie Peterson Lynn Swanson Michael Barnes Ruth Ann Phares Co- Music Director, Lee’s Summit Executive Associate of the Choral Foundation Toni Boehm Bruce Quaile *Jocelyn Botkin Charlotte Reynolds Christine Freeman Bridget Brown Carol Rothwell Associate Music Director/Senior Vocal Coach Mary K. Burrington Carole Runnenberger Darryl Chamberlain Vaughn Scarcliff Scott C. Smith Donna Chavez *Jim Schrock Choral Associate & Administrator, Atlanta Rachel Cheslik *Cindy Sheets Carl Chinnery Sarah Spilman Jamea Sale Amy Chinnery-Valmassei Nancy Stacy-Barrows Choral Assistant, Kansas City Carolyn Conner Joseph M. Steffen Charles Nelson Helen Darby Sandra Strawn Director, Northwest Georgia Summer Singers Pat DeMonbrun *Stephanie Sullivan Suzanne Fischer Lessie J. Thompson Amy Thropp Kenneth M. Frashier Don Thomson Director, Zimria Festivale Atlanta Linda Rene -
May 2012 Pp. 2-19.Indd
his second wife, the violinist Nelly Söregi soprano solo, and organ, is based on the with approximately 100 faculty members Wunderlich, in 2004. He is survived by tune Nettleton, with a new text that and 500 students. Its more than 4,000 three daughters and a stepson. celebrates the cycles of life and spirit (15 graduates work in Russia and in many Wunderlich’s early study was with his pp., softbound 8½ x 11). For informa- countries around the world. The Allen father and the local church organist. At tion: 805/682-5727; Fruhauf Music Pub- organ was installed in the newly dedicat- the age of sixteen, he was admitted to the lications, P.O. Box 22043, Santa Barbara, ed Great Hall of the conservatory. The Academy of Music in Leipzig, where he CA 93121-2043; <[email protected]>; three-manual console was fi nished to was the youngest student. While he was <www.frumuspub.net>. match the stage’s fl oor and shell, which studying with Karl Straube and Johann forms a tightly joined wooden chamber. Nepomuk David, his lifelong interest in Hal Leonard Books has published The organ also provides modern mu- the music of Max Reger began. Despite Microphones & Mixers ($39.99) by Bill sical sounds through Vista NavigatorTM. growing up and living in the tumultu- Gibson. The book is an updated sec- Other electronic musical instruments ous time between the First and Second ond edition of Book 1 in the 6-book Hal can also be fed into the organ’s audio World Wars, he held prestigious posi- Leonard Recording Method series and system by the external Expanded Audio tions and became well known for his includes a DVD ROM and online me- Capabilities (EACTM) system. -
The Diapason an International Monthly Devoted to the Organ and the Interests of Organists
THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS Sixty-fourth Year~ No. 7 - Whole No. 763 J UNE. 19i3 Subscriptions .$4.00 a year - 40 cents a copy UNION SEMINARY SCHOOL OF METHODIST MUSICIANS SACRED MUSIC CONCLUDES TO MEET IN FLORIDA WITH MAY FESTIVAL SERVICE The biennial convention of the Fel· A festival service of thanksgi\,jng for Imvship of United Methodist Musicians the School of Sacred Music was held at will be held from Aug. 5 through Aug, Union Theological Seminary in New II at the Florida Southern College, York City on Sunday evening. May 6, Lakeland. Florida. The campus will pro· at 7:30 p.m. The school. which was \'ide a stimulating setting for thc con· founded in 1928 by Clarence Dickinson, l'emion. for it has become famous for concluded its distinguished forty-five its buildings designed by Frank Lloyd )'car history of training professional mu Wright. sicians for the church aher graduating Featured on this year's program will this year's class. be a con,"ocation 011 "Music and Archi· At the service, a choir of O\'er 250 tecture" under the dircction of architcct ,'Dices sang music by Parry, Brahms, Nils Schweizer, a studcnt of Frank Lloyd Haydn. Dickinson, Vaughan \\Tilliams, Wright. The com'ocation will divide in· Fc1ciano, Handel. and Bach. Since one to six groups following Mr, Schwe:zer's of the most important aspects of an ed talk. to tour six of the campus buildings. ucation at Union has been the respon· In cach building will be Ih'c music and sibility of each student to coordinate the interpreth'e slides. -
Celebrating Bernstein Flyer.Pdf
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and Music Director: drawing on jazz rhythms and harmonies, the Psalms Mark Forkgen include an exuberant setting of ‘O be joyful In the Lord all ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord Nathan Mercieca is my shepherd’, as well as some menacing material cut countertenor from the score of the musical. Richard Pearce In 1988 Bernstein revisited the incidental music in organ medieval style that he had composed in 1955 for The Lark, Anouilh’s play about Joan of Arc, and developed Daniel de-Fry it into the vibrant Missa Brevis for unaccompanied choir, harp countertenor soloist and percussion. After three contrasting solo songs, the concert is Sacha Johnson and rounded off with a selection of favourite numbers from Alistair Marshallsay West Side Story, including Tonight, Maria, I Feel Pretty, percussion America and Somewhere. -
Karl Straube, Old Masters and Max Reger a Study in 20Th Century Performance Practice
Karl Straube, Old Masters and Max Reger A Study in 20th Century Performance Practice By Bengt Hambraeus In 1904, the German organist Karl Straube published Alte Meister, an anthology in two volumes of organ music from the 17th and early 18th centuries (Peters 3065 a/b). The second of these volumes was replaced in 1929 with two new ones, with the same title (Peters 4301 a/b). The 3065a volume, which is still available, bears the dedication “Dem jungen Meister Max Reger”, This dedication can be understood in two ways. Either: to a young master composer being on a par with his classical colleagues from past centuries; or: to a young promising composer (Reger, by then 31 years old, had already written many of his most important organ works). We do not have to speculate about the intention of the dedication as such, only observe it in relation to three facts: (i) Both Straube and Reger were born in the same year (1873) and thus belong to the same generation; Reger died in 1916, Straube in 1950; since 1903 Straube had held different positions at the Thomas Church in Leipzig, until 1918 as an organist, and subsequently as choral director; furthermore he had been teaching the organ at the Leipzig Music Conservatory since 1907. (2) Since the beginning of the century, Straube had published a few practical editions of old and more recent organ music. Among the latter, we find his alternative versions to some already printed organ works by Reger. His various editions can easily allow us to understand how he himself may have performed the music, and how and why his interpretations became trendsetters for many of his students. -
MUSIC at MOUNT CARMEL
Twenty-seventh Sunday in Ordinary Time Second Sunday of Advent ABOUT THE PARISH October 7, 2018 December 9, 2018 Our Lady of Mount Carmel, the founding parish of all the English speaking congregations on the North Shore of Chicago, was Music of Healey Willan Music of William Ferris for harp and choir established in 1886. The present Indiana limestone structure Missa Brevis #1 Missa Adventus was built in 1913 in English Gothic style. The motif of the Blessed Art Thou, O Lord & O Sacred Feast On Jordan's Bank & Long is Our Winter exterior design is imitated in the Carrara marble work in the In salutari tuo anima mea, Gregorian chant Jerusalem surge, Gregorian chant sanctuary. A notable feature of the church is the splendid opalescent stained glass. The fine ribbed vault ceiling and dark Twenty-eighth Sunday in Ordinary Time Third Sunday of Advent oak woodwork further enhance the building’s warm ambience. October 14, 2018 December 16, 2018 Music of Thomas Luis da Victoria Missa Octavi Toni, Orlando di Lassus ABOUT THE MUSIC PROGRAM Missa "O Quam Gloriosum est Regnum" Rejoice in the Lord, anonymous Music has always played an important role in the liturgical life of the parish, and this tradition flourishes to this day. With a rich Jesu Dulcis Memoria & Tantum Ergo O Sacrum Convivium, Thomas Weelkes legacy of musical leadership including Adalbert Huguelet and Aufer a me opprobrium et contemptum, Gregorian Chant Gaudete in Domino semper, chant William Ferris that continues under the guidance of Paul French, the assembly has an opportunity to worship with music from the Twenty-ninth Sunday in Ordinary Time Fourth Sunday of Advent rich heritage of the Catholic Church, and is an active participant MUSIC at October 21, 2018 December 23, 2018 in all the liturgies through spirited singing of psalms, chants, (The Morning Choir and Treble Choir) Missa Emmanuel, Richard Proulx acclamations, hymns and songs.